300 shellac records · mostly British pressings, 1900s–1950s
300 records matching · page 2 of 7
Casa Loma orchestra, a celebrated American jazz-dance band of the late 1920s–30s, performing two standards on Brunswick 1310; a major swing-era dance orchestra.AI summary
Brunswick 1310 Jazz
Casa Loma Orchestra was a prominent American swing orchestra of the 1930s, fronted by violinist Gene Gifford. This Brunswick 03000-series side captures their energetic swing style. US-pressed Casa Loma sides are common, but UK pressings are less frequently encountered.AI summary
Brunswick 03013 Jazz
Casa Loma Orchestra performing 'Black Jazz' and 'Maniac's Ball' on Brunswick 1279, a British pressing of the influential American swing band.AI summary
Brunswick 1279 Jazz
Charlie Barnet, an American jazz saxophonist and bandleader, recorded 'The Moose' and 'Sky Liner' for Brunswick Records in the swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet, the American swing bandleader and tenor saxophonist, recorded 'The Moose' and 'Sky Liner'—likely instrumental swing pieces—for Brunswick. Barnet was a major figure in American swing and his Brunswick sides document his work during the late 1930s-40s swing era.AI summary
Brunswick 03601 Jazz
Charlie Barnet's orchestra, a major swing bandleader, recorded 'Things Ain't What They Used to Be' and 'Victory Walk' for Brunswick during the big-band era.AI summary
Brunswick 03451 Jazz
The Chicago Rhythm Kings were an important American hot-jazz group of the 1920s, bringing early jazz to the Midwest. This Brunswick 01000-series side shows their energetic jazz style. UK pressings of hot-jazz sides from this era are not commonly found and remain sought by jazz collectors.AI summary
Brunswick 01737 Jazz
Clarence Profit, an innovative stride pianist, recorded 'Tea for two' and 'There'll be some changes made' for Brunswick 8341 in the 1930s.AI summary
Brunswick 8341 Jazz
Clarence Williams' Blue Five, a pioneering American jazz ensemble, recorded 'Baltimore' and 'Carolina Bound' (with the 5 Harmaniacs) for Brunswick, catalogue 3703, dating to the mid-1920s. Williams was a central figure in early hot jazz and blues recording, and this band is highly collected.AI summary
Brunswick 3703 Jazz
Cleo Brown, a stride and swing pianist, recorded "Here comes Cookie" and "I'll take the South" for Brunswick 02013 in the 1930s. A fine musician whose recordings are sought by jazz and swing collectors.AI summary
Brunswick 02013 Jazz
The Clevelanders recorded 'Why' and 'I wonder' for Brunswick. The group is not widely identified in standard reference.AI summary
Brunswick 3881 Jazz
Clyde McCoy orchestra on Brunswick (02056) with 'Wah wah lament' and 'Sugar blues'; McCoy was a prominent American trumpet player known for wa-wa effects, and this is a 1930s American-label pressing.AI summary
Brunswick 02056 Jazz
Brunswick 05459 Jazz
Cotton and Morpheus on "I Get the Blues When It Rains" and "Wake Up! Chill'un, Wake Up!" for Brunswick 5010. Both titles suggest blues or early rhythm and blues material; Brunswick was a significant American label of the 1920s–1930s.AI summary
Brunswick 5010 Jazz
The Cotton Pickers, a 1920s jazz and dance ensemble, performing 'Milenberg Joys' and 'If You Hadn't Gone Away' on Brunswick.AI summary
Brunswick 2937 Jazz
The Cotton Pickers, a dance ensemble, on 'Got to cool my Doggies now' and 'I wish I could shimmy like my Sister Kate'. Released on Brunswick 2338 in the mid-1920s. This is a rare and valuable American jazz recording; UK copies are extremely uncommon.AI summary
Brunswick 2338 Jazz
The Cotton Pickers, an African-American jazz or dance band, performing two pieces on Brunswick. The titles suggest 1920s-era jazz or dance music, and the band is likely one of the many semi-professional or regional groups recording during this period.AI summary
Brunswick 2380 Jazz
The Cotton Pickers were a jazz ensemble; this Brunswick pressing of 'You Tell Her I Stutter' and 'Way Down Yonder in New Orleans' is a hot-jazz recording from the late 1920s.AI summary
Brunswick 2404 Jazz
The Cotton Pickers on Brunswick, this pressing of 'Walk Jenny Walk' and 'Mama Goes Where Papa Goes' is another example of their 1920s jazz output.AI summary
Brunswick 2490 Jazz
Cotton Pickers performing 'Do Yo Dooty Daddy' and 'Blue Rose' on Brunswick. Cotton Pickers recordings from this era are typically jazz or jazz-inflected dance sides.AI summary
Brunswick 2532 Jazz
Cow Cow Davenport was a blues and boogie pianist; 'Don't you loudmouth me' captures his earthy humour and piano style on Brunswick, a major American label that pressed UK copies.AI summary
Brunswick 03509 Jazz
The Dodds Black Bottom Stompers, an early hot jazz group featuring saxophonist Johnny Dodds (though authorship of this disc requires verification), on Brunswick 02001 with 'Melancholy' (1927) and 'Hot Mustard' (1926)—rare early hot jazz sides.AI summary
Brunswick 02001 Jazz
Don Redman, the pioneering jazz arranger and bandleader, on 'Underneath the Harlem Moon' and 'Ain't I the Lucky One'. Released on Brunswick 01427. Redman is a central figure in early 1930s jazz; his Brunswick sides are sought by jazz specialists and UK copies remain scarce.AI summary
Brunswick 01427 Jazz
Don Redman, the important American jazz arranger and bandleader, leading 'Hot and Anxious' and 'I Got Rhythm' on Brunswick 1344, jazz sides from the late 1920s.AI summary
Brunswick 1344 Jazz
