2,703 shellac records · mostly British pressings, 1900s–1950s
2,703 records matching · page 21 of 57
Ernest Shand, the Edwardian music-hall comedian and monologist, on Polyphon catalogue 5662 with 'The Husband's Strike' and 'Nelson and Me'. Polyphon was a major continental pressing firm with British distribution; Shand sides on the label are moderately uncommon.AI summary
Polyphon 5662 Music Hall
Ernest Shand, the Edwardian music-hall comedian and monologist, performing 'Lloyd Jarge' and 'Horatio' on Columbia catalogue 2336. Columbia pressings of Shand's work in the 2000-series are moderately common.AI summary
Columbia 2336 Music Hall
Ernest Shand performing 'The Bachelor' on the G&T label; an early acoustic recording from an unidentified artist on one of the most prestigious recording marques of the early gramophone era.AI summary
G&T 3-2354 Music Hall
Ernest Shand, the Edwardian music-hall comedian and monologist, on Zonophone catalogue 42433, with 'Look at the Weather'. Zonophone pressings of Shand's work in the 42000-series are moderately uncommon.AI summary
Zonophone 42433 Music Hall
Ernest Shand on Neo label, catalogue 17215, with 'Questions' and 'In the Summer' — companion to Neo17219/20 in this collection. As with that disc, the Neo label is a short-lived minor British imprint and Shand is a documented Music Hall comedian-singer; these form a small Neo grouping of modest specialist interest.AI summary
Neo 17215 Music Hall
Ernest Shand — a comedian, singer and ukulele entertainer popular in the Edwardian and early 1920s Music Hall — recorded for several labels, here on Neo (a small British imprint), catalogue 17219/20, with 'At the Ball' and 'Wide World'. Neo was a short-lived British label of the early 1920s and is not common in collections; Shand's output on it is of interest to Music Hall specialists.AI summary
Neo 17219/20 Music Hall
Ernest Shand's Zonophone 1029 is a double-sided pressing, placing it a little later than his earliest single-sided issues — probably around 1906–1908. 'In America' suggests a topical song about emigration or the American craze, a common music-hall subject of the period. Shand was a capable Edwardian comedian whose Zonophone output is consistently sought by music-hall collectors.AI summary
Zonophone 1029 Music Hall
Ernest Shand, the Edwardian music-hall comedian and banjo specialist, performs 'King Rufus' and 'Lullaby' on Zonophone 1069. The 1069 Zonophone number places this in the early British acoustic series, probably around 1906–1909; Shand is a recognised music-hall recording name and this is an early-period pressing.AI summary
Zonophone 1069 Music Hall
Zonophone 1121 Music Hall
Ernest Shand was an Edwardian music-hall comedian and monologist. This Beka pressing, catalogue 9709, contains 'Short Stories' and 'Little Bo-Peep'. Beka was a Berlin-based label with extensive European and British distribution; Shand is a moderately documented music-hall name.AI summary
Beka 9709 Music Hall
Ernest Shand, the British music-hall comedian, singer, and banjo-comedian popular in the Edwardian era, performs 'The Husband's Strike' and 'Poor Noah Moore' on Zonophone 748 — an extremely early Zonophone number, placing this among the very earliest British Zonophone pressings, probably around 1900–1903. Shand is a recognised name in early British recording and a catalogue number this low is a document of the first years of British disc recording.AI summary
Zonophone 748 Music Hall
Ernest Shand was a British music-hall comedian and character performer who recorded extensively in the Edwardian era. Zonophone 809 is an early catalogue number, placing this around 1903–1905, in the single-sided Zonophone period. Shand's Zonophone sides at low catalogue numbers are genuinely early acoustic recordings and are becoming uncommon.AI summary
