1,260 shellac records · mostly British pressings, 1900s–1950s
1,260 records matching · page 4 of 27
Browning Mummery and Florence Austral, both prominent operatic singers of the early 20th century, recorded a duet scene from Verdi for His Master's Voice; this is an acoustic-era operatic recording of substantial artists.AI summary
His Master's Voice D1302 Opera
A vocal trio (Buckman, D'Oisly, Ranalow) performing 'Faust Trio', likely from Gounod's opera, on Columbia. An operatic ensemble recording from the electrical era; single-sided suggests a prestige or rare issue.AI summary
Columbia L1025 Opera
C Bonheur recorded operatic arias for the Imperial label. 'Sheba' and the aria 'O Star of Eve' from Tannhäuser show classical vocal repertoire, but the artist Bonheur is not a well-known name in vocal recording. Imperial was a small British marque.AI summary
Imperial 1111 Opera
Celestina Boninsegna, one of the most admired dramatic sopranos of the early recording era, sings 'C'era un re di Thule' and the 'Aria dei gioielli' from Faust on Columbia D8080. Boninsegna's recordings are collected by enthusiasts of the early dramatic soprano, and her Columbia pressings are among her most sought-after.AI summary
Columbia D8080 Opera
Celestina Boninsegna sings 'C'era un re di Thule' and the 'Aria dei gioielli' from Faust on Columbia D8080 — a duplicate of id 1963 in this collection. Both are the same pressing; one copy is the one to sell.AI summary
Columbia D8080 Opera
C Formichi sings the Prologue and an aria from Leoncavallo's Pagliacci, a staple of the operatic tenor repertoire, recorded for Columbia in the 1920s.AI summary
Columbia D5538 Opera
Carl Brisson was a Danish-American operetta singer and film star popular in the 1920s–30s; this Decca recording couples two continental operetta favourites.AI summary
Decca F1927 Opera
Carl Burrian and Friedrich Plaschke performing German operatic duets on GC (Gramophone Company) 044074/5. Burrian was a Czech tenor and opera director of the early 20th century; this is a substantial two-part recording from the acoustic era.AI summary
Gramophone Company 044074/5 Opera
Carl Jorn performing the 'Cavatina aus Margarethe' (from Faust) on the obscure GCL label, catalogue 042126; a single-sided classical vocal recording.AI summary
GCL 042126 Opera
Carl Jörn, the German tenor, sings Jetzt spielen and the Arioso from Pagliacci in German on Gramophone Company 3-42703.AI summary
Gramophone Company 3-42703 Opera
Carl Jorn, a European operatic artist, performing two operatic pieces for GC, an obscure small label. Without further identification, this appears to be an obscure early-era recording.AI summary
Gramophone Company 3-42763 Opera
Carlo Arimondi, an Italian or European tenor of the early 1900s, performing German operatic songs. The label is not identified on the copy (catalogue 5042/3 suggests an early international pressing, possibly from Gramophone & Typewriter or a contemporary European label).AI summary
5042/3 Opera
Caroline Hatchard performs 'Ernani, involami' from Verdi's *Ernani* on the VocA label with explanatory notes.AI summary
Vocalion 0145 Opera
Carrie Tubb was a British soprano of the Edwardian era, renowned for her clear, powerful voice and her extensive concert and operatic repertoire; this His Master's Voice recording is from the acoustic era.AI summary
His Master's Voice 03278 Opera
Carroll on Columbia 4322 with 'One Alone' and 'The Riff Song' — operetta numbers from *The Desert Song* by Sigmund Romberg.AI summary
Columbia 4322 Opera
Enrico Caruso, the most celebrated tenor of the early twentieth century, singing 'La Mia Canzone' ('My Song') on Victor — his principal label. This is a precious historical document of the greatest voice of the age.AI summary
Victor 87213 Opera
Enrico Caruso, the most celebrated tenor of the early 20th century, performs 'Addio a Napoli' and 'Cante pe me' for His Master's Voice. Caruso's 1906 recording of 'La donna è mobile' was the first operatic recording to achieve international commercial success, and his voice defined the tenor repertory for generations.AI summary
