4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 87 of 101
A singer with guitar, unidentified, recorded 'Boll Weevil' and 'Scalinatella' for Soundmaster 5064.AI summary
Soundmaster 5064 Voice
Singin' Sam (Sam Robins), an American vocalist, recorded 'Got the south in my soul' and 'The voice in the old village choir' for Brunswick in the late 1920s. Singin' Sam was known for his novelty and vocal numbers in the early electrical era.AI summary
Brunswick 3210 Voice
Sir John Forbes-Robertson, the celebrated Victorian stage actor, reciting Shakespeare (parts 3 and 4 of 'Shakespearian Recital') on Columbia D40007, an early electrical recording of one of the great actors of the age.AI summary
Columbia D40007 Voice
Sis Phillips was an American female vocal artist of the 1950s; this HMV BD pressing pairs "Hearts of Stone" (a rhythm-and-blues standard) with a jazz standard.AI summary
His Master's Voice BD6193 Voice
Credited to Sisson on Brunswick, a major British and American label; 'Wings' and 'When' are untitled popular songs from the 1930s, but without identification of the artist the context is unclear.AI summary
Brunswick 3781 Voice
The Sisters Lorisson performing novelty songs on Odeon, a minor international label with limited UK distribution in the interwar years.AI summary
Odeon 30387 Voice
Sol Hoopi performing two sacred songs, 'Loveliness of Jesus' and 'Cleanse Me', for Eldee, a small British label.AI summary
Eldee 125 Voice
Favorite 64018/9 Voice
A solo singer recorded 'Let the Lower Lights be burning' and 'Throw out the Life Line', both hymns or sacred songs, for Bouw, a small label.AI summary
Bouw 1354 Voice
Somers recorded two popular vocal pieces for Columbia Records on a mid-range catalogue number, suggesting 1920s production. The artist is unidentified.AI summary
Columbia 4657 Voice
The singer Somers recorded for Columbia in the late 1920s. These popular ballads reflect the sentimental vocal repertoire of the era, but Somers himself remains largely untraced in discographies.AI summary
Columbia 5144 Voice
Somers on Columbia CB309, popular songs of the early 1930s.AI summary
Columbia CB309 Voice
Somers performing 'Got a Date with an Angel' and 'Who Do You Love?' on Columbia CB363, a British pressing from the late 1920s. The artist is not readily identified.AI summary
Columbia CB363 Voice
Somers, a singer of the early 1930s, recorded this novelty comedy number for Broadcast, a small British budget label. The artist is not well documented in standard references.AI summary
Broadcast 283 Voice
Somers performing two popular ballads, 'Night Time Brings Dreams of You' and 'So Blue', on Columbia 4403.AI summary
Columbia 4403 Voice
Somers recorded two popular songs for Columbia 4446 in the 1920s–30s.AI summary
Columbia 4446 Voice
Somers on Columbia 4730; popular sentimental ballad material from the 1920s–1930s.AI summary
Columbia 4730 Voice
The singer Somers on Columbia, early material from the late 1920s catalogue. Like the other Somers entry, this is sentimental popular song by an unidentified vocalist.AI summary
Columbia 4731 Voice
Somers performing 'In America' and 'Without You Sweetheart' on Columbia 4895.AI summary
Columbia 4895 Voice
Somers singing 'Toymaker's Dream' and 'Lonesome Little Doll' for Columbia, catalogue 5589; an unconfirmed artist on a major label.AI summary
Columbia 5589 Voice
Somers recorded 'I May Be Wrong' and 'In the Moonlight' for Columbia 5700 in the late 1920s.AI summary
Columbia 5700 Voice
Somers performing two popular songs of the early 1930s on Columbia, 'When I take my Sugar to Tea' and 'Goodbye'.AI summary
Columbia CB296 Voice
Somers performing two light popular songs on Columbia—'You Ought to See Sally on Sunday' and 'We'll All Go Riding on a Rainbow'. The artist is unidentified in standard discographies.AI summary
Columbia CB677 Voice
Somers performing Cole Porter's "You and the Night and the Music" on Columbia FB1027.AI summary
Columbia FB1027 Voice
Somers on Columbia 4868, a vocal side from the early 1930s; the artist is unrecognised.AI summary
Columbia 4868 Voice
Somers, a vocalist, recorded standard popular songs 'Blue Skies' and 'When the Love Bird Leaves his Nest' on Columbia 4333, likely from the late 1920s.AI summary
Columbia 4333 Voice
Somers, a vocalist or ensemble, recorded 'Best Things in Life are Free' and 'Just Imagine' on Columbia 4979, likely from the late 1920s.AI summary
Columbia 4979 Voice
