3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 59 of 77
Ray Miller and his orchestra, a popular American dance band of the 1920s, recorded these two sides for Brunswick; Miller was a prolific bandleader but is little remembered today.AI summary
Brunswick 2823 Dance
Ray Miller and his orchestra performing two novelty dance numbers on Columbia. Miller was an American bandleader prominent in the 1920s; his recordings are of modest collector interest. This is an early commercial dance recording.AI summary
Columbia 3138 Dance
Ray Miller was a successful American dance bandleader of the 1920s–30s, and this Brunswick recording pairs two of his popular dance arrangements: "Me Neenyah" and "You and I".AI summary
Brunswick 2814 Dance
Ray Miller band performing 'After the rain' and 'Tell her at twilight' on Columbia 3159. Miller was an American bandleader of the 1920s–30s.AI summary
Columbia 3159 Dance
Ray Noble was a British composer, arranger and bandleader who epitomised the sophisticated dance and light-music tradition of the 1930s; these standards showcase his elegant style on His Master's Voice.AI summary
His Master's Voice BD5186 Dance
Ray Noble, a prolific British composer and bandleader, recorded 'I Hadn't Anyone Till You' and 'Moon of Manakoora' for Brunswick. Noble was a major studio recording artist throughout the 1920s–40s.AI summary
Brunswick 8079 Dance
Ray Noble was one of the most prolific and successful British bandleaders and composers of the 1920s-30s, known for sophisticated dance-band arrangements and numerous song compositions. This Electrovox recording is unusual; Electrovox was a very minor British label.AI summary
Electrovox 8847 Dance
Ray Noble and his orchestra on His Master's Voice, performing 'Night on the Desert' and 'At the Court of Old King Cole' from the mid-1930s. Noble was a distinguished British bandleader and film composer with a substantial recording catalogue.AI summary
His Master's Voice B6496 Dance
Ray Noble, the British bandleader and composer, recorded "Punter's Lament" and "Back Your Fancy"—a song-poem about a race-game betting system—for His Master's Voice in the early 1930s. Noble was influential in both British and American swing.AI summary
His Master's Voice B4085 Dance
Ray Noble was a highly accomplished British bandleader, arranger and composer who recorded extensively for His Master's Voice throughout the 1930s-40s. This BD pressing of sophisticated pop standards represents his elegant approach to dance and popular material.AI summary
His Master's Voice BD5245 Dance
Ray Noble, the British bandleader and composer, recorded these two songs for Columbia, likely in the early 1930s.AI summary
Columbia 37215 Dance
Ray Noble's orchestra with Al Bowlly on vocals, performing Noël Coward's 'Twentieth Century Blues' from the musical Cavalcade, recorded for HMV in the early 1930s; one of the most recorded British songwriting partnerships of the era.AI summary
His Master's Voice B4001 Dance
The Ray Noble Band on HMV B10165, performing 'Loretta' and 'I Want to Be Near You'. Ray Noble (1903–1978) was a prominent British bandleader, arranger and composer of the 1920s–30s, famous for sophisticated dance-band music; he later settled in Hollywood and became a popular radio personality.AI summary
His Master's Voice B10165 Dance
Ray Noble's orchestra, a sophisticated British dance band of the early 1930s, recorded "La-Di-Da-Di-Da" with vocalist Comber and "When You Were the Girl on the Scooter" with vocalist Al Bowlly for His Master's Voice. Noble was known for witty, urbane arrangements and his recordings with Bowlly are particularly sought after.AI summary
His Master's Voice B6432 Dance
Ray Noble Band on His Master's Voice, a British bandleader and composer known for sophisticated dance and light music, with 'El Relicario' and 'Allah's Holiday'—popular instrumental dance music from the early 1930s.AI summary
His Master's Voice BD173 Dance
Ray Noble and his orchestra performing medleys of popular songs from 1923 and 1924 on His Master's Voice, with vocalist Al Bowlly on the second side. Noble was one of Britain's finest bandleaders and composers, and these sides are classic British dance recordings.AI summary
His Master's Voice B4012 Dance
Ray Noble and his orchestra, one of the finest British dance bands, recorded these two sides for His Master's Voice, likely in the mid-1930s; the B-side credits Guy Lombardo.AI summary
His Master's Voice BD5048 Dance
Ray Noble was a celebrated British composer, bandleader and arranger of the 1930s, leading one of the era's most stylish orchestras; this His Master's Voice side captures him performing two romantic numbers, 'Just Once for All Time' and 'Live Laugh and Love'.AI summary
His Master's Voice B6111 Dance
Ray Noble was a celebrated British pianist, bandleader and composer; this His Master's Voice recording captures one of his numerous compositions from the early 1930s.AI summary
His Master's Voice B6235 Dance
Ray Noble and his orchestra on Columbia, catalogue FB2024, performing 'I Hadn't Anyone Till You' and 'Vilia'. Noble was a distinguished British bandleader and composer, and his Columbia sides are among his most well-recorded work.AI summary
Columbia FB2024 Dance
