300 shellac records · mostly British pressings, 1900s–1950s
300 records matching · page 5 of 7
Louis Armstrong was the most influential jazz musician of the twentieth century, and this Brunswick electrical recording captures him at the height of his creative powers in the late 1920s. Both pieces are canonical Armstrong recordings and are extensively collected.AI summary
Brunswick 02502 Jazz
Brunswick 03594 Jazz
Louis Armstrong recording 'I love Jazz' and 'Mardi Gras March' on Brunswick. Armstrong is among the most iconic and collected jazz musicians of all time, and this is a British pressing.AI summary
Brunswick 05772 Jazz
Louis Armstrong sings 'A Kiss to Build a Dream On' and 'Your Cheatin' Heart' on the UK Brunswick label, a 1950s reissue of his American recordings.AI summary
Brunswick 05088 Jazz
Louis Armstrong, the legendary jazz trumpeter and vocalist, performing "That's My Desire" and "Takes Two to Tango" on Brunswick Records, from his prolific recording period in the 1940s-50s.AI summary
Brunswick 04996 Jazz
Louis Armstrong's Hot Five or similar ensemble recorded these two sides for Brunswick in the late 1920s; Bye and Bye and Pretty Little Missy are signature Armstrong pieces from the height of his early popularity.AI summary
Brunswick 05460 Jazz
Louis Armstrong with Sy Oliver recorded 'Skokiaan' for Brunswick, catalogue 05332, likely from the early 1950s.AI summary
Brunswick 05332 Jazz
Louis Jordan and his Tympany Five, pioneers of jump blues and rhythm-and-blues, recorded for Brunswick with two novelty sides from the 1940s; Jordan was a hugely influential early R&B figure.AI summary
Brunswick 03778 Jazz
Louisiana Rhythm Kings recorded hot dance and jazz for Brunswick in the early 1930s. This small ensemble was part of the New Orleans jazz revival during the Depression era, when traditional jazz recordings reappeared alongside swing.AI summary
Brunswick 03282 Jazz
Louisiana Rhythm Kings performing two early jazz standards on Brunswick 03282: 'Sweet Sue' and 'Squeeze Me'. These pieces were recorded many times by early jazz ensembles of the 1920s–30s.AI summary
Brunswick 03282 Jazz
The Louisiana Rhythm Kings recorded 'That's a Plenty' (marked as 1929) and 'That Da Da Strain' for Brunswick. The band was part of the jazz revival and hot-jazz recording movement of the late 1920s.AI summary
Brunswick 02731 Jazz
Brunswick 02056 Jazz
Luis Russell was a New Orleans pianist, bandleader and composer central to early jazz and swing of the 1920s–1930s. This Brunswick 02508 of "Saratoga Rag" and "I Would Do Anything for You" represents his work in a period when he led one of the most recorded bands in jazz.AI summary
Brunswick 02508 Jazz
Margaret Young, an American blues and vaudeville singer who recorded prolifically in the early 1920s, sings 'I Ain't Got Nobody to Love' and 'Nobody Knows What a Red-Head Mamma Can Do' on Brunswick 2806. Young recorded for several labels in the early 1920s and her Brunswick sides are of interest to collectors of American vaudeville blues.AI summary
Brunswick 2806 Jazz
Margaret Young performing two novelty jazz vocals, 'Red Hot Henry Brown' and 'Yes Sir That's My Baby', on Brunswick in the late 1920s—early 1930s.AI summary
Brunswick 2939 Jazz
Marion Harris was one of the earliest and most important American jazz-influenced female vocalists of the 1920s, known for her contralto and her recordings of jazz standards. This Brunswick pressing captures her singing "It Had To Be You" and "How Come You Do Me Like You Do".AI summary
Brunswick 2610 Jazz
Marion Harris, the pioneering 1920s jazz vocalist (see 3481), recorded "Tea for Two" and "Blues Have Got Me" for Brunswick, capturing her signature style during the jazz age.AI summary
