630 shellac records · mostly British pressings, 1900s–1950s
630 records matching · page 9 of 14
R. Starita (likely a Starita dance band or orchestra) recorded 'Truly Rural' (featuring Lily Morris, a known British performer) and 'Ah Sweet Mystery of Life' for Columbia 5145, suggesting a 1920s-1930s pressing.AI summary
Columbia 5145 Dance
Rudy Starita and his Havana Band, a successful British dance and novelty group of the early 1930s, recorded extensively for Columbia. This disc (Col4658) features popular dance material typical of their output.AI summary
Columbia 4658 Dance
R Starita on 'Who's that knockin' at my door?' and 'In the Woodshed', from Columbia 4700. Ruggero Starita was an Italian-British bandleader and accordionist active in Britain during the 1920s-1930s; his sides for Columbia are sought by dance-music and world-music collectors.AI summary
Columbia 4700 Dance
Roberto Starita was a British-Italian dance bandleader of the 1920s–30s, active in London's dance-band scene. 'Rolling the Log' and 'My Man' are dance standards of the period.AI summary
Columbia 4851 Dance
R Starita was a British bandleader active in the late 1920s and 1930s; this Columbia disc of 'Blue River' and 'Love Lies' represents typical dance-band material from a prolific recording artist.AI summary
Columbia 4853 Dance
Columbia 4871 Dance
Raffaele Starita, the Italian-British dance-band leader, recorded 'There must be a Silver Lining' and 'Ramona' for the earlier Columbia series (catalogue 4909), likely mid-to-late 1920s.AI summary
Columbia 4909 Dance
R Starita, the continental dance bandleader, recorded 'Spread a Little Happiness' and 'Ev'ry Little Moment' for Columbia 5228.AI summary
Columbia 5228 Dance
R Starita, a continental dance bandleader of the late 1920s and 1930s, recorded 'All Alone in Lovers' Lane' and 'My Flame of Love' for Columbia 5376.AI summary
Columbia 5376 Dance
R Starita performing 'You're the Cream in my Coffee' and 'To know you is to love you' on Columbia 5423, two popular sentimental songs recorded in the late 1920s.AI summary
Columbia 5423 Dance
Ronnie Starita, a British bandleader and violinist, performing novelty dance numbers on Columbia.AI summary
Columbia 01338 Dance
R Starita led a popular dance orchestra in the 1920s and early 1930s; this Columbia side pairs 'Come on Baby' with 'Through'.AI summary
Columbia 5590 Dance
R Starita on Columbia, catalogue 5679 — likely an early dance or jazz recording from the acoustic era, though artist and material are otherwise unrecorded.AI summary
Columbia 5679 Dance
R. Starita on Columbia CB25. Starita was a British-Italian bandleader and recording artist active in the 1920s-1930s, and his work appears on several British labels. CB-series Columbia 78s were standard pressings of that period, but the specific artists and recordings require confirmation.AI summary
Columbia CB25 Dance
R Starita on 'Talkie Tunes' (two sides the same), from Columbia CB32. Ruggero Starita was an Italian-British bandleader and accordionist; 'Talkie Tunes' is a medley or potpourri. The identical catalogue on both sides suggests a single-sided pressing or pressing error.AI summary
Columbia CB32 Dance
R Starita performing 'My Love Affair' and 'When I passed the old Church Door' on Columbia CB96, a vocal and dance number from the mid-1920s.AI summary
Columbia CB96 Dance
R Starita (Ralph Starita), a prolific British dance-band bandleader and accordionist, recording 'Umtcha da da da' and 'Blue Days are over' on Columbia 5502 in the late 1920s.AI summary
Columbia 5502 Dance
R Starita on Columbia 9295, a two-part orchestral or dance selection. Starita was a British or European musician of the 1920s-30s era.AI summary
Columbia 9295 Dance
R Starita Band performing 'Hollow of a hill' and 'Don't make my Heart your Plaything' on Columbia 5480, standard dance-band fare from the late 1920s.AI summary
Columbia 5480 Dance
'Radio Dance' on Columbia 3160, 'Singing' and 'If Winter Comes', likely a dance band recording from the late 1920s or early 1930s.AI summary
Columbia 3160 Dance
Radio Dance orchestra recording 'Caravan' and 'I Want Some Money' on Columbia, from the early 1930s dance-music catalogue.AI summary
Columbia 3173 Dance
Radio Rhythm Rascals on Columbia FB1107, a house band of the early 1930s.AI summary
Columbia FB1107 Dance
The Ralton Band recorded 'Goodbye' and 'I Would Like to Know Why' for Columbia in the early-to-mid 1920s; a dance band of the acoustic era.AI summary
Columbia 3861 Dance
