1,957 shellac records · mostly British pressings, 1900s–1950s
1,957 records matching · page 31 of 41
The New Orleans Rhythm Kings, a pioneering jazz ensemble, performing 'London Blues' and 'Sweet Lovin' Man' on Brunswick — early hot jazz from a group that recorded from the 1920s onward.AI summary
Brunswick 02210 Jazz
New Orleans Rhythm Kings, one of the earliest white jazz bands, recorded 'Bluin' the Blues' and 'Sensation' for Brunswick 02337 in the mid-1920s. The band was highly influential in the development of hot jazz.AI summary
Brunswick 02337 Jazz
The New Orleans Rhythm Kings were one of the earliest white jazz ensembles, recording in the early 1920s and influential in bringing New Orleans jazz to a wider audience. This Brunswick pressing of 'London Blues' and 'Sweet Lovin' Man' captures their early jazz style. British Brunswick pressings of important early jazz sides are scarcer than American issues and are highly sought by jazz historians and collectors.AI summary
Brunswick 02210 Jazz
The New Orleans Wanderers were a small New Orleans jazz ensemble of the 1920s; 'Perdido Street Blues' and 'Gatemouth' are classic hot jazz sides recorded for the Columbia label and important to early jazz history.AI summary
Columbia DB2860 Jazz
The New Orleans Wanderers were a classic jazz ensemble led by clarinetist Sidney Bechet in 1924, recording 'Perdido Street Blues'—a landmark of early New Orleans jazz. Columbia DB pressings of this material are uncommon in the UK.AI summary
Columbia DB2860 Jazz
The Nicholas Brothers, the legendary tap-dancing duo, on 'Lady be Good' and 'Mama yo Quiero' for Polyphon 580055. The Nicholas Brothers were major entertainment stars and dancers.AI summary
Polyphon 580055 Jazz
Noble Sissle, the pioneering African-American jazz singer and bandleader, on Columbia's FB series. Sissle was a central figure in early jazz and a major recording artist; these are later-era sides, likely from the 1930s.AI summary
Columbia FB1493 Jazz
Noble Sissle, the African-American lyricist, bandleader, and partner of Eubie Blake, sings 'Hallelujah to the Lamb' and 'Go Down Moses' on Pathé 1387. Sissle recorded for Pathé in the early 1920s and is a significant name in the history of African-American popular music; his Pathé recordings are collected by enthusiasts of early jazz and African-American entertainment.AI summary
Pathé 1387 Jazz
Noble Sissle's orchestra with 'Characteristic Blues', a feature for Sidney Bechet, and 'Okey Doke' on American Vocalion.AI summary
Vocalion 3840 Jazz
Noble Sissle, the pioneering African-American jazz vocalist and bandleader, performs 'Sometimes I'm Happy' and 'Hallelujah' on Parlophone R3428 from the late 1920s or early 1930s. Sissle was a crucial figure in early jazz and Broadway.AI summary
Parlophone R3428 Jazz
Norman Burns Quintet on Esquire 10-259, performing jazz and popular standards. Esquire was a British jazz label; the artist is not documented in major jazz references.AI summary
Esquire 10-259 Jazz
Norman Granz's Jazz at the Philharmonic Vol. 5, featuring Charlie Ventura, Howard McGhee, and Jacquet, on Asch Records 9029; Granz's JATP concerts were landmark live jazz events of the 1940s, and Asch was a pioneering independent jazz label.AI summary
Asch 9029 Jazz
The Novelty Jazz Band recorded 'Bimini Bay' and 'Eldorado' for Regal, a British label.AI summary
Regal G7702 Jazz
The Okeh Syncopaters was a jazz group that recorded for Odeon, the German-based label with British distribution. This Odeon A-series side pairs two spoken-word novelty pieces, 'Jokes' and 'Laughing Record', representing the humorous side of 1920s jazz-era material.AI summary
Odeon eonA74361 Jazz
Ollie Power's Harmony Syncopaters on Jazz Reissue 5003, performing 'Okay That Thing' and 'Adam's Apple'. Jazz Reissue was a small British reissue label active in the 1940s–50s, reissuing earlier jazz and hot-dance sides; the original recordings are not identified in the supplied data.AI summary
