3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 75 of 77
Wally Bishop and his band performing 'Happy Birthday to Love' and 'Strangers in the Dark' on Regal MR2538. The Regal label was a secondary British imprint used for dance-band and popular material from the 1920s onwards.AI summary
Regal Zonophone MR2538 Dance
Waring, likely Fred Waring and his Pennsylvanians, performs 'Fit as a Fiddle' and '(Bestor) To the Rhythm of the River Rhine' on His Master's Voice B6304.AI summary
His Master's Voice B6304 Dance
Waring and Olsen recorded 'My Regular Girl' and 'Lucky Day' for His Master's Voice B5303, a vocal or dance record from the late 1920s.AI summary
His Master's Voice B5303 Dance
Waring recorded two popular dance numbers for His Master's Voice B5047. The artist is likely Fred Waring, the American bandleader, but the specific recording is not clearly identified.AI summary
His Master's Voice B5047 Dance
Waring's Pennsylvanians, a popular American dance orchestra of the 1920s–30s, recorded a medley of 'Flying Colors' for Victor Records.AI summary
Victor 24239 Dance
Warner's 7 Aces, a dance band performing novelty jazz on early Columbia: 'So Is Your Old Lady' and 'I'm Walking Around in Circles' (credited to Radiolites). The 4000 series is an early Columbia issue from the mid-1920s.AI summary
Columbia 4068 Dance
Warner's 7 Aces, a dance band of the 1920s, recorded these two jazz-inflected pop songs for Columbia's 305D series, a numerical catalogue issue from the height of the dance-band era.AI summary
Columbia 305D Dance
Watbe King (or possibly a variant spelling) led a dance band recorded for Brunswick. The catalogue number 01550 dates this to the early 1930s, and the Latin-flavoured titles suggest dance-oriented material.AI summary
Brunswick 01550 Dance
Weems recorded 'Blue Eyed Sally' and 'Oh How I Love My Darling' for Victor 19547, likely from the 1920s. This appears to be either a British pressing or an American release.AI summary
Victor 19547 Dance
Brunswick 03806 Dance
His Master's Voice B5412 Dance
Phil Weems and his orchestra recording 'Piccolo Pete' and two other popular titles on His Master's Voice from the late 1920s or early 1930s.AI summary
His Master's Voice B5712 Dance
Weems — likely Ted Weems, an American dance-band leader of the 1920s–30s — recorded 'Miss Annabelle Lee' and 'Barbara' for Victor, the major American label. Victor pressings of Weems were widely distributed. These are light popular ballads or dance-novelty titles typical of his era.AI summary
Victor 20846 Dance
Weems (likely Ted Weems and his orchestra, a popular American dance band) on His Master's Voice. The catalogue number B5618 indicates a mid-1930s British pressing of standard dance material.AI summary
His Master's Voice B5618 Dance
Ted Weems' orchestra featuring Perry Como on Brunswick 04018, with 'It All Comes Back to Me Now' and 'That Old Gang of Mine' — American big-band material with a young Como vocal, 1940s.AI summary
Brunswick 04018 Dance
Welk on Cor 91013, 'Oh Happy Day' and 'Your Mother and mine', likely light orchestra or novelty material from the 1930s–40s.AI summary
Coral 91013 Dance
The West End Players with Goodnight Sweetheart and Lazy Day on Mayfair 2012.AI summary
Mayfair 2012 Dance
Westphal performs 'Pasadena' and 'Savoy Havana Band's 12 O'clock at Night' on Regal 8173. Westphal was a dance bandleader; Regal was a major British imprint of the 1920s–1930s.AI summary
Regal 8173 Dance
Westphal performs 'Don't bring me Posies' and 'Java' (Band arrangement) on Regal 8006. Westphal was a dance bandleader; Regal was a major British imprint of the 1920s–1930s.AI summary
Regal 8006 Dance
Westphal recorded 'Pasadena' and the dance number '(Savoy Havana) 12 O'clock at Night' for Regal, a cheap British marque of the 1930s.AI summary
Regal 8173 Dance
Southern MQ565 Dance
A dance recording credited to Whidden on Columbia's early 4000-series catalogue, performing "For My Sweetheart" and "Moonlight and Roses".AI summary
Columbia 4240 Dance
Whidden's Imperial label recording of novelty material from the 1930s-40s.AI summary
Imperial 2054 Dance
Whidden recorded 'Blue Bird Sing me a Song' and 'In the Woodshed' on Imperial, catalogue 1935; an obscure dance or novelty side from a minor British label.AI summary
Imperial 1935 Dance
Whidden recorded 'Down by the Old Front Gate' and 'Sweet Ukulele Maid' for Imperial 1981, an unknown artist on a minor British label.AI summary
Imperial 1981 Dance
Whidden recorded 'Virginia' and 'Saskatchewan' for Imperial Records, a small British label of the early 1930s; the artist is not clearly identified in standard references.AI summary
Imperial 1982 Dance
