300 shellac records · mostly British pressings, 1900s–1950s
300 records matching · page 4 of 7
Hoagy Carmichael, the American composer and pianist, recorded these two novelty numbers for Brunswick. Carmichael was the composer of 'Stardust' and many other standards; he also recorded as a performer.AI summary
Brunswick 04651 Jazz
Hoagy Carmichael, the legendary American composer and pianist, performing two early jazz recordings for Brunswick in the late 1920s. The catalogue numbers suggest acoustic-era pressings from the experimental phase of American jazz recording.AI summary
Brunswick 02504 Jazz
Hoagy Carmichael was an American songwriter and vocalist, composer of many jazz standards and novelty songs. This Brunswick side pairs 'Huggin' and Chalkin'' and 'Ole Buttermilk Sky', capturing his relaxed, conversational singing style.AI summary
Brunswick 03709 Jazz
Hoagy Carmichael, the American composer and entertainer, on Brunswick 02504: two jazz-influenced instrumental numbers recorded in the late 1920s–early 1930s, featuring Hoagy's composition 'Walking the Dog' and Wingy Manone's 'Shake that Thing'.AI summary
Brunswick 02504 Jazz
I Jones recorded these two blues-influenced pieces for Brunswick 2358 in the 1920s, a prolific session musician with numerous minor labels.AI summary
Brunswick 2358 Jazz
I Jones performed these two blues and jazz-influenced popular songs for Brunswick, a major American and British label; Brunswick 2374 places it in the mid-to-late 1920s.AI summary
Brunswick 2374 Jazz
I. Jones recorded these blues and vocal jazz numbers for Brunswick. The titles and style suggest American jazz-blues material of the late 1920s, though the artist is not widely documented in jazz reference works.AI summary
Brunswick 2400 Jazz
I Jones playing 'Foolin around' and 'By the Shalimar' on Brunswick 2420. A blues or jazz item on a Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 2420 Jazz
I Jones playing 'Wabash blues' and 'Ma' on Brunswick 5065. A blues title on a Brunswick catalogue number from the mid-1920s acoustic era.AI summary
Brunswick 5065 Jazz
I. Jones performing 'Poplar Street blues' and 'Pango maid' on Brunswick, a major British label. The first side suggests blues repertoire.AI summary
Brunswick 2877 Jazz
Irving Mills, songwriter and bandleader, performing 'Strut Miss Lizzie' and 'Deep Harlem' on Brunswick 02821, a Harlem jazz or novelty recording from the 1920s–30s.AI summary
Brunswick 02821 Jazz
Irving Mills' Hotsy Totsy Gang with 'Crazy Bout My Gal' and 'Railroad Man' on Brunswick 03297, a hot-jazz recording from the mid-1920s.AI summary
Brunswick 03297 Jazz
Isham Jones and his orchestra, a prominent American dance band of the 1920s and 1930s, performing 'Ma' and 'Wabash Blues' on Brunswick 5065.AI summary
Brunswick 5065 Jazz
Jack Teagarden, one of the greatest jazz trombonists, recorded 'Blue River' and 'A Rhythm Hymn' for Brunswick—jazz and popular selections from a musician central to American jazz history.AI summary
Brunswick 03323 Jazz
Jack Teagarden, the legendary jazz trombonist, recorded 'Black and Blue' and 'St James' Infirmary' for Brunswick in the 1930s; these are classic jazz standards and Teagarden's warm, bluesy trombone and singing voice made him one of the most admired jazz musicians of his era.AI summary
Brunswick 03264 Jazz
Jack Teagarden, a renowned American jazz trombonist and singer, performing two jazz standards on Brunswick 01499. Teagarden was a major figure in early jazz and recorded extensively from the late 1920s onwards.AI summary
Brunswick 01683 Jazz
Jack Teagarden, the pioneering jazz trombonist, recorded these two sides for Brunswick; A Hundred Years from Today and Dark Eyes showcase his virtuosity and warm, expressive tone.AI summary
