1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 19 of 41
Harry Reser, an American banjo virtuoso, on Columbia. Reser was a major figure in the 1920s dance-band era and remains collected; this early Columbia side dates from that period.AI summary
Columbia 3317 Jazz
Harry Reser was an American banjo virtuoso and pioneer of jazz arranging in the 1920s. This Columbia recording of 'Heebie Jeebies' and 'Ukulele Lady' captures the joyful ukulele-and-jazz craze of the era. Both are standards of hot-dance recording.AI summary
Columbia 3797 Jazz
Harry Reser Trio, a novelty jazz ensemble, recorded 'Oh Gee, Oh Gosh' and 'Every Day' for Columbia. Both are light dance numbers typical of 1920s–30s novelty jazz.AI summary
Columbia 3309 Jazz
Harry Roy and his band on Parlophone, catalogue F458, performing 'Jazz Me Blues' and 'Cheerful Blues'. Roy was a prominent British bandleader and jazz enthusiast of the 1920s-30s.AI summary
Parlophone F458 Jazz
Harry Yerkes and His Novelty Jass Band (credited as 'Bells' here), an American jazz and novelty ensemble, recorded 'Simplicity Intermezzo' and a piece by E Rubsam for the early Columbia series, catalogue D82, likely 1920s.AI summary
Columbia D82 Jazz
Helen Merrill on EmArcy 16000. Merrill was an important American jazz vocalist of the 1950s, and EmArcy was a prestige jazz label founded by Mercury. This is a 1950s bebop-era vocal jazz record.AI summary
EmArcy 16000 Jazz
Henry Allen, the American jazz trumpeter, in two blues-inflected sides on His Master's Voice: "Crawl" and "Get the Mop", from the early 1930s.AI summary
His Master's Voice B9537 Jazz
Henry Allen on His Master's Voice B9537, performing 'Crawl' and 'Get the Mop'. Henry Allen was a respected New Orleans jazz cornetist and trumpeter, active from the 1920s.AI summary
His Master's Voice B9537 Jazz
Henry Allen Jr. recorded 'Feeling Drowsy' (29) and 'Swing Out' for His Master's Voice B4970; note this appears to be a duplicate catalogue entry with id 19508.AI summary
His Master's Voice B4970 Jazz
Henry Allen Jr., the New Orleans jazz trumpeter, recorded 'Feeling Drowsy' and 'Swing Out' for His Master's Voice; Allen was an important figure in jazz history and a contemporary of Armstrong.AI summary
His Master's Voice B4970 Jazz
Henry Brown recorded two jazz and blues pieces for Jazz Collector (JazzCo), a very minor label. The titles suggest hot jazz of the 1920s, but Brown is not a documented major artist in jazz history.AI summary
Jazz Collection 15 Jazz
Henry Levine and his orchestra recorded these jazz standards on Victor, the American parent label of His Master's Voice. Levine was a prolific bandleader and arranger active in popular and jazz music throughout the 1930s–1940s.AI summary
Victor 27831 Jazz
Herbie Fields, an American jazz musician and bandleader, performing two pieces on His Master's Voice: the novelty 'Huggin' and Chalkin'' and his own composition 'Blue Fields'.AI summary
His Master's Voice B9558 Jazz
Herbie Haymer, a tenor saxophonist and swing musician, performing two uptempo numbers on the Sunset label. Haymer was a sideman in major swing orchestras of the 1930s–40s, and small-label swing recordings are collected by jazz enthusiasts.AI summary
Sunset 7561 Jazz
Herbie Haymer on Merc (1098) with 'China boy' and 'Under a blanket of blue'; this is likely an earlier or alternate recording by the saxophonist on Mercury.AI summary
Mercury 1098 Jazz
Herbie Haymer Quintet on Sunset (7561) with 'Black market stuff' and 'Laguna leap'; Haymer was an American tenor saxophonist, and this is likely a 1950s jazz recording on an American label.AI summary
Sunset 7561 Jazz
The Herman Chittison Trio, a jazz ensemble, performs 'How High the Moon' and 'Song Is Ended' on Musicraft, an American label specialising in jazz and popular music of the 1940s–1950s.AI summary
Musicraft 315 Jazz
Hickman performing 'Cherry Cherokee' and 'I ain't Nobody's Darling' on Columbia, recorded in the 1920s.AI summary
Columbia 3073 Jazz
Hoagy Carmichael, a major American songwriter and pianist, recorded "Mr Music Master" and "Hong Kong Blues" for Brunswick 03752. Carmichael was influential in jazz and popular music; this is from his recording career of the 1930s-1940s.AI summary
Brunswick 03752 Jazz
Hoagy Carmichael, the American composer and pianist, recorded these two novelty numbers for Brunswick. Carmichael was the composer of 'Stardust' and many other standards; he also recorded as a performer.AI summary
Brunswick 04651 Jazz
Hoagy Carmichael, the legendary American composer and pianist, performing two early jazz recordings for Brunswick in the late 1920s. The catalogue numbers suggest acoustic-era pressings from the experimental phase of American jazz recording.AI summary
Brunswick 02504 Jazz
His Master's Voice B6500 Jazz
Hoagy Carmichael was an American songwriter and vocalist, composer of many jazz standards and novelty songs. This Brunswick side pairs 'Huggin' and Chalkin'' and 'Ole Buttermilk Sky', capturing his relaxed, conversational singing style.AI summary
Brunswick 03709 Jazz
Hoagy Carmichael, the American composer and entertainer, on Brunswick 02504: two jazz-influenced instrumental numbers recorded in the late 1920s–early 1930s, featuring Hoagy's composition 'Walking the Dog' and Wingy Manone's 'Shake that Thing'.AI summary
Brunswick 02504 Jazz
Vogue Q72078 Jazz