Ray Noble and his Band on Columbia, catalogue FB2044. Noble was a successful British bandleader, composer and arranger of the 1930s–40s, recording for Columbia; he was commercially popular and prolific.AI summary
Columbia FB2044 Dance
Ray Noble and his orchestra on Columbia FB2045, performing "Now it can be told" and "My walking stick"; Noble was a prominent British composer, bandleader and arranger.AI summary
Columbia FB2045 Dance
Ray Noble and his orchestra recorded 'From Oakland to Burbank' and 'Harlem Nocturne' for Columbia FB2568. Ray Noble was a highly respected British bandleader and composer, and his Columbia recordings command attention from collectors.AI summary
Columbia FB2568 Dance
Ray Starita and his Band recorded 'Shanghai Dream man' and 'I'll think of you' for Columbia. Starita was a British bandleader and drummer active in the 1920s and early 1930s, leading one of the popular dance bands of the period.AI summary
Columbia 4667 Dance
Ray Starita's band recorded 'Is She My Girl Friend' and 'Persian Rosebud' for Columbia 4640. Starita was a British bandleader and drummer of the 1920s-1930s.AI summary
Columbia 4640 Dance
Ray Starita, British bandleader, recorded dance and novelty numbers for Columbia in the 1920s–1930s; this CB-series pressing represents the dance-band era.AI summary
Columbia CB96 Dance
Ray Ventura et ses Collégiens, a prominent French dance orchestra, on Pathé pressing from the 1930s or 1940s.AI summary
Pathé PA890 Dance
Ray Venture Band on Winner performing late 1920s dance material; Winner's low catalogue numbers suggest an early pressing by this obscure ensemble.AI summary
Winner W31 Dance
Raymond Paige Band on His Master's Voice, an American orchestra, recording 'Beauty Must Be Loved' and 'Pop Goes Your Heart'—light popular dance music from the early 1930s.AI summary
His Master's Voice BD118 Dance
Raymond Paige was an American conductor and bandleader; this His Master's Voice BD-series disc carries two popular ballads from the late 1930s.AI summary
His Master's Voice BD141 Dance
Rayner's Dance Orchestra performing two jazz standards—"Hallelujah" and "Clap Yo' Hands"—for the British Perfection label.AI summary
Perfect P305 Dance
Red and His Big Ten, a dance orchestra, recorded these two jazz-inflected popular songs for Victor, the major American label; Victor 23033 places it in the late 1920s swing era.AI summary
Victor 23033 Dance
The Red Heads (an unidentified jazz or dance ensemble) performing 'Wild and foolish' and 'Plenty off Centre' (credited to We Three), novelty and hot dance numbers from the 1920s–30s era. This Act label pressing is from an obscure British marque.AI summary
Actuelle 11206 Dance
The Red Heads recorded 'Hi diddle diddle' and 'Black Bottom' for Act, an obscure British budget label. Little is documented of this ensemble or label.AI summary
Actuelle 11234 Dance
Red Heads performing 'Ida Sweet as Apple Cider' and 'Feelin no Pain' on Perf 15648. Perf (Perfection) was a small British label of the interwar years.AI summary
Perfect 15648 Dance
Red Norvo, the American jazz vibraphonist, recorded 'Slam slam blues' and 'Hallelujah' for the Comet label, catalogue 6. Red Norvo was an influential jazz bandleader and vibraphonist active from the late 1920s onward.AI summary
Comet 6 Dance
The Reg Adams band with Ooh That Kiss and You're My Everything on Mayfair G2194.AI summary
Mayfair G2194 Dance
Regal Dance band on two instrumental novelty dance numbers, Regal G-series pressing from the 1920s.AI summary
Regal G7504 Dance
The Regal Dance Band recorded 'Puss Puss' and 'Mello Cello' for Regal G7665, a novelty pair of dance numbers from the 1930s.AI summary
Regal G7665 Dance
Regent Dance Orchestra on Brunswick Records, catalogue 3306, with 'Tonight You Belong to Me' and 'Blame It on the Waltz'. Brunswick was a major label, and this is a routine dance side from the swing era.AI summary
Brunswick 3306 Dance
The Regent Orchestra recorded 'Down in Maryland' and 'Lovelight in Your Eyes' for Curry's, a small British label of the early 1930s.AI summary
Curry's 3095 Dance
Reggie Childs and his orchestra recorded these two sides for Regal, a budget British label; Childs was a minor British bandleader of the 1930s, little known today.AI summary
Regal MR1869 Dance
Reginald King Orchestra recorded 'River Stay 'Way from My Door' and 'The Match Parade' for Film Records (327). Film was a British budget label of the 1930s; Reginald King was a light conductor and bandleader of modest prominence.AI summary
Filmophone 327 Dance
Rehmstedt recorded "Lache Tanze Singe" and "Amazonas" for Columbia DCW7, a German-language acoustic or very early electrical side.AI summary
Columbia DCW7 Dance
Reichman performing 'I Wished on the Moon' and 'Why Dream' on Oriol 350904, a British label of the 1930s.AI summary
Oriole 350904 Dance
Reisman performing 'Smile will go a long way' on Columbia 3456.AI summary
Columbia 3456 Dance
Harry Reisman was an American conductor and composer who led popular dance orchestras in the 1920s–1930s. This Columbia CB-series recording pairs two instrumental arrangements typical of his ballroom and novelty style.AI summary
Columbia CB44 Dance
Reisman (likely Carl Reisman or his orchestra) performs 'Let's Call It a Day' and 'Happy as the Day is Long' on His Master's Voice B6378.AI summary
His Master's Voice B6378 Dance