1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 11 of 41
Duke Ellington's orchestra recorded 'Echoes of Harlem' and 'Clarinet Lament' for Brunswick in the early 1930s; landmark Ellington compositions that remain central to jazz discography.AI summary
Brunswick 02222 Jazz
Duke Ellington on His Master's Voice (B6188) with 'Bugle call rag' and 'Mean music'; an early Ellington recording, likely from his prolific early-1930s recording period.AI summary
His Master's Voice B6188 Jazz
Duke Ellington on His Master's Voice B6328, with 'Swanee shuffle' and 'Jungle nights in Harlem', early hot-jazz compositions.AI summary
His Master's Voice B6328 Jazz
Duke Ellington's 'Clarinet Lament' and 'Echoes of Harlem', issued on Brunswick; Ellington's 1930s recordings are a core interest for serious jazz collectors and command consistent demand.AI summary
Brunswick 02222 Jazz
Duke Ellington's jazz orchestra, recorded for His Master's Voice, with two contrasting pieces: the urban dance-band sound of "Daybreak Express" and the bluesy "Dear Old Southland"; Ellington's HMV sides are eagerly collected.AI summary
His Master's Voice B6468 Jazz
Duke Ellington, the towering figure of American jazz, performing two swing-era compositions on His Master's Voice in the late 1940s.AI summary
His Master's Voice B9305 Jazz
Duke Ellington performing 'Mauve' and 'Blue Tears' on BlueAce 203, a small British label reissue.AI summary
BlueAce 203 Jazz
Duke Ellington's 'Exposition Swing' and 'Yearning for Love' on Vocalion S50. Ellington is canonical; Vocalion S-series recordings are uncommon and sought after.AI summary
Vocalion S50 Jazz
Duke Ellington with 'Love Is Like a Cigarette' and 'Happy as the Day Is Long' in British Vocalion's Swing Series.AI summary
Vocalion S64 Jazz
Duke Ellington, the legendary American jazz composer and bandleader, performing 'Hawk Talks' and 'Fancy Dan' on Columbia. These are sides from Ellington's prolific recording career; UK pressings of his work are commonly found, though all Ellington recordings have collector interest.AI summary
Columbia DC573 Jazz
Duke Ellington on His Master's Voice B9448, performing 'In the Mood to be Wooed' and 'Carnegie Blues'. Ellington was the greatest American composer and bandleader of the 20th century.AI summary
His Master's Voice B9448 Jazz
Duke Ellington's 'Perfume Suite' (parts 1 and 2) on V-Disc 516, a 12-inch non-commercial recording made for American servicemen during the Second World War.AI summary
VDisc 516 Jazz
Duke Ellington, a foundational figure in jazz and one of the most recorded artists of the 20th century, on Columbia 5486, performing 'I Must Have That Man' and Selvin's 'Honey' — early jazz recordings from the mid-1920s.AI summary
Columbia 5486 Jazz
A pressing credited to Duke Ellington and Benny Goodman on BD 183, attributed to 'The Dixieland Band' with 'Delta Serenade' and 'The Dixieland Band'.AI summary
BD 183 Jazz
Duke Ellington, the paramount figure in American jazz and composition, recorded 'Tiger Rag' in two parts for Brunswick. This is one of the most recorded jazz standards, and Ellington's numerous versions span his entire recording career; this pressing documents his early-1930s swing-era recording.AI summary
Brunswick 1338 Jazz
Duke Ellington recorded 'Ring Dem Bells' and 'Three Little Words' for HMV in the late 1920s; these are early dance-band and novelty sides from his prolific commercial recording period.AI summary
His Master's Voice B5945 Jazz
Duke Ellington recorded 'Reminiscing in Tempo' for Brunswick (02104). 'Reminiscing in Tempo' is a celebrated Ellington composition and extended instrumental; this is a Brunswick UK pressing of one of the most important jazz recordings of the 1930s.AI summary
Brunswick 02104 Jazz
Duke Ellington, one of the greatest jazz composers and bandleaders, credited to BD label — performing jazz standards. The catalogue number and label are unusual and require verification.AI summary
BD 5760 Jazz
Duke Ellington was one of the greatest jazz composers and bandleaders of the 20th century; this Parlophone pressing offers two early hot-dance sides from his prolific recording career.AI summary
Parlophone R2202 Jazz
Duke Ellington's 'Creole Rhapsody', recorded in 1931 and issued on Brunswick 01145, is one of the composer's most important extended jazz compositions and a cornerstone of his early catalogue.AI summary
Brunswick 01145 Jazz
Duke Ellington on Brunswick 01527 with 'Get Yourself a New Broom' and 'Stormy Weather'. This is a late 1930s pressing of two Ellington standards; Ellington was one of the most important jazz composers and bandleaders of the era.AI summary
Brunswick 01527 Jazz
Duke Ellington's 'Black and Tan Fantasy' is one of his early masterpieces, a moody blues-inflected composition recorded in the late 1920s; this Brunswick pressing is from his most prolific and influential period, and the side is a perennial favourite of jazz collectors.AI summary
