4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 79 of 101
R Starita, credited on Columbia 4765, a vocal side from the early 1930s; the artist and titles are obscure.AI summary
Columbia 4765 Voice
R Starita performing 'There's Somebody New' and 'Together' on Columbia 4872, from the early 1930s. Starita was a bandleader and accordionist, though the artist listing and pressing suggest a vocal record.AI summary
Columbia 4872 Voice
R Starita on Columbia CB series, likely the bandleader and composer, performing light popular ballads from the late 1920s.AI summary
Columbia CB122 Voice
R Starita on Columbia, performing 'I Think of What You Used to Think of Me' and 'Just a Night for Meditation', likely early 1930s sentimental material.AI summary
Columbia 5179 Voice
R Starita recorded 'Blue Hills of Pasadena' and 'Ever so Goosey' for Columbia 5424 in the 1920s, part of the same recording artist's catalogue visible in other entries in this collection.AI summary
Columbia 5424 Voice
R Starita recorded 'Iz izzy azzy wozz' and 'Sarah Jane' for Columbia 5479 in the 1920s. Starita (likely Ray or Rudy Starita) was part of the British dance and popular music scene of that era.AI summary
Columbia 5479 Voice
R. Starita recorded 'Pickin' Petals off o' Daisies' and 'Night of Happiness' for Columbia CB4. This very early Columbia catalogue number suggests a recording from the 1920s, but the artist is not established.AI summary
Columbia CB4 Voice
Parlophone RO20519 Voice
Richard Tauber and Emmy Bettendorf performing the 'Miserere' from Verdi's Il Trovatore on Odeon JXX81066. Tauber was one of the most celebrated lyric tenors of the interwar era, and Bettendorf was a distinguished German soprano; a Tauber-Bettendorf Verdi duet on Odeon is a significant operatic 78. The JXX-prefix Odeon series suggests a large-format or special-series pressing.AI summary
Odeon JXX81066 Voice
R. Yorke performing 'All My Dreams Are of You' and 'When You & I Were Seventeen' on Imperial, a British budget label — a sentimental vocal side, likely from the 1920s or 1930s.AI summary
Imperial 1483 Voice
R Yorke recorded 'Show me the Way to your Heart' and 'For Killarney & you' for Bull, catalogue 518. Bull is an unrecognised British label.AI summary
Bulldog 518 Voice
Rabin recorded 'Funny Old Hills' and 'Angels Never Leave Heaven' on Brunswick label, catalogue C110. This is likely from the early 1920s acoustic era.AI summary
Brunswick C110 Voice
Rabin on Cine Records, catalogue 16, performing 'Why was I born' and 'Don't ever leave me' (with band), a vocal recording from the late 1920s or early 1930s. Cine was a minor British label.AI summary
Cinecord 16 Voice
Raderman performing 'Whispering' and 'Avalon' on Scala, 312. Both are popular standards; Raderman is unidentified.AI summary
Scala 312 Voice
Raderman performing two popular songs for Regal, a British budget label of the 1930s.AI summary
Regal 8542 Voice
Raie da Costa performing two sentimental novelties on HMV. Da Costa was a British light vocalist of the 1920s–30s whose recordings are scarce; this is one of her documented HMV issues.AI summary
His Master's Voice B3909 Voice
Raie da Costa recorded 'He Loves and She Loves' and 'S'Wonderful' for Parlophone (R229). Da Costa appears to be a light vocalist or crooner from the late 1920s–30s; these are Gershwin songs in the popular repertoire of the period.AI summary
Parlophone R229 Voice
Raie da Costa on His Master's Voice B4225, performing 'Nola' and 'Wherever you are'. Da Costa was a Portuguese or South American performer, likely 1930s–40s.AI summary
His Master's Voice B4225 Voice
Raie da Costa performing popular ballads on His Master's Voice in the late 1930s or early 1940s.AI summary
His Master's Voice B8183 Voice
Raie da Costa on HMV B3987, performing 'Queen was in the Parlour' and 'Just one more Chance' — a vocalist on the early HMV B-series, circa 1920–1921.AI summary
His Master's Voice B3987 Voice
Raie da Costa performing a medley on HMV. Da Costa was a British light vocalist and recording artist of the 1920s–30s, and her recordings are scarce. This single-sided issue suggests an early or limited pressing.AI summary
His Master's Voice B3584 Voice
Rainvyl, a French-language vocalist, recorded these romantic songs 'Fleurs d'amour' and 'Quelqu'un m'adore' for Salabert, the French music publisher's record label.AI summary
Salabert 55 Voice