Zonophone 809 Music Hall
Ernest Shand, the Edwardian music-hall comedian, on Zonophone catalogue 857 — a moderately low number suggesting an early pressing — with 'I Went On My Way Rejoicing' and 'In Other Lands'. Zonophone pressings of Shand's work at low catalogue numbers are moderately uncommon.AI summary
Zonophone 857 Music Hall
Ernest Shand recorded 'The Husband's Strike' and 'Poor Noah Moore' for Zonophone. These titles suggest comic or music-hall material from the early 20th century.AI summary
Zonophone 748 Music Hall
Ernest Shand on Zonophone, performing 'That Broke Up the Party' and 'We Really Had a Most Delightful Evening', a light comedy or novelty number from the 1920s–30s.AI summary
Zonophone 809 Music Hall
Ernie Lotinga recorded 'Drinkwater's Matrimonial Agency' for Brunswick, catalogue 01106. Lotinga was a British comedian and music-hall performer, and this is a comedy sketch or comic monologue recording of the type common in 1920s–30s British vaudeville.AI summary
Brunswick 01106 Music Hall
Ernie Mayne recorded 'Dirty Face' and 'Why does a Hen lay an Egg?' for Curry's, a minor British label. Curry's was active in the early 1930s and specialised in variety and comic material from minor entertainers.AI summary
Curry's 8060 Music Hall
Ernie Mayne, the music-hall comedian, with 'Goosey Gander' and 'Ten Little Fingers' on Favorite.AI summary
Favorite 886 Music Hall
Ernie Mayne was a large, jovial Edwardian music-hall comedian and singer known for novelty and comic songs. This Jumbo pressing (1315) — 'Goosey Goosey Gander' and 'Ten Little Fingers' — is typical of the children's-song material he sometimes recorded. Jumbo is an uncommon label; Mayne is a minor but documented music-hall name.AI summary
Jumbo 1315 Music Hall
Ernie Mayne performing 'And the Fog grew thicker & thicker' and 'Goosey Gander' on Winner Records catalogue 2738. Winner was a British label active in the 1920s–30s; Mayne is not established in standard reference.AI summary
Winner 2738 Music Hall
Ernie Mayne recorded 'My Meatless Day' and 'Sugar' for Winner Records, a small British label of the 1920s–30s.AI summary
Winner 3111 Music Hall
Ernie Mayne performing two comedy novelty songs ('I like a C-hup of C-hocoa' and 'Sammy Salter sorted Sausages') on Winner, a minor British music hall label; the titles are typical of British novelty and comedy material of the 1920s–1930s.AI summary
Winner 3198 Music Hall
Ernie Mayne recorded 'We Used to Gather at the Old Dun Cow' and 'A Great Big Plonking Kiss' for Winner, catalogue 3285. Winner was a budget British label of the 1920s–30s.AI summary
Winner 3285 Music Hall
Ernie Mayne on Winner 3402, performing novelty music-hall comedy songs. The artist is unidentified in major discographies.AI summary
Winner 3402 Music Hall
Ernie Mayne recorded 'My Mary' and 'Chips & Fish' for Winner 3432, a British budget label of the 1930s. Artist details are obscure.AI summary
Winner 3432 Music Hall
Ernie Mayne performs 'Peanuts' and 'Our Little Garden Sub-bub' on Winner, a small British label of the 1920s–30s. Both titles suggest sentimental or whimsical songs.AI summary
Winner 3764 Music Hall
Ernie Mayne, a British music-hall comic singer, on Winner Records in the 1920s–30s, performing novelty seasonal songs.AI summary
Winner 3922 Music Hall
Ernie Mayne, a British music hall comic, on Winner Records, a minor British label of the 1920s-1930s; two comic novelty songs from Mayne's repertoire of patter and sentimental humour.AI summary
Winner 3971 Music Hall
Ernie Mayne recorded for Winner, a British label; these are novelty comic songs with speech effects, typical of 1920s–1930s music-hall material.AI summary
Winner 3371 Music Hall
Ernie Mayne recorded 'Tale of my Husband's Shirt' and 'For Charity's Sake' for Winner, catalogue 2994. Mayne was a British music-hall or novelty singer; details are sparse.AI summary
