1,957 shellac records · mostly British pressings, 1900s–1950s
1,957 records matching · page 30 of 41
Muggsy Spanier was an influential Chicago jazz cornetist of the 1920s-30s, a key figure in hot jazz and swing. This His Master's Voice recording, catalogue B9047, documents his style during a period when his work was actively recorded in Britain.AI summary
His Master's Voice B9047 Jazz
Muggsy Spanier on His Master's Voice B9042, a landmark hot-jazz recording of 'At the Jazz Band Ball' and 'Livery Stable Blues' — the latter a canonical New Orleans jazz piece.AI summary
His Master's Voice B9042 Jazz
Muggsy Spanier and his ensemble performing two jazz standards on His Master's Voice B9067. Spanier (1906–1967) was an American cornet player and bandleader; a significant figure in hot jazz and Dixieland of the 1920s–1940s.AI summary
His Master's Voice B9067 Jazz
Muggsy Spanier was a celebrated American jazz cornetist and bandleader; this HMV pressing features two jazz standards, "Black and Blue" and "Dinah", recorded with his Ragtime Band.AI summary
His Master's Voice B9067 Jazz
Mugsy Spanier, an American jazz cornetist and bandleader, recorded 'Big Butter and Egg Man' and 'Dipper Mouth Blues' on His Master's Voice. UK copies of these jazz standards from a major American artist are scarce.AI summary
His Master's Voice B9033 Jazz
Cornettist Muggsy Spanier with 'The Lady's in Love with You' and 'Whistlin' the Blues' on Commodore, the New York jazz label.AI summary
Commodore 576 Jazz
Mugsy Spanier was a Chicago-style jazz cornetist, recorded here for Commodore, the influential New York jazz specialist label run by Milt Gabler and prized by collectors.AI summary
Commodore 586 Jazz
Cornettist Muggsy Spanier with 'Angry' and 'Snag It' on Commodore, the New York jazz label.AI summary
Commodore 616 Jazz
Mugsy Spanier, an American jazz cornetist, on V-Disc 394, performing 'Pat's Blues' and 'Rose Room' (credited to Goodman). V-Discs were non-commercial transcription discs pressed for American armed forces during World War II.AI summary
VDisc 394 Jazz
Cornettist Muggsy Spanier with 'Alabama Jubilee' and 'Caution Blues' on American Mercury.AI summary
Mercury 5528 Jazz
Mugsy Spanier, a jazz cornet virtuoso associated with hot jazz and swing, recorded 'Riverside Blues' and 'Rosetta' in the 1930s–40s. 'Com' is an unidentified label; if this is a legitimate Spanier recording, it may be scarce.AI summary
Commodore 586 Jazz
Murray Pilcer on Winner Records, performing 'I'm all bound round with the Mason Dixon Line' and 'That moaning Trombone'. Winner was a cheap British marque.AI summary
Winner 3292 Jazz
Mutt Carey, the New Orleans trumpeter who played with Kid Ory, plays 'Slow Driving' in two parts on Century.AI summary
Century 4018 Jazz
Napoleon's Emperors recorded 'That's a plenty' and 'Livery stable blues', two early jazz classics, for EmmEss, catalogue 107, a small British label.AI summary
Emm Ess 107 Jazz
Napoleon's Emperors on EmmEss, performing 'Sister Kate' and 'I'll Never Be the Same', jazz-influenced material from the 1920s.AI summary
Emm Ess 105 Jazz
Nappy Brown, an American R&B and gospel singer, performs two songs on Savoy 1506: "I'm Getting Lonesome" and "Little by Little," likely from the early 1950s. Savoy was a major New York label with strong UK distribution, and Brown was a significant R&B recording artist of the era.AI summary
Savoy 1506 Jazz
Nat Gonella, a celebrated British jazz trumpeter, recorded 'I Can't Believe That You're in Love with Me' and 'I Heard' for Decca F3176, likely mid-1930s.AI summary
Decca F3176 Jazz
Nat Gonella on Parlophone F880 with 'Toy Trumpet' and 'Twilight in Turkey', the British trumpeter and bandleader performing novelty instrumental sides.AI summary
Parlophone F880 Jazz
Nat Gonella, the British jazz trumpeter and bandleader, recorded two numbers on Parlophone, including the popular standard "Solitude" and a Volga folk song arrangement.AI summary
Parlophone F228 Jazz
Nat Gonella was a charismatic British-based swing trumpeter of the 1930s; these Parlophone sides showcase his hot-jazz style on standards from the swing era.AI summary
Parlophone F415 Jazz
Nat Gonella was one of Britain's finest jazz trumpeters and a prominent dance-band leader of the 1930s. This Parlophone F series pairing of 'Mister Rhythm Man' and 'Stardust' shows his swing style at its peak. Gonella's recordings remain actively collected.AI summary
Parlophone F132 Jazz
Nat Gonella, a British jazz trumpeter and bandleader of the 1930s–40s, performing 'Breakin the ice' and 'Rhythm is our business' on Parlophone F149. Gonella was a popular and prolific British jazz-swing specialist.AI summary
Parlophone F149 Jazz
Nat Gonella, the British trumpeter and bandleader, recorded 'Yes Suh' for Parlophone, a hot jazz side from one of Britain's most respected jazz players.AI summary
Parlophone F179 Jazz
Nat Gonella, a British jazz trumpeter and bandleader, recorded 'Peanut Vendor' and 'Jig Time' for Parlophone in the 1930s, representing British swing and hot jazz.AI summary
Parlophone F180 Jazz