Ray Miller and his orchestra performing two novelty dance numbers on Columbia. Miller was an American bandleader prominent in the 1920s; his recordings are of modest collector interest. This is an early commercial dance recording.AI summary
Columbia 3138 Dance
Ray Miller band performing 'After the rain' and 'Tell her at twilight' on Columbia 3159. Miller was an American bandleader of the 1920s–30s.AI summary
Columbia 3159 Dance
Ray Noble, the British bandleader and composer, recorded these two songs for Columbia, likely in the early 1930s.AI summary
Columbia 37215 Dance
Ray Noble and his orchestra on Columbia, catalogue FB2024, performing 'I Hadn't Anyone Till You' and 'Vilia'. Noble was a distinguished British bandleader and composer, and his Columbia sides are among his most well-recorded work.AI summary
Columbia FB2024 Dance
Ray Noble and his Band on Columbia, catalogue FB2044. Noble was a successful British bandleader, composer and arranger of the 1930s–40s, recording for Columbia; he was commercially popular and prolific.AI summary
Columbia FB2044 Dance
Ray Noble and his orchestra on Columbia FB2045, performing "Now it can be told" and "My walking stick"; Noble was a prominent British composer, bandleader and arranger.AI summary
Columbia FB2045 Dance
Ray Noble and his orchestra recorded 'From Oakland to Burbank' and 'Harlem Nocturne' for Columbia FB2568. Ray Noble was a highly respected British bandleader and composer, and his Columbia recordings command attention from collectors.AI summary
Columbia FB2568 Dance
Ray Starita and his Band recorded 'Shanghai Dream man' and 'I'll think of you' for Columbia. Starita was a British bandleader and drummer active in the 1920s and early 1930s, leading one of the popular dance bands of the period.AI summary
Columbia 4667 Dance
Ray Starita's band recorded 'Is She My Girl Friend' and 'Persian Rosebud' for Columbia 4640. Starita was a British bandleader and drummer of the 1920s-1930s.AI summary
Columbia 4640 Dance
Ray Starita, British bandleader, recorded dance and novelty numbers for Columbia in the 1920s–1930s; this CB-series pressing represents the dance-band era.AI summary
Columbia CB96 Dance
Rehmstedt recorded "Lache Tanze Singe" and "Amazonas" for Columbia DCW7, a German-language acoustic or very early electrical side.AI summary
Columbia DCW7 Dance
Reisman performing 'Smile will go a long way' on Columbia 3456.AI summary
Columbia 3456 Dance
Harry Reisman was an American conductor and composer who led popular dance orchestras in the 1920s–1930s. This Columbia CB-series recording pairs two instrumental arrangements typical of his ballroom and novelty style.AI summary
Columbia CB44 Dance
Harry Reisman, a prolific bandleader of the 1920s–30s, recorded these two popular songs for Columbia's 3022 catalogue, capturing the light orchestral dance-music style of the era.AI summary
Columbia 3022 Dance
Reisman (Leo Reisman's orchestra) on Columbia 4450, performing "Silver Song Bird" and an orchestral novelty from the early 1930s. Reisman was a prolific dance orchestra leader of the swing era.AI summary
Columbia 4450 Dance
Reisman's orchestra performing 'Because They All Love Me' and 'Indian Love Call' on Columbia 242D, a dance record from the early 1920s.AI summary
Columbia 242D Dance
Reisman on Columbia 4434, performing 'Collette' and Lanin's 'Lucky Day', dance-band recordings from the 1920s.AI summary
Columbia 4434 Dance
Columbia 3309 Dance
Reser performing 'I'm in Love with You That's Why' and 'Clicquot' on Columbia, circa mid-1920s.AI summary
Columbia 4136 Dance
Reser performing two pieces on Columbia 4913, a British pressing of the late 1920s or early 1930s. The artist is unrecognised without research.AI summary
Columbia 4913 Dance
Reser on Columbia 4271. Harry Reser was a prolific 1920s novelty and dance-band leader whose ukulele and xylophone sides remain of interest to jazz and dance-band collectors.AI summary
Columbia 4271 Dance
Harry Reser was a banjo virtuoso and bandleader who recorded dance and novelty sides for Columbia in the 1920s–30s. 'I Wonder How I Look When I'm Asleep' and 'Fire' are typical novelty dance numbers; this is a standard commercial dance recording.AI summary
Columbia 4380 Dance
Columbia 4380 Dance
Credited to Rich on Columbia 4798, with a title 'Chirp Chirp' and a piece by the bandleader Ruggero Starita; this appears to be a comic novelty or dance-band side from the 1920s or 1930s, but the artist remains unidentified.AI summary
Columbia 4798 Dance
Rich on Columbia 4798, an unidentified performer on an early Columbia issue from the 1920s.AI summary
Columbia 4798 Dance