3,695 shellac records · mostly British pressings, 1900s–1950s
3,695 records matching · page 77 of 77
Will Bradley leading his orchestra on "Think of Me" and "Tea for Two" (the McKinley arrangement) for Columbia 36101. Bradley was an important big-band and swing trombonist and leader in the 1930s–1940s.AI summary
Columbia 36101 Dance
'It Ain't Gonna Rain No Mo'', the novelty song Wendell Hall made a huge American hit in 1923, here credited to Will Hall, backed by Bailey's Lucky Seven, a name used on Gennett dance recordings, on Winner, Edison Bell's cheap British label.AI summary
Winner 4027 Dance
Will Hudson and his orchestra recorded 'Miracle at Midnight' and 'Corrigan Hop' for Brunswick 8195. Hudson was an American bandleader and arranger active in the 1930s-1940s swing era.AI summary
Brunswick 8195 Dance
Will Osborne's orchestra performing dance standards on Columbia; Osborne was a bandleader active in the 1920s–1930s.AI summary
Columbia 1988D Dance
Will Osborne and his orchestra on Panatrope Records, a cheap British label, performing two sentimental popular numbers of the 1920s–30s era. Will Osborne was a British dance-band leader; Panatrope was a budget marque of limited distribution.AI summary
Panachord 25350 Dance
Will Osborne and his band with Waltzing in a Dream and, by Romano, What Do I Care, It's Home on Panachord 25498.AI summary
Panachord 25498 Dance
Will Osborne Orchestra on Winner, American dance orchestra sides, 'Thanks' and 'Day You Came Along'—popular dance music from the early 1930s.AI summary
Winner W23 Dance
Will Terry with Everybody's Two Step and Cock-a-Doodle Do on Palladium 114.AI summary
Palladium 114 Dance
William McCulloch, a Scottish performer, recorded 'Presentation of Prizes' on Regal, a budget British label of the early 1930s. The nature of the recording—possibly a local or ceremonial piece—is not clear from the title alone.AI summary
Regal 8447 Dance
William McCulloch, an unidentified performer, on Columbia; the title suggests a ceremonial or spoken-word piece, likely educational or regional.AI summary
Columbia 9575 Dance
Windeatt performs 'Mr Misery' and 'Mazie' on Winner 3618. Winner was a British budget label of the 1920s–1930s; Windeatt is unidentified.AI summary
Winner 3618 Dance
Windeatt on Columbia 777 with 'Sand Dunes' and 'Vamp'. Columbia 777 suggests an early 1920s pressing of dance or novelty material; the artist is not identified.AI summary
Columbia 777 Dance
Windeatt, an obscure British recording artist, recorded two light instrumental or dance pieces for Columbia's early catalogue, numbered 828.AI summary
Columbia 828 Dance
Windeatt performing 'Oh Reuben what a' Juben doin'?' and 'Whose Baby are you?' on Winner, a small British label. The artist is unidentified.AI summary
Winner 3617 Dance
Winnick performing 'It's the bluest kind of Blues my Baby sings' and 'Too many Irons in the Fire' on HMV (BD1152), early 1930s popular dance material.AI summary
His Master's Voice BD1152 Dance
Decca F6542 Dance
Decca F6543 Dance
Winnick recorded 'Melody Medley No 2' for Decca. Nothing is known of this artist or whether the name refers to a solo performer or an ensemble.AI summary
Decca F6544 Dance
Winnick (likely Harry Winnick's orchestra) on 'Have you got any Castles Baby' and 'Once in a While', Decca F6599. This is likely a 1940s-50s dance-band recording.AI summary
Decca F6599 Dance
Credited to Winnick on the Winner label, a cheap British imprint active in the 1920s–30s. The titles 'Queen was in the Parlour' and 'Life's Desire' suggest popular songs of that era. Nothing is known of this artist or these recordings.AI summary
