4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 21 of 101
Cotton performing 'I'm just wild about Harry' and 'At Dawning' on Regal MR768, both popular sentimental numbers from the 1920s repertoire.AI summary
Regal MR768 Voice
Cotton on 'Thompson's old grey Mule' and 'Leave the pretty Girls alone', from Regal MR789. Regal was a British subsidiary label; Cotton's identity is unclear. These appear to be popular songs or novelties of the 1930s.AI summary
Regal MR789 Voice
Cotton recorded two popular songs for Curry's, a very minor British label. Neither the artist nor Curry's are documented in standard discographies.AI summary
Curry's 186 Voice
Cotton performing 'When the Robin Sings His Song Again' and 'Cookhouse Serenade' on Rex 10158.AI summary
Rex 10158 Voice
Cotton recorded 'I'm beginning to see the Light' (a Duke Ellington composition) and 'The Toorie on his Bonnet' (a Scottish novelty) for Rex Records, catalogue 10225. Rex was a cheap British marque.AI summary
Rex 10225 Voice
Cotton (artist unidentified) on Rex 8253. Rex was a cheap British label of the 1930s; the titles suggest popular song or ballad material, and the artist does not appear in standard references.AI summary
Rex 9216 Voice
Cotton recorded 'Red Maple Leaves' and 'Music Maestro please' for Rex, catalogue 9371, a budget British label.AI summary
Rex 9371 Voice
Cotton recorded 'That's My Weakness Now' and '(Fisher) Lila' for Piccadilly, catalogue 128.AI summary
Piccadilly 128 Voice
Cotton performing two songs on Piccadilly 144, a budget British label of the early 1930s.AI summary
Piccadilly 144 Voice
Credited to Cotton on Regal, a British budget label, performing 'She was only Somebody's Daughter'.AI summary
Regal 658 Voice
Cotton performing 'Sunny Skies' and 'Ramona' on Piccadilly, a British budget label of the early 1930s.AI summary
Piccadilly 108 Voice
Cotton and Morpheus performing 'I Wonder How It Feels' and 'I Don't Mind Walkin' in the Rain' on Brunswick 01004, an early Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 01004 Voice
Courtland & Jefferies performing 'There's a Tramp Upon the Highway' and 'Kkkaty' on His Master's Voice B1006; the B series cataloguing and titles place this in the early 1920s.AI summary
His Master's Voice B1006 Voice
Cove & Charman, a duo credited on Curry's, a tiny or short-lived British label of the early 1930s. The titles suggest sentimental popular songs of that era. Nothing is known of either performer or the label beyond this catalogue entry.AI summary
Curry's 347 Voice
Cove and Thompson with Oh Johnny Oh and I Wish I Had My Old Girl on Scala 1018.AI summary
Scala 1018 Voice
Cove and Thompson with Monkey Parade and Abadaba Honeymoon on Popular 606.AI summary
Popular 606 Voice
Craig Douglas, a Scottish popular singer of the 1950s, performing on Decca.AI summary
Decca F11075 Voice
Craig Douglas was a British pop vocalist of the late 1950s on Decca. 'Go Chase a Moonbeam' and 'Are You Really Mine' are light pop songs from his early recording period.AI summary
Decca F11075 Voice
The Crooning Cavaliers with Sister Della's Fella and, credited H. Smith, Laugh Clown Laugh on Lincoln 2887.AI summary
Lincoln 2887 Voice
Cummins performing 'Minnie the Mermaid' and 'Telling it to the Daisies' on His Master's Voice, from catalogue series B (1920s popular song).AI summary
His Master's Voice B5860 Voice
Cummins singing sentimental ballads 'Say it with a red red rose' and 'In a shady nook' for Brunswick, a major British label.AI summary
Brunswick 3709 Voice
Cummins on Brunswick, catalogue 3625, a popular vocal number from the late 1920s or early 1930s.AI summary
Brunswick 3625 Voice
Cummins (undocumented artist) on Brunswick, recording 'Out of the Dawn' and 'Chiquita'. Light popular song material from the late 1930s.AI summary
Brunswick 3877 Voice
Cyril Hastings performing two sentimental ballads, 'Come into the Garden Maud' and 'I Hear You Calling Me', on Columbia's early is-series.AI summary
Columbia is375 Voice
Cyril Lidington on Dominion Records (DomC series), a British label of the 1920s-30s, with 'I travel the Road' and 'When Magee draws his Pay'.AI summary
Dominion C326 Voice
D Denton recorded 'Coal black Mammy' and 'I shall remember your Kisses' on Zonophone, catalogue 2195. The first title contains a period racial epithet reflecting 1920s recording practice.AI summary
