2,703 shellac records · mostly British pressings, 1900s–1950s
2,703 records matching · page 10 of 57
Billy Williams, a popular British entertainer of the 1920s-30s, recorded these comic vocal numbers for Columbia's A-series.AI summary
Columbia A1761 Music Hall
Billy Williams, the British music-hall comedian and singer, performs two novelty comic songs on Columbia IS466: "Come & Have a Look at What I've Got" and "Don't Go Out with Him Tonight," likely from the late 1920s or early 1930s.AI summary
Columbia is466 Music Hall
Billy Williams performing two Irish and Scottish-themed comedic songs on Columbia IS467. Williams was a prolific British music-hall and recording artist of the 1920s–30s.AI summary
Columbia is467 Music Hall
Billy Williams performing 'I'm wearing my Heart away for you' and 'The Colliers' on Columbia label, catalogue is470.AI summary
Columbia is470 Music Hall
Billy Williams, a prolific British music hall comedian and singer active from the 1880s through the 1920s, recorded for many labels; this Columbia side captures his comic patter style in the early electrical era.AI summary
Columbia is471 Music Hall
Billy Williams, a British music-hall comedian and singer, on 'Oh for another day at Margate' and 'Molly McIntyre', Columbia IS543. Columbia British pressings of the 1920s-30s era survive in varying numbers depending on the pressing run.AI summary
Columbia is543 Music Hall
Billy Williams, the British music-hall entertainer, performing 'Ragtime Wedding' and 'Where does Daddy go?', novelty and comic songs from the early 1920s. This Columbia is544 pressing is from the company's mainstream acoustic catalogue.AI summary
Columbia is544 Music Hall
Billy Williams on Columbia Is558: 'Blame It On to Poor Old Father' and 'Giving a Donkey a Strawberry'. Williams was a prolific British music-hall performer and comedian of the early 1900s–1920s.AI summary
Columbia is558 Music Hall
Billy Williams performs 'I've got a Lover up in Scotland' and 'My Lass frae Glasgie Toon' on Aco, a minor British label. Both titles play on Williams' Scottish identity and repertoire.AI summary
Aco 15762 Music Hall
Billy Williams was a British singer and music-hall performer active in the early 1900s. This early Columbia recording of two novelty or comic songs is a product of the acoustic recording era.AI summary
Columbia 693 Music Hall
Billy Williams, the Australian-born music hall singer, with I've Found Kelly and You're the One on Phoenix 041.AI summary
Phoenix 041 Music Hall
Billy Williams singing 'I Wish It Was Sunday Night' and 'I Do Wish That I Was a Ladies Man' on Phoen, an obscure British label.AI summary
Phoenix 069 Music Hall
Billy Williams on Regal 6001, performing 'Wake up John Bull' and 'I'll lend you my best girl'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6001 Music Hall
Billy Williams performing comic or novelty songs with Scottish and domestic themes on Regal, a budget British label.AI summary
Regal 6008 Music Hall
Billy Williams, a British comedian and singer, recorded two songs for Regal, a British budget label, in the early 1930s.AI summary
Regal 6010 Music Hall
Billy Williams, a Scottish entertainer, singing two comic Irish-themed songs on Regal Records, a budget British label active in the 1920s-30s.AI summary
Regal 6019 Music Hall
Billy Williams singing 'Where Does Daddy Go When He Goes Out' and 'Wait Till I'm as Old as Father' on Regal 6642.AI summary
Regal 6642 Music Hall
Billy Williams on Regal 6643, performing 'It's a grand old Song is Home Sweet Home' and 'Kangaroo Hop'. Billy Williams was a popular British comedian and singer.AI summary
Regal 6643 Music Hall
Billy Williams, a British performer, in two novelty numbers on Regal, a major British label: "Call me early in the Morning" and "Oh for another day at Margate".AI summary
Regal 6645 Music Hall
Billy Williams recorded 'That's a Jolly Good Song' and a Harry Fay composition for Zonophone 283. Williams was a British entertainer active in the early 1900s, and Zonophone was an early major British imprint, making this an acoustic-era pressing.AI summary
Zonophone 283 Music Hall
Zonophone 583 Music Hall
Billy Williams, a major British music-hall and variety comedian, on Zonophone 782, performing comedic songs 'I never heard Father laugh so much before' and 'Take me where there are no Eyes'. Williams was a prolific recording artist in the Edwardian era.AI summary
Zonophone 782 Music Hall
Billy Williams, a popular British music-hall and variety entertainer of the 1920s–1930s, performs two novelty comic songs on Zonophone 783: "Cohen" and "All the Silver from the Silvery Moon." Zonophone was a Gramophone Company label much used for British variety artists.AI summary
Zonophone 783 Music Hall
