1,956 shellac records · mostly British pressings, 1900s–1950s
1,956 records matching · page 25 of 41
Lionel Hampton and the King Cole Trio recorded 'Jivin' with Jarvis' and 'Buckin' the Blues' for His Master's Voice catalogue B9589, likely from the mid-1940s. This is a notable collaboration between two significant American jazz and pop artists, though the record is scarcer than their more widely distributed sides.AI summary
His Master's Voice B9589 Jazz
Ladd's Black Aces on Gennett, a small American label, performing 'Stop Your Kidding' and 'Yankee Doodle Blues' — likely a jazz or novelty ensemble from the 1920s, UK pressing.AI summary
Gen 4995 Jazz
Joe Venuti and Eddie Lang, the pioneering jazz violin and guitar partnership, with 'Farewell Blues' and 'Someday Sweetheart' on Panachord, the 1931 All-Star session whose line-up included Benny Goodman and Jack Teagarden.AI summary
Panachord 25151 Jazz
Layton and Johnstone, the American vocal duet, on Columbia 3511 with hot-jazz novelty songs from the late 1920s. The pair was known for rhythmic comedy numbers and close harmonies during the dance-band era.AI summary
Columbia 3511 Jazz
Layton and Johnstone, a celebrated African-American vocal duo and jazz artists, recorded 'Hard Hearted Hannah' and 'It Had to Be You' for Columbia, catalogue 3511. The duo were influential jazz vocalists of the early and mid-1920s, and their recordings remain sought after by jazz collectors.AI summary
Columbia 3511 Jazz
Leadbelly on His Master's Voice MH190: 'Pick a Bale of Cotton' and 'Alabama Bound'. Leadbelly (Huddie Ledbetter) was one of the greatest American blues and folk guitarists and singers, known for his deep, powerful voice and his influence on blues and American folk music.AI summary
His Master's Voice MH190 Jazz
Lead Belly, the Louisiana songster whose repertoire shaped folk and skiffle, sings 'Becky Deem' and 'Pig Meat Papa' on Jazz Collection.AI summary
Jazz Collection 124 Jazz
Lee Morse, a highly accomplished American jazz singer and instrumentalist of the 1920s-30s, performs Cole Porter's 'Let's Do It' and 'If You Want the Rainbow' on Columbia — key sides in her discography.AI summary
Columbia 1659D Jazz
Lee Morse, a popular blues and jazz singer of the 1920s, performing 'I'm doing what I'm doing for Love' and 'He's a good Man to have around' on Columbia.AI summary
Columbia 5588 Jazz
Lee Morse, an American jazz and blues singer, on Columbia with 'We' and 'Rosita'; Morse was a sophisticated jazz vocalist and instrumentalist from the 1920s.AI summary
Columbia 1082D Jazz
Lee Morse, an American jazz and blues vocalist of the 1920s, performs two ballad songs on Columbia 1149D: "I've Looked All Over for a Girl Like You" and "Dawning." Morse was a significant early recording artist and this is a British Columbia pressing from the mid-1920s.AI summary
Columbia 1149D Jazz
Lee Morse, an American jazz and blues singer of the 1920s, on Columbia 1621D. Morse was a prolific recording artist and occasional instrumentalist, and her sides are sought by jazz and blues collectors.AI summary
Columbia 1621D Jazz
Lee Morse was an American jazz and blues vocalist of the 1920s–30s. Actuelle 10949 ('Yes Sir That's My Baby' and 'Ukulele Lady') is from a small US label; UK pressings are uncommon.AI summary
Actuelle 10949 Jazz
Lee Morse on Columbia DB147, the jazz and blues vocalist Morse performing 'Cooking Breakfast for the one I love' and 'Funny Dear what Love can do', from the late 1920s.AI summary
Columbia DB147 Jazz
Lee Stafford recorded 'Teddy Bear Blues' and 'Gladiolus Rag' for Tempo, catalogue A105.AI summary
Tempo A105 Jazz
Len Fillis recorded 'No. 13 Blues' and an instrumental numbered piece for Columbia in the 1920s. Fillis is not otherwise well documented as a recording artist.AI summary
Columbia DB723 Jazz
Len Fillis recorded 'No 13 blues' and 'In A' for Columbia DB723, likely a British jazz or instrumental side from the late 1920s or 1930s.AI summary
Columbia DB723 Jazz
Len Fillis performs two jazz standards on Decca's budget F-series, a mass-produced line of popular and jazz dance numbers.AI summary
Decca F3228 Jazz
Lena Wilson, a blues singer of the 1920s, recorded for Brunswick among other labels; 'Bleeding Hearted Blues' is a classic blues title of the era, though details of this particular pressing are obscure.AI summary
Brunswick 2464 Jazz
Lena Wilson performing two blues novelties on Brunswick in the 1920s—"Bleeding Hearted Blues" and "Chirpin' the Blues"—representing the raucous, humorous blues tradition of the early recording era.AI summary
Brunswick 2464 Jazz
Lennie Tristano, a pioneering bebop pianist and composer, performing two instrumental pieces on Asch 5500. Asch Records was a small independent American label founded in 1939.AI summary
Asch 5500 Jazz
The Lennie Tristano Quintet performing 'Subconscious-lee' and 'Judy' on Melodisc 1110, UK release of bebop innovations from the influential pianist and composer.AI summary
