4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 100 of 101
Will Evans recorded 'Hamlet' and 'Who am I' for Zonophone, catalogue 71; Evans is untraced and the very low catalogue number suggests an extremely early Zonophone pressing from the acoustic era.AI summary
Zonophone 71 Voice
Will Kuming on Zonophone 1286, a Gramophone Company budget label; popular sentimental material from the 1910s–1920s.AI summary
Zonophone 1286 Voice
Will Strong, credited here and elsewhere as Peter Dawson, performing popular ballads on His Master's Voice in the early 1920s.AI summary
His Master's Voice B1109 Voice
Will Terry singing 'Dance Your Troubles Away' and 'Jerry Jeremiah' on Cinch 5162, from a small British label of the early 1900s.AI summary
Cinch 5162 Voice
Will Terry performs 'Don't go Home until Morning' and 'Gobble'ums will get you' on the Cinch label, catalogue 5338.AI summary
Cinch 5338 Voice
Will Terry, a British vocalist of the 1920s–30s, recorded 'Put Me Amongst the Girls' and 'Oh the Merry Widow' for Columbia in the early acoustic era.AI summary
Columbia D125 Voice
Will Terry, a British male vocalist, recorded 'On the Isle of Anglesey' and 'Mother' for Pathé, catalogue 60332.AI summary
Pathé 60332 Voice
Will Terry recorded two sentimental or novelty songs for J. Bull, a small British label, with titles about travel and hardship.AI summary
John Bull 40269 Voice
Will Terry, a minor British or American singer, recorded 'Mysterious Moon' and 'The Spaniard that Blighted my Life' (a novelty ballad) for Op, an unidentified British budget label. Artist and label are both obscure.AI summary
Opera 110 Voice
Will Terry sang 'It's the Only Bit of England That We've Got' and 'Oh the Steamer, Oh the Sea' on Columbia D126. These are patriotic or sentimental songs of the 1920s-30s on a major label.AI summary
Columbia D126 Voice
Will Terry, a British vocalist of the 1920s–30s, recorded 'Where Oh Where' and 'Jolly Jarge' for Columbia in the early acoustic era.AI summary
Columbia D96 Voice
Will Terry is not identified in standard discographies. 'Oh the Merry Widow' was recorded on Columbia 26184, a catalogue number consistent with early-to-mid 1920s release.AI summary
Columbia 26184 Voice
Will Terry, credited on Fest 7075, with 'Come Round and Hear the Gramophone' and a cover of Pierce's 'When you're far from the Old Folks at Home'.AI summary
Festival 7075 Voice
Will Terry on Gramophone Electrical, a small British label of the late 1920s, performing two popular songs: 'Molly O'Morgan' and 'Tiny Seed of love'.AI summary
Grammavox 4015/4026 (E2) Voice
Will Thompson, a male vocalist, performs two popular songs on Columbia, catalogue IS1089; the catalogue series and numbering suggest a recording from the 1920s.AI summary
Columbia IS1089 Voice
Will Thompson on Venus Records 1557, performing 'All the World will be jealous of me' and 'I think of you'.AI summary
Venus 1557 Voice
Will Thompson with It's a Long Way to Tipperary and I'm Lonesome on Invicta 275.AI summary
Invicta 275 Voice
Will Thompson in two songs recorded for Crown, a small British label, with the titles 'When They Ask You What Your Name Is' and 'Sometimes'.AI summary
Crown 565 Voice
Will Thompson with Heart of Molly Malone and Blue Eyes on Popular 596.AI summary
Popular 596 Voice
Will Thompson credited on Pioneer (PionC) 59, a small British label, with two early popular songs.AI summary
Pioneer C59 Voice
Willi Ostermann, the Cologne songwriter and singer, with two Rhein songs on Electrola EG7783.AI summary
Electrola EG7783 Voice
William Ditcham performing two songs on Pathé 1513. Ditcham and this Pathé catalogue number are unplaceable without research.AI summary
Pathé 1545 Voice
William Herold performing two Danish songs — a Knud Lavard ballad and a Lange-Müller serenade — on HMV catalogue M47, from the Scandinavian M-series. Herold was a celebrated Danish tenor of the early recording era; his HMV M-series recordings are uncommon in British collections and of interest to collectors of Scandinavian vocal discs.AI summary
His Master's Voice M47 Voice