Brunswick 03365 Jazz
Jelly Roll Morton, the foundational jazz composer and pianist, recorded 'The Pearls' and 'King Porter Stomp' for Brunswick in the mid-1920s. These are canonical early jazz piano recordings, capturing Morton's sophisticated stride and compositional genius.AI summary
Brunswick 03564 Jazz
Jesse Stafford recorded 'Cinderella blues' and 'Shine' for Brunswick, catalogue 4048. Stafford was an American jazz or novelty artist of the 1920s; these are likely jazz-novelty dance sides.AI summary
Brunswick 4048 Jazz
Jim Dorsey on Brunswick 03074, performing 'Contrasts' and 'Dolimite'. Dorsey was an American saxophone and clarinet player, brother of Tommy Dorsey, and a bandleader in his own right. Brunswick was a major American label.AI summary
Brunswick 03074 Jazz
Jimmy Dorsey was a celebrated American jazz saxophonist and bandleader; this Brunswick recording of two Latin-tinged standards represents his dance-band output from the swing era.AI summary
Brunswick 03200 Jazz
Jimmie Lunceford's 'Chocolate Boogie Woogie' and 'Battle Axe', recorded for Brunswick in the late 1930s swing era; Lunceford led one of the most disciplined and innovative big bands of the swing period, and his recordings remain prized by jazz and swing collectors.AI summary
Brunswick 03224 Jazz
Jimmy Dorsey on Brunswick, performing 'In a Sentimental Mood' and 'Stompin' at the Savoy' — the American jazz clarinetist and bandleader of the 1930s–40s.AI summary
Brunswick 02354 Jazz
Jimmy Dorsey and his orchestra performing 'Me and My Melinda' and 'Jersey Bounce' on Brunswick 03348. Dorsey was a leading American dance bandleader and saxophonist, and this represents the polished big-band jazz of the 1940s.AI summary
Brunswick 03348 Jazz
Jimmy Dorsey, the alto saxophonist and bandleader, recorded 'If You Build a Better Mousetrap' and 'I Threw a Kiss in the Ocean' for Brunswick in the late 1930s swing era; Dorsey was one of the most commercially successful bandleaders of his time and his recordings remain widely collected.AI summary
Brunswick 03349 Jazz
Jimmy Dorsey was an American alto saxophonist and bandleader, one half of the famous Dorsey Brothers. This Brunswick pressing documents his swing-era orchestra playing light novelty material.AI summary
Brunswick 1361 Jazz
Jimmy Dorsey on Brunswick 02354, with 'In a Sentimental Mood' and 'Stompin' at the Savoy'. Dorsey was a leading bandleader and alto saxophonist of the swing era, one of the most recorded jazz artists of the 1930s–1940s.AI summary
Brunswick 02354 Jazz
Jimmy Dorsey, the jazz saxophonist and bandleader, recorded "Oodles of Noodles" and "Down Among the Sheltering Palms" for Brunswick in the early 1930s.AI summary
Brunswick 1361 Jazz
Jimmy Noone, a pioneering New Orleans clarinetist and jazz bandleader, performs 'Blues My Naughty Sweetie Gives to Me' and 'My Monday Date' on Brunswick. Noone's New Orleans jazz recordings are collected seriously by jazz historians.AI summary
Brunswick 80026 Jazz
Johnny Dodds was a New Orleans clarinetist (1892–1940) who defined the classic New Orleans jazz style; this Brunswick pressing of '29th and Dearborn' and 'Blues Galore' places him among the most important figures in early jazz.AI summary
Brunswick 03205 Jazz
Johnny Dodds on Brunswick 03168, the New Orleans clarinettist, with 'Gravier street blues' and 'Red onion blues', seminal early jazz.AI summary
Brunswick 03168 Jazz
Jungle Band was Duke Ellington's pseudonymous recording group for Brunswick, 1927–1929, used to record material outside his main contract; this Tiger Rag double-sided recording is a key hot-jazz recording of the late 1920s.AI summary