Billy Williams, a prolific British music-hall and comic singer, recorded 'Why Don't Santa Claus Bring Something to Me' and 'Tell Them You're a Londoner' for Zonophone 786.AI summary
Zonophone 786 Music Hall
Billy Williams, a prolific British music-hall singer, recorded 'One Girl's as Good as Any Other Girl' and 'All the Houses Are Going Round' for Zonophone.AI summary
Zonophone 787 Music Hall
Billy Williams recorded 'Kangaroo Hop' and 'It's Mine When You've Done with It' for Zonophone, novelty songs typical of the music hall crossover period. Williams was a minor artist on this now-scarce early label.AI summary
Zonophone 912 Music Hall
Billy Williams, a British music-hall singer and comedian, recorded 'Since Father Joined the Territorials' and 'Little Willie's Woodbines' for Zonophone, catalogue 175.AI summary
Zonophone 175 Music Hall
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
Zonophone 240 Music Hall
Billy Williams performing comic songs 'Father papered the Parlour' and 'Don't go out with him Tonight' on Phoenix, a small British label. The artist is unidentified.AI summary
Phoenix 37 Music Hall
Billy Williams recorded "Rosetta" and "I'm the Man that Buried Flanagan" on the Phoen label, a minor British imprint. The second title suggests music hall or novelty material; Williams's other recordings are largely unknown to general discographies.AI summary
Phoenix 39 Music Hall
Billy Williams, the Australian-born music hall singer, with My Lass from Glasgow Town and I Never Heard Father Laugh So Much Before on Phoenix 71.AI summary
Phoenix 71 Music Hall
Billy Williams recorded British music hall and sentimental songs ('The Hobnailed Boots My Father Wore', 'I Wish It Was Sunday Night') for Aco Records. Williams was a British singer of the 1920s–1930s era.AI summary
Aco 15761 Music Hall
Billy Williams was a British popular vocalist and entertainer of the early 20th century, known for character songs and novelty material. This early Zonophone side, 'Old Armchair' and 'Only Bit of English We Have Got', shows his music-hall roots and comic sensibility.AI summary
Zonophone A18 Music Hall
Billy Williams, a British music hall and variety singer, recorded comic songs 'Father papered the Parlour' and 'Save a little one for me' for Pathé 79059.AI summary
Pathé 79059 Music Hall
Pathé 79059 Music Hall
Billy Williams recorded 'I don't care' and 'My Lass from Glasgie Toon' for Pathé catalogue 79425, likely mid-1920s.AI summary
Pathé 79425 Music Hall
Billy Williams recorded 'Wait till I'm as old as Father' and 'Where does Daddy go' for Pathé 79972, likely from the 1920s. Billy Williams was a British music hall entertainer, though this specific pressing is obscure.AI summary
Pathé 79972 Music Hall
Billy Williams, a popular British music-hall singer of the early 20th century, performing the comic song *The Only Bit of English We Have Got* on Zonophone, a subsidiary label of the gramophone pioneers.AI summary
Zonophone 042012 Music Hall
Billy Williams, the prolific Edwardian music hall and recording artist, performed on the Zonophone label during the early 1900s acoustic era.AI summary
Zonophone A16 Music Hall
Billy Williams performing two comic or novelty songs for Lyc 047: 'When Father Papered the Parlour' and 'I Don't Care'. Lyc was a minor British label.AI summary
Lyceum 047 Music Hall
Billy Williams, the Australian-born music hall singer, with Let's All Go Mad and When Father Papered the Parlour on Lyceum 269.AI summary
Lyceum 269 Music Hall
Billy Williams on Lyric (Lyr label), a small British marque. Without clear artist identification or further details, this cannot be placed with confidence.AI summary
Lyceum 272 Music Hall
Billy Williams, a Scottish music-hall comedian, performing 'Cohen' and 'She's my Lassie from Glasgie Toon' on the Lyr label, a small British imprint.AI summary
Lyceum 273 Music Hall
Billy Williams, the Australian-born music hall singer, with I Don't Care and Why Can't We Have the Sea in London on National 266i.AI summary
National 266i Music Hall
Billy Williams, the Scottish music hall singer, performs 'Are we all Here?' and 'Squeeze her Ebenezer' on Zonophone, a small British label active from the 1920s onward.AI summary
Zonophone 1012 Music Hall
Billy Williams singing two comedy novelty numbers, 'Call me early in the Morning' and 'On her pic-pic-piccolo', for Zonophone Records catalogue 1030.AI summary
Zonophone 1030 Music Hall
Billy Williams on Zonophone, this pressing of 'We All Live at No. 24' and 'Sheila O'Neil' is from the later phase of his recording career.AI summary
Zonophone 1041 Music Hall
Billy Williams recorded 'Oh That Ragtime Waltz' and 'Of for Another Day at Margate' for Zonophone 1058. Williams was a popular singer in the early 1900s; Zonophone was a significant label in the acoustic era.AI summary
Zonophone 1058 Music Hall