An artist credited as 'Ralfini' on the St label, performing 'I'll still belong to you' and the 'Kiss Waltz'. Without fuller identification, this cannot be placed precisely.AI summary
Sterno 587 Voice
Ralfini performing 'Cuban Love Song' and 'Dancing with Tears in My Eyes' on the St label, an obscure British marque.AI summary
Sterno 498 Voice
Ralph Harding performing two sentimental ballads on Aco, a budget British label: 'Just a Rose in Old Killarney' and 'Perhaps You'll Think of Me'.AI summary
Aco 16134 Voice
Ralph Sigwald on Horace Heidt 1019, a small American label, performing "Lonesome road" and "Dis is heavin to me".AI summary
HoraceHeidt 1019 Voice
Ralton performs two popular songs on Columbia British 3910, from the early 1920s.AI summary
Columbia 3910 Voice
Credited to Ralton on Columbia 4019, an early catalogue number suggesting a 1910s recording; the repertoire ('Pearl of Malabar', 'Carolina') suggests a popular vocalist of the acoustic era.AI summary
Columbia 4019 Voice
Ralton performing 'Headin' for Home' and 'She Was Just a Sailor's Sweetheart' on Columbia 3825, an early 1920s vocal recording.AI summary
Columbia 3825 Voice
Ralton performing two sentimental songs—'Brown Eyes why are you blue?' and 'Isn't she the sweetest thing?'—on Columbia 3826.AI summary
Columbia 3826 Voice
Ralton on Columbia 3883; an early Columbia acoustic catalogue number suggesting popular material from the 1920s.AI summary
Columbia 3883 Voice
Ralton recorded 'I Never See Maggie Alone' and 'Am I Wasting My Time on You' for Columbia 4092 in the 1920s, two popular sentimental songs of the period.AI summary
Columbia 4092 Voice
Columbia A5176 Voice
Ramon Newton on His Master's Voice B2285; a male vocalist recording popular sentimental material.AI summary
His Master's Voice B2285 Voice
Randolph Sutton recorded 'Old Mother Hubbard' and 'I don't want to go to Bed' for Mayflower (Mayf), catalogue 2260; Sutton is unrecorded in standard references and Mayflower was an obscure imprint.AI summary
Mayfair 2260 Voice
Randolph Sutton, a British light entertainer and singer, recorded 'Every Little Girl Likes That' and 'Oh Mother' for Decca F5230.AI summary
Decca F5230 Voice
Randolph Sutton, a British light entertainer, recorded 'My Bluebirds Back Again' and 'Hello Twins' for Imperial 2658.AI summary
Imperial 2658 Voice
Randolph Sutton was a British singer known for novelty and comic material in the early twentieth century; this Imperial recording of 'I Can't Do Without You' and 'What Are You Thinking About Baby' represents his popular song output.AI summary
Imperial 2578 Voice
Randolph and Cicely Hulbert in a duet on Columbia—likely from the 1930s.AI summary
Columbia 4140 Voice
Randy Hudges on Bell 1036, performing 'I really Don't Want to Know' and 'Slowly' — a soul or rhythm-and-blues artist on the small Bell label, likely late 1950s.AI summary
Bell 1036 Voice
Ranson D Gifford is credited on a MacG (Mackenzie) label 78, a small British imprint; the songs are religious hymns typical of devotional recordings.AI summary
MacGregor & Ingram Voice
Ranson D Gifford recorded two gospel or sacred vocal pieces, 'O Save Me Dear Lord' and 'I Bring Thee All', for MacG, an unidentified label.AI summary
MacGregor & Ingram Voice
Credited to Raph on Columbia, a major British label. 'Please don't talk about me when I'm gone' and 'Dream a little Dream of you' are popular sentimental songs of the late 1920s–early 1930s.AI summary
Columbia CB326 Voice
Rapp on Victor 19182 with 'Somebody Else Took You Out of My Arms' and 'Walk Jennie Walk'. Victor was a major American label; this catalogue number suggests late 1920s.AI summary
Victor 19182 Voice
Raquel Meller, the Spanish singer and actress who became an international star in the 1920s, sings Mañana and Mi copla on Odeon.AI summary
Odeon A139245/4 Voice
Ray Noble and Al Bowlly performing Noël Coward's 'Twentieth Century Blues' and Noble's 'Lover of My Dreams' on His Master's Voice B4001, a 1930s British recording.AI summary
His Master's Voice B4001 Voice
Ray Noble's orchestra, featuring vocalist Al Bowlly, performing Cole Porter's 'I've got you under my skin' and 'Easy to love' on His Master's Voice BD5147 in the mid-1930s.AI summary
His Master's Voice BD5147 Voice
Raymond Newell on VF (Vocalion Favourite or Victory-Favorite), a very obscure British label pressing. Little is known of Newell or this label; both sides appear to be popular sentimental numbers.AI summary
Velvet Face 1168 Voice