Brunswick 01540 Jazz
Duke Ellington and his orchestra on Brunswick 01377, 'Blue Harlem' and 'Best Wishes', representing Ellington's prolific output for Brunswick in the 1930s–40s.AI summary
Brunswick 01377 Jazz
Brunswick 01426 Jazz
Duke Ellington, the legendary jazz composer and bandleader, recorded 'Twelfth Street Rag' and 'Bundle of Blues' for Brunswick 01573. Both are important jazz pieces; Ellington was prolific on Brunswick in the late 1920s and early 1930s.AI summary
Brunswick 01573 Jazz
Duke Ellington and his orchestra recorded 'East St Louis' and 'Baby When You Ain't There' for Brunswick 01681 in the late 1920s. These are foundational early Ellington sides.AI summary
Brunswick 01681 Jazz
Duke Ellington's orchestra recorded these two sides for Parlophone; Drop Me Off at Harlem and Clarinet Lament are sophisticated compositions showcasing Ellington's harmonic and orchestral innovations.AI summary
Parlophone R2876 Jazz
Duke Ellington recorded 'Margie' and 'Accent on Youth' for Brunswick in the early 1930s; these are dance-band sides from his prolific commercial recording period.AI summary
Brunswick 02096 Jazz
Duke Ellington's orchestra with Band Call and Isle of Capri on Capitol 14132.AI summary
Capitol 14132 Jazz
Duke Ellington's orchestra with Boo-Dah and Give Me the Right on Capitol CL14012.AI summary
Capitol CL14012 Jazz
Duke Ellington's orchestra with Twelfth Street Rag and Chile Bowl on Capitol CL14229.AI summary
Capitol CL14229 Jazz
Duke Ellington's early Jungle Band, a Brunswick recording from 1928 featuring 'The Mooche', one of Ellington's first compositions and a jazz standard. This is a hot-dance side from the formative period of his orchestra.AI summary
Brunswick 1235 Jazz
Tempo A32 Jazz
The Dutch Swing College Band play When the Saints Go Marching In in two parts on Philips PB470.AI summary
Philips PB470 Jazz
E Jackson credited on Decca F3307 from the mid-1930s. The titles are well-known jazz and blues standards from the 1920s, but the artist is unidentified.AI summary
Decca F3307 Jazz
Ethel Waters and Duke Ellington recorded "I Can't Give You Anything But Love" and "Porgy" for Brunswick — a historic duet pairing two of jazz's greatest voices.AI summary
Brunswick 01731 Jazz
Earl Bostic, the American alto saxophonist, recorded 'Always' and 'Lover Come Back to Me' for Vogue; Bostic was known for his expressive playing and his ability to move between jazz, R&B and ballad styles; Vogue was a French label and UK copies are less common than American pressings.AI summary
Vogue 2149 Jazz
Earl Hines, the great American jazz pianist, recorded two early blues-inflected compositions on Columbia—"Caution Blues" and "Monday Date" showing his innovative stride and ensemble playing from the late 1920s.AI summary
Columbia 35876 Jazz
Earl Hines, the pioneering jazz pianist and bandleader, recorded "I Love You Because I Love You" and "Blue Drag" for Brunswick. These are early jazz piano recordings from one of the most influential pianists in jazz history.AI summary
Brunswick 1388 Jazz
Earl Hines, known as "Fatha", was a pioneering jazz pianist and bandleader central to hot jazz and swing in the 1920s–1930s. This Brunswick 1464 of "Oh You Sweet Thing" and "Deep Forest" represents his early jazz style in a period when he was among the most recorded jazz artists.AI summary
Brunswick 1464 Jazz
Earl Hines, the innovative jazz pianist, on Columbia. Hines was one of the most important figures in early jazz and remains actively collected; his Columbia sides survive in moderate numbers.AI summary
Columbia 35875 Jazz
Earl Hines, a legendary American jazz pianist known as 'Fatha' and a major figure in stride and swing piano, performing 'Life with fatha' and 'I love my lovin lover' on Apollo 356. Hines was a virtuoso and bandleader from the 1920s–50s.AI summary
Apollo 356 Jazz
Earl Hines, the innovative 'Father of Modern Jazz Piano', recorded 'Piano Man(39)' and 'Ridin' and Jivin'' for His Master's Voice, catalogue JO309 (1939). These represent Hines' swing-era big-band work.AI summary
His Master's Voice JO309 Jazz
Earl Hines, the American pianist and bandleader, recorded 'Sweet Georgia Brown' and 'Maple Leaf Rag' for Brunswick (1995). Hines was one of the most influential pianists in jazz, a pioneer of swing-style playing.AI summary
Brunswick 1995 Jazz
Okeh 41410 Jazz
Ed Lang performing two untitled pieces on Parlophone R2068. Lang (1901–1933) was an American jazz guitarist who recorded for various labels in the late 1920s and early 1930s.AI summary
Parlophone R2068 Jazz
Eddie 'Piano' Miller plays 'Chug-A-Lug' and 'Fifi' on Esquire, the British jazz label founded by drummer Carlo Krahmer in the late 1940s.AI summary
Esquire 5-001 Jazz
Eddie Carroll Swing Music performing two instrumental swing standards on Parlophone. This is likely a mid-1940s British swing recording from an unidentified or ephemeral orchestra.AI summary
Parlophone R2395 Jazz