4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 66 of 101
Margaret Young performs 'Promise Me Everything' and 'Why Should I Weep About One Sweetie' on Brunswick, a major American label with UK pressings. The artist is not widely documented.AI summary
Brunswick 2553 Voice
Margaret Young, a British vocalist of the 1920s–30s, recorded 'Oh Is She Dumb' and 'Nobody Lied' for Brunswick, a major British label.AI summary
Brunswick 2297 Voice
Margaret Young, a British variety and revue entertainer of the late 1920s and 1930s, recorded for Brunswick. She was a performer of modest prominence in her day, and little is known of her recording career beyond these surviving discs.AI summary
Brunswick 2475 Voice
Margery Makin with pianist Eric Philp on Prestophone, a small British label, with two instrumental-accompanied vocal sides: 'A Blues Serenade' and 'Dedicated to You'.AI summary
Prestophone Voice
Margherita Perras recorded 'Il Pensieroso' and 'Ave Maria' for His Master's Voice. Little is known of Perras; the titles suggest art-song or sacred music, likely from the 1940s–50s.AI summary
His Master's Voice DB4464 Voice
Maria Sandra performing the African-American spiritual 'I Got a Home in Dat Rock' and 'I Know de Lord's Laid His Hands on Me' on Parlophone R528, a British pressing from the late 1920s.AI summary
Parlophone R528 Voice
Maria Victoria recorded fado material for Disco Simplex, a Portuguese or Spanish marque. Fado is Portuguese folk music, and this pressing represents early world-music recording on a regional label.AI summary
DiscoSimplex 48601 Voice
Marian Anderson, the celebrated American contralto, singing two spirituals, "Heav'n, Heav'n (I Got a Robe)" and "Sometimes I Feel Like a Motherless Child", issued on the little-documented Phonycord label.AI summary
Phonycord 94 Voice
Marian Caruso sang 'A Little Lie' and 'In the Old Willow Tree' for Jubilee 6049. Jubilee was a small British label active in the 1930s-1950s.AI summary
Jubilee 6049 Voice
Marie Benson with Twenty Tiny Fingers and I Wish We Were Sweethearts Again on Philips PB512.AI summary
Philips PB512 Voice
Marie Benson, credited on a Philips Phonographic Bulletin issue, performing popular sentimental material in the mid-20th century.AI summary
Philips PB431 Voice
Marie Benson with Oh! What a Day and One Girl, One Boy on Philips PB555.AI summary
Philips PB555 Voice
Marie Burke recorded two sentimental ballad sides for Columbia. Burke was a British musical theatre performer and singer active in the mid-20th century.AI summary
Columbia 5348 Voice
Marie Burke was a British soprano and musical-theatre performer of the 1920s-30s, and this Columbia recording captures her in two romantic ballads typical of her repertoire.AI summary
Columbia 5375 Voice
Marie Dietrich, presumably the famous cabaret and film star, performing classical vocal work on the Beka label, an early German pressing.AI summary
Beka 8390 Voice
Marie Dietrich recorded German vocal music ('Viljalied', 'Gnaden arie') for Homocord Records. The catalogue number and label place this in the 1920s–1930s German or European market.AI summary
Hom 1446 Voice
Marie Emskaja sings 'Troika' and 'Dich werde ich lieben' on Anker, a German or Central European label. Catalogue number 150 is very low and suggests an early pressing, possibly acoustic-era. Emskaja does not appear in standard reference discographies, making this difficult to value without further research.AI summary
Anker 150 Voice
Marie Gotze singing two German art songs—'Ach ich habe sie verloren' and the 'Spinning Song' from *La Dame Blanche*—on Beka 8378.AI summary
Beka 8378 Voice
Marie Gotze recorded German art songs—"Sieh mein Herz" ("Behold My Heart") and "O Lieb, mein hass steh'"—for GC, a small German label. The catalogue number -43883 suggests an early acoustic recording from the 1920s.AI summary
Gramophone Company -43883 Voice
Marie Morrisey on Brunswick 10154, performing 'Cradle song' and 'Rosary'—sentimental ballads from the pre-electrical era.AI summary
Brunswick 10154 Voice
Marilyn Monroe recorded 'Heat Wave' and 'After you get what you want' for His Master's Voice in the early 1950s, from her early film and recording career before she became a major star.AI summary
His Master's Voice B10847 Voice
Marilyn Monroe performs 'I'm Gonna File My Claim' and 'River of No Return' on His Master's Voice B10723. These songs are from the 1954 film of the same name.AI summary
His Master's Voice B10723 Voice
Mario Chamlee was an American tenor of the 1920s–30s who recorded for major labels; this Brunswick side features him in popular song repertoire.AI summary
Brunswick 10026 Voice
Mario Chamlee singing 'Had You But Known' and 'Serenade Francaise' on Brunswick, concert and sentimental tenor repertoire from the 1920s–30s.AI summary
Brunswick 15136 Voice
Mario de Pietro performing light popular songs on Broadcast 123. Broadcast was a small British budget label; artist is unrecognised.AI summary
