4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 54 of 101
John Harrison, the English concert tenor, sings 'My Pretty Jane' on a single-sided G&T.AI summary
G&T 3-2448 Voice
John Harrison was an Edwardian-era British tenor who recorded ballads for the Gramophone & Typewriter Company in the early 1900s; this single-sided disc preserves one of his sentimental song recordings.AI summary
G&T 3-2873 Voice
John Harrison was a British ballad tenor popular in the Edwardian era; this G&T disc in the common 3- series preserves one of his drawing-room ballads.AI summary
G&T 3-2756 Voice
John Harrison was a popular British ballad tenor of the Edwardian era; this G&T disc, a companion to a similarly numbered issue, presents another of his drawing-room ballads.AI summary
G&T 3-2757 Voice
John Harrison, the English concert tenor, sings 'Scent of the Lilies' on a single-sided G&T.AI summary
G&T 3-2849 Voice
G&T 02105 Voice
John Harrison, the English concert tenor, sings Balfe's 'Come into the Garden, Maud' on a single-sided G&T.AI summary
G&T 3-2007 Voice
John Hendrik on Parlophone, recording sentimental songs from the early 1900s. The artist is not widely recognised; Parlophone R1000 series suggests a UK pressing from the early electrical era, but the material is not distinguished.AI summary
Parlophone R1656 Voice
John Jackson performing 'Oh you beautiful Doll' and 'Alexander's Ragtime Band' on Polyphon, a German-made label with British distribution, likely from the 1910s-20s.AI summary
Polyphon 8956 Voice
John Lawson recorded 'Humanity' parts 1 and 2 for Winner 2638, a cheap British marque of the 1920s–30s. 'Humanity' suggests a sentimental or possibly descriptive narrative piece.AI summary
Winner 2638 Voice
John Lovering performing 'Vale' and 'Absent' on VF, an obscure British label with no established discography.AI summary
Velvet Face 1193 Voice
John M Hay sings 'Sally in Our Alley' on Zonophone 12875, a mid-period Zonophone pressing. Hay is not a widely traced artist in standard references. 'Sally in Our Alley' is a traditional song with a long performance history; the record has period interest as an Edwardian popular-song pressing.AI summary
Zonophone 12875 Voice
John McCormack, the celebrated Irish tenor, sings Braga's 'Angel's Serenade' and Schubert's 'Ave Maria' on His Master's Voice's prestige DB series.AI summary
His Master's Voice DB578 Voice
John McCormack, the celebrated Irish tenor, recorded 'Killarney' and 'Kathleen Mavourneen' for His Master's Voice DB342. McCormack was one of the most recorded voices of the early twentieth century, and these are traditional Irish songs central to his repertoire.AI summary
His Master's Voice DB342 Voice
John McCormack, the celebrated Irish tenor, recorded 'Lolita' and 'I Hear You Calling Me' for Odeon in the 1920s-30s.AI summary
Odeon 84217 Voice
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'Roses' and 'I'll Sing Thee Songs of Araby' on Odeon catalogue 57580. McCormack's recordings are consistently collected; Odeon pressings of his work are moderately uncommon.AI summary
Odeon 57580 Voice
John McCormack, the renowned Irish tenor, recorded 'Through All the Days to Be' and 'A Brown Bird Singing' on His Master's Voice. The HMV DA catalogue series places this among his acoustic recordings from the 1920s–early 1930s.AI summary
His Master's Voice DA780 Voice
John McCormack was an internationally celebrated Irish tenor of the early 20th century; these HMV recordings of sentimental ballads represent his core vocal repertoire and are among the most recorded voices of the acoustic era.AI summary
His Master's Voice DA1116 Voice
John McCormack was the most celebrated Irish tenor of the early 20th century, and his Regal recordings of 'Come Back to Erin' and 'Kathleen Mavourneen' — Irish ballads central to his repertoire — represent some of the most valued Irish vocal recordings ever made. This is a low Regal catalogue number from the 1910s or early 1920s, and McCormack's Regal pressings are far scarcer than his more numerous His Master's Voice issues.AI summary
Regal 5005 Voice
John McCormack on HMV singing 'As I Sit Here' and 'I Know of Two Bright Eyes', popular ballads by the celebrated Irish tenor.AI summary
His Master's Voice DA1342 Voice
John McCormack on His Master's Voice DA 460, with two sentimental ballads. McCormack's DA-series recordings are from his peak years as a recording artist in the acoustic era.AI summary
His Master's Voice DA460 Voice
John McCormack, one of the greatest Irish tenor singers and an internationally renowned recording artist, singing two standards on His Master's Voice. McCormack's recordings are prized by classical voice collectors and hold steady value; his early HMV sides are sought after.AI summary
His Master's Voice DA914 Voice
John McCormack, the legendary Irish tenor (1884–1945), recorded extensively for Odeon and other labels; 'Savoureen Delish' and 'Terences Farewell to Kathleen' are Irish songs typical of his repertoire, recorded in the acoustic or early electrical era.AI summary
Odeon 44852 Voice
John McCormack, the legendary Irish tenor and the best-selling recording artist of the early 20th century, performing 'Hymn to Christ the King' on His Master's Voice GSS1.AI summary
His Master's Voice GSS1 Voice
John McCormack, the Irish tenor widely regarded as one of the finest lyric voices of the early twentieth century, performing 'Hymn to Christ the King' on His Master's Voice catalogue GSS1. The GSS prefix is not a standard HMV commercial series and suggests either a special pressing or a sacred/devotional release in a limited series; McCormack's recordings are consistently collected.AI summary
His Master's Voice GSS1 Voice
John McCormack, one of the greatest tenor singers of the early 20th century. G&T 3-2170 ('Come Back to Erin') is an acoustic recording of a legendary voice.AI summary