Brunswick 2747 Jazz
Marion Harris, American jazz and popular singer of the 1920s, performing the jazz standards 'Aggravatin Papa' and 'Hot Lips' on Brunswick.AI summary
Brunswick 2345 Jazz
Marion Harris was an American jazz and popular singer of the 1920s; this Brunswick recording captures her voice during the early jazz era when she was one of the first white female singers to record jazz material.AI summary
Brunswick 2370 Jazz
Marion Harris, the American jazz-age vocalist admired for her early blues-inflected pop style, sings 'Somebody Loves Me' and 'Charleston Charlie' on Brunswick.AI summary
Brunswick 2735 Jazz
Marion Harris, an American jazz and blues vocalist of the 1920s, recorded two standards—'Blue Again' and 'Ten Cents a Dance'—for Brunswick in the late 1920s.AI summary
Brunswick 01086 Jazz
Maxine Sullivan, an American jazz vocalist known for her interpretations of Scottish and folk material, recorded 'Loch Lomond' and 'Just Like a Gypsy' for Brunswick, probably in the late 1930s. Sullivan was a sophisticated jazz singer and the Loch Lomond recording became one of her known sides.AI summary
Brunswick 03246 Jazz
McCoy recorded 'Sugar Blues' and 'Wah Wah Lament' for Brunswick 02056, part of Brunswick's early 1930s British catalogue.AI summary
Brunswick 02056 Jazz
Mel Torme, the American jazz vocalist and composer, on Brunswick — from his prolific recording career in the late 1940s–50s.AI summary
Brunswick 03831 Jazz
Mildred Bailey, the Rockin' Chair Lady and a pioneering American jazz and swing vocalist, recorded for Brunswick in the 1930s. Bailey was a major white jazz singer of the swing era and remains highly collected.AI summary
Brunswick 02106 Jazz
Mildred Bailey, the 'Rockin' Chair Lady' of swing, on Brunswick; these ballad interpretations showcase her intimate vocal style and sophisticated taste.AI summary
Brunswick 01564 Jazz
Mills Brothers performing 'Tiger Rag' and 'Nobody's Sweetheart' on Brunswick 1229. The Mills Brothers were one of the most popular and recorded American vocal groups of the 1930s–40s, celebrated for their tight harmonies and innovative whistling effects. This appears to be an early Brunswick recording from the late 1920s or early 1930s.AI summary
Brunswick 1229 Jazz
Mound City Blowers performing two early jazz numbers on Brunswick 2648: 'You Ain't Got Nothin' I Want' and 'Barb Wire Blues'. The Mound City Blowers were an important American jazz ensemble of the 1920s–early 1930s.AI summary
Brunswick 2648 Jazz
The Mound City Blowers, an American jazz and novelty band of the 1920s, recorded 'Arkansaw blues' and 'Blue blues' for Brunswick. The group was known for hot dance and novelty jazz sides in the New Orleans and early jazz idiom.AI summary
Brunswick 2581 Jazz
The Mound City Blowers, a hot-jazz group of the late 1920s, recorded 'Red hot' and 'San' for Brunswick, catalogue 2602.AI summary
Brunswick 2602 Jazz
The Mound City Blowers were an early hot-dance and jazz novelty ensemble; this Brunswick coupling captures their energetic style on two blues-tinged dance numbers from the late 1920s, part of the label's important catalogue of early American jazz.AI summary
Brunswick 2648 Jazz
The Mound City Blowers, a small jazz ensemble, recorded 'What Do I Care What Somebody Said' and 'Nervous Puppies' for Brunswick in the late 1920s or early 1930s. The ensemble was a minor jazz group of the early swing era.AI summary
Brunswick 3484 Jazz
New Orleans Rhythm Kings, a legendary early jazz ensemble, on Brunswick 01988 performing 'Ostrich Walk' and 'Original Dixieland One-Step'.AI summary
Brunswick 01988 Jazz