Nat Gonella, a British jazz trumpeter and a capable hot-dance musician of the 1930s, recorded two numbers including the popular jazz standard "Japanese Sandman" on Parlophone.AI summary
Parlophone F347 Jazz
Nat Gonella, a British trumpet player and jazz entertainer, recorded 'Farewell Blues' and 'St. Louis Blues' for Odeon 221992. Gonella was a prominent figure in British jazz and swing of the 1930s–40s.AI summary
Odeon 221992 Jazz
Nat Gonella, a British jazz trumpeter and bandleader, performing 'Hep hep the Jumpin' Jive' and 'Plucking on a Golden Harp' on Columbia. Gonella was one of the most popular British jazz musicians of the 1930s-40s.AI summary
Columbia FB2492 Jazz
Nat Gonella, a British trumpet virtuoso and hot-dance bandleader of the 1930s, recorded these two American popular standards: 'If I Could Be with You One Hour Tonight' and 'Georgia on My Mind'.AI summary
Columbia FB2570 Jazz
Nat Gonella, the British jazz trumpeter and bandleader, performing 'Johnson Rag' and 'Yes My Darling Daughter' on Columbia FB2638.AI summary
Columbia FB2638 Jazz
Nat Gonella, a celebrated British trumpeter and bandleader of the 1930s–1940s, on Columbia FB2847—a swing-era recording from one of Britain's leading hot-jazz musicians.AI summary
Columbia FB2847 Jazz
Nat Gonella, the British jazz trumpeter and bandleader, on Decca F8552. Gonella was known for his hot-jazz style and novelty numbers; both 'Mama' and the B-side suggest swing-era repertoire from the late 1930s or early 1940s.AI summary
Decca F8552 Jazz
Nat Gonella, the British jazz trumpeter and bandleader, recorded 'Shoofly Pie & Apple Pan Dowdy' and 'Murder' for Decca F8691.AI summary
Decca F8691 Jazz
Nat Gonella was a British trumpeter and jazz bandleader who led the Georgians in the 1930s; this Columbia FB-series side pairs a novelty number with 'Star Dust', a jazz standard.AI summary
Columbia FB2571 Jazz
Nat Gonella, a British trumpet virtuoso and entertainer, performing 'Capri Caprice' and 'The Sheik of Araby' on Parlophone F317. Gonella led hot dance and novelty swing sides in the 1930s and is sought by collectors of British jazz and comedy swing.AI summary
Parlophone F317 Jazz
Nat Gonella, the British jazz trumpeter and bandleader, recording 'The Spider and the Fly' and 'Howdy Cloudy Morning' for Parlophone F1410, mid-1930s.AI summary
Parlophone F1410 Jazz
Nat Gonella, a British trumpet player and bandleader of the 1930s-40s, was one of Britain's leading hot-jazz musicians. This Parlophone side is from his most productive period; Gonella's sides are actively collected by British jazz enthusiasts.AI summary
Parlophone F504 Jazz
Nat Gonella, a British jazz trumpeter and bandleader popular in the 1930s-40s, recorded for Parlophone; these are swing-era novelty jazz numbers in the hot-dance idiom.AI summary
Parlophone F442 Jazz
Nat Gonella was a British trumpeter and bandleader of the 1930s–40s, leading the Georgians and known for hot jazz; this Parlophone disc carries two ballads, 'South of the Border' and 'Deep Purple'.AI summary
Parlophone F1504 Jazz
Nat Gonella and his Georgians, a hot-dance and swing ensemble, on Columbia; Gonella was a respected British jazz trumpet player and bandleader of the 1930s–1940s.AI summary
Columbia FB2523 Jazz
Nat Star band recorded a 'King of Jazz selection' for the St label, likely in the early 1930s.AI summary
Sterno 478 Jazz
Nathan Glantz Band, a New York-based ensemble, on Imperial, an American label; Glantz was active in the 1920s–1930s.AI summary
Imperial 1504 Jazz
New Orleans Bootblacks performing 'Flat Foot' and 'Mad Dog', recorded for Columbia DB3422. An American jazz group recorded for UK pressing.AI summary
Columbia DB3422 Jazz
The New Orleans Bootblacks, a jazz ensemble, on Columbia performing hot jazz titles; these sides represent early jazz recording on a major British label.AI summary
Columbia DB3422 Jazz
The New Orleans Owls, a New Orleans jazz band, on Columbia 1045D, performing 'Dynamite' and 'Pretty Baby' — hot jazz from the late 1920s. The Owls were an important regional ensemble.AI summary
Columbia 1045D Jazz
The New Orleans Rhythm Kings, the Chicago band of the early 1920s that ranked with King Oliver's as a model for young white jazz musicians, play 'Livery Stable Blues', backed by Charles Pierce's orchestra with 'Nobody's Sweetheart', on Paramount.AI summary
Paramount a14028 Jazz
New Orleans Rhythm Kings, a legendary early jazz ensemble, on Brunswick 01988 performing 'Ostrich Walk' and 'Original Dixieland One-Step'.AI summary
Brunswick 01988 Jazz
The New Orleans Rhythm Kings, a pioneering early jazz ensemble, performing 'Dust off That old Piano' and 'Since We Fell out of Love' on Brunswick 02008 — a UK pressing of an important 1920s jazz band.AI summary
Brunswick 02008 Jazz
The New Orleans Rhythm Kings, pioneers of early white jazz from New Orleans, recorded 'Clarinet Marmalade' and 'Maple Leaf Rag' for Brunswick in the mid-1920s. Both are foundational jazz pieces; the NORK were hugely influential in spreading New Orleans style to Northern cities and recording audiences.AI summary
Brunswick 02209 Jazz