4,839 shellac records · mostly British pressings, 1900s–1950s
4,839 records matching · page 52 of 101
Jeffries recorded two sentimental popular songs for DuoB, a small British label active in the early 1930s.AI summary
Duophone B5105 Voice
Credited to Jeffries on Bel, a small and now-obscure British label of the 1920s–30s.AI summary
Beltona 598 Voice
Jeffries recorded 'Show Me the Way to Go Home' and 'My Daddy's Dream Time Lullaby' for Bel (Bell?), a small British label; the titles suggest sentimental popular songs of the 1920s–1930s.AI summary
Beltona 744 Voice
Credited to Jeffries on Little Marvel, a minor British imprint of the 1920s or early 1930s, with two popular ballroom and traditional song titles of the era.AI summary
Little Marvel 1038 Voice
Jen Latona, credited on Zonophone, with the novelty song *Gee But I Like Music with My Meals*, a popular number of the 1910s–1920s. Artist and label suggest a minor performer or regional favourite.AI summary
Zonophone 961 Voice
Jen Latona, a singer of the 1910s–20s, performs 'Gee but I like Music with my Meals' for Zonophone.AI summary
Zonophone 961 Voice
Jen Latona performing popular ballads on Zonophone, a British pressing label active in the early 20th century.AI summary
Zonophone 1297 Voice
Jen Latona recorded two songs for Zonophone: 'Land of I dunno where' and 'That haunting Melody', circa 1910–20.AI summary
Zonophone 939 Voice
Jen Latona recorded 'Maggie McLaren' and 'Keep On Swinging Me Charlie' for Zonophone, a major British label. The Scottish titles and Zonophone catalogue suggest early 1900s pressing, but nothing further is known of this artist.AI summary
Zonophone 822 Voice
Jen Latona recorded these two novelty numbers—'Land of I Dunno Where' and 'That Haunting Melody'—for Zonophone, a British label, in the early 1920s or earlier.AI summary
Zonophone 939 Voice
Jennie Howard on Curry's 369, performing 'I'm Too Young to be Careful' and 'What'll Become of Me'. Curry's was a very obscure British record label, likely short-lived. Howard's recording history is unknown.AI summary
Curry's 369 Voice
Jenny Howard, a singer for Winner records in the early 1930s, recorded these light novelty numbers on the budget British imprint.AI summary
Winner 5520 Voice
Jenny Howard on 'Looking on the Bright Side', recorded for Winner 5515. Winner was a cheap British marque of the 1930s–40s; Howard's identity and recording career are unclear.AI summary
Winner 5515 TEST Voice
Jenny Howard recorded two sentimental songs for Eclipse, a short-lived British budget label: 'On the Golden Shores of Wigan' and 'That Old Fashioned Cottage of Dreams'.AI summary
Eclipse 521 Voice
Jerry Blaine performing 'Ti Pi Tin' and 'Prove It' on BB label 7443, a US small label release.AI summary
Bluebird 7443 Voice
Jessica Dragonette, the American soprano and radio star, performing the romantic French songs 'Plaisir d'Amour' and 'Se tu m'ami' on Columbia DB1626, a British pressing.AI summary
Columbia DB1626 Voice
Jessie Broughton, a vocalist performing "Good-Bye" and "A Summer's Night" on ScDL, an obscure or short-lived British label.AI summary
Scala De Luxe DL1578 Voice
Jessie Broughton, a vocalist, on the ArK label 91, performing lyrical vocal material, from an early and very short-lived British imprint.AI summary
Ariel K91 Voice
Jessie Broughton recorded 'Fiddle and I' for Beka, catalogue 40321, a British budget label of the 1920s–early 1930s.AI summary
Beka 40321 Voice
Jessie Broughton, a British concert and ballad singer, recorded sentimental material for Victor in the 1920s; 'When all was young' is a Victorian drawing-room ballad typical of her repertoire, here on the American Victor label.AI summary
Victor B25 Voice
Jessie Broughton in hymns and devotional songs on JBull, an unidentified British label.AI summary
John Bull 40510 Voice
Jessie Broughton sings Haydn Wood's Bird of Love Divine and Lilian Ray's Sunshine of Your Smile, two popular ballads, on Scala 628.AI summary
Scala 628 Voice
Jessie Broughton performs two sentimental vocal pieces, 'I Know a Lovely Garden' and 'Song of Sleep', on the Diamond (Diam) label.AI summary
Diamond 158 Voice
Jessie Broughton on Parlophone, performing 'The Lost Chord' and 'The Trumpet Shall Sound', both serious vocal and choral pieces. The E-series catalogue number places this in Parlophone's mid-period.AI summary
Parlophone E10265 Voice
Jessie Broughton recorded two ballads for Pel, a very minor British imprint. Neither Broughton nor Pel are well documented in discographies or standard references.AI summary
Pelican 42 Voice
Jessie Broughton for J. Bullough, a small British label, performing 'Dear Heart' and 'Goodbye'. Broughton is unrecognised.AI summary