Credited to Whidden on Imperial, an obscure British dance label of the early 1930s; 'Underneath the Blue' and 'Minnetonka' are period light-entertainment songs, but the artist is unidentified.AI summary
Imperial 2000 Dance
Whidden, credited to Imperial 2025, performing 'Casabianca' and 'I'm crazy over you': a minor-label 78 from the acoustic era, untraced in standard discographies.AI summary
Imperial 2025 Dance
The White Star Syncopaters recorded two popular dance numbers for Piccadilly Records, a cheap British budget label of the 1930s.AI summary
Piccadilly 579 Dance
Paul Whiteman, the most commercially successful conductor of the jazz and dance-band era, leading his orchestra through a Cole Porter medley and 'Night & Day' on this His Master's Voice C-series pressing, a deluxe format.AI summary
His Master's Voice C2606 Dance
Paul Whiteman's 'My Angeline' and 'Coquette' on Columbia 5388; Whiteman was a major dance bandleader of the 1920s and 1930s, and his recordings remain widely collected.AI summary
Columbia 5388 Dance
Paul Whiteman and his orchestra on Columbia 5377, performing selections from 'The New Moon' operetta. Whiteman was the most famous bandleader of the 1920s and early 1930s and his recordings were widely distributed; this catalogue number suggests a common issue.AI summary
Columbia 5377 Dance
A band recording credited to Whiteman on Columbia 5544, with two popular ballads.AI summary
Columbia 5544 Dance
Paul Whiteman, the 'King of Jazz' and a dominant dance-band leader of the 1920s, on Columbia catalogue 1465D, performing 'I'm on the Crest of a Wave' and 'What d'ya say'. Two popular sides from Whiteman's prolific recording career.AI summary
Columbia 1465D Dance
Columbia 2163D Dance
Paul Whiteman's orchestra recorded "Get Out and Get Under the Moon" and "Roses of Yesterday" for Columbia catalogue 5161. A mainstream dance side from Whiteman's most prolific recording period.AI summary
Columbia 5161 Dance
Paul Whiteman and his orchestra recorded 'I'm on the Crest of a Wave' and 'What d'ya Say' on Columbia 5241. Whiteman was the best-selling bandleader of the 1920s and his records are among the most common dance band recordings of the era.AI summary
Columbia 5241 Dance
Whiteman performing Cole Porter's 'Let's do it let's fall in love' and 'If you don't love me' on Columbia. This is likely bandleader Paul Whiteman's orchestra or a similar group.AI summary
Columbia 5331 Dance
Paul Whiteman, the 'King of Jazz', led one of the most successful orchestras of the 1920s-1930s and made numerous recordings for major labels; 'Cradle of Love' and 'Nola' appear on this Columbia pressing, catalogue 5411.AI summary
Columbia 5411 Dance
Whiteman performing 'Louise' and 'Blue Hawaii' on Columbia 5456 — likely Paul Whiteman, the 'King of Jazz', or a related 1920s–30s dance band recording.AI summary
Columbia 5456 Dance
Paul Whiteman conducting an orchestra on His Master's Voice with two popular standards from the early 1930s; Whiteman was the leading dance band conductor of the 1920s-1930s and a prolific and commercially successful recording artist.AI summary
His Master's Voice B6513 Dance
Paul Whiteman and his orchestra on 'Smoke gets in your Eyes' and a Duchin number, from HMV B6540. Whiteman was the most famous American bandleader of the 1920s-1930s, billed as 'King of Jazz'; this is a mid-1930s recording. HMV pressings of Whiteman's popular hits are generally common.AI summary
His Master's Voice B6540 Dance
His Master's Voice B5270 Dance
Paul Whiteman's orchestra, the "King of Jazz," recorded prolifically for HMV in the late 1920s and early 1930s. This B5000-series side documents the sophisticated dance-band sound that defined the era.AI summary
His Master's Voice B5284 Dance
Paul Whiteman, the 'King of Jazz' and America's most famous orchestra leader of the 1920s–30s, performing Magnolia and a Jerome Kern standard for HMV's B-series—a major label prestige release.AI summary
His Master's Voice B5317 Dance
Paul Whiteman and his orchestra recorded 'Shanghai Dream Man' and 'Fallen leaf' for His Master's Voice catalogue B5351, from the late 1920s.AI summary
His Master's Voice B5351 Dance
Paul Whiteman, the American 'King of Jazz', recorded these two numbers for HMV's British catalogue. 'My Pet' and Nat Shilkret's 'Get Out and Get Under the Moon' are typical of Whiteman's sophisticated dance and novelty material from the late 1920s.AI summary
His Master's Voice B5504 Dance
Paul Whiteman, the American bandleader and "King of Jazz", on His Master's Voice, performing 'Say It with Music' and 'Sweet Lady', from his prolific recording career of the 1920s.AI summary
His Master's Voice B1306 Dance