Winner 5389 Dance
A novelty dance record credited to Winnick on Winner, a British budget label, featuring 'The Wedding of Mr. Mickey Mouse' — the first cartoon character to reach the recording studios.AI summary
Winner W35 Dance
Winnick recorded 'Without that certain Thing' and 'My Song goes round the World' for Winner, catalogue W73, a small British label of the 1930s–40s.AI summary
Winner W73 Dance
Winter recorded 'Swingin' in a Hammock' and 'Harmonica Harry' for Broadcast, a small British label of the 1930s. Nothing is known of this artist.AI summary
Broadcast 2587 Dance
A song and dance side credited to Winter on the Broadcast label, a minor British imprint of the late 1920s; Broadcast catalogue numbers in the 3000 series are uncommon to find.AI summary
Broadcast 3034 Dance
Broadcast 3047 Dance
Imperial 2474 Dance
Wirges on Brunswick (Br 4101), recorded 'Where were you where was I' and 'Billie'. The titles suggest popular or dance numbers from the 1930s, but the artist is not established in standard discographies.AI summary
Brunswick 4101 Dance
His Master's Voice JH37 Dance
His Master's Voice JH38 Dance
His Master's Voice JH40 Dance
Silvertone 3276 Dance
Wolfe Kahn recorded for His Master's Voice; 'She's a great great Girl' and 'Fascinatin' Vamp' (credited to Shilkret, the conductor) are light dance-novelty material of the 1920s.AI summary
His Master's Voice B5514 Dance
Wylie recorded 'My Best Girl' and 'Morning' for Columbia is1710, a British pressing likely from the 1920s or early 1930s. Artist and recording details are unidentified.AI summary
Columbia is1710 Dance
Wylie with Wait 'Till the Morning After and, by Miami, Seventeen on Vocalion X9601.AI summary
Vocalion X9601 Dance
The Wylie band with I Want to Be Happy and Rock a Bye My Baby on Homochord H753.AI summary
Hom H753 Dance
Yankovic (likely Frankie Yankovic, the American 'Polka King') recorded 'Charlie Was a Boxer' and 'Blue Skirt Waltz' for Columbia. This is a polka or novelty-dance side from the 1930s–40s.AI summary
Columbia FB3509 Dance
Yerkes' orchestra performing 'That's It' and 'At the Cotton Pickers Ball' on Columbia 2909. An American dance band recorded for UK pressing.AI summary
Columbia 2909 Dance
Yerkes recorded 'Tell her at Twilight' and 'Three O Clock in the Morning' for Aco, an American budget label. This is likely a dance-band side from the 1920s.AI summary
Aco 15045 Dance
Yerkes with selections from The Mikado and H.M.S. Pinafore on Vocalion 14415.AI summary
Vocalion 14415 Dance
Yerkes with Blue Danube Blues and All Over Nothing at All on Vocalion M1090, a dance-band coupling from the 1920s.AI summary
Vocalion M1090 Dance
Yerkes (St George's Dance Orchestra) with Stop, Rest Awhile and Fancies on Vocalion M1027.AI summary
Vocalion M1027 Dance
Yerkes Dance Orchestra, from the early jazz-age band of Harry Yerkes, play Sudan and Mystery on Vocalion X9001.AI summary
Vocalion X9001 Dance
Yerkes Dance Orchestra with Sunny Tennessee and Dream Amazon on Vocalion X9005.AI summary
Vocalion X9005 Dance
Yerkes Dance Orchestra, from the early jazz-age band of Harry Yerkes, play Swanee and Dardanella on Vocalion X9020.AI summary
Vocalion X9020 Dance
Yerkes Metropolitan Dance Players with Aeolian Symphony Dance on Vocalion 14611.AI summary
Vocalion 14611 Dance
Zack Matalon performing 'Banana' and 'Oh what a night' on Pye 15089, likely from the 1950s or early 1960s.AI summary
Pye 15089 Dance
Untitled
Ariel 4117 Dance