2,704 shellac records · mostly British pressings, 1900s–1950s
2,704 records matching · page 51 of 57
Tom Clare performing the music hall novelty 'Night when the old Cow died', recorded for His Master's Voice; catalogue 02403 places this in the early acoustic era, circa 1903–1908.AI summary
His Master's Voice 02403 Music Hall
'Won't You Waltz with Me' recorded by Tom Clare for His Master's Voice, catalogue 02414. An acoustic or early electrical recording; the artist and title are not identified in standard reference works.AI summary
His Master's Voice 02414 Music Hall
Tom Clare was a British comedy singer, recorded here on His Master's Voice, one of the major British labels. 'Cohen Rings Up His Tailor' is a comic song typical of the 1920s–30s music-hall tradition.AI summary
His Master's Voice C1471 Music Hall
Tom Clare on 'Exemptions and otherwise', a solo side on His Master's Voice 02799. The nature of this piece (possibly a recitation or monologue) and artist are unclear.AI summary
His Master's Voice 02799 Music Hall
Tom Clare performing two comic songs on HMV's C-series (early electric period, 1920s–1930s). The titles suggest WWI-era topical humour.AI summary
His Master's Voice C425 Music Hall
Tom Clare performs 'Once the Kaiser's Army' and 'It's Refined' on His Master's Voice, likely topical or patriotic songs from the First World War era.AI summary
His Master's Voice C540 Music Hall
Tom Davie is credited on an Ar label 78, a cheap British budget pressing; the songs are music hall novelties typical of minor imprint output.AI summary
Ariel 4186 Music Hall
Tom Foy on Zonophone 636, a British singer performing comic or novelty material of the 1920s-30s.AI summary
Zonophone 636 Music Hall
Tom Foy, a Yorkshire dialect comedian and music-hall performer, performs 'I'm Not One as Wants to Say Owt' and 'If We Live to Be Ninety Nine' on Zonophone — early acoustic comedy recording in strong regional dialect.AI summary
Zonophone 726 Music Hall
Zonophone 1098 Music Hall
Tom Foy on Zonophone 1118, performing comic novelty 'Nearly Wedded' and 'Ah've Been to a Wedding'.AI summary
Zonophone 1118 Music Hall
Tom Foy, a Yorkshire comedian and music-hall performer, performs 'I've had some Money Left Me' and 'Nineteen Bright Pounds' on Zonophone — early acoustic comedy recording on a sought-after British label.AI summary
Zonophone 1191 Music Hall
Tom Foy, an unidentified performer, recorded 'First Time That I Come Up to London' and 'Live & Learn' for Zonophone, catalogue 1233, in the early 1920s. Zonophone issues of this era are moderately scarce.AI summary
Zonophone 1233 Music Hall
Tom Foy on Zonophone 1308, a British singer of the 1920s-30s recording light comedy songs.AI summary
Zonophone 1308 Music Hall
Tom Foy, a Scottish music-hall comedian, recorded 'Our Straits Canal' and 'Wales Whales & Weals', novelty and dialect songs, for Zonophone. Foy was a theatrical performer of the 1920s–1930s, and his recordings for this major label reflect the comic and topical material he performed on stage.AI summary
Zonophone 1519 Music Hall
Zonophone 1678 Music Hall
Tom Foy, a Yorkshire-dialect comedian and music-hall artist, performs 'More Trouble' and its part two on Zonophone — a rare acoustic recording of a minor but real figure in early British variety.AI summary
Zonophone 1694 Music Hall
Tom Foy, a Scottish dialect comedian and music-hall performer, recorded comic songs in Scots dialect for Zonophone, a major label of the 1920s. Foy was a theatrical figure of some local standing, and his Zonophone recordings are among the surviving examples of Scottish comic material from that era.AI summary
Zonophone 1816 Music Hall
Tom Foy recorded 'Yorkshire Lad in London' parts 1 and 2 for Bell, a small British label, probably in the early 1920s. This is the same Yorkshire dialect comedy piece as his Empire recording (id 16557), here pressed on a different imprint.AI summary
Bell 203 Music Hall
Tom Foy, a British music-hall performer, in parts 3 and 4 of a comic monologue on Zonophone, part of a longer serialised work typical of early recording-era entertainment.AI summary
Zonophone 1098 Music Hall
Tom Foy was a British music-hall or vaudeville performer active in the 1920s–1930s. This Zonophone recording of 'I'm Upset' and 'I'm Excited' reflects the comic novelty song tradition.AI summary
Zonophone 883 Music Hall
Tom Foy performing 'Yorkshire Lad in London' and its sequel on Dip C label, catalogue 33, in two parts. Artist and label are not established in standard reference.AI summary
Diploma C33 Music Hall
Tom Foy recorded two parts of 'T'Yorkshire Lad i'Lundun' (The Yorkshire Lad in London) for Curry's, a small British label, in the Yorkshire dialect tradition.AI summary