His Master's Voice DA104 Opera
Enrico Caruso, the legendary Italian tenor and one of the most recorded voices in history, on His Master's Voice with two operatic arias: 'Donna non vidi mai' from *Manon Lescaut* and 'Guardann's luna' (likely a Neapolitan song).AI summary
His Master's Voice DA106 Opera
Enrico Caruso's 'Crucifixus' and Verdi's 'Libiamo ne' lieticalici' (from La Traviata) on His Master's Voice DJ100; Caruso was the most famous tenor of the early 20th century and these are likely reissues of his most famous recordings from the acoustic era.AI summary
His Master's Voice DJ100 Opera
Enrico Caruso recorded a single-sided His Master's Voice disc of "Addio," catalogue HMV 2-052035. An early or mid-period Caruso recording on an acoustic or electrical HMV pressing.AI summary
His Master's Voice 2-052035 Opera
Enrico Caruso, the greatest tenor of the early 20th century, in two operatic arias recorded for His Master's Voice; DM series pressings of Caruso's acoustic performances are standard catalogue items.AI summary
His Master's Voice DM110 Opera
Enrico Caruso performing 'Over There' on Victor Records. Caruso was the most celebrated operatic tenor of the early 20th century, and his recordings of 1904-20 on the Victor and HMV labels remain historically important.AI summary
Victor 87294 Opera
Enrico Caruso, the greatest tenor of the early recording era, performs two works from Verdi's Rigoletto—'Ora è per sempre addio' and 'La Donna è Mobile'—on His Master's Voice DA561.AI summary
His Master's Voice No2CatDA561 Opera
Enrico Caruso, the legendary Italian tenor, recorded 'Vaghissima Sembianza' and 'Sultanto a Te' (arias from Rossini's 'The Barber of Seville' and other operas) for His Master's Voice; these are among the most historically important vocal recordings ever made.AI summary
His Master's Voice DA754 Opera
Enrico Caruso, the legendary Italian tenor, performing two opera arias—'Crucifixus' and 'Libiamo ne' lieticalici' (from La Traviata)—on His Master's Voice. This appears to be a much later issue or reissue of acoustic recordings from the early twentieth century.AI summary
His Master's Voice DJ100 Opera
Enrico Caruso, the most celebrated tenor of the early 20th century, recorded two cornerstone Italian operatic arias ('Una furtiva Lagrima' from L'elisir d'amore and 'Celeste Aida' from Aida) for HMV. Caruso's recordings are among the most collected of the acoustic era and remain landmarks of vocal recording.AI summary
His Master's Voice VA12 Opera
Enrico Caruso, the greatest tenor of the 20th century, recorded 'Trusting Eyes' for Victor, catalogue 87187; Caruso's recordings are among the most iconic of the acoustic era and are universally sought by collectors.AI summary
Victor 87187 Opera
Enrico Caruso recorded 'Qui sotto il ciel' and 'Tu non mi vuoi piu bene' for Liberty; Caruso's operatic recordings remain highly collected despite the small label.AI summary
Liberty Opera
Enrico Caruso, the legendary Italian tenor, recorded 'Hosanna' for Victor, a major American label. This is an acoustic-era Caruso recording, a cornerstone of early vocal recording and consistently sought by collectors.AI summary
Victor 88403 Opera
Enrico Caruso, the legendary Italian tenor, performing 'Cantique de Noël' (Adolphe Adam's Christmas carol) on His Master's Voice. This is an electrically reissued version of an original acoustic recording.AI summary
His Master's Voice 2-032022 Opera
Enrico Caruso, the legendary Italian tenor, singing 'La donna è mobile' from Verdi's Rigoletto on Victor 88127 — a canonical operatic recording from the most famous tenor of the 78 era.AI summary
Victor 88127 Opera
Enrico Caruso, the greatest tenor of his era and one of the most celebrated recording artists of all time, recorded "Mia Piccirella" and "Celeste Aida, Forma Divina" for His Master's Voice DB144. A DB-series single of a paramount figure in recorded music.AI summary
His Master's Voice DB144 Opera
Enrico Caruso on HMV DA754, performing 'Vaghissima Sembianza' (from Werther) and 'Sull'anto a Te' (from La Bohème). These are acoustic recordings of the legendary Italian tenor, reissued on HMV's electrical DA label.AI summary
