2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 48 of 57
Raymond Newell performing light comedy and music-hall material for Victory, a small British imprint. The titles—rustic comedy and military-themed novelty songs—suggest inter-war variety entertainment.AI summary
Velvet Face 1161 Music Hall
Red Newman recorded 'It's a windy Night Tonight' and 'Stony broke in No-Mans' Land' for His Master's Voice, a British comic or novelty song recording of the interwar period.AI summary
His Master's Voice 216395 Music Hall
Reginald Gardiner, a British comic and character performer, on Decca, performing novelty or comic monologues; Gardiner was known for his impressions and character voices.AI summary
Decca F5278 Music Hall
Renee Houston, a Scottish variety performer and singer, on two numbers for Columbia's DX series.AI summary
Columbia DX716 Music Hall
Renee Houston, a Scottish comedian and singer popular in British variety and pantomime, on Columbia; 'I Do' and 'True to Me' from the 1950s.AI summary
Columbia FB1307 Music Hall
Rex Naughton recorded 'A Wigan Wedding' for Decca, catalogue F2919; an unconfirmed artist on Decca.AI summary
Decca F2919 Music Hall
Rex Warren & Co performing "Oop for t' Coop Final" in two parts on Eclipse SC25, a small British regional or specialty label. The title suggests a Yorkshire or Northern English music-hall or novelty number.AI summary
Eclipse SC25 Music Hall
Velvet Face 1189 Music Hall
R. G. Knowles, the Canadian-born 'very peculiar American comedian' of the British halls, with 'The Modern Woman' and 'The Insecurity of a Sure Thing' on Velvet Face.AI summary
Velvet Face 1190 Music Hall
Rhoda Bernard performing 'Nat'an' and 'Cohen Owes Me 97 Dollars' on Victor, the American label.AI summary
Victor 18023 Music Hall
Hom 4625 Music Hall
A music hall sketch by Ridgeway Parade, credited to the Eclipse label, a short-lived British imprint of the 1920s–30s.AI summary
Eclipse SC86 Music Hall
Ridgeway Parade presenting 'A Music Hall in the 90s' on Eclipse label, a two-part novelty or historical sketch recording.AI summary
Eclipse SC20 Music Hall
Robert Carr performing two comic or narrative songs, 'Mercantile Marine' and 'Soldier of Fortune', on Imperial; likely 1920s–30s.AI summary
Imperial 987 Music Hall
Robert Douglas on an obscure label (IWannaBeCap'nClubs) with unclear catalogue information, performing music-hall novelty material from an unidentified era.AI summary
None Music Hall
Robert Irwin on His Master's Voice performing 'The Oyster Girl' and 'The One-Eyed Riley'. The titles suggest music-hall or novelty comedy material from the early acoustic era, likely 1910s-20s.AI summary
His Master's Voice B9523 Music Hall
Robert Nash recorded 'The Whist Drive' and 'Our Wedding' for Scala 172. Scala was a minor British label; the titles suggest novelty or topical material.AI summary
Scala 172 Music Hall
A variety show assembly of six British entertainers—Robison, Cochrane, van Dusen, Powell, Comber and others—on Broadcast Records, an obscure small British label.AI summary
Broadcast 3252 Music Hall
A variety show compilation credited to Robison, Cochrane, van Dusen, Powell and Comber on Broadcast, performing an "All Star Variety Show" across two sides.AI summary
Broadcast 3252 Music Hall
Ron Peters on Regal Records, a budget British label, recorded these two novelty numbers; the A-side title suggests comic or music-hall repertoire from the late 1930s or 1940s.AI summary
Regal C25362 Music Hall
Ronald Frankau, a British comedian and satirist of the 1920s–1930s, recorded 'Man in the Street' and 'Postscript' for HMV B9246. Frankau was known for topical comedy and musical sketches.AI summary
His Master's Voice B9246 Music Hall
Rose Hayes performing two Music Hall novelty songs on Victor; the C56 catalogue number indicates a very early Victor pressing, likely 1900–1910.AI summary
Victor C56 Music Hall
Rosie Carlyle on J Bull, performing 'Put on your Ta-ta little Girlie' and 'Fall in & follow me'. J Bull was a small British label of the 1920s.AI summary
John Bull 41005 Music Hall
Roy Royston and E Levey perform 'Cutie' and — with D Brown — 'When I Waltz with You' on HMV C1239, a 12-inch coupling. Royston was a popular revue performer who appeared alongside Evelyn Laye; the HMV C-series is a 12-inch acoustic-era popular format.AI summary
His Master's Voice C1239 Music Hall
Ruby Roya performing 'Monty from Monte Carlo' and 'Show me the Grizzly Guide' on Pathé Records catalogue 92483. Neither artist nor recording are established in standard reference.AI summary
Pathé 92483 Music Hall
Ruby Roya on Pathé Records, a British major label, performing novelty music-hall song of the 1920s–30s era.AI summary
Pathé 92942 Music Hall
Zonophone 232 Music Hall
