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- AA Lover up in Scotland
- BPostcards
Billy Williams, a British music-hall and comic singer, recorded 'A Lover Up in Scotland' and 'Postcards' for Cinch, a budget British label of the late 1920s.AI summary
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- AA lover up in Scotland
- BPost cards
Billy Williams recorded 'A Lover Up in Scotland' and 'Post Cards' for Twin Records—popular ballads by an untraced vocalist on a minor British label.AI summary
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- AAll coons look alike to me(09)
- BI'm wearing my heart away for you
Billy Williams, an early African-American vaudeville and recording artist, on Zonophone with 'All Coons Look Alike to Me' from 1909 — a historically important and commercially successful piece. The title reflects the racial terminology of its era; the song was one of Williams's signature pieces and a hit of the period.AI summary
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- AAll the ladies Fall in Love with Sandy
- BJean Loves all the Jockeys
Billy Williams, an early African-American vaudeville and recording artist, on Columbia with 'All the Ladies Fall in Love with Sandy' and 'Jean Loves All the Jockeys'; part of his substantial 1900s-1920s catalogue.AI summary
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- AAll the Silver from the Silvery Moon
- BI don't care
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- AAre we all here
- BWait till I'm as old as Father
Billy Williams, the Australian-born music hall singer, with Are We All Here and Wait Till I'm as Old as Father on Ariel 927.AI summary
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams performing "Are We All Here?" and "Squeeze Her Ebenezer" on Zonophone, a budget British label active through the 1920s-30s.AI summary
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams, the Scottish music hall singer, performs 'Are we all Here?' and 'Squeeze her Ebenezer' on Zonophone, a small British label active from the 1920s onward.AI summary
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- AAre we all Here?
- BSqueeze her Ebenezer
Billy Williams performing 'Are We All Here?' and 'Squeeze Her Ebenezer' on Zonophone 1012. Zonophone was an early British label subsidiary to The Gramophone Company, and this record represents popular comedy or novelty song of the 1900s–1910s era.AI summary
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- ABlame it on to poor old Father
- BGiving a Donkey a Strawberry
Billy Williams on Columbia Is558: 'Blame It On to Poor Old Father' and 'Giving a Donkey a Strawberry'. Williams was a prolific British music-hall performer and comedian of the early 1900s–1920s.AI summary
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- ABlame it on to poor old Father
- BI'm out for the Day today
Billy Williams performing two songs on Pathé Records, a major British electrical recording label of the late 1920s and early 1930s. Billy Williams was a light vocalist, and his recordings on Pathé are not widely documented as major collectibles.AI summary
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- ABlame it on to poor old Father
- BAll the Ladies fell in Love with Sandy
Billy Williams, the prolific British music hall comedian, on Scala Records with two comic novelty songs; another of his many recordings on minor British labels.AI summary
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- ABobbing about in the briny
- BWhen father papered the parlour
Billy Williams on the Homophone label with music-hall comedy novelties—'Bobbing About in the Briny' and 'When Father Papered the Parlour'. The Homophone imprint was a cheap British marque of the 1920s–30s.AI summary
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- ABobbing about in the Briny
- B(H Fay)In the Days that are coming bye-and-bye
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
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- ABoys and Girls
- BTickle me Timothy
Billy Williams, a Scottish music hall singer of the early 20th century, performs 'Boys and Girls' and 'Tickle me Timothy' on Scala, a minor British label of the 1920s–30s.AI summary
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- ABoys and Girls (07)
- BTickle me Timothy (07)
Billy Williams recorded 'Boys and Girls (07)' and 'Tickle me Timothy (07)' for Columbia, catalogue is1326. The suffix '(07)' and catalogue notation suggest acoustic or very early electric recording, possibly from the 1920s.AI summary
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- ABoys and Girls (07)
- BBungalow parody
Billy Williams performing 'Boys and Girls' (part 07) and 'Bungalow parody' on Homochord, catalogue 319. An unidentified or minor artist on a small British label.AI summary
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- ACall me early in the Morning
- BOh for another day at Margate
Billy Williams, a British performer, in two novelty numbers on Regal, a major British label: "Call me early in the Morning" and "Oh for another day at Margate".AI summary
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- AChanticleer
- BYou're the One
Billy Williams, recorded 'Chanticleer' and 'You're the One' for Zonophone 584, likely in the late 1920s or early 1930s.AI summary
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- AChanticler
- BYou're the One
Billy Williams recorded 'Chanticler' and 'You're the One' for Cinch, a small British label. Little is known of this artist or the label's history.AI summary
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- ACock-a-doodle-doo
- BPoodle Dog
Billy Williams performing two comic novelty songs, 'Cock-a-Doodle-Doo' and 'Poodle Dog', on Scala, catalogue 1336. Scala was a budget British label.AI summary
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- ACohen
- BAll the Silver from the Silvery Moon
Billy Williams, a popular British music-hall and variety entertainer of the 1920s–1930s, performs two novelty comic songs on Zonophone 783: "Cohen" and "All the Silver from the Silvery Moon." Zonophone was a Gramophone Company label much used for British variety artists.AI summary
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- ACohen
- BShe's my Lassie from Glasgie Toon
Billy Williams, a Scottish music-hall comedian, performing 'Cohen' and 'She's my Lassie from Glasgie Toon' on the Lyr label, a small British imprint.AI summary
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- AColliers
- BHobnailed Boots that Father wore
Billy Williams, a British music-hall performer, on 'Colliers' and 'Hobnailed Boots that Father wore', Home (Hom) 4111. Home was a small British label of the 1920s-30s.AI summary