The Song Spinners, a vocal group, recorded 'Johnny Zero' and 'Comin' in on a Wing and a Prayer' for Brunswick, standard popular songs of the 1940s.AI summary
Brunswick 03469 Voice
Sonny Boy Williamson recorded 'Red Hot Kisses' and 'Going in Your Direction' for Trump; Williamson was an influential blues harmonica player and singer of the 1940s–1950s.AI summary
Trump 216 Voice
Sophie Tucker's celebrated recording 'I'm the last of the red hot Mammas' on His Master's Voice, paired with 'That's what I call sweet Music'. Tucker was a major international star and recording artist from the 1910s into the 1940s.AI summary
His Master's Voice B3586 Voice
Sophie Tucker, the celebrated American vaudeville and recording star, performing 'I know that my Baby is cheatin' on me' and 'Conversational Man' on Columbia. Tucker was a major international recording artist from the 1910s through the 1940s.AI summary
Columbia 4995 Voice
The Soul Stirrers, an influential American gospel vocal group, recorded for Specialty in the 1950s. The group was one of the most important gospel ensembles of their era.AI summary
Speciality 868 Voice
The South Sea Islanders were a vocal group, likely Samoan or Polynesian, who recorded for Columbia. 'For You and I' and 'Palolo' appear to be popular songs with Polynesian themes; the 1292-D catalogue number suggests a 1920s–30s pressing from Columbia's popular catalogue.AI summary
Columbia 1292-D Voice
Speciale on Scala, a minor British imprint.AI summary
Scala 7181 Voice
Spencer on Imperial label (Imp 1910), recorded 'Why do I love you' and 'Can't help lovin' dat man'. These are standard popular songs and ballads from the 1920s-1930s, but the artist is not identified in discography.AI summary
Imperial 1910 Voice
The Spencer Trio recorded two novelty or sentimental numbers — 'Baby Won't You Please Come Home' and 'Lorna Doone Shortbread' — for Brunswick, one of the major British and American labels, suggesting this was likely a budget or reissue pressing of the 1920s–30s.AI summary
Brunswick 02657 Voice
St. Cecilia's Male Voice Quartet recorded two sacred vocal works on Decca, a standard repertoire for British church choirs and male voice ensembles of the 1930s-40s.AI summary
Decca F2978 Voice
The St Petersburg Quartette (also known as the Russian Imperial Quartette) were a renowned vocal ensemble from Imperial Russia who recorded prolifically for HMV in the 1920s; this pressing of the famous 'Volga Boatmen' is an early HMV numerical catalogue.AI summary
His Master's Voice 7-24000 Voice
Stafford on Brunswick 3966, with 'Precious Little Thing Called Love' and 'Lover Come Back to Me'. A vocalist on the popular Brunswick label in the swing era; Stafford is unidentified and was likely a session singer.AI summary
Brunswick 3966 Voice
Stan Greening recorded sentimental songs 'My Irish Home Sweet Home' and 'Speak' on Curry's 230, a small British marque.AI summary
Curry's 230 Voice
Stan Stafford sings Angels Ever Bright and Fair and God So Loved the World on Dominion C346.AI summary
Dominion C346 Voice
Stanley & Gillette performing two sentimental popular songs on Columbia, a major British label.AI summary
Columbia 1031 Voice
Stanley & Gillette on Columbia 1132, likely a vocal duo, with sentimental ballads 'I love you as the Roses love the Dew' and 'In the Garden of my Heart'.AI summary
Columbia 1132 Voice
Stanley Evans performs 'Swanee' and 'They'll Never Know Me in Old Dahomey' on Columbia IS1242, a British pressing; Evans was a vocalist active in the early days of recording.AI summary
Columbia is1242 Voice
Stanley Holloway, long before his monologues and 'My Fair Lady', sings 'Onaway, Awake, Beloved' from Coleridge-Taylor's 'Hiawatha' and 'Pass, Everyman' on Duophone, from his early career as a baritone.AI summary
Duophone D531 Voice
Stanley Kirk on Imperial 1055, with 'Smilin' Thro'' and 'Sheik of Araby'.AI summary
Imperial 1055 Voice
Stanley Kirkby performing 'It's a Long Way to Tipperary' and 'Little Miss Demure' on Pathé 8742. Kirkby was a prolific British recording artist of the 1910s–20s, known for sentimental ballads and patriotic songs. 'Tipperary' became a Great War standard.AI summary
Pathé 8742 Voice
Stanley Kirkby, a prolific British tenor of the acoustic era, recorded sentimental ballads for Scala, a small British label of the 1920s. This disc pairs 'Somewhere in Sunset Land' with a Scottish song credited to V Norbury.AI summary
Scala 759 Voice