2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 41 of 57
John Tilley recorded a novelty song about the Loch Ness Monster for Columbia (DB1265), a British label recording during the mid-1930s when monster stories were in vogue. Tilley was a minor music-hall entertainer.AI summary
Columbia DB1265 Music Hall
The Jolly Rollickers, a British novelty or concert party, recorded "The Man on the Flying Trapeze" and its continuation for Decca.AI summary
Decca F3682 Music Hall
Jones and Hare, with the Revellers, recorded comic and novelty material for HMV B2276, a British music-hall side from the early 1930s.AI summary
His Master's Voice B2276 Music Hall
Jones and Hare performing two popular novelty songs of the early 1920s—'Barney Google' and 'Yes we have no Bananas'—on the Act label, a small British imprint. Act pressings of this era are uncommon.AI summary
Actuelle 10488 Music Hall
Guardsman 6031 Music Hall
Joyce Grenfell and others performing 'Noel Coward Vocal Gems', parts 3 and 4, on a two-record set for His Master's Voice. Grenfell was a major British entertainer and comic performer of the 1940s–1950s; Coward's songs remain classics of British musical theatre.AI summary
His Master's Voice C3635/6 Music Hall
J. W. Meyers performing 'The Midshipmite' on Columbia Records (catalogue 699), an early Columbia 78rpm release. An unidentified performer recorded in the acoustic or early electric era.AI summary
Columbia 699 Music Hall
JW Myers on Victor Records, catalogue 4968, a very early American pressing from the acoustic era (circa 1915-1920). 'Bowery Grenadiers' suggests comic or music hall material.AI summary
Victor 4968 Music Hall
J.W. Rickaby recorded two comic-song novelties — 'I'm the biggest guy on Broadway' and 'Major General Worthington' — for Winner Records, a small British label.AI summary
Winner 3523 Music Hall
J W Rickaby, a British music-hall comic singer active in the Edwardian era, performs 'Don Alfonso' and 'Three Meals a Day' on Winner 4538. The Winner label was a budget British imprint of the 1910s–1920s widely distributed through Woolworths; Rickaby is a recognised if minor music-hall name.AI summary
Winner 4538 Music Hall
J W Rickaby, the British music-hall comic singer, performs 'First I Went and Won the DCM' and 'I'm Always Thinking of Her' on Winner 3498. Winner was the Woolworths budget label; Rickaby is a recognised if minor music-hall name and Winner pressings, while common, are inexpensive period items.AI summary
Winner 3498 Music Hall
J.W. Rickaby on Winner, a British budget label, performing 'I'm the biggest guy on Broadway' and 'Major General Worthington'.AI summary
Winner 3523 Music Hall
J W Rickaby performs 'Okey de Poke' and 'The Shriek of Palestine' on Winner 3829. Winner was the Woolworths budget label; Rickaby is a recognised if minor music-hall name and Winner pressings carry only modest collector value.AI summary
Winner 3829 Music Hall
J.W. Rickaby performing 'I'm an Airman' and 'The Mountaineer' on Winner 4331, an RAF-themed novelty side from the 1930s–1940s era.AI summary
Winner 4331 Music Hall
Kate Moore recorded 'Hold Your Hand Out Naughty Boy' and '(Bartley) Get Out and Get Under' for Popular Records (544), a British label of the 1920s. Moore is not otherwise documented.AI summary
Popular 544 Music Hall
Kaufman recorded 'Who takes care of the Caretaker's Daughter' and 'Desert Isle' for His Master's Voice catalogue B2061, likely from the late 1920s.AI summary
His Master's Voice B2061 Music Hall
Kennerly Rumford singing 'Four Jolly Sailormen' in German on His Master's Voice 02200, a very early catalogue number from the acoustic era.AI summary
His Master's Voice 02200 Music Hall
Kirkby and Hudson with Somebody's Coming to Tea and Where Did That One Go on Winner 3152.AI summary
Winner 3152 Music Hall
Kirkby and Hudson, British comic entertainers, perform music-hall novelties on Winner, a budget British label.AI summary
Winner 2996 Music Hall
Kitty Masters recorded 'My Kid's a Crooner' and 'His Majesty the Baby' for Regal (MR1550). Kitty Masters was a minor British vocalist and entertainer of the 1930s; both titles are novelty or comic songs.AI summary
Regal MR1550 Music Hall
Krueger, an unidentified artist, on Melot performing 'Julienne' and 'All by Myself'.AI summary
Meloto 1149 Music Hall
L Browne and R Royston recorded 'Sheep were in the Meadow' and 'A little Cooperation from you' for His Master's Voice catalogue BD462, from the early 1930s.AI summary
His Master's Voice BD462 Music Hall
L. Henson and Stanislaus Holloway performing 'Careless Talk' on Columbia DB1965. A propaganda or wartime-topical recording from World War II era.AI summary
Columbia DB1965 Music Hall
A duet or comedy song featuring L St John and F Leslie on Columbia's F-series catalogue.AI summary
Columbia F1063 Music Hall
Laddie Cliff, a British comedian, singer and revue performer, recorded 'Fried Chicken' for Columbia. Cliff was popular in stage revue in the late 1920s–30s.AI summary