G&T 3-2170 Voice
John McCormack on His Master's Voice DA 1341, with two sentimental ballads. These DA-series recordings are from McCormack's peak years as a recording artist.AI summary
His Master's Voice DA1341 Voice
John McCormack, the legendary Irish tenor, on His Master's Voice DA1808, performing 'Battle Hymn of the Republic' and 'God Bless America'. McCormack was one of the greatest classical singers of the early 20th century and a major recording artist; this recording of American patriotic songs represents a less typical part of his repertoire.AI summary
His Master's Voice DA1808 Voice
John McCormack was one of the greatest and most recorded singers of the early 20th century, an Irish tenor celebrated for romantic ballads and art song. This His Master's Voice pressing pairs "Here in the Quiet Hills" and "Come Back My Love".AI summary
His Master's Voice DA1809 Voice
John McCormack, an Irish tenor and one of the first great recording artists, on His Master's Voice. These are Irish songs and literary material from his mature recording period.AI summary
His Master's Voice DA1851 Voice
John McCormack, the celebrated Irish tenor, recorded for Regal: 'Terence's Farewell to Kathleen' and 'Snowy Breasted Pearl', traditional Irish ballads that were among his signature roles.AI summary
Regal 5001 Voice
John McCormack, the legendary Irish tenor, in sentimental ballads for His Master's Voice. McCormack is one of the most important singers in the history of recording; his HMV sides remain highly sought after.AI summary
His Master's Voice DA307 Voice
John McCormack, the celebrated Irish tenor, singing 'Roses' and 'I'll Sing Thee Songs of Araby' on Odeon 57580. McCormack was one of the most famous recording artists of the acoustic and early electric era, and his recordings remain highly collectable.AI summary
Odeon 57580 Voice
John McCormack, one of the greatest Irish tenor singers of the early 20th century, recording the traditional German melody 'Old Refrain' and a cradle song for His Master's Voice DA285. McCormack was internationally famous and his recordings remain highly sought by collectors of classical voice and early recording history.AI summary
His Master's Voice DA285 Voice
John McCormack, the legendary Irish tenor, recorded 'Thank God for a Garden' and 'That Tumbledown Shack in Athlone' for HMV DA320. McCormack was one of the greatest tenors of the early 20th century, recorded extensively for HMV.AI summary
His Master's Voice DA320 Voice
John McCormack, the legendary Irish tenor, recorded this patriotic song for His Master's Voice; Wearin' o' the Green is both an Irish nationalist anthem and a staple of the popular vocal repertoire.AI summary
His Master's Voice 4-2213 Voice
John McCormack, the legendary Irish tenor, recorded 'I Hear a Thrush at Eve' for His Master's Voice, likely in the 1920s or 1930s based on the catalogue number.AI summary
His Master's Voice 4-2370 Voice
John McCormack was an Irish tenor of international fame, and this His Master's Voice recording of Irish songs—'Garden Where the Praties Grow' and 'Harp That Once Through Tara's Halls'—demonstrates his mastery of the repertoire. The DA series places it in the 1930s.AI summary
His Master's Voice DA1171 Voice
John McCormack, Ireland's most celebrated tenor, on Regal 5001 with two Irish folk songs: 'Terence's Farewell to Kathleen' and 'Snowy Breasted Pearl'. McCormack was a dominant figure of the acoustic era and remained popular through the 1920s. Early catalogue numbers on Regal are scarce.AI summary
Regal 5001 Voice
John McCormack, the celebrated Irish tenor, recorded 'Come back to Erin' and 'Kathleen Mavourneen' for Regal—two of the most famous Irish songs in his repertoire.AI summary
Regal 5005 Voice
John McCormack on His Master's Voice 7-52032, performing 'Pescatore de Perle', an Italian vocal piece. McCormack's 7-inch 78rpm records on HMV are from his later recording years.AI summary
His Master's Voice 7-52032 Voice
John McCormack recorded 'The Star of the County Down' and 'I'll Walk Beside You' for His Master's Voice, His primary label. These are traditional Irish ballads at the heart of McCormack's repertoire, and his HMV recordings remain among the most sought Irish vocal records ever made, though far more common than his Regal pressings.AI summary
His Master's Voice DA1718 Voice
John McCormack was the celebrated Irish tenor and one of the most beloved vocal recording artists of all time; this HMV numerical catalogue pressing captures two sentimental ballads from his vast repertoire, including the famous 'A Rose Still Blooms in Picardy'.AI summary
His Master's Voice 1806 Voice
John McCormack, the Irish tenor and one of the greatest recording artists of the early 20th century, recorded 'A Pair of Blue Eyes' and 'I Feel You Near Me' for His Master's Voice (DA1113). McCormack was legendary for his warmth and artistry in both operatic and popular song.AI summary
His Master's Voice DA1113 Voice
The great Irish tenor John McCormack (1884–1945) sings Rachmaninov's song 'Oh Cease Thy Singing, Maiden Fair' on a single-sided His Master's Voice disc.AI summary
His Master's Voice 5-2377 Voice
John McCormack, the legendary Irish tenor, with violinist Fritz Kreisler in a duet recorded for His Master's Voice. McCormack is one of the most important singers of the 20th century; his HMV DA-series pressings remain highly sought after.AI summary
His Master's Voice DA457 Voice
John Mills, the distinguished British actor and singer, on Columbia; 'Goodbye Trouble' and 'Car of Dreams' from the mid-1950s as part of his occasional recording work.AI summary
Columbia FB1118 Voice
John Mills and L Browne on 'Nonny No' and 'I'm on a See Saw' for His Master's Voice, catalogue B8279, likely from the late 1920s or early 1930s.AI summary
His Master's Voice B8279 Voice