Brunswick 4238 Jazz
King Oliver, a pioneering early jazz trumpeter and bandleader, on Brunswick 03575, performing "Mabel's dream" and "Riverside blues"; both sides are significant recordings from the early electric era of jazz.AI summary
Brunswick 03575 Jazz
King Oliver, the New Orleans trumpet legend, on Brunswick 02202 with 'Weather Bird Rag' and 'Just Gone'—early jazz sides from one of the most influential figures in the music's development.AI summary
Brunswick 02202 Jazz
King Oliver's early hot-jazz sides for Brunswick: 'Stop Crying' and 'Rockin' in Rhythm' (credited to Ellington). Oliver was a pioneering New Orleans cornet player whose influential early recordings have long been collected by jazz historians and hot-dance enthusiasts.AI summary
Brunswick 01105 Jazz
King Oliver, the pioneering New Orleans jazz cornetist, recorded 'Mabel's Dream' and 'Riverside Blues' on Brunswick 03575. Oliver was a foundational figure in jazz history; his recordings are highly sought by serious collectors, and UK pressings are particularly scarce.AI summary
Brunswick 03575 Jazz
Krueger on Brunswick 2105, a jazz or blues recording with a novelty title from the 1920s; the 'Satanic blues' suggests jazz or blues content, though Krueger is unidentified.AI summary
Brunswick 2105 Jazz
'Krueger' on Brunswick 2109, performing the jazz standards 'Ain't we got Fun' and 'Dangerous blues'. The catalogue number places this in Brunswick's 1920s-1930s jazz series.AI summary
Brunswick 2109 Jazz
Lena Wilson, a blues singer of the 1920s, recorded for Brunswick among other labels; 'Bleeding Hearted Blues' is a classic blues title of the era, though details of this particular pressing are obscure.AI summary
Brunswick 2464 Jazz
Lena Wilson performing two blues novelties on Brunswick in the 1920s—"Bleeding Hearted Blues" and "Chirpin' the Blues"—representing the raucous, humorous blues tradition of the early recording era.AI summary
Brunswick 2464 Jazz
Lenny Dee performing two boogie and jazz pieces on Brunswick: 'Plantation Boogie' and 'Birth of the Blues'.AI summary
Brunswick 05440 Jazz
Lionel Hampton, the pioneering vibraphonist and bandleader, on Brunswick 04042, performing "Hamp's walkin boogie" and "Ridin on the land".AI summary
Brunswick 04042 Jazz
Lizzie Miles was an African-American blues and jazz singer of the 1920s and 30s. 'Black Man' and 'My Pillow and Me' are two of her Brunswick recordings from the hot-jazz era.AI summary
Brunswick 9462 Jazz
Lizzie Miles on Brunswick 2462, an African-American jazz and blues singer, with 'My Pillow and Me' and 'Black Man (Be on Your Way)'.AI summary
Brunswick 2462 Jazz
Louis Armstrong was the most influential jazz musician of the 20th century. This Brunswick recording of two standards from 1931 is part of his most celebrated period as a recording artist.AI summary
Brunswick 05069 Jazz
Louis Armstrong, the foundational jazz master, on Brunswick recording 'New Orleans Function' — a two-part item that may represent a rare Armstrong session or alternate take. Armstrong's 1920s-30s recordings are extensively collected and command serious money.AI summary
Brunswick 82582 Jazz
Louis Armstrong's 'Jodie Man' and 'I Wonder' on Brunswick 03595, from the early 1930s. Armstrong was already a towering figure in jazz by this point, and these sides represent his prolific recording output of the era.AI summary
Brunswick 03595 Jazz
Louis Armstrong was the most influential jazz musician of the 20th century. This Brunswick recording from 1930 of two early jazz standards documents his most celebrated period.AI summary
Brunswick 02502 Jazz