S Dale, a vocalist on the Belt label 609, performing novelty and comic songs of the early acoustic era.AI summary
Beltona 609 Music Hall
S Fulton performing novelty songs 'I'd Like to Spend My Holidays with You' and 'When Father Papered the Parlour' on Play, a small British label.AI summary
Play 528 Music Hall
A swing duet by S. Kirkby and M. Medrow on G&T Records, an obscure label; both artist and label are not widely documented.AI summary
G&T 4346 Music Hall
S. McGregor recorded two Scottish novelty pieces, 'Weddin' o' Lauchie McGraw' and 'Saftest o' the Family', for Polyphon Records, catalogue 10532. Polyphon was a small British label specializing in light music and novelties.AI summary
Polyphon 10532 Music Hall
S Morton was a singer recorded for WEcho (Westminster Echo), a small British label of the 1920s-1930s. These are novelty or comic songs typical of the period.AI summary
World Echo 1026 Music Hall
S Ross and J Sargent performed 'Oh Mr. Gandhi' and 'Auf Wiedersehen My Dear' for Parlophone, catalogue R1213, likely early 1930s.AI summary
Parlophone R1213 Music Hall
Sadie Haye performing 'There's a Little Bit of a Devil in Ev'ry Angel' and 'Hold Me' on HMV B1144. Haye is not a prominently documented name in standard references; the HMV B-series is a standard interwar commercial pressing in wide distribution.AI summary
His Master's Voice B1144 Music Hall
Sam Mayo performing two comic and sentimental songs on Zonophone 2233, a small-label British pressing from the early shellac era.AI summary
Zonophone 2233 Music Hall
Sam Mayo was a popular music-hall comedian known for his character songs; Mark Sheridan, credited on the B-side, was another well-loved hall performer famous for 'I Do Like to Be Beside the Seaside'. This Pathé pressing couples Mayo's 'Chinaman' with Sheridan's 'Goodnight'. Pathé issued many British music-hall sides and pressings are not unusual.AI summary
Pathé 77740 Music Hall
Sam Mayo, the music-hall comedian, on the DipC label — possibly Diploma or a similar small imprint — catalogue 46, with 'The Toreador' and Charmans's 'Belle of the Barber's Ball'. The DipC label is not identified in standard references; a Mayo pressing on an obscure label warrants investigation.AI summary
Diploma C46 Music Hall
Sam Mayo, the deadpan music-hall comedian, with 'Mirth Mixture' and 'The Policeman' on Ariel.AI summary
Ariel 1835 Music Hall
Sam Mayo, the deadpan music-hall comedian, sings 'I'll Prove I'm Right' and 'The Toreador' on Ariel.AI summary
Ariel 1837 Music Hall
Sam Mayo, the music-hall comedian, on the Jumbo label, catalogue 199 — a low catalogue number suggesting an early Jumbo pressing — with 'A Terrible Tale' and 'Little by Little and Bit by Bit'. Jumbo was a cheap British budget marque; a very low catalogue number suggests an earlier pressing than most surviving Mayo-on-Jumbo copies.AI summary
Jumbo 199 Music Hall
Sam Mayo, the music hall comedian, with I Played My Concertina and I Feel Very Bad I Do on Popular 470.AI summary
Popular 470 Music Hall
Sam Mayo, a Cockney music-hall comedian popular in the Edwardian era, recorded 'Baby' and 'Johnnie' on Piccadilly 540. Piccadilly was a cheap British budget label of the late 1920s–1930s, widely pressed for retail; Mayo's recordings on such imprints are plentiful and of modest collector value.AI summary
Piccadilly 540 Music Hall
Sam Mayo, the music-hall comedian, on the Bell label — an obscure British imprint — catalogue 84, with 'The Toreador' and Williams's 'Put a Bit of Powder on It Father'. The Bell label is not identified in standard references; a Mayo pressing on this imprint warrants investigation.AI summary
Bell 84 Music Hall
Bell 94 Music Hall
Sam Mayo performing 'Rabbit & Pickled Pork' and 'Gravy' (the latter composed by G Crowther) on Piccadilly, catalogue 438. An unidentified or minor performer on Piccadilly, a cheap British label of the 1930s.AI summary
Piccadilly 438 Music Hall
Sam Mayo, the deadpan music-hall comedian, sings 'I've Only Come Down for the Day', backed by Jack Charman's 'Lead Me to That Beautiful Band', on Ariel.AI summary
Ariel 4237 Music Hall
Sam Mayo, the music-hall comedian, performing 'I Was Having My Breakfast in Bed' and 'Things Are Worse in Russia' on Zonophone catalogue 2365. Zonophone pressings of Mayo's work in the 2000-series are moderately uncommon.AI summary
Zonophone 2365 Music Hall
Sam Mayo was an Edwardian music-hall comedian known for his wistful, gentle comedy style, quite different from the louder knockabout tradition. This Zonophone pressing (2268) — 'Johnny' and 'The Night Began to Fall' — is a typical example of his recorded output. Mayo is a modestly collected music-hall name; Zonophone was a widely used British label.AI summary
Zonophone 2268 Music Hall