Zonophone 2195 Voice
D Herbert and T Yorke on Winner, a cheap British label of the 1930s. The titles are sentimental popular songs of the period.AI summary
Winner 2877 Voice
D Herbert and T Yorke's Winner recording of the Jerome Kern standard 'They Didn't Believe Me', from the 1914 musical The Girl from Utah.AI summary
Winner 2901 Voice
D Hughes and Quartette on Winner 2891 with 'A little bit of Heaven' and the Irish song 'When Irish Eyes are smiling'.AI summary
Winner 2891 Voice
D. Labbette was a British mezzo-soprano active in concert and stage performances in the 1920s–30s. This Vocalion R-series pressing pairs two art songs in the English tradition.AI summary
Vocalion R6015 Voice
Dorothy Labbette was a British soprano who also performed under the name Lisa Perli; W.H. Reed was a violinist and close associate of Elgar. Columbia L1590 is a 12-inch pressing of four songs for voice and violin, spread over two sides. Labbette's Columbia recordings are moderately collected, particularly by enthusiasts of British vocal music of the interwar period.AI summary
Columbia L1590 Voice
D. Mackay, likely a Scottish performer, recorded 'She is ma Daisy' for Columbia, a Scottish dialect or regional song from the late 1920s or early 1930s.AI summary
Columbia 25987 Voice
D. MacLean on Imperial with two Scottish ballads, 'When I Get Back to Bonnie Scotland' and 'Roamin' in the Gloamin''.AI summary
Imperial 961 Voice
D Maughan and W Fehl on His Master's Voice B3251, 'Tie a little String around your Finger' and 'Don't be so unkind', popular vocal duets from the 1920s–30s.AI summary
His Master's Voice B3251 Voice
D Melrose, credited on Nep 181, performing 'Lead Kindly Light' and 'Abide with Me' — traditional hymns. Limited information available.AI summary
Neptune 181 Voice
David Niven and Vera-Ellen, both film and stage performers, recorded 'Would You' and a band performance for His Master's Voice. This appears to be a film or theatrical release recording from the 1940s–50s.AI summary
His Master's Voice B10116 Voice
D O'Dare on Sav 1569, an unknown artist on a small label, performing Irish sentimental ballads typical of the 1920s.AI summary
Savana 1569 Voice
D Payne credited on Oly, an unidentified label. The titles suggest sentimental or religious songs typical of the 1920s–1930s.AI summary
Oly 141 Voice
D'Alvarez (artist unidentified) on VocL Records 5009: 'Homing'. No information is available on the performer; VocL was a small label with a very high catalogue number, suggesting a late-era pressing or a label with an extensive catalogue.AI summary
Vocalion L5009 Voice
D'Alvarez, a singer on Vocation, performing 'O rest in the Lord' and 'Explanatory Notes'.AI summary
Vocalion 0158 Voice
D'Alvarez recorded 'Silent Night' and 'O Rest in the Lord' (a movement from Mendelssohn's *Elijah*) for Vocalion—sacred vocal music, likely from the 1920s or 1930s.AI summary
Vocalion 0203 Voice
Dalton Baker performing English vocal and part-song repertoire ('Ho Jolly Jenkin', 'When Dull Care') on Odeon. The very early catalogue number 0319 suggests a pressing from the first decade of the twentieth century.AI summary
Odeon 0319 Voice
Damia, a French chanson and café concert vocalist, performing two numbers from the French repertoire on Columbia.AI summary
Columbia DF2375 Voice
Daniele Serra recording two popular operatic or sentimental songs on the minor British label Act.AI summary
Actuelle 15409 Voice
Danny O'Moore sings 'Sundown' and 'Follow the Swallow' (E Laurence) on Imperial, a British vocalist recording popular songs for a secondary label.AI summary
Imperial 1392 Voice
David Bispham (1857-1921), the American baritone, sings Tommy Lad and Dixie on Perfect 11526.AI summary
Perfect 11526 Voice
David Bispham, the renowned American baritone, performing 'Who knows' and 'Yeoman's Wedding Song' on Columbia A5362. Bispham was one of the greatest American singers of his era and a pioneering recording artist.AI summary
Columbia A5362 Voice
David Bispham, a distinguished American baritone and lieder singer, recorded two songs for Columbia's A-series (circa 1910): "Boat Song" and "Pauper's Drive". Bispham was a major concert and opera singer of the Edwardian era, though less frequently recorded than Caruso.AI summary
Columbia A5166 Voice