The Hollywood Hucksters, credited to Capitol Records (American), performing novelty jazz sides. The artist name and label suggest a minor or house band of the 1940s–1950s.AI summary
Capitol A40022 Jazz
Hot Club of France, Django Reinhardt's legendary Parisian jazz ensemble, performing two jazz standards on His Master's Voice: 'Miss Annabelle Lee' and 'Runnin' Wild'. This is from the late 1930s, the height of the Hot Club's fame.AI summary
His Master's Voice B8614 Jazz
Hot Lips Page on "Just Another Woman" and "My Fightin' Gal" for HMV B9261. Page was an American jazz trumpeter and blues singer of the 1930s–1950s, known for hot jazz and swing recordings.AI summary
His Master's Voice B9261 Jazz
Howlin' Wolf performing 'My Baby Stole Off' and 'I Want Your Picture' on RPM catalogue 347. RPM was a subsidiary of Modern Records, a small Los Angeles independent label associated with early electric blues; a genuine RPM 78 of Howlin' Wolf would be among the most sought American blues 78s and requires expert authentication before any sale.AI summary
RPM 347 Jazz
Howlin' Wolf — Chester Arthur Burnett, the towering Chicago blues singer and guitarist — performing 'So Glad' and 'I Asked for Water (She Brought Me Gasoline)' on Chess Records catalogue 1632. This is an original American Chess pressing of one of the most collected electric blues artists; UK copies of Chess 78rpm singles are extremely uncommon and this disc requires expert attention and authentication before any sale.AI summary
Chess 1632 Jazz
The Hudson-DeLange Orchestra, co-led by arranger Will Hudson and lyricist Eddie DeLange, plays Hudson's 'Organ Grinder's Swing' and 'You're Not the Kind' on Vocalion.AI summary
Vocalion 508 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, recording 'Shake It and Break It' and 'Jail Break' for Parlophone R-series (R3667), likely early 1950s.AI summary
Parlophone R3667 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, performing 'Hand Me Down Love' and 'Here and Gone' on Parlophone R4428. Lyttelton led a major British traditional jazz revival band from the late 1940s onwards and is collected for his trad jazz sides.AI summary
Parlophone R4428 Jazz
Humphrey Lyttelton, British jazz trumpeter and bandleader, pioneered the British trad jazz revival in the late 1940s; this Parlophone R-series pressing represents his early work in the bebop and post-swing era.AI summary
Parlophone R4392 Jazz
Humphrey Lyttelton was a British jazz trumpeter and bandleader, and one of the founders of the British New Orleans jazz revival. This Parlophone pressing of two jazz standards shows his dixieland style.AI summary
Parlophone R3772 Jazz
Humphrey Lyttelton, the trumpeter who led Britain's leading traditional jazz band, with 'Vox Humana Blues' and 'Elizabeth' in the LJ series.AI summary
London 5 Jazz
Humphrey Lyttelton on Parlophone R3292, performing 'Froggie Moore' and 'Ice Cream'. Lyttelton was a British clarinettist and bandleader, a major figure in British traditional and mainstream jazz from the 1940s onward.AI summary
Parlophone R3292 Jazz
Humphrey Lyttelton, the British jazz trumpeter and bandleader, performing "Bad Penny Blues" for Parlophone in 1956. This recording marked an early moment in the British skiffle and traditional jazz revival, and "Bad Penny Blues" became an important anthem of the emerging modern British jazz movement.AI summary
Parlophone R4184 Jazz
Humphrey Lyttelton and his band with 'Careless Love' and 'When the Saints Go Marching In', catalogue A1, the first number in Tempo's A series.AI summary
Tempo A1 Jazz
Humphrey Lyttelton's group recording 'Melancholy Blues' and 'Thin Red Line' for London 1LJ. Lyttelton is a pioneering British revivalist of New Orleans jazz.AI summary
London 1LJ Jazz
Humphrey Lyttelton was a central figure in the British trad-jazz revival, and this disc on the early London jazz series dates from his formative postwar period.AI summary
London LJ5 Jazz
Humphrey Lyttelton, a British jazz trumpeter and bandleader, recorded 'Darktown Strutters' and 'Jazz Band Ball' (a traditional New Orleans jazz standard) for UPC 1202, representing his early post-war jazz output in the late 1940s.AI summary
UPC 1202 Jazz
Humphrey Lyttleton was Britain's foremost traditional jazz musician of the 1950s and beyond; this Parlophone record of 'It Makes My Love Come Down' and 'Blues for an Unknown Gipsy' documents early British trad-jazz at its height.AI summary
Parlophone R3424 Jazz
Humphrey Lyttelton on Parlophone R3286, with 'Hopfrog' and 'Shake Rag'. Lyttelton was a British jazz trumpeter, bandleader and wit who led influential traditional and mainstream jazz ensembles from the 1940s onwards, and a major figure in British jazz.AI summary
Parlophone R3286 Jazz
Humphrey Lyttelton, the trumpeter who led Britain's leading traditional jazz band, with 'Cake Walkin' Babies' and 'If You See Me Comin'' in the LJ series.AI summary
London LJ2 Jazz
Humphrey Lyttleton was a pioneering British jazz trumpeter and bandleader; this Parlophone recording shows his trad-jazz style on two original compositions.AI summary
Parlophone R4149 Jazz
I Jones recorded these two blues-influenced pieces for Brunswick 2358 in the 1920s, a prolific session musician with numerous minor labels.AI summary
Brunswick 2358 Jazz
I Jones performed these two blues and jazz-influenced popular songs for Brunswick, a major American and British label; Brunswick 2374 places it in the mid-to-late 1920s.AI summary
Brunswick 2374 Jazz