Broadcast 123 Voice
Marion Green recorded two songs with traditional English themes for Columbia in the 1920s-30s. Green is not documented as a major artist.AI summary
Columbia L1306 Voice
Marion Harris, an American torch and jazz singer of the 1920s, on Brunswick, performing 'Someone Else Walked Right In' and 'Dirty Hands, Dirty Face'. Harris was popular but not a major star; Brunswick was a major label.AI summary
Brunswick 2458 Voice
Marion Harris, an American blues and popular singer of the 1920s, recorded 'Would You Like to Take a Walk?' and 'My Canary Has Circles Under His Eyes' for Columbia.AI summary
Columbia DB453 Voice
Marion Harris, an American popular singer of the 1920s, performing 'Spring Is Here Again' and 'Getting Sentimental' on Columbia DB851.AI summary
Columbia DB851 Voice
Marion Harris, an American blues and jazz vocalist, performing 'Two Time Dan' and 'That Red Head Gal' on Brunswick 2434, a mid-1920s pressing; Harris was a major recording star of the 1920s.AI summary
Brunswick 2434 Voice
Marion Harris performing 'Waitin for the Evening Mail' and 'Who's sorry now' on Brunswick 2443. Harris was an American mezzo-soprano and early recording star, popular in the 1920s.AI summary
Brunswick 2443 Voice
Marion Harris, an American singer whose smooth vaudeville style influenced early jazz vocalists, recorded "For Johnny and Me" and W.C. Handy's "A Good Man is Hard to Find" for Victor in the acoustic era.AI summary
Victor 18535 Voice
Marius Chambon was a French singer who recorded for Beka Records, the Berlin-based pressing firm that operated an extensive European network in the early years of the twentieth century. This disc, Beka 7607, contains 'Promenade du Paysan'; Chambon does not appear prominently in standard discographic references, and French-language Beka vocal pressings from this period are uncommon outside specialist collections.AI summary
Beka 7607 Voice
Marius Jacobsen recorded two Scandinavian or Scandinavian-language pieces, 'Laengsel' and 'Foraarslaengsel', for His Master's Voice on the X series. The titles suggest Danish or Norwegian repertoire.AI summary
His Master's Voice X3893 Voice
Russian songs sung by Mariya Emskaya on Sirena, the Warsaw record label of the years before the First World War.AI summary
Sirena 10570 Voice
Markel performing 'Rose Marie' and 'Indian Love Call' on the Ar label, a small British imprint. Both are famous popular operetta numbers from the 1920s.AI summary
Ariel 4113 Voice
Markel on Ar 4113, performing "Rose Marie" and "Indian Love Call" — popular sentimental numbers. Ar was a small British label; the artist is unidentified.AI summary
Ariel 4113 Voice
Markel was a singer on the Winner label, a budget British marque. The titles are standard popular songs from the 1920s or early 1930s.AI summary
Winner 4823 Voice
Markel recorded these popular songs on the Imperial label, a minor British imprint.AI summary
Imperial 1863 Voice
Marlene Dietrich singing in German on His Master's Voice, from the 1930s–40s, drawing on her cabaret repertoire.AI summary
His Master's Voice EG1802 Voice
Marlene Dietrich, the German-American cabaret star and actress, performing two songs: 'Johnny' and 'Peter'. Vx was a budget British label of the 1930s.AI summary
Vx 16072 Voice
Marlene Dietrich performing two German songs ('Wo ist der Mann' and 'Ja so bin ich') on Brunswick, from the early 1930s, capturing the celebrated German-American chanteuse during her transitional period between Berlin cabaret and Hollywood stardom.AI summary
Brunswick 85018 Voice
A duet between Marlene Dietrich and Rosemary Clooney, "Too Old to Cut the Mustard" and "Good for Nothin'", recorded for Columbia in the early 1950s; the title track was a novelty hit.AI summary
Columbia DB3160 Voice
Marlene Dietrich and Rosemary Clooney, 'Good For Nothin'' and 'Too Old To Cut The Mustard', on Columbia 39812; a duet between two major popular singers of the 1950s.AI summary
Columbia 39812 Voice
Marsh Little recorded two hymns or sacred vocal pieces—'God Be With You' and 'When the Mists Have Rolled Away'—for Winner, a cheap British pressing house of the early 20th century. Winner's output is poorly documented.AI summary
Winner 2130 Voice
Marsh Little recorded hymns—"What a Friend We Have in Jesus" and "Lead Kindly Light"—for the Winner label in the early 1920s.AI summary
Winner 2420 Voice
Mary Ellis, a British musical theatre star, performing "Paris in the Spring" with its orchestral introduction on ARPSR (likely an artist-restricted pressing), a format that suggests a limited pressing or reissue from the interwar period.AI summary
ARPSR 2 Voice
Mary Ellis, a British-American soprano and musical-theatre star, on Columbia performing songs from the popular repertoire. Ellis was prominent on stage and in recordings during the 1920s–30s.AI summary
Columbia DB1139 Voice