JazzReissue 5003 Jazz
The Original Capitol Orchestra (possibly a studio band) on Zonophone 2355 — 'I Wish I Could Shimmy Like My Sister Kate' and 'Apple Sauce.' 'Sister Kate' is a New Orleans jazz standard from the early 1920s; Zonophone 2xxx is a relatively early catalogue number. A period dance-jazz pressing on a common label.AI summary
Zonophone 2355 Jazz
The Original Dixieland Five, pioneers of jazz recording, performing their famous compositions for HMV's B-series; however, the catalogue number B8642 is from the mid-1930s, likely a reissue of earlier acoustic sides.AI summary
His Master's Voice B8642 Jazz
The Original Dixieland Jass Band (noted as 'Five' here) on His Master's Voice B8648, a reissue of their classic 1917 recordings 'Original Dixieland One Step' and 'Barnyard Blues'. These are seminal hot jazz and novelty numbers that established the band's international fame.AI summary
His Master's Voice B8648 Jazz
The Original Dixieland Jazz Band, the first jazz group to record, on His Master's Voice; early hot jazz of c. 1920.AI summary
His Master's Voice B1022 Jazz
The Original Dixieland Jazz Band were white New Orleans musicians who made the first jazz recordings in 1917 and became recording stars of the 1920s. This Victor 26000-series pressing documents their influential ensemble style.AI summary
Victor 26039 Jazz
The Original Dixieland Jazz Band, the pioneering hot-jazz group that made the first jazz recordings in 1917, on Victor 18564 with 'Fidgety Feet' and 'Lazy Daddy'. These are instrumental jazz sides from the early 1920s.AI summary
Victor 18564 Jazz
The Original Dixieland Jazz Band performing 'St Louis Blues' and 'Jazz me Blues' for Victor 18772, a US pressing.AI summary
Victor 18772 Jazz
The Original Dixieland Jazz Band, the pioneering white jazz ensemble who made the first jazz records (1917), performing 'Palesteena' and 'Margie' on His Master's Voice B1199. UK copies of ODJB recordings are scarce.AI summary
His Master's Voice B1199 Jazz
The Original Dixieland Jazz Band, pioneers of jazz recording, performing 'Home Again Blues' and a 'Rose Medley' on His Master's Voice.AI summary
His Master's Voice B1227 Jazz
The Original Dixieland Jazz Band's 1918 Victor recordings, including 'Ostrich Walk' and 'At the Jazz Band Ball', were among the first jazz sides ever issued; UK copies of Victor's early jazz catalogue are extremely uncommon.AI summary
Victor 18457 Jazz
The Original Dixieland Jazz Band, the pioneering ensemble that made the first jazz recordings in 1917, recorded 'Fidgety Feet' on Victor 25668. This band was revolutionary in establishing jazz as a recordable and commercial art form.AI summary
Victor 25668 Jazz
Vocalion 3099 Jazz
This disc on the 'Jazz Collection' reissue series carries two sides by the Original Dixieland Jazz Band, the group credited with the first jazz record ever issued, in 1917; 'Barnyard Blues' and 'At the Jass Band Ball' are among their best-known numbers.AI summary
Jazz Collection 53 Jazz
The Original Dixieland Jazz Band on Brunswick, a historic early jazz ensemble whose 'Tiger Rag' and 'Reisenweber Rag' were among the first jazz records made; UK copies of their Brunswick sides are uncommon — early American jazz on budget British labels did not survive well.AI summary
Brunswick 02500 Jazz
The Original Dixieland Jazz Band on Victor 18729 with 'Home Again Blues' and 'Crazy Blues'. This is an American import of one of the earliest and most historically significant jazz groups, credited with the first jazz recordings in 1917.AI summary
Victor 18729 Jazz
The Original Dixieland Jazz Band's 'Bluin' the Blues' and 'Sensation Rag' on HMV, reissuing the pioneering early jazz ensemble that recorded the first jazz records in 1917.AI summary
His Master's Voice B1022 Jazz