The Dorsey Brothers, the famous American bandleaders and multi-instrumentalists, recorded 'Sing' and 'It's Gonna Be You' for Brunswick 01413 in the early 1930s, showcasing their sophisticated hot dance style.AI summary
Brunswick 01413 Jazz
The Dorsey Brothers, Jimmy and Tommy, recorded two sides for Brunswick in the early 1930s. 'Mood Hollywood' and 'Sim Sham Simmy' represent the hot-jazz and novelty output of their early recording career.AI summary
Brunswick 01505 Jazz
The Dorsey Brothers were an influential American jazz and dance band, featuring saxophone and trumpet, popular in the late 1920s-30s. This Brunswick RL249 pressing documents their collaborative work before their split.AI summary
Brunswick RL249 Jazz
Duke Ellington, the jazz composer and bandleader, recorded "Mood Indigo" and "Runnin' Wild!" for Brunswick, likely from the late 1920s or early 1930s; both are signature Ellington compositions.AI summary
Brunswick 1068 Jazz
Duke Ellington and his orchestra on Brunswick 8108, two jazz standards from the 1930s.AI summary
Brunswick 8108 Jazz
Duke Ellington, the legendary jazz composer and bandleader, performing "Solitude" and "Send Me" (the latter credited to Wingy Mannone) on Brunswick Records, from his prolific 1930s-40s period.AI summary
Brunswick 02007 Jazz
Duke Ellington on Brunswick 01517, the legendary jazz composer and bandleader recording a medley for the American label; Brunswick 01000-series issues from the early 1930s were mass-produced, and Ellington sides are widely collected, though this particular pressing is not uncommon.AI summary
Brunswick 01517 Jazz
Duke Ellington's orchestra recorded 'Best Wishes' and 'Blue Harlem' for Brunswick 1377 in the late 1920s, during Ellington's formative period.AI summary
Brunswick 1377 Jazz
Duke Ellington's orchestra on Brunswick, performing 'Jazz Cocktail' and 'Lightnin''. This is a significant jazz recording by one of the greatest composers and bandleaders of the 20th century. Brunswick issued Ellington recordings throughout the 1930s.AI summary
Brunswick 1399 Jazz
Duke Ellington's orchestra recorded 'Echoes of Harlem' and 'Clarinet Lament' for Brunswick in the early 1930s; landmark Ellington compositions that remain central to jazz discography.AI summary
Brunswick 02222 Jazz
Duke Ellington's 'Clarinet Lament' and 'Echoes of Harlem', issued on Brunswick; Ellington's 1930s recordings are a core interest for serious jazz collectors and command consistent demand.AI summary
Brunswick 02222 Jazz
Duke Ellington, the paramount figure in American jazz and composition, recorded 'Tiger Rag' in two parts for Brunswick. This is one of the most recorded jazz standards, and Ellington's numerous versions span his entire recording career; this pressing documents his early-1930s swing-era recording.AI summary
Brunswick 1338 Jazz
Duke Ellington recorded 'Reminiscing in Tempo' for Brunswick (02104). 'Reminiscing in Tempo' is a celebrated Ellington composition and extended instrumental; this is a Brunswick UK pressing of one of the most important jazz recordings of the 1930s.AI summary
Brunswick 02104 Jazz
Duke Ellington's 'Creole Rhapsody', recorded in 1931 and issued on Brunswick 01145, is one of the composer's most important extended jazz compositions and a cornerstone of his early catalogue.AI summary
Brunswick 01145 Jazz
Duke Ellington on Brunswick 01527 with 'Get Yourself a New Broom' and 'Stormy Weather'. This is a late 1930s pressing of two Ellington standards; Ellington was one of the most important jazz composers and bandleaders of the era.AI summary
Brunswick 01527 Jazz
Duke Ellington's 'Black and Tan Fantasy' is one of his early masterpieces, a moody blues-inflected composition recorded in the late 1920s; this Brunswick pressing is from his most prolific and influential period, and the side is a perennial favourite of jazz collectors.AI summary
Brunswick 01540 Jazz
Duke Ellington and his orchestra on Brunswick 01377, 'Blue Harlem' and 'Best Wishes', representing Ellington's prolific output for Brunswick in the 1930s–40s.AI summary
Brunswick 01377 Jazz
Brunswick 01426 Jazz
Duke Ellington, the legendary jazz composer and bandleader, recorded 'Twelfth Street Rag' and 'Bundle of Blues' for Brunswick 01573. Both are important jazz pieces; Ellington was prolific on Brunswick in the late 1920s and early 1930s.AI summary
Brunswick 01573 Jazz
Duke Ellington and his orchestra recorded 'East St Louis' and 'Baby When You Ain't There' for Brunswick 01681 in the late 1920s. These are foundational early Ellington sides.AI summary
Brunswick 01681 Jazz
Duke Ellington recorded 'Margie' and 'Accent on Youth' for Brunswick in the early 1930s; these are dance-band sides from his prolific commercial recording period.AI summary
Brunswick 02096 Jazz
Duke Ellington's early Jungle Band, a Brunswick recording from 1928 featuring 'The Mooche', one of Ellington's first compositions and a jazz standard. This is a hot-dance side from the formative period of his orchestra.AI summary
Brunswick 1235 Jazz
Ethel Waters and Duke Ellington recorded "I Can't Give You Anything But Love" and "Porgy" for Brunswick — a historic duet pairing two of jazz's greatest voices.AI summary
Brunswick 01731 Jazz
Earl Hines, the pioneering jazz pianist and bandleader, recorded "I Love You Because I Love You" and "Blue Drag" for Brunswick. These are early jazz piano recordings from one of the most influential pianists in jazz history.AI summary
Brunswick 1388 Jazz