Curry's 41 Music Hall
Tom Foy performing 'Our Straits Canal' and 'Wales & Whales & Weals' on His Master's Voice B1574, comic novelty songs from the early 1930s.AI summary
His Master's Voice B1574 Music Hall
Tom Foy performing comic novelty songs 'I've Had Some Money Left Me' and 'Nineteen Bright Pounds' on His Master's Voice B1600, from the early 1930s.AI summary
His Master's Voice B1600 Music Hall
Tom Foy, a British dialect comedian and folk performer, recorded Yorkshire dialect songs for Empire Records. 'Th' Yorkshire Lad i'Lundun' is a regional character piece from the music hall tradition.AI summary
Empire 1801 Music Hall
Tom Foy, credited on Empire label 1801, singing 'Th' Yorkshire lad i' Lundun' (The Yorkshire Lad in London), a regional novelty or comic song; Empire was a small British marque.AI summary
Empire 1801 Music Hall
Ariel 910 Music Hall
Tom Foy, a British variety entertainer, singing two comic Irish-themed songs on HMV in the 1920s.AI summary
His Master's Voice B1609 Music Hall
Tom Foy on Zonophone 1010, 'Yorkshireman in London'; a music-hall novelty side from a secondary British label of the late 1920s or 1930s.AI summary
Zonophone 1010 Music Hall
Tom Foy on Zonophone performing comic music-hall novelties from the 1920s.AI summary
Zonophone 593 Music Hall
Tom Foy, a British music-hall comedian, on Zonophone 636, performing comic novelty songs 'Donkey & Me' and 'Fool of the Family'.AI summary
Zonophone 636 Music Hall
Tom Foy on Zonophone 883, a British imprint of the 1920s–30s.AI summary
Zonophone 883 Music Hall
Tom Foy on Zonophone 963, performing comic music-hall numbers 'Wot's t'Time' and 'My Bunker Bump'.AI summary
Zonophone 963 Music Hall
Tom Foy recorded 'Th' Yorkshire Lad i'Lundun' and its sequel for Empire, a small British label, in the early 1920s. A dialect comedy piece capturing the voice of a Yorkshire character adrift in London.AI summary
Empire 1801 Music Hall
Tom Foy on His Master's Voice B1629, a character comedian performing sketches in broad Yorkshire dialect.AI summary
His Master's Voice B1629 Music Hall
Tom Foy, the Yorkshire dialect comedian, offers 'My Farewell to Sarby Brig' and 'A Little Shepherd' on a later Zonophone pressing.AI summary
Zonophone 1678 Music Hall
Tom Foy, a Yorkshire dialect comedian popular on the halls, performs two comic monologues, 'My Girl's Promised to Marry Me' and 'Courting', on an early Zonophone disc with a low catalogue number pointing to the pre-First World War era.AI summary
Zonophone 578 Music Hall
Tom Foy on His Master's Voice B1601, a dance and novelty comedy side from the early 1930s.AI summary
His Master's Voice B1601 Music Hall
Scottish comedy and character pieces by Tom Frame on Met, an obscure British label.AI summary
Metropole 1067 Music Hall
Tom Jones recorded two Welsh novelty or folk-style songs for Zonophone.AI summary
Zonophone 925 Music Hall
Tom Kinniburgh was a Scottish singer and comedian popular in the 1920s–1930s; this Regal pressing features Scottish dialect songs and humorous material.AI summary
Regal 6282 Music Hall
Tom Lacey performing 'Inkey Pinkey Parley Vous' and 'Thuthie' on Polar, a small British label, novelty or music-hall material.AI summary
Popular 937 Music Hall
Tom Shields on Best 381 — 'Your King and Country Need You' backed with 'Your King and Country Want You' (G Barrington). Both sides carry patriotic First World War recruiting songs; Best is a label untraced in standard references, and having two versions of what is essentially the same wartime recruiting appeal on a minor label is unusual. Wartime pressings on obscure labels are an uncommon collecting area.AI summary
Best 381 Music Hall
Tom Temple on Beka, a low-cost British label active in the early 1900s. The novelty title suggests comic or music-hall material. Beka was a minor imprint with limited distribution, and records from this label rarely surface.AI summary
Beka 749 Music Hall
Tom Wilkins performing 'One of the Bhoys' and 'The Drug Stores' on Polar, a small British label.AI summary
Popular 168 Music Hall
Tom Wootwell performing 'Happy Convict' (dated 1907) and 'Matrimony' on the JBull label — almost certainly John Bull Records, a small British imprint — catalogue 40184. Wootwell does not appear prominently in standard discographic references; an unrecognised artist on an obscure label warrants investigation before sale.AI summary
John Bull 40184 Music Hall
Tom Wootwell performing 'How Dare They?' (dated 1912) and 'Wait a Minute' on the Phoen label — possibly Phoenix — catalogue 358. As with other Phoen/Phoenix discs in this collection, the label is obscure and the pressing warrants investigation before sale.AI summary
Phoenix 358 Music Hall