The Original Dixieland Jazz Band recorded 'Tiger Rag' and 'Jazz Me Blues' for His Master's Voice. The ODJB were the first jazz ensemble to record, in 1917, and remained influential through the 1920s–30s, though this is a later HMV pressing rather than their historic acoustic sides.AI summary
His Master's Voice B8466 Jazz
The Original Indiana Five, a New York small jazz band of the 1920s, play 'Deep Henderson' and 'Spanish Mamma' on American Harmony.AI summary
Harmony 217 Jazz
The Original Indiana 5 recorded hot dance sides for Harmony. 'Struttin' Jerry' and the Arkansas Travellers' 'Stompin' Fool' are typical of the small jazz combos of the late 1920s.AI summary
Harmony 459 Jazz
The Original Indiana Five, an early jazz band, with Some of These Days and The Memphis Blues on Cameo 1138.AI summary
Cameo 1138 Jazz
The Original Indiana Five recorded 'So Is Your Old Lady' and '(Broadway Bellhops) Tonight's My Night' for Regal, catalogue 8714, likely 1920s.AI summary
Regal 8714 Jazz
The Original Memphis 5, a seminal early hot jazz ensemble, on Brunswick; 'How Come You Do Me Like You Do' is a jazz standard, and these are valuable early sides from the early 1920s acoustic era.AI summary
Brunswick 3630 Jazz
The Original Memphis Five, one of the most prolific and popular white jazz bands of the early 1920s, record 'House of David Blues' and 'Songs of the Volga Boatman' (by Samuels) on British Imperial 1249. British Imperial pressings of American hot-dance and jazz material from this period are uncommon, and the Original Memphis Five are a well-regarded name in classic jazz collecting.AI summary
Imperial 1249 Jazz
The Original Memphis 5, a jazz ensemble, performing *Maybe* and *Horse in Pasadena* on Imperial. This is a British pressing of a 1920s American jazz group, from the early dance-band era.AI summary
Imperial 1301 Jazz
Original Memphis Five, a New York jazz group, recorded 'Sioux City Sue' and 'Grass Is Always Greener' for Columbia, catalogue 186D. The group was active in the early 1920s and recorded a wide range of jazz, blues and novelty material.AI summary
Columbia 186D Jazz
The Original Memphis 5, a white jazz ensemble, recorded 'Walk Jenny Walk' and 'Last Night on the Back Porch' for Columbia 7D. Early hot-dance sides from the mid-1920s, sought after by period-jazz collectors.AI summary
Columbia 7D Jazz
The Original Memphis 5, an influential early jazz group, recorded 'Who's sorry now' and 'Snakes Hips' for His Master's Voice, catalogue B1663.AI summary
His Master's Voice B1663 Jazz
The Original Memphis Five, a pioneering American jazz ensemble, recorded these jazz numbers for Victor. Both titles are jazz standards; the group recorded important early jazz and dance-band material in the 1920s.AI summary
Victor 19480 Jazz
Original Memphis 5 was an influential early jazz ensemble; this Regal pressing of 'Last Night on the Back Porch' and 'Foolish Child' captures their hot-jazz style from the mid-1920s.AI summary
Regal 8121 Jazz
The Original Memphis 5, a pioneering hot jazz and novelty group from the 1920s, recorded 'It Ain't Gonna Rain No Mo'' (a famous novelty hit) on Regal 8230. This is a British pressing of a notable early jazz ensemble.AI summary
Regal 8230 Jazz
The Original Memphis Jug Band recorded 'Oh Sister ain't that hot' and 'Roamin to Wyomin' for Imperial Records 1274. The Memphis jug bands were influential early-jazz and novelty recording groups of the 1920s.AI summary
Imperial 1274 Jazz
Original Memphis Five perform 'House of David Blues' and a Russian folk arrangement on Imperial 1249 from the early 1920s. The Memphis Five were an important early jazz ensemble active in the US.AI summary
Imperial 1249 Jazz
The Original Memphis Five, one of the most recorded small jazz bands of the 1920s, play 'Lovey Lee' and 'How Come You Do Me Like You Do' on Panachord, a British label of the 1930s that issued American masters.AI summary
Panachord 25008 Jazz