William McCulloch performing 'Grandfather Tells the Children About David & Goliath' (Parts 1 & 2) on Columbia 4058, a British pressing from the early 1920s. The title suggests religious or narrative recitation material.AI summary
Columbia 4058 Voice
William McCulloch recorded 'When Agnes Got Married' for Columbia, a Scottish vocal recording from the early 1900s. McCulloch was a minor Scottish recording artist of the acoustic era.AI summary
Columbia 4529 Voice
William Morgan sings The World Wants Men Like You and, credited H. Taylor, Ring Down the Curtain on Britannic 564.AI summary
Britannic it564 Voice
William Samuel on His Master's Voice D 274, recorded in the 1920s; an operatic or concert soprano or mezzo performing classical vocal repertoire.AI summary
His Master's Voice D274 Voice
Williams and Stevens performing two novelty or musical-comedy numbers, On the Shore at Le-Lei-Wi and Some sort of Somebody (Marsh/Grey), on Columbia 2692.AI summary
Columbia 2692 Voice
Willie Kemp and Betty Craig on Belt Records with 'The Hikers', a two-part recording from a small British label.AI summary
Beltona 1661 Voice
Willy Richards recorded a German song medley, "Wo Die Lerche Singt," in two parts for His Master's Voice EH1084. A solo vocalist recording German repertoire in the mid-20th century.AI summary
His Master's Voice EH1084 Voice
Willy Schneider was a Tyrolean singer and accordion player active in the 1930s-40s, recording for Polyphon in German-speaking markets; these are Alpine novelty songs typical of his repertoire.AI summary
Polyphon 48836 Voice
Willy Schneider on Polyphon performing 'Vor meinem Vaterhaus' and 'Der Rosenkranz', German-language religious or sentimental songs.AI summary
Polyphon 48705 Voice
Wilson Hallet, an unrecognised performer. G&T 2-2764 is an acoustic recording from the very early catalogue.AI summary
G&T 2-2764 Voice
Wilson Hallett recorded "I'm Tired" for GC, a small or obscure label. The artist and label are not well documented.AI summary
Gramophone Company 2-2764 Voice
Wilson Hallett performing American popular songs on the Silv label, a minor British marque. The artist and label have not been securely identified.AI summary
Silvertone 318 Voice
A recording by Windeatt of 'Mammy o' Mine' and 'Everybody wants a Key to my Cellar' on Columbia catalogue 796, dating from the early acoustic era (likely 1910s–early 1920s).AI summary
Columbia 796 Voice
Two popular ballad songs credited to Windeatt on Columbia, from the 1920s or early 1930s.AI summary
Columbia 826 Voice
Credited to Windeatt on Columbia 827, performing 'Cairo' and 'I Never Realised'. The artist is not identified in standard record references; Columbia 827 suggests a very early catalogue number from the acoustic or very early electrical era.AI summary
Columbia 827 Voice
Windeatt on Columbia 837, performing 'Somebody' and 'Blue Palace waltz', popular songs from the 1920s.AI summary
Columbia 837 Voice
Windeatt performing two songs on Winner, a small British budget label, likely from the inter-war period.AI summary
Winner 3618 Voice
Winifred Barnes was a British vocalist popular in the 1920s; this Columbia pressing pairs two sentimental ballads of the period.AI summary
Columbia L1047 Voice
Winnick recorded two popular songs for Decca (F5683) in the late 1930s or early 1940s. The artist is otherwise unidentified.AI summary
Decca F5683 Voice
Winnick performing 'Poor little Angeline' and Silvester's 'Vienna City of my Dreams' on the early Ar label.AI summary
Ariel 4947 Voice
Winnick on HMV BD-series with 'I Can't Help It' and 'You're the Cream in My Coffee', two popular songs of the late 1920s.AI summary
His Master's Voice BD6124 Voice
Winnick, an artist otherwise unrecorded, on Decca: 'Butterflies in the Rain' and 'Do you recall', catalogue number F3499 placing it in the mid-1930s.AI summary
Decca F3499 Voice
Winnick, credited on Decca F6591, performing 'Kiss Me Goodnight' and 'Bei Mir Bist Du Schon' — the latter a Yiddish-American hit of the late 1930s. Limited information available about this artist.AI summary
Decca F6591 Voice
Winnick recorded two popular standards for Decca.AI summary
Decca F6605 Voice
Winnick recorded 'Queen Was in the Parlour' and 'Life's Desire' for Winner, a British budget label of the 1930s.AI summary
Winner 5389 Voice