394 shellac records · mostly British pressings, 1900s–1950s
394 records matching · page 3 of 9
Clarkson Rose, a British comedian and performer, on Zonophone, performing novelty or character material; Rose was associated with the long-running seaside show 'Twelfth Night'.AI summary
Zonophone 2991 Music Hall
Clarkson Rose, a British music-hall entertainer and playwright, recorded 'Dear' and 'Like the Big Pots Do' for Zonophone. Rose was known for comedic character songs and sketches in the 1920s–30s.AI summary
Zonophone 5303 Music Hall
Clarkson Rose, a popular British music-hall entertainer and playwright, performs two comic songs on Zonophone: 'I Lift Up My Finger and I Say Tweet Tweet' and 'Ever So Goosey'. Rose was a mainstay of the variety stage and his Zonophone sides are more collectible than his work for cheaper labels.AI summary
Zonophone 5342 Music Hall
Clarkson Rose was a British entertainer and comedian of the music hall tradition, best known for his long-running seaside concert party 'Twinkle'; this Zonophone recording preserves his comic singing style.AI summary
Zonophone 5359 Music Hall
Clarkson Rose, the popular British music-hall comedian, on Zonophone 5429 with two comedy numbers, 'Come in Mr Cummin' and 'Mucking About the Garden'.AI summary
Zonophone 5429 Music Hall
Clarkson Rose was a famous British music-hall comedian and entertainer of the early 20th century; 'Same to you upholstered' and 'Average Man' on Zonophone, catalogue 5497, represent his recorded comedy repertoire.AI summary
Zonophone 5497 Music Hall
Clarkson Rose, a British entertainer and composer known for music-hall performance and novelty songs, recorded 'There's a Good Time Coming' and 'Over the Garden Wall' for Zonophone 5728 in the 1920s.AI summary
Zonophone 5728 Music Hall
Clarkson Rose, a British music-hall comedian and character performer known for his pantomime work, recorded 'A Day in the Army' for Zonophone, catalogue 5882.AI summary
Zonophone 5882 Music Hall
Clarkson Rose, a British revue and music-hall comedian, on Zonophone 5919, performing songs related to the Great War film Tell England.AI summary
Zonophone 5919 Music Hall
Clarkson Rose, the celebrated British comedian, performing 'Wave to me' and 'Back I went to Parliament' on Zonophone 5026, from a late period in the label's catalogue.AI summary
Zonophone 5026 Music Hall
Clarkson Rose, a major figure in British variety and pantomime, performing 'Sing a Song of Sixpence' and 'Twenty Years Ago' on Zonophone, catalogue 5044. Rose's recordings remain popular with collectors of British Music Hall.AI summary
Zonophone 5044 Music Hall
Clarkson Rose, a British musical-hall entertainer and pantomime star, recorded these two comic numbers for Zonophone; Rose was popular in provincial theatre and his recordings remain a curiosity of the music-hall tradition.AI summary
Zonophone 2406 Music Hall
Clarkson Rose, a British music-hall entertainer and playwright, on Zonophone. Rose was known for topical comedy and song.AI summary
Zonophone 2419 Music Hall
Clarkson Rose, a British variety entertainer, on Zonophone 2466, performing 'Shine' and the novelty 'Riley's Cow Shed'.AI summary
Zonophone 2466 Music Hall
Clarkson Rose on Zonophone 2796, a British music hall performer of the 1920s-30s.AI summary
Zonophone 2796 Music Hall
Clarkson Rose, a British musical comedy and revue performer, performing two songs on Zonophone—'Oh What a Happy Land' and 'The More We Are Together'. Rose was a music-hall entertainer active in the early twentieth century.AI summary
Zonophone 2833 Music Hall
Clarkson Rose, the British music-hall entertainer, recorded 'A Leakage in the Tank' in two parts for Zonophone, a small British label active in the early 1900s.AI summary
Zonophone 5981 Music Hall
Clarkson Rose, a British music-hall entertainer, recorded two comic songs, 'I never see Maggie alone' and 'Lunatic's Lullaby', for Zonophone, the budget British label.AI summary
Zonophone 2785 Music Hall
Clarkson Rose, a British entertainer and Twinkletoes pantomime star, recorded 'Felix Kept on Walking' and 'I Love Me' for Zonophone, a small British label active in the early 1900s.AI summary
Zonophone 2406 Music Hall
Clarkson Rose on Zonophone 2420, performing novelty music hall material. Clarkson Rose was a significant British entertainer and music hall personality known for his touring revue 'Tweedle's' and later radio work.AI summary
Zonophone 2420 Music Hall
Clarkson Rose, a British music-hall comedian and pantomime performer, singing two comic songs on Zonophone. Rose was a celebrated entertainer of the 1930s-40s.AI summary
Zonophone 5554 Music Hall
Clarkson Rose, a British entertainer and founder of the Twinkle concert party, recorded 'How does a little Liver Pill' and 'Ma look at Charlie' for Zonophone, capturing the novelty and music-hall tradition.AI summary
Zonophone 2978 Music Hall
Clarkson Rose, a British comedian and entertainer, performing two music-hall novelty songs for Zonophone, likely from the 1920s or 1930s.AI summary
Zonophone 2884 Music Hall
Danby & Mortimer, a music-hall comedy duo of the early 20th century, on Zonophone 177 with sketch material: 'The First Quarrel' and 'The Vagabonds'. Zonophone was a major label of the 1900s and 1910s; this is an early acoustic recording of comic patter.AI summary
Zonophone 177 Music Hall
Darewski and Haxton, British entertainers, perform two songs on Zonophone 2317 — likely an early pressing (Zonophone active 1901–1924) from the acoustic era.AI summary
Zonophone 2317 Music Hall
A descriptive musical scene, 'The Prodigal's Return' and 'A Naval Disaster', from Zonophone 42. This is a very early release (catalogue 42 suggests 1900s-1910s) in the descriptive or narrative music genre popular in the acoustic era. Zonophone was a British label active since the 1890s.AI summary