The New Orleans Rhythm Kings, a pioneering early jazz ensemble, performing 'Dust off That old Piano' and 'Since We Fell out of Love' on Brunswick 02008 — a UK pressing of an important 1920s jazz band.AI summary
Brunswick 02008 Jazz
The New Orleans Rhythm Kings, pioneers of early white jazz from New Orleans, recorded 'Clarinet Marmalade' and 'Maple Leaf Rag' for Brunswick in the mid-1920s. Both are foundational jazz pieces; the NORK were hugely influential in spreading New Orleans style to Northern cities and recording audiences.AI summary
Brunswick 02209 Jazz
The New Orleans Rhythm Kings, a pioneering jazz ensemble, performing 'London Blues' and 'Sweet Lovin' Man' on Brunswick — early hot jazz from a group that recorded from the 1920s onward.AI summary
Brunswick 02210 Jazz
New Orleans Rhythm Kings, one of the earliest white jazz bands, recorded 'Bluin' the Blues' and 'Sensation' for Brunswick 02337 in the mid-1920s. The band was highly influential in the development of hot jazz.AI summary
Brunswick 02337 Jazz
The New Orleans Rhythm Kings were one of the earliest white jazz ensembles, recording in the early 1920s and influential in bringing New Orleans jazz to a wider audience. This Brunswick pressing of 'London Blues' and 'Sweet Lovin' Man' captures their early jazz style. British Brunswick pressings of important early jazz sides are scarcer than American issues and are highly sought by jazz historians and collectors.AI summary
Brunswick 02210 Jazz
The Original Dixieland Jazz Band on Brunswick, a historic early jazz ensemble whose 'Tiger Rag' and 'Reisenweber Rag' were among the first jazz records made; UK copies of their Brunswick sides are uncommon — early American jazz on budget British labels did not survive well.AI summary
Brunswick 02500 Jazz
The Original Memphis 5, a seminal early hot jazz ensemble, on Brunswick; 'How Come You Do Me Like You Do' is a jazz standard, and these are valuable early sides from the early 1920s acoustic era.AI summary
Brunswick 3630 Jazz
The Original Memphis Five, a respected early jazz ensemble, recorded "How Come You Do Me Like You Do" and "Lovey Lee" for Brunswick in the 1920s. These sides capture the spirited ensemble jazz that made the band influential among hot musicians of the era.AI summary
Brunswick 3713 Jazz
Original Memphis Five, a pioneering US jazz ensemble, performing two sides on Brunswick (catalogue 3630).AI summary
Brunswick 3630 Jazz
The Original Memphis Five, a jazz group from the 1920s, recorded 'Lovey lee' and 'How come you like me like you do' for Brunswick, catalogue 3713.AI summary
Brunswick 3713 Jazz
A banjoist credited to Patti recorded 'Tiger Rag' and 'St. Louis Blues' for Brunswick, likely from the 1920s; these are jazz standards performed on an early jazz instrument.AI summary
Brunswick 1359 Jazz
Pete Johnson, the Kansas City boogie-woogie pianist, recorded "Death Ray Boogie" and "Basement Boogie" for Brunswick in 1938 or 1939. Johnson was an influential exponent of the boogie-woogie style.AI summary
Brunswick 03292 Jazz
Pine Top Smith recorded 'Pinetop's Boogie Woogie' and 'Pinetop's Blues' for Brunswick, one of the earliest and most important boogie-woogie recordings, made in 1928–29.AI summary
Brunswick 80008 Jazz
Pine Top Smith, an important early boogie-woogie pianist, recorded "Pine Top's Boogie Woogie" and "Pine Top's Blues" for Brunswick in the early 1930s. These are pioneering examples of the boogie-woogie style that would dominate American blues piano.AI summary
Brunswick 03600 Jazz
The Raymond Scott Quintet on Brunswick, performing 'Happy Farmer' and 'Egyptian Barn Dance'. Scott was a prolific American composer and bandleader known for novelty and novelty-orchestral works; Brunswick was a major label.AI summary
Brunswick 8144 Jazz