Melodisc 1110 Jazz
Lenny Dee performing two boogie and jazz pieces on Brunswick: 'Plantation Boogie' and 'Birth of the Blues'.AI summary
Brunswick 05440 Jazz
Leona Williams, a blues and jazz singer, recorded 'I wish I could shimmy' and 'If you don't believe I love you' for Columbia, capturing the jazz-influenced female vocal style of the early 1920s.AI summary
Columbia A3713 Jazz
Leona Williams performing blues and jazz material on Columbia A3835, from the 1920s-30s era. The titles suggest a blues or jazz context.AI summary
Columbia A3835 Jazz
Leona Williams was a blues and vaudeville singer who recorded for Columbia in the early 1920s, and the A3599 catalogue number places this around 1922–1923. UK pressings of Columbia's American blues material in the A-series are considerably scarcer than American copies, and are sought by collectors of classic blues. This is precisely the kind of side that repays closer attention before any sale.AI summary
Columbia A3599 Jazz
Leonard performs 'Red Jacket Blues' and 'You Know Why' for General (Gen), catalogue 5026, from the 1920s.AI summary
Gen 5026 Jazz
Parlophone R2152 Jazz
Lew Stone was a British pianist and bandleader of the 1930s–40s, known for hot jazz and swing; this Regal disc from the mid-1930s carries 'Zing Went the Strings of My Heart' and a 'Serenade Rumba'.AI summary
Regal MR1708 Jazz
Lew Stone was a British pianist and bandleader of the 1930s–40s, known for hot jazz and swing; this Regal disc from the mid-1930s carries two sentimental ballads.AI summary
Regal MR1738 Jazz
Lew Stone's band on two hot-jazz standards, Decca F pressing from the 1930s. Stone led one of Britain's finest dance orchestras of the era.AI summary
Decca F3839 Jazz
Lewis on Columbia 3784 performing jazz blues 'Tin Roof Blues' and 'Angry' from the 1920s jazz repertoire. Columbia 3784 suggests an early 1920s pressing of hot jazz.AI summary
Columbia 3784 Jazz
Lewis (undocumented artist) on Columbia, recording 'Dinah' and 'Aunt Hagar's Blues'. These are jazz-standard titles, suggesting a jazz or dance context, but the artist remains unidentified.AI summary
Columbia CB64 Jazz
Linda Hayes recorded 'Yes I Know' and 'Sister Anne' on Hollywood, a minor American label; Hayes was a rhythm-and-blues and jump-blues vocalist of the late 1940s.AI summary
Hollywood 244 Jazz
Lionel Hampton, the pioneering vibraphonist and bandleader, on Brunswick 04042, performing "Hamp's walkin boogie" and "Ridin on the land".AI summary
Brunswick 04042 Jazz
Lionel Hampton, the virtuoso vibraphone player, on Columbia; 'Airmail Special' is one of his celebrated swing compositions, and 'Midnight Sun' is a ballad showcase.AI summary
Columbia LB10021 Jazz
Lionel Hampton, the virtuoso vibraphonist and bandleader, performing 'Shufflin' at Hollywood' and 'Hot Mallets' on His Master's Voice — rare British issues of this major jazz figure.AI summary
His Master's Voice JO18 Jazz
Lionel Hampton recorded 'Central Avenue Breakdown' and 'When Lights Are Low' for HMV (B9750). Hampton was a pioneering vibraphone and drums player in jazz and swing; these sides are from his hot instrumental repertoire of the late 1930s–40s.AI summary
His Master's Voice B9750 Jazz
Lionel Hampton's vibraphone and xylophone work on these two instrumental sides, recorded for His Master's Voice in the 1940s, demonstrates the virtuosity that made him a jazz innovator.AI summary
His Master's Voice JO18 Jazz
Lionel Hampton was one of the most important jazz vibraphonists of the swing era; this HMV 10-inch pressing of 'Shoe Shiners Drag' and '12th Street Rag' captures the small-group swing sound.AI summary
His Master's Voice JO23 Jazz
Lipton performing the jazz-influenced novelty songs 'Harlem' and 'Cowboy' on Decca F6283, a British pressing.AI summary
Decca F6283 Jazz
Columbia 3783 Jazz
The Little Ramblers performing 'Swamp Blues' and the California Ramblers' recording of 'Pardon the Glove' on Columbia 4708. The Little Ramblers were part of the wider Ramblers recording organization of the 1920s, a prolific studio ensemble.AI summary
Columbia 4708 Jazz
Little Walter, a pioneering harmonica player and blues/R&B bandleader, recorded "You're So Fine" for Checker Records, a Chicago blues label founded in the early 1950s. This single is among his post-Chess recordings and part of the electric blues canon.AI summary
Checker 786 Jazz
Lizzie Miles was an African-American blues and jazz singer of the 1920s and 30s. 'Black Man' and 'My Pillow and Me' are two of her Brunswick recordings from the hot-jazz era.AI summary
Brunswick 9462 Jazz
Lizzie Miles on Brunswick 2462, an African-American jazz and blues singer, with 'My Pillow and Me' and 'Black Man (Be on Your Way)'.AI summary
Brunswick 2462 Jazz
Columbia 734 Jazz
Lonnie Johnson, the pioneering blues guitarist, with 'Rambler's Blues' and 'Fly Right Baby' on American Bluebird.AI summary
Bluebird 34-0708 Jazz