4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 25 of 101
Dorothy Lamour performing 'It Had to Be You' and 'I Gotta Right to Sing the Blues' on HMV B9098. Lamour was an American film and recording star, famous for her sarong roles and sultry singing voice.AI summary
His Master's Voice B9098 Voice
Dorothy Lamour, a major Hollywood actress and singer of the 1930s–40s, performing two film songs on HMV. Lamour was famous for her sarong roles in the Bing Crosby–Bob Hope Road films, and her early recordings are collected by fans of vintage Hollywood.AI summary
His Master's Voice B9203 Voice
Dorothy Lamour, the Paramount film star and singer, recorded these Paramount picture songs for His Master's Voice in the late 1930s, around the peak of her screen fame.AI summary
His Master's Voice B8940 Voice
Dorothy Lamour, the Hollywood singer and actress, performs two popular ballads from the late 1930s–early 1940s on Columbia's standard pressing.AI summary
Columbia DB1777 Voice
Dorothy Lamour, the Hollywood singer and actress, recorded "Too Romantic" and "Moon and the Willow Tree" for His Master's Voice in the 1930s. Lamour was a major film star known for her exotic roles, and her records are sought by collectors of both film music and popular song.AI summary
His Master's Voice B9049 Voice
Dorothy Lamour was an American film and recording star famous for her exotic and romantic musical roles in 1930s–40s cinema. 'Mexican Magic' and 'Moon over Burma' are typical of her film-related recordings, issued on His Master's Voice during her peak popularity.AI summary
His Master's Voice B9203 Voice
Dorothy Leigh performing 'What'll I do' and 'In love with love' on Aco (15480), sentimental ballads from the early 1930s.AI summary
Aco 15480 Voice
Dorothy Squires, a British-born popular vocalist and entertainer of the 1940s–50s, performing 'Song of the valley' and 'Our song' on Columbia DB3985. Squires was a stage and recording artist.AI summary
Columbia DB3985 Voice
Dorothy Squires was a Welsh-born singer who became a British popular recording star of the 1940s and 1950s. This Parlophone side documents one of her commercial recordings.AI summary
Parlophone F2146 Voice
Dorothy Squires, a British pop singer of the 1940s–50s known for emotional ballad delivery, recorded 'Anything I Dream Is Possible' and 'Break My Heart and Say You Love Me' for Columbia. Squires had a long recording career and remained a working entertainer for decades.AI summary
Columbia DB2439 Voice
Dorothy Squires, a British-American popular vocalist of the mid-20th century, on Polyphon Records with 'I'm Walking Behind You' and 'Is There Any Room in Your Heart?'—later recordings from her career.AI summary
Polyphon gP1068 Voice
Dorothy Squires with I'm Walking Behind You and Is There Any Room in Your Heart on Polygon P1068.AI summary
Polygon P1068 Voice
Dorothy Squires, a British singer popular in the 1950s, on the Polyphon label with two vocal ballads. Polyphon was a small British imprint of the period.AI summary
Polyphon P1076 Voice
Dorothy Squires' 'Things Go Wrong' and 'If You Love Me' on Polyphon P1077. Squires was a Welsh-born singer and entertainer who enjoyed some popularity in the 1940s–50s, particularly in cabaret and variety.AI summary
Polyphon P1077 Voice
Dorothy Ward, a British mezzo-soprano and musical-theatre performer of the 1920s–1930s, singing two sentimental ballads, 'Blue Eyes' and 'A Little Bit of Heaven', on Regal catalogue 7170.AI summary
Regal 7170 Voice
Dorothy Ward, a British singer and actress, performing 'Patricia' and 'I Want a Girl' on Regal 6383. Ward was active in stage and musical theatre in the 1920s–1930s.AI summary
Regal 6383 Voice
Dorothy Ward performing 'Blue Eyes' and 'A Little Bit of Heaven' on Regal 7170, a popular ballad side from the 1920s–1930s.AI summary
Regal 7170 Voice
Dorothy Ward, a popular British soprano and musical-theatre performer, recorded these sentimental ballads on Regal. Ward was active in light opera and theatrical recordings throughout the 1920s–1930s.AI summary
Regal 7605 Voice
Dorrie Dene performing sentimental ballads on Piccadilly 697. Piccadilly was a cheap British budget label of the 1930s-40s.AI summary
Piccadilly 697 Voice
Dorrie Dene performing two songs, 'I couldn't desert the Guides' and 'It's altogether different', on Piccadilly—a cheap British label of the early 1930s.AI summary
Piccadilly 727 Voice
Dot Temple sings 'An Old-Fashioned Wife' and — with T Powers — 'Words Are Not Needed' on Columbia L1287, a 12-inch coupling. Temple is not a widely recognised recording name; the 12-inch L-series Columbia is a premium format but the artist cannot be placed with confidence.AI summary
Columbia L1287 Voice
Dougal Macnab recorded these two Scottish traditional songs for Piccadilly, a British budget label: 'Bonnie Leezi Lindsay' and 'We Parted on the Shore'. Macnab appears to have been a local Scottish performer, and these are typical of the regional folk and traditional music recorded for small labels in the 1920s-1930s.AI summary
