583 shellac records · mostly British pressings, 1900s–1950s
583 records matching · page 12 of 13
Spike Jones, the American novelty bandleader, performing two songs for His Master's Voice. Jones was famous for his humorous, anarchic big band sound and was widely recorded in the 1940s-1950s.AI summary
His Master's Voice BD1107 Dance
Phil Spitalny and his orchestra recorded 'One I Love Just Can't be Bothered with Me' and 'Down the River of Golden Dreams' for His Master's Voice B5835 in the late 1920s or early 1930s.AI summary
His Master's Voice B5835 Dance
The SS Leviathan Band, named after the famous ocean liner, recorded these two sides for His Master's Voice in the early 1920s; the ship's dance band made several recordings, now quite scarce.AI summary
His Master's Voice B1848 Dance
'Come Over Here' was a London musical comedy of 1913, and this HMV C-series pressing of a selection from it probably dates from that year. The C-series was used for twelve-inch records. The artist 'Steiner' in this context is likely a conductor or band. Show selections of this type were standard HMV catalogue material and were pressed in large quantities.AI summary
His Master's Voice C290 Dance
The Streamliners recorded 'Let's go steady' and 'March Hare' for His Master's Voice POP series, a popular dance label of the 1950s.AI summary
His Master's Voice POP228 Dance
Tango Band (artists unidentified) on His Master's Voice B5355, performing 'Zulu Wail' and 'A Blue Serenade'. The 'Zulu Wail' suggests an exotic or novelty number; tango and Latin dance music was popular in the 1930s.AI summary
His Master's Voice B5355 Dance
Ted Weems' orchestra recorded 'Miss Wonderful' and 'I'm a Dreamer' (credited to the HighHatters) for His Master's Voice B5745. Weems was an American bandleader of the swing era whose recordings often appeared on HMV.AI summary
His Master's Voice B5745 Dance
Teddy Joyce was a British dance bandleader of the 1930s–40s; this His Master's Voice BD-series disc carries two popular ballads from the late 1930s.AI summary
His Master's Voice BD144 Dance
Teddy Joyce and his orchestra recorded these two sides for His Master's Voice, a British budget electrical series; Joyce was a British bandleader of the late 1920s and early 1930s.AI summary
His Master's Voice BD162 Dance
Teddy Joyce Band on His Master's Voice, a British dance orchestra, with 'I'll Take the South' and 'Rehearsing a Lullaby'—early dance music from the 1920s-1930s.AI summary
His Master's Voice BD176 Dance
Teddy Joyce led a dance band during the 1930s–40s and recorded for His Master's Voice. This BD177 recording pairs two popular dance standards from the swing era.AI summary
His Master's Voice BD177 Dance
Teddy Joyce led a dance orchestra, recorded here on His Master's Voice for 'Call Me Sweetheart' and 'Here Comes That Rainbow'. The BD series places this in the early 1930s.AI summary
His Master's Voice BD190 Dance
Teddy Joyce's dance band recorded for His Master's Voice with 'Two Tired Eyes' and 'Marina', a British bandleader of the pre-war era.AI summary
His Master's Voice BD191 Dance
The Tennessee Ten, a dance and novelty band, records 'You've Got to See Mamma Ev'ry Night' alongside Paul Whiteman performing 'Nothin' But' on HMV B1677. Paul Whiteman is among the most collected dance-band names of the 1920s; the Whiteman coupling on a standard HMV B-series electric pressing is of modest dance-band collector interest.AI summary
His Master's Voice B1677 Dance
After Glenn Miller's death, saxophonist and singer Tex Beneke led the band under the Miller name. This late-1940s HMV issue couples 'Pin-Striped Pants' with 'The Whiffenpoof Song'.AI summary
His Master's Voice BD1252 Dance
Tommy Dorsey, leader of one of the most popular big bands of the 1930s–40s, recorded 'Tin Roof Blues' and 'Boogie Woogie' for His Master's Voice; Dorsey's orchestra recordings are among the most widely collected swing-era sides.AI summary
His Master's Voice B8854 Dance
Tommy Dorsey, the American trombonist and bandleader, recorded extensively for His Master's Voice; this side showcases the swing-era big-band style that made him famous.AI summary
His Master's Voice BD5884 Dance
Tommy Dorsey's trombone band recorded "(Ah Yes) There's Good Blues Tonight" and "There's No One But You" for His Master's Voice BD5944 in the 1940s, during his peak commercial period.AI summary
His Master's Voice BD5944 Dance
Tommy Dorsey was the leading American trombonist and bandleader of the 1930s–40s; this His Master's Voice 78 couples two popular swing numbers recorded during his commercial peak.AI summary
His Master's Voice B8854 Dance
His Master's Voice B6020 Dance
Varaldi Tango Band recording 'Hasta la ruelia' and 'El panuelito' on His Master's Voice B2136, a mid-1920s British pressing. Varaldi was a known tango ensemble of the period.AI summary
His Master's Voice B2136 Dance
The Varaldi Tango Orchestra recorded authentic tango repertoire for His Master's Voice, one of the major British labels. 'Pajaros de Fueza' and 'Madre' are Spanish and Latin American compositions typical of the tango craze of the 1920s–30s. Very little is known of this ensemble.AI summary
His Master's Voice B2137 Dance
Vera Desmond, a British singer, recorded light entertainment and dance material for His Master's Voice in the late 1920s; 'Ragtime Pipes of Pan' and 'Night of Romance' are typical novelty and ballroom numbers of the era.AI summary