His Master's Voice DA754 Opera
Enrico Caruso, the legendary Italian tenor, recorded 'Donna non vidi mai' (a soprano aria from Puccini's *Manon Lescaut*) and 'Guardann's luna' for His Master's Voice — though Caruso died in 1921, HMV continued to reissue his acoustic recordings on the DA series well into the 1930s and beyond.AI summary
His Master's Voice DA106 Opera
Enrico Caruso sings 'Recondita armonia' from Puccini's 'Tosca' on a single-sided Victor Red Seal.AI summary
Victorola 87043 Opera
Enrico Caruso sings from Mascagni's 'Cavalleria rusticana' on an early single-sided Victor Red Seal.AI summary
Victorola 81030 Opera
Enrico Caruso, the legendary Italian tenor, recorded "For You Alone" for His Master's Voice. The catalogue number 4-2122 indicates a later electrical reissue of an earlier acoustic recording, likely 1920s–1930s.AI summary
His Master's Voice 4-2122 Opera
Enrico Caruso and Geraldine Farrar were two of the greatest opera singers of the early twentieth century. 'Madame Butterfly' (by Puccini) is a famous duet from the opera. This is a Gramophone & Typewriter (G&T) record, catalogue &T054201, from around 1900–1910. This is a historic operatic recording by two supreme artists.AI summary
GCL 054201 Opera
Enrico Caruso, Antonio Scotti and Edmond Journet, three legendary operatic voices of the early 20th century, recorded a trio from Verdi's *La traviata* for His Master's Voice in the acoustic era.AI summary
His Master's Voice DO100 Opera
The sextet from Lucia di Lammermoor sung by Caruso, Marcella Sembrich, Antonio Scotti and Marcel Journet, four of the foremost opera voices of the early 1900s, on a 12-inch Gramophone Company ensemble pressing.AI summary
Gramophone Company 054205 Opera
Four celebrated Metropolitan Opera stars—including Enrico Caruso and Antonio Scotti—recorded "La Bella Figlia dell'Amore", the famous quartet from Verdi's Rigoletto, for His Master's Voice in the acoustic era. This is a major historical opera recording.AI summary
His Master's Voice 054117 Opera
This is the Rigoletto quartet "Bella figlia dell'amore" sung by Enrico Caruso with Bessie Abott, Louise Homer and Antonio Scotti, four leading Metropolitan Opera voices of the early 1900s, issued on G&T's prestige 12-inch Red Label 054000 series.AI summary
G&T 054117 Opera
A legendary ensemble featuring soprano Amelita Galli-Curci, tenor Enrico Caruso, baritone Giuseppe De Luca and bass Adamo Didur performing 'Bella figlia dell'amore' (the Act III quartet from Verdi's *Rigoletto*) on His Master's Voice: an exceptionally rare collaboration of early 20th-century opera superstars.AI summary
His Master's Voice 2-054066 Opera
Enrico Caruso, Amelita Galli-Curci, Luigi Perini and Giuseppe De Luca, four legendary opera singers, recorded the famous quartet 'Bella figlia dell' amore' from Verdi's *La Traviata* on His Master's Voice.AI summary
His Master's Voice 2-054066 Opera
Enrico Caruso and Amelita Galli-Curci recorded the 'Brindisi' (Drinking Song) from Verdi's 'La Traviata' for His Master's Voice; a historic duet by two of the greatest opera singers of the early 20th century.AI summary
His Master's Voice 7-54006 Opera
A celebrated quartet of Metropolitan Opera stars—including the legendary Enrico Caruso—recorded an ensemble excerpt from a grand opera, likely Verdi or Gounod, for His Master's Voice in the acoustic era. This is a major historical recording.AI summary
His Master's Voice 054204 Opera
Enrico Caruso with Antonio Scotti, Geraldine Farrar and Antonio Viafora performing the ensemble 'Addio dolce svegliare' for His Master's Voice 054204. This is a rare acoustic recording featuring three of the greatest singers of the early 20th century.AI summary
His Master's Voice 054204 Opera
Celestina Boninsegna, one of the most admired early dramatic sopranos, sings 'Pace mio Dio' from La Forza del Destino and 'Ritorna Vincitor' from Aida on Pathé 10085, a 12-inch pressing. Boninsegna's Pathé recordings are less commonly encountered than her Columbia equivalents and attract specialist collectors of early operatic singing.AI summary
Pathé 10085 Opera