Columbia 3438 Music Hall
Laddie Cliff, a British performer and composer active in revue and musical theatre, recorded 'It's a great little World' and 'Nice Baby' for Columbia. Cliff was known for comic and novelty material.AI summary
Columbia 4080 Music Hall
Laddie Cliff, a leading British musical theatre comedian and actor, with M Gideon and P Monkman on His Master's Voice B1552, recording material from theatrical shows of the 1920s.AI summary
His Master's Voice B1552 Music Hall
Lally performing the third and fourth parts of 'Pantomime Favourites' on Decca, the major British label, catalogue F2073.AI summary
Decca F2073 Music Hall
Lally performing 'Sunny Days' and 'Put your Worries through the Mangle' on Decca, catalogue F2111.AI summary
Decca F2111 Music Hall
Credited to Lally on the Mayf label (Mayfair?), with 'Toasts' and 'King's Navee'.AI summary
Mayfair 2229 Music Hall
Lally (with Sarony) recorded two London-topical novelty songs for Decca F2965, likely mid-1930s. These comic character pieces were typical of British light entertainment records of the period.AI summary
Decca F2965 Music Hall
Len Fillis Novelty Quartet on Columbia 5538 with 'Deep Night' and 'I'll Never Ask for More', a British novelty vocal group on Columbia's early numerical series.AI summary
Columbia 5538 Music Hall
Len Spencer on Columbia 30040, credited with 'Musical Yankee'. Spencer was an American vaudeville entertainer and early recording artist; the very high catalogue number suggests a late pressing or possibly an issue of an earlier recording.AI summary
Columbia 30040 Music Hall
Lennie Forrest, billed as 'mr Dixie', recorded 'Mammy of mine' and 'Dixie train' for Regal ent195—likely a regional or dialect comedy side from the 1930s.AI summary
Regent 195 Music Hall
Lentz recorded 'Every Night I Bring Her Frankfurter Sandwiches' and 'Who Was the Lady' for Columbia, catalogue 4608, likely 1910s–20s.AI summary
Columbia 4608 Music Hall
Leo Franklyn and A. Elson perform 'Alack-a-Day' and 'Dancing' on this HMV record, catalogue B2279, likely from the late 1920s.AI summary
His Master's Voice B2279 Music Hall
Leonard Henry, a British music hall comedian and recording artist of the early acoustic era, performing a comic novelty and a classic instrumental on Zonophone. Henry was known for his comic vocals and sound effects, and his recordings from the 1920s–early 1930s are scarce.AI summary
Zonophone 6227 Music Hall
Leonard Henry credited on Broadcast 3012, a music-hall comedy side from an obscure British label of uncertain date; Broadcast was a small imprint and copies are scarce.AI summary
Broadcast 3012 Music Hall
Leonard Henry performing 'Dance of the Cuckoos' (the theme from the Laurel and Hardy comedies) and 'He's dead but he won't lie down' on Zonophone. Henry was a British comedian and recording artist of the 1920s-30s.AI summary
Zonophone 6227 Music Hall
Leslie Henson, a British comedian and musical-theatre performer, on Columbia — Henson was a major West End star who also recorded. The coupling suggests a novelty recitation.AI summary
Columbia DB1950 Music Hall
Leslie Henson in a selection from the musical *And So to Bed*, recorded for His Master's Voice. Henson was a major British comedy actor and singer of the 1920s–30s, and this C10176 coupling preserves his stage repertoire from a West End show.AI summary
His Master's Voice B10176 Music Hall
Leslie Henson, a popular British revue and light-comedy actor, recorded for Columbia in the 1920s–30s. This sketch recording with S. Howard represents his work in the theatrical comedy tradition.AI summary
Columbia 9592 Music Hall
Leslie Henson was a British musical-theatre performer and revue comedian; this Columbia F1060 contains two comedy or novelty songs, 'Missis is Going Away' and 'Hotel Pimlico'.AI summary
Columbia F1060 Music Hall
Leslie Holmes on Rex 8094, singing novelty sides including 'I'm the Monster of Loch Ness', a comic record capitalising on the contemporary Loch Ness Monster craze of the early 1930s.AI summary
Rex 8094 Music Hall
Leslie Holmes with Charles Coborn, a famous Victorian music-hall star, on Rex 8213, performing '50 Years Ago' and a comic novelty 'How're You Getting On?'. The collaboration of these two performers suggests 1920s or early 1930s recording.AI summary
Rex 8213 Music Hall
Leslie Holmes, a minor British music-hall comedian, performs two comic songs on the Eclipse label: 'What a Lovely Game is Work' and 'At the Old Pig and Whistle'.AI summary
Eclipse 492 Music Hall
Leslie Sarony, a British comedian and entertainer, on Imperial, performing comic songs 'I Want to Be Alone with Mary Brown' and 'It Don't Do Nothin But Rain'.AI summary
Imperial 1928 Music Hall
Leslie Sarony, a music-hall comedian and singer, performing comic novelty songs on the Rex label. Sarony was a prolific recording artist in the late 1920s and early 1930s, known for his speaking-singing delivery and topical humour.AI summary
Rex 8069 Music Hall