834 shellac records · mostly British pressings, 1900s–1950s
834 records matching · page 9 of 18
Ifor Evans recorded 'Twentieth Century Poetry', part 4, for Columbia, catalogue D40101, a release likely aimed at educational or literary audiences.AI summary
Columbia D40101 Voice
Irene Dunne, the major Hollywood actress and soprano, on Columbia DB3081. Dunne recorded frequently in the 1930s–1940s; this is one of her standard film songs from that era.AI summary
Columbia DB3081 Voice
A Columbia early vocal recording by J Buchanan and E Randolph, 'Fancy Our Meeting' and 'One I'm Looking For', from a high catalogue number suggesting the acoustic or early electric era.AI summary
Columbia 9462 Voice
J Collins and C Fleming perform 'I Want the Sun and Moon' and C Fleming sings 'Call of the Sea' on Columbia F1054. The artists are not widely recognised recording names; this is a standard mid-1920s Columbia F-series popular vocal pressing of modest value.AI summary
Columbia F1054 Voice
Collins and Bates recorded these sentimental ballads on Columbia's popular-priced series. The song titles suggest light romantic material typical of the 1920s–1930s vocal repertoire.AI summary
Columbia L1156 Voice
Jack Norworth and Gitz Rice, American performers, recorded 'Safe in our Wardrobe for two' and 'Sally from Calais' on Columbia 525, an early issue pre-dating WWI.AI summary
Columbia 525 Voice
Jack Baker performing 'Mama' and '21 today' on Columbia 1795, from the early acoustic era of British recording.AI summary
Columbia 1795 Voice
Jack Charman performing 'Kate Won't You Roller Skate' and 'Put Me Upon an Island' on Columbia, likely from the 1920s.AI summary
Columbia 1108 Voice
Jack Charman on Columbia D 254, an early 1920s acoustic pressing; a sentimental vocal with Irish repertoire.AI summary
Columbia D254 Voice
Jack Morrison is not identified in standard discographies. 'I Start My Day Over Again' and 'Right Side of Bond Street' are recorded on Columbia D1341, a catalogue number consistent with the early 1930s.AI summary
Columbia D1341 Voice
An artist credited as 'Jacobs' on Columbia CB657, performing 'Trouble in Paradise' and 'Let the World go Drifting by'. The CB series places this in Columbia's 1920s-1930s output; the artist is unidentified.AI summary
Columbia CB657 Voice
Jean Bretonniere was a French singer who recorded dance music and sentimental material for Columbia in the 1930s. This Columbia DCF102 represents her Continental cabaret-style recordings.AI summary
Columbia DCF102 Voice
Columbia DX1854 coupling two sides from 'Love from Judy', the 1952 British musical in which Jean Carson, June Whitfield and Adelaide Hall performed. This is a cast recording of the show.AI summary
Columbia DX1854 Voice
Jeffries performing 'Burning Kisses' and 'Why Did I Kiss That Girl' on Columbia is1662, an early Columbia pressing.AI summary
Columbia is1662 Voice
Jeffries on Columbia IS1746, 'One Million Times a Day' / 'At the End of the Road'.AI summary
Columbia is1746 Voice
Jeffries performing 'One Stolen Kiss' and 'Always' (subtitled 'Miami Beach') on Columbia is1896, likely from the early 1930s.AI summary
Columbia is1896 Voice
Jessica Dragonette, the American soprano and radio star, performing the romantic French songs 'Plaisir d'Amour' and 'Se tu m'ami' on Columbia DB1626, a British pressing.AI summary
Columbia DB1626 Voice
Jessie King performing on Columbia. The catalogue designation DB778 appears to place this in a later series, but details of the artist and repertoire require verification.AI summary
Columbia DB778 Voice
Jessie Matthews was a major British stage and recording star of the 1920s and 1930s; 'Tinkle/Over my Shoulder' and 'When you've got a little Springtime in your Heart' were recorded for Columbia, catalogue DB1404.AI summary
Columbia DB1404 Voice
Actress and vocalist Jessie Matthews performing 'By the Fireside' and 'One more Kiss' on Columbia DB803. Matthews was a major British stage and film star of the 1920s–30s, known for her dancing and sophisticated vocal style.AI summary
Columbia DB803 Voice
Jessie Matthews, a British singer, dancer and entertainer, recorded the standards 'Just by Your Example' and 'Dancing on the Ceiling' for Columbia; Matthews was a well-known stage and radio performer of the 1920s–1930s.AI summary
Columbia DB1403 Voice
Jessie Matthews, the celebrated British musical theatre star and actress, with S. Hale on two popular song sides for Columbia; Matthews was a major West End and film star of the 1930s-1940s.AI summary
Columbia DB760 Voice
Jessie Matthews and S. Hale perform 'Hold My Hand' and 'Turn on the Music' on Columbia. Matthews was a leading British musical theatre star and film actress of the 1930s.AI summary
Columbia DB760 Voice
Jill Allan, a British female vocalist, recorded 'Diamonds are a Girl's Best Friend' and 'Bye Baby' for Columbia in the early 1950s.AI summary
Columbia DB3358 Voice
Jill Corey performing 'Egghead' and 'I Love My Baby' on Columbia; Corey was an American pop and jazz singer of the 1950s.AI summary
Columbia 40794 Voice
