3,692 shellac records · mostly British pressings, 1900s–1950s
3,692 records matching · page 46 of 77
Lanin, likely one of the Lanin brothers or their orchestra, on Winner 4847 performing popular dance selections.AI summary
Winner 4847 Dance
Lanin, the prolific dance bandleader, in two pieces on Imperial, a small British label: "Do something" and "Jericho", from the late 1920s.AI summary
Imperial 2099 Dance
Lanin on Regal 8004 with 'Yes We Have No Bananas', the novelty hit of 1923, and 'Who Cares?' This is likely a North American ensemble (Lanin was an American band name) pressed for British distribution via Regal.AI summary
Regal 8004 Dance
Lanin with Sure as You're Born and Bahamas on Actuelle 10661.AI summary
Actuelle 10661 Dance
Lanin with It's a Great Life and, credited Wallace, Fall in Love with Me on Ariel 4691.AI summary
Ariel 4691 Dance
Lanin on Imperial 1292, a popular song recording. Imperial was a minor British label. Lanin may refer to Sam Lanin, an American bandleader, though the attribution is uncertain on a British budget imprint.AI summary
Imperial 1292 Dance
Lanin (likely a Lanin dance orchestra, one of several ensembles active under that name in the 1920s-1930s) recorded 'She Wouldn't Do' and 'The One I Love' for Imperial, a minor British label.AI summary
Imperial 1300 Dance
Samuel Lanin's orchestra performing 'I wonder what's become of Sally' and 'Charleston Cabin' on Imperial 1363. Lanin was a prolific bandleader of the 1920s dance-band era.AI summary
Imperial 1363 Dance
Lanin, likely a dance orchestra or bandleader, on Imperial Records, catalogue 1396, an American label of the late 1920s.AI summary
Imperial 1396 Dance
Lanin recorded 'I Want to Be Happy' and '(Gold) Tea for Two' for Imperial, catalogue 1411, likely 1920s.AI summary
Imperial 1411 Dance
Lanin's orchestra recorded 'When the Red Red Robin' and a novelty piece for Imperial in the late 1920s or early 1930s.AI summary
Imperial 1651 Dance
Sam Lanin, the American bandleader, leading a dance side on Imperial 1741.AI summary
Imperial 1741 Dance
Samuel Lanin's orchestra performing 'I'm looking over a four Leaf Clover' and 'Hello Swanee hello' on Imperial 1798. Lanin was a prolific dance-band leader of the 1920s, recorded extensively for commercial labels.AI summary
Imperial 1798 Dance
Sam Lanin, a prolific American dance-band bandleader of the 1920s–30s, performing two novelty vocal numbers on Imperial 1807. Lanin recorded prolifically and is known to collectors of 1920s dance music.AI summary
Imperial 1807 Dance
Lanin (likely Sam Lanin or his orchestra) on Imperial Records with two popular song sides; Lanin was a prolific bandleader and recording artist of the 1920s-1930s.AI summary
Imperial 1832 Dance
Lanin performing 'When Day is Done' and 'When the Morning Glories Wake Up' on Imperial. This is likely a Sam Lanin or related Lanin orchestra — a prolific New York jazz and dance band of the 1920s–early 1930s.AI summary
Imperial 1862 Dance
Lanin on Imperial Records with 'Rag Doll' and 'That's my Weakness Now'. The catalogue number 1954 is relatively high and suggests a later Imperial pressing, likely from the early 1930s.AI summary
Imperial 1954 Dance
Sam Lanin's orchestra on Imperial, a small American label of the 1920s, performing the popular ballads 'Sweet Sue' and 'My Angel'.AI summary
Imperial 1955 Dance
Lanin (likely a dance orchestra led by bandleader Sam Lanin) performs two jazz-novelty numbers on Imperial 2008: "Old Man Sunshine" and Candullo's "Dusky Stevedore," likely from the late 1920s. Imperial was a minor label with limited UK distribution.AI summary
Imperial 2008 Dance
Lanin, credited on Imperial 2096, performing 'You're the Cream in My Coffee' and 'Huggable Kissable You' — popular dance numbers of the late 1920s–early 1930s.AI summary
Imperial 2096 Dance
Samuel Lanin, a well-known American bandleader and violinist of the 1920s, performing two popular songs on Imperial 2222. Imperial was a US label with British distribution.AI summary
Imperial 2222 Dance
Sam Lanin's orchestra on Imperial, a budget British reissue label, performing popular songs likely from the 1920s.AI summary
Imperial 2283 Dance
Sam Lanin, a prolific American dance-band leader, recorded 'Somebody Mighty Like You' and 'Miss Wonderful' (a Schubert arrangement) for Imperial, catalogue 2223.AI summary
Imperial 2223 Dance
An artist credited as 'Lanin' on Imperial 2225, performing 'I may be wrong' and a piece credited to arranger 'Vorhees' ('Just you just me'). Without fuller identification, this cannot be placed precisely.AI summary
Imperial 2225 Dance