Piccadilly k35 Voice
Dougal Macnab was a Scottish singer performing traditional Scottish material, and 'Killiecrankie' is a well-known Scottish song. The Royal label is not a major British imprint and catalogue numbers in this range suggest the early 1920s. Macnab is not widely documented in standard references, and Scottish regional performers on minor labels can be overlooked by the mainstream market while attracting collectors of Scottish traditional music.AI summary
Royal 11863 Voice
Downey performing two popular ballads on the Dur label, a minor British imprint. Dur was a short-lived budget label of the 1920s–30s; neither song is a major standard.AI summary
Durium 24 Voice
Dudley Roy was a singer recorded for Bell, a small British label of the 1920s-1930s. These are hymn or sacred music titles.AI summary
Bell 260 Voice
A duet sings Mississippi Dippy Dip and, credited Anon, Steamboat Bill on Harmony 1005.AI summary
Harmony 1005 Voice
A duet singing 'Under the Yum Yum Tree' and 'All alone' for Cameo 33.AI summary
Cameo C33 Voice
A vocal duet on Popular 1009, credited only to "Duet" with two popular songs from the 1920s.AI summary
Popular 1009 Voice
Dutch Daly performs 'Yarns' and 'Spring song' on Columbia 2216, likely a humorous or narrative piece paired with a popular tune.AI summary
Columbia 2216 Voice
Dutreix performing 'Air de Jean' on Vocal, catalogue 0174. An unidentified artist on an obscure small label.AI summary
Vocalion 0174 Voice
Parlophone E11060 Voice
E Bronskaja and F Constantino perform two romantic duets or vocal pieces for Columbia Records, 'While Again I Gaze' and 'Borne on the Breezes to Thee'; artists appear to be light opera or operetta singers.AI summary
Columbia A5182 Voice
Beryl Carlisle and Sonnie Browne, who had solo and vocal careers during the 1930s–40s, perform two novelty duets—'What Wouldja Like for Breakfast' and 'Won't You Stay to Tea'—on Decca, catalogue F3510.AI summary
Decca F3510 Voice
His Master's Voice 2-054007 Voice
E Knowlman on Inv (Invicta) 277, performing 'That's How I Need You' and 'Mother Macree', sentimental songs of the 1920s. Knowlman is unidentified; Invicta was a small British label.AI summary
Invicta 277 Voice
E Knowlman recorded 'Always think of mother' and 'We're growing old together' for Invicta Records (Inv), a small British label. The artist is not established.AI summary
Invicta 288 Voice
Evelyn Laye and Roy Royston perform 'Not a Scrap' and 'You Know How Much I Love You' as a vocal duet on Columbia F1049, a coupling from the same mid-1920s Columbia F-series as her solo recording. Royston was a popular stage and revue performer; the duet format with Laye adds variety-revue interest.AI summary
Columbia F1049 Voice
E May and W Virgo singing 'Light as Air' and 'Be Mine the Delight' for Winner Records, catalogue 2438; unconfirmed artists on a budget British label of the 1920s–1930s.AI summary
Winner 2438 Voice
E. Parkes and W. Glynne, accompanied by the de Groot orchestra, record 'Where the Blue Bird Sings' and 'Just for a While' on His Master's Voice, likely from the late 1920s or early 1930s.AI summary
His Master's Voice B1399 Voice
Two songs credited to E Smart on Pigmy, a minor British label, including a traditional vocal and what appears to be a standard ballroom title.AI summary
Pigmy 20 Voice
E Stralia performing 'Il Bacio' (The Kiss, a celebrated romantic song) on Columbia 7126. The artist and pressing details are sparse.AI summary
Columbia 7126 Voice
E Thornton and H Eisdell recorded "In a Persian Garden", part 5 of a longer work, for His Master's Voice; early voice recordings of this kind were often issued in multiple parts.AI summary
His Master's Voice 04170 Voice
Earl Collins recorded two popular songs for Vocalion (9635), a major American label whose pressings circulated in Britain. The artist is otherwise unidentified.AI summary
Vocalion X9635 Voice
Earl Robinson was an American composer and folksinger associated with left-wing causes and labour movements in the 1930s–40s. 'Abe Lincoln' (two sides) represents his socially conscious material. This Timely label pressing is from a small US label operating during the Depression era.AI summary
Timely 500 Voice
Eartha Kitt was an American singer, dancer and actress famous for her sophisticated and playful interpretations of jazz and popular songs. 'Let's Do It (Let's Fall in Love)' and 'Santa Baby' are her signature numbers, with 'Santa Baby' becoming a perennial Christmas hit. This His Master's Voice B10728 pressing is from the late 1950s.AI summary
His Master's Voice B10728 Voice
Eartha Kitt performing 'Take My Love' and 'Proceed with Caution' on RCA, the iconic jazz and cabaret singer of the 1950s.AI summary
RCA 1037 Voice
Eartha Kitt, the American torch singer and actress, recorded 'Annie Doesn't Live Here Any More' and 'I Want to Be Evil' on His Master's Voice, catalogue B10584.AI summary
His Master's Voice B10584 Voice
Eartha Kitt with C'est si bon and, credited D. Shore, Blue Canary on Electron EG8013.AI summary
Electron EG8013 Voice