John Bull B109 Voice
Jessie Broughton and Oakley performing two Stephen Foster songs, 'Old Folks at Home' and 'My Old Kentucky Home', on Beka 35138/9.AI summary
Beka 35138/9 Voice
Jessie King performing on Columbia. The catalogue designation DB778 appears to place this in a later series, but details of the artist and repertoire require verification.AI summary
Columbia DB778 Voice
Jessie Matthews was a major British stage and recording star of the 1920s and 1930s; 'Tinkle/Over my Shoulder' and 'When you've got a little Springtime in your Heart' were recorded for Columbia, catalogue DB1404.AI summary
Columbia DB1404 Voice
Actress and vocalist Jessie Matthews performing 'By the Fireside' and 'One more Kiss' on Columbia DB803. Matthews was a major British stage and film star of the 1920s–30s, known for her dancing and sophisticated vocal style.AI summary
Columbia DB803 Voice
Jessie Matthews, the elegant British stage and film star, performs two popular songs for Decca in the 1930s.AI summary
Decca F6672 Voice
Jessie Matthews, a British singer, dancer and entertainer, recorded the standards 'Just by Your Example' and 'Dancing on the Ceiling' for Columbia; Matthews was a well-known stage and radio performer of the 1920s–1930s.AI summary
Columbia DB1403 Voice
Jessie Matthews, the celebrated British musical theatre star and actress, with S. Hale on two popular song sides for Columbia; Matthews was a major West End and film star of the 1930s-1940s.AI summary
Columbia DB760 Voice
Jessie Matthews and S. Hale perform 'Hold My Hand' and 'Turn on the Music' on Columbia. Matthews was a leading British musical theatre star and film actress of the 1930s.AI summary
Columbia DB760 Voice
Jessie Reeve, an unidentified vocalist, on Odeon (a German label with British distribution), with 'Alas Those Chimes' and 'Tis the Harp'.AI summary
Odeon 66714 Voice
J.H. Scotland on Whit (a small British marque), singing traditional or folk-style material: 'I Am a Friar of Orders Grey' and 'Ho Jolly Jenkin', ballad or folk repertoire.AI summary
Whit 47 Voice
JH Scotland performing two Irish songs — 'Father O' Flynn' and 'Mountains of Mourne' — for Imperial, a minor British label.AI summary
Imperial 930 Voice
J. H. Squire recorded 'Down Where the Swanee River Flows' and 'You'd Never Know That Old Home Town of Mine' for Winner 3187. Winner was a British budget label; these are traditional American songs.AI summary
Winner 3187 Voice
Jill Allan, a British female vocalist, recorded 'Diamonds are a Girl's Best Friend' and 'Bye Baby' for Columbia in the early 1950s.AI summary
Columbia DB3358 Voice
Jill Corey performing 'Egghead' and 'I Love My Baby' on Columbia; Corey was an American pop and jazz singer of the 1950s.AI summary
Columbia 40794 Voice
Jill Westlake recorded 'Sharin'' and 'Over and Over Again' for Columbia DB4132. Without further context, the artist is not identified.AI summary
Columbia DB4132 Voice
Jim Smith recorded 'Five foot two' and 'Riders in the sky' for Continental, catalogue 1144, a label of uncertain origin or period.AI summary
Continental 1144 Voice
Jimmy Allen was a British vocalist recorded by Piccadilly, a budget British label of the 1920s-30s. 'Darling Old Mother o' Mine' and 'I Wish I Had Died in My Cradle' are sentimental ballads typical of the period. Piccadilly pressings are common, as the label distributed affordable pressings widely.AI summary
Piccadilly 531 Voice
Jimmy Boyd, an American child star and singer, recorded 'Little Train A-Chugging in My Heart' and the novelty hit 'I Saw Mommy Kissing Santa Claus' for Columbia. Boyd was famous for this Christmas novelty in the early 1950s.AI summary
Columbia DB3365 Voice
Jimmy Jackson recorded 'Lonely Road' and 'River Line' on Columbia's DB series, the label's standard popular and ballad format of the 1940s-50s.AI summary
Columbia DB3947 Voice
Jimmy Jackson was a British popular singer of the 1940s–50s. 'White Silver Sands' became a standard, though Jackson's version predates the later hit recordings. Columbia DB series was one of the major British pop outlets of the era.AI summary
Columbia DB3988 Voice
Jimmy Rodgers (likely the American country pioneer, though catalogue and label suggest an earlier or different artist) performs 'Why should I be lonely' and 'Sweet Violets' on His Master's Voice, an N-series 78rpm.AI summary
His Master's Voice N4221 Voice
Jimmy Rodgers on Zonophone 6102, performing 'Why should I be lonely' and 'Sweet Violets' (credited to Bob Dickson). Zonophone was a British label of the early electrical era.AI summary
Zonophone 6102 Voice