Lanin's orchestra recorded "Blondy" and "My Love Parade" for Imperial catalogue 2238. Lanin was a prolific bandleader in the acoustic and early electric era, and Imperial was a British label with variable pressing volumes.AI summary
Imperial 2238 Dance
Sam Lanin's Clevelanders, a dance orchestra, recorded 'Singin' in the Bath Tub' and 'Lady Luck' for Imperial, a minor British label.AI summary
Imperial 2252 Dance
Sam Lanin's orchestra recorded 'If I Can't Have You' and 'Wouldn't It Be Wonderful' for Imperial, a small British dance label of the early 1930s; Lanin's Imperial sides are uncommon compared to his major-label output.AI summary
Imperial 2278 Dance
Lanin on Imperial 2310, a dance recording from the Imperial label, likely 1920s.AI summary
Imperial 2310 Dance
Lanin's orchestra performed 'Great Day' and 'Without a Song' for Imperial Records, a minor British label, in the late 1920s—two jazz standards.AI summary
Imperial 2325 Dance
Imperial 2617 Dance
Lanin recorded 'On the Beach with You' and 'Many Happy Returns of the Day' for Columbia, catalogue CB341. This is an early dance-band recording from the Edwardian or 1920s era.AI summary
Columbia CB341 Dance
Lanin (likely Sam Lanin or his orchestra) recorded 'Ritzi Mitzi' and 'Secrets' for Winner Records, catalogue 3872; Lanin was a prolific dance-band leader and arranger.AI summary
Winner 3872 Dance
Lanin on Winner 3898, performing 'Little Rover' and '(Silver) Yes we have no Bananas', popular numbers of the 1920s. Winner was a budget British label.AI summary
Winner 3898 Dance
Lanin led a popular American dance orchestra of the 1920s-1930s; this Columbia recording, catalogue CB119, features 'Promises' and 'Dancing with Tears in My Eyes' (with vocalist Ruth Etting and the Selvin orchestra).AI summary
Columbia CB119 Dance
Imperial 1285 is credited to Lanin — almost certainly Sam Lanin, the prolific American dance-band leader whose sides appeared on many budget labels — though the catalogue entry notes the label attribution may be wrong. 'You're in Kentucky Sure as You're Born' is a typical 1920s dance number. Imperial was a modest British label; Lanin sides were pressed in quantity on multiple budget marques.AI summary
Imperial 1285 Dance
The Lanin Dance Band, a prolific recording ensemble of the 1920s, performed 'Bye Bye Blackbird' and 'Blue Bonnet' for Imperial, a marginal American label.AI summary
Imperial 1653 Dance
Lanin Dance Band, a popular American dance orchestra, records two pieces for Imperial — a British budget label making overseas pressings.AI summary
Imperial 1805 Dance
Brunswick 04017 Dance
Lawrence (unidentified artist) recording 'Singin' in the Rain' and 'Tiger Rag' for Pan, a very small and poorly documented British label. These are popular standards suggesting a dance or popular-music context.AI summary
Panachord 25661 Dance
An unidentified band or artist recorded 'Let's Fall in Love', a standard pop ballad, for Eclipse, an obscure British label. Very little is known of this label or recording.AI summary
Eclipse 685 Dance
Leader recorded 'What a Little Moonlight Can Do' and 'Aren't You Pleased When You're Happy' for Eclipse, catalogue 879, a small British label of the 1920s–30s. Both the artist and label are obscure.AI summary
Eclipse 879 Dance
Lecuona Cuban Boys, a well-known Cuban dance band, perform two Latin standards: 'Amapola' and 'Tabou'. This is a Columbia Records UK pressing, and the group's recordings remain sought by Latin music and dance collectors.AI summary
Columbia FB1273 Dance
Len Fillis, a British dance-band saxophonist, recorded these three titles for Columbia around the early 1930s. The medley format and saxophone-feature arrangement are typical of the period's popular dance music.AI summary
Columbia 4161 Dance
Len Fillis and Sid Bright, British musicians, recorded for Columbia with light dance and novelty material from the late 1920s or early 1930s.AI summary
Columbia 4920 Dance
Lennox Dance Orchestra recorded "Together" and "Ramona" for Perfection Records 384, a small British budget label.AI summary
Perf 384 Dance
Leo Mallett, a performer, recorded "Waltz on Scotch Airs" and "Boston Belles" for Imperial, a small British label of the late 1920s-1930s.AI summary
Imperial 945 Dance
Leo Reisman and his orchestra on Columbia with 'The Wedding of the Painted Doll' and 'Kiddies Kabaret'—dance and novelty pieces from the late 1920s.AI summary
Columbia 01497 Dance
Leo Reisman and his orchestra performing 'Love Tale of Alsace Lorraine' and 'Along Came Sweetness' on Columbia 1682D. Reisman was a popular orchestral bandleader of the 1920s and 1930s, known for refined dance music.AI summary
Columbia 1682D Dance