Zonophone 42 Music Hall
'Dollie and Billie' recorded two novelty or comic song sides for Zonophone, a British label with a long history from the 1900s. The catalogue number 2479 suggests mid-1920s or later.AI summary
Zonophone 2479 Music Hall
Douglas Byng, a British comic entertainer and actor, performs novelty songs 'Sunday School Has Done a Lot for Me' and 'Oriental Emma' on Zonophone. Byng was a popular revue performer and recording artist in the 1920s–30s.AI summary
Zonophone 5267 Music Hall
Douglas Byng, a sophisticated British revue performer and character vocalist, recorded these two comic character pieces on Zonophone 5407, likely late 1920s or early 1930s. Byng was known for witty, theatrical performances and recorded for several labels.AI summary
Zonophone 5407 Music Hall
Douglas Byng, a British comedienne and entertainer, recorded 'I'm One of the Queens of England' and 'Spring' for Zonophone, typical of her music hall and comic singing style.AI summary
Zonophone 5553 Music Hall
Dutch Daly performing 'Auld Robin Gray' on Zonophone catalogue 12814. The artist is not widely documented in standard music-hall references; the 12000-series Zonophone is an early acoustic-era catalogue. An unrecognised artist on an early Zonophone number warrants investigation.AI summary
Zonophone 12814 Music Hall
Ed Franklin performing 'The Shade of the Palms' on Zonophone 544, one of the earliest British recording labels.AI summary
Zonophone 544 Music Hall
Eric Foster performing comic patter songs on Zonophone: 'Geordie & His Missus at the Skating Rink' and 'Geordie at the Dentist'. Foster was a British music-hall performer of the early 1900s, specialising in character sketches and comedy monologues.AI summary
Zonophone 677 Music Hall
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 42263, with 'Nobody Knows, Nobody Cares'. Zonophone 42000-series pressings of Shand's work are moderately uncommon.AI summary
Zonophone 42263 Music Hall
Ernest Shand, the Edwardian music-hall comedian and monologist, on Zonophone catalogue 42433, with 'Look at the Weather'. Zonophone pressings of Shand's work in the 42000-series are moderately uncommon.AI summary
Zonophone 42433 Music Hall
Ernest Shand's Zonophone 1029 is a double-sided pressing, placing it a little later than his earliest single-sided issues — probably around 1906–1908. 'In America' suggests a topical song about emigration or the American craze, a common music-hall subject of the period. Shand was a capable Edwardian comedian whose Zonophone output is consistently sought by music-hall collectors.AI summary
Zonophone 1029 Music Hall
Ernest Shand, the Edwardian music-hall comedian and banjo specialist, performs 'King Rufus' and 'Lullaby' on Zonophone 1069. The 1069 Zonophone number places this in the early British acoustic series, probably around 1906–1909; Shand is a recognised music-hall recording name and this is an early-period pressing.AI summary
Zonophone 1069 Music Hall
Zonophone 1121 Music Hall
Ernest Shand, the British music-hall comedian, singer, and banjo-comedian popular in the Edwardian era, performs 'The Husband's Strike' and 'Poor Noah Moore' on Zonophone 748 — an extremely early Zonophone number, placing this among the very earliest British Zonophone pressings, probably around 1900–1903. Shand is a recognised name in early British recording and a catalogue number this low is a document of the first years of British disc recording.AI summary
Zonophone 748 Music Hall
Ernest Shand was a British music-hall comedian and character performer who recorded extensively in the Edwardian era. Zonophone 809 is an early catalogue number, placing this around 1903–1905, in the single-sided Zonophone period. Shand's Zonophone sides at low catalogue numbers are genuinely early acoustic recordings and are becoming uncommon.AI summary
Zonophone 809 Music Hall
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 857 — a moderately low number suggesting an early pressing — with 'I Went On My Way Rejoicing' and 'In Other Lands'. Zonophone pressings of Shand's work at low catalogue numbers are moderately uncommon.AI summary
Zonophone 857 Music Hall
Ernest Shand recorded 'The Husband's Strike' and 'Poor Noah Moore' for Zonophone. These titles suggest comic or music-hall material from the early 20th century.AI summary
Zonophone 748 Music Hall
Ernest Shand on Zonophone, performing 'That Broke Up the Party' and 'We Really Had a Most Delightful Evening', a light comedy or novelty number from the 1920s–30s.AI summary
Zonophone 809 Music Hall
F Oldham and T Handley on Zonophone 2912 with novelty songs 'Mamma's Gone, Young Pappa's Gone Old' and 'How'd Ya Like to Meet Me in the Moonlight'. Zonophone was a British label popular in the 1920s–1930s.AI summary
Zonophone 2912 Music Hall
F Williams on Zonophone 221, performing 'He's a Naughty Naughty Boy' and 'The Fireman'.AI summary
Zonophone 221 Music Hall
F. Williams performing the classic British music-hall song 'Miner's Dream of Home' and a Christmas piece on Zonophone 78, an early catalogue number indicating pressing from the 1900s–1910s era.AI summary
Zonophone 78 Music Hall
F. Williams and Miss McCarthy recorded novelty and comedy material for Zonophone 127, an early British label from circa 1910–1920.AI summary
Zonophone 127 Music Hall
Florrie Forde, one of the most celebrated British music-hall stars of the Edwardian and interwar periods, on Zonophone with 'We're Irish and Proud of It Too' and 'My Bugler Boy'; UK copies of Zonophone catalogue 1416 from this era are scarce.AI summary
Zonophone 1416 Music Hall