Jill Westlake recorded 'Sharin'' and 'Over and Over Again' for Columbia DB4132. Without further context, the artist is not identified.AI summary
Columbia DB4132 Voice
Jimmy Boyd, an American child star and singer, recorded 'Little Train A-Chugging in My Heart' and the novelty hit 'I Saw Mommy Kissing Santa Claus' for Columbia. Boyd was famous for this Christmas novelty in the early 1950s.AI summary
Columbia DB3365 Voice
Jimmy Jackson recorded 'Lonely Road' and 'River Line' on Columbia's DB series, the label's standard popular and ballad format of the 1940s-50s.AI summary
Columbia DB3947 Voice
Jimmy Jackson was a British popular singer of the 1940s–50s. 'White Silver Sands' became a standard, though Jackson's version predates the later hit recordings. Columbia DB series was one of the major British pop outlets of the era.AI summary
Columbia DB3988 Voice
Jimmy Rogers performing 'Bring' and 'Their Hearts Were Full of Spring' on Columbia DB3986, a standard American blues and gospel singer's sides from the 1950s.AI summary
Columbia DB3986 Voice
Jo Stafford, one of America's finest popular singers, recorded these two songs for Columbia's DB series. Stafford was known for her purity of tone and interpretive gifts; her recordings remain widely available.AI summary
Columbia DB3169 Voice
Jo Stafford, a sophisticated pop vocalist of the 1940s–50s, recorded 'If' and 'If You've Got the Money I've Got the Time' for Columbia; the latter is a known country-pop crossover.AI summary
Columbia DB2792 Voice
Jo Stafford, the American singer, and Gene Autry recorded a duet of 'My Heart Cries for You' and 'Tennessee Waltz' for Columbia, catalogue DB2802, from the early 1950s.AI summary
Columbia DB2802 Voice
Jo Stafford was an American pop and standards singer of the 1940s and 50s. 'Pretty Boy' and 'You Belong to Me' are two of her hits, pressed on Columbia.AI summary
Columbia 39811 Voice
Jo Stafford, a major American pop singer of the 1940s-1950s, recorded these two songs for Columbia's DB series. 'September in the Rain' is a jazz standard; 'Chow, Willy' is a playful novelty. Stafford was one of the most popular recording artists of the post-war era.AI summary
Columbia DB3333 Voice
John Coates was a British tenor who had a long operatic and concert career; this Columbia disc, recorded on the LX series, features the song "Bronwen" on both sides.AI summary
Columbia LX77 Voice
John Coates, a major British tenor, on Columbia performing 'O Mistress Mine', 'It Was a Lover and His Lass' (both by Shakespeare and Schubert) and 'Diaphenia'; art-song repertoire from the early 20th century.AI summary
Columbia 4985 Voice
John Coates, a celebrated English tenor of the Edwardian era, performing two songs on Columbia (catalogue 5103), from the acoustic period.AI summary
Columbia 5103 Voice
John Coates was a respected British lyric tenor of the Edwardian era and beyond; Columbia D1402 carries 'Awake' and 'Ninetta', likely operatic or light-opera numbers from his large recorded output.AI summary
Columbia D1402 Voice
John Coates, the British tenor, recorded 'Phillida Flouts Me' and 'Knight of Bethlehem' for Columbia (5103). Coates was a major Edwardian and early twentieth-century singer in the classical and oratorio repertoire.AI summary
Columbia 5103 Voice
John Mills, the distinguished British actor and singer, on Columbia; 'Goodbye Trouble' and 'Car of Dreams' from the mid-1950s as part of his occasional recording work.AI summary
Columbia FB1118 Voice
John Morgan, a British vocalist, recorded two sacred pieces on Columbia: 'Story of the Birth of Christ' and 'Lord's Prayer / 23rd Psalm' (with Leo Spencer). Religious vocal material was common in the 1920s and 1930s.AI summary
Columbia 1743 Voice
John Slater on Columbia DB3284, 'Lambeth Waltz' and 'Travelling Alone'; a vocal side from the DB catalogue (late 1930s or later).AI summary
Columbia DB3284 Voice
Johnny Mathis was an American pop and standards singer who rose to fame in the mid-1950s. This Columbia recording of 'Twelfth of Never' and 'Chances Are' dates from his peak years and captures the smooth, romantic delivery that made him one of the era's most successful artists.AI summary
Columbia 40993 Voice
Johnny Wade recorded 'Melody in Blue' and 'As I Hold You' for Columbia—popular ballads from the 1930s–40s by an untraced vocalist.AI summary
Columbia DO3321 Voice
Jose Collins was a British-American musical-theatre soprano and leading lady of the Edwardian and 1920s stage. This Columbia L-series side, 'Love Will Find a Way', is from her operetta and song repertoire.AI summary
Columbia L1155 Voice
Jose Collins was a British musical-theatre star and soprano of the early 20th century, known for her work in Edwardian and Georgian operetta. This Columbia side pairs 'I Like the Boys' with a letter duet (with N. Leyland), likely from a musical-theatre production.AI summary
Columbia F1069 Voice
Jose Collins, a leading British musical theatre soprano of the 1910s–20s, recorded 'Love will find a Way' for Columbia. This is an acoustic era recording from a major West End star.AI summary
Columbia L1155 Voice