Winner 2994 Music Hall
Ernie Mayne is not identified in standard discographies. 'All for the Sake of England' and 'Where's your Ticket for Coal' are recorded on Winner 3225, a small British label dating from the 1920s.AI summary
Winner 3225 Music Hall
Ernie Mayne, a British music hall entertainer, recorded two comic songs on Winner, a British label of the 1920s–1930s. The titles suggest topical or sentimental comedy.AI summary
Winner 3174 Music Hall
Ernie Mayne, a British music hall comedian of the early 1900s, recorded 'My Wife Makes Me Call Her Teacher' for Winner Records. Winner was a cheap British label of the era, and Mayne's comedic monologues survive in scattered copies.AI summary
Winner 3539 Music Hall
Ernie Mayne, a British music-hall comedian, performing two novelty songs on Winner Records: 'The Roast Beef of Old England' and 'There you are then'.AI summary
Winner 3593 Music Hall
Ernie Mayne performing 'When my Ship comes home' and 'Are Yer going to have one?' for Winner 3652.AI summary
Winner 3652 Music Hall
Ernie Mayne, a British music-hall comedian, performing two comic songs on Winner Records, a cheap British label of the early 1930s.AI summary
Winner 3670 Music Hall
Ernie Mayne, a British music hall comedian of the early twentieth century, recorded 'Our Little Garden Suburb' and 'Peanuts' for Winner Records. The catalogue number places this in the late 1920s or early 1930s.AI summary
Winner 3764 Music Hall
A second Ernie Mayne coupling on Winner Records from slightly later in his recording career, following similar comic and novelty music hall repertoire.AI summary
Winner 4058 Music Hall
Winner 4292 Music Hall
Ernie Mayne on Winner Records, performing two comic songs from the early 1930s.AI summary
Winner 4384 Music Hall
Ernie Mayne was a British entertainer, likely active in music-hall and early broadcasting. 'How's your poor old Feet' and 'Pat-a-cake Baker's Man' are novelty and comic songs typical of the 1920s–30s variety tradition. This Winner pressing is from a British label.AI summary
Winner 4058 Music Hall
Ernie Mayne was a British comic singer and monologist; 'And the Fog grew thicker & thicker' and 'Goosey Gander' were recorded for Winner, a British label active from the 1900s through the 1920s–30s.AI summary
Winner 2738 Music Hall
Ernie Mayne recorded "The Roast Beef of Old England" and "There you are then" for Winner 3593, a British budget label of the 1930s-1940s. A British popular or music-hall vocalist.AI summary
Winner 3593 Music Hall
Esmeralda Alvarez performs 'Nina Pancha' and 'Certamen Nacional' on Dac Sp 3174. DacSp appears to be a Spanish-language or Latin American label abbreviation; Alvarez is not a recognised name in major references and without further identification this disc cannot be properly assessed.AI summary
Dacapo SP3174 Music Hall
Ethel Levey, a British music-hall and revue performer who was the first wife of Fred Astaire, recorded 'What a Perfect Combination' and 'Look what you've done' for His Master's Voice in the 1920s.AI summary
His Master's Voice B4384 Music Hall
Ethel Levey, an American musical-theatre star and vaudeville performer, recorded for HMV early in the electrical period (catalogue 03376). Levey was active in theatre and film in the 1920s-30s.AI summary
His Master's Voice 03376 Music Hall
Ethel Levey, an American-born music-hall and stage star of the Edwardian era, performing a novelty song on His Master's Voice. Levey was a well-known entertainer in Britain, and her recordings from this period are now quite scarce.AI summary
His Master's Voice 03478 Music Hall
Eugene Stratton on His Master's Voice GC3-2011, a celebrated American-born singer and performer of blackface comedy songs, from HMV's GC series pressing.AI summary
His Master's Voice GC3-2011 Music Hall