His Master's Voice B1001 Dance
Vera Guilaroff performing 'Deep Purple' and 'Midnight in Mayfair', recorded for His Master's Voice in the 1930s. Guilaroff was a Russian-born pianist and composer active in London's dance music scene.AI summary
His Master's Voice BD449 Dance
The Virginians, a popular dance orchestra of the 1920s, recorded for His Master's Voice B1408, performing 'Blue' and Frank Confrey's 'Struttin' at the Strutters Ball'. The Virginians were one of the leading dance bands of the early jazz age and their recordings, especially on HMV, are collected.AI summary
His Master's Voice B1408 Dance
W Jefferies recorded 'There's a long long Trail' and 'Everybody's crazy on the Fox Trot' for His Master's Voice, catalogue B567—an early acoustic-era release from the 1920s or earlier. 'Long long Trail' is a WWI standard.AI summary
His Master's Voice B567 Dance
Waring, likely Fred Waring and his Pennsylvanians, performs 'Fit as a Fiddle' and '(Bestor) To the Rhythm of the River Rhine' on His Master's Voice B6304.AI summary
His Master's Voice B6304 Dance
Waring and Olsen recorded 'My Regular Girl' and 'Lucky Day' for His Master's Voice B5303, a vocal or dance record from the late 1920s.AI summary
His Master's Voice B5303 Dance
Waring recorded two popular dance numbers for His Master's Voice B5047. The artist is likely Fred Waring, the American bandleader, but the specific recording is not clearly identified.AI summary
His Master's Voice B5047 Dance
His Master's Voice B5412 Dance
Phil Weems and his orchestra recording 'Piccolo Pete' and two other popular titles on His Master's Voice from the late 1920s or early 1930s.AI summary
His Master's Voice B5712 Dance
Weems (likely Ted Weems and his orchestra, a popular American dance band) on His Master's Voice. The catalogue number B5618 indicates a mid-1930s British pressing of standard dance material.AI summary
His Master's Voice B5618 Dance
Paul Whiteman, the most commercially successful conductor of the jazz and dance-band era, leading his orchestra through a Cole Porter medley and 'Night & Day' on this His Master's Voice C-series pressing, a deluxe format.AI summary
His Master's Voice C2606 Dance
Paul Whiteman conducting an orchestra on His Master's Voice with two popular standards from the early 1930s; Whiteman was the leading dance band conductor of the 1920s-1930s and a prolific and commercially successful recording artist.AI summary
His Master's Voice B6513 Dance
Paul Whiteman and his orchestra on 'Smoke gets in your Eyes' and a Duchin number, from HMV B6540. Whiteman was the most famous American bandleader of the 1920s-1930s, billed as 'King of Jazz'; this is a mid-1930s recording. HMV pressings of Whiteman's popular hits are generally common.AI summary
His Master's Voice B6540 Dance
His Master's Voice B5270 Dance
Paul Whiteman's orchestra, the "King of Jazz," recorded prolifically for HMV in the late 1920s and early 1930s. This B5000-series side documents the sophisticated dance-band sound that defined the era.AI summary
His Master's Voice B5284 Dance
Paul Whiteman, the 'King of Jazz' and America's most famous orchestra leader of the 1920s–30s, performing Magnolia and a Jerome Kern standard for HMV's B-series—a major label prestige release.AI summary
His Master's Voice B5317 Dance
Paul Whiteman and his orchestra recorded 'Shanghai Dream Man' and 'Fallen leaf' for His Master's Voice catalogue B5351, from the late 1920s.AI summary
His Master's Voice B5351 Dance
Paul Whiteman, the American 'King of Jazz', recorded these two numbers for HMV's British catalogue. 'My Pet' and Nat Shilkret's 'Get Out and Get Under the Moon' are typical of Whiteman's sophisticated dance and novelty material from the late 1920s.AI summary
His Master's Voice B5504 Dance
Paul Whiteman, the American bandleader and "King of Jazz", on His Master's Voice, performing 'Say It with Music' and 'Sweet Lady', from his prolific recording career of the 1920s.AI summary
His Master's Voice B1306 Dance
Paul Whiteman's orchestra performing 'Ah But Is It Love' and 'My Moonlight Madonna' on His Master's Voice.AI summary
His Master's Voice B6399 Dance
Paul Whiteman's orchestra recorded "Bagdad" and "Maybe" for His Master's Voice K-series catalogue 2741. Whiteman was the most commercially successful dance bandleader of the 1920s and early 1930s, and his records are widely collected.AI summary
His Master's Voice K2741 Dance
Paul Whiteman on His Master's Voice B1397, the 'King of Jazz' performing 'K-Lu-A Blue Danube Blues' and a Club Royal side. Whiteman was the most famous American bandleader of the 1920s–30s, and his records remain among the most collected in dance music.AI summary
His Master's Voice B1397 Dance
His Master's Voice B1407 Dance
His Master's Voice B6275 Dance
Paul Whiteman, the legendary American bandleader and 'King of Jazz', recorded for His Master's Voice in the late 1920s. Whiteman was one of the biggest recording artists of the early phonograph era.AI summary
His Master's Voice B1847 Dance
Paul Whiteman and his orchestra recorded 'I Can't Get the One I Want' and 'Somebody Loves Me' for His Master's Voice, catalogue B1889; Whiteman was the most famous orchestra leader of the 1920s and early 1930s.AI summary
His Master's Voice B1889 Dance