4,838 shellac records · mostly British pressings, 1900s–1950s
4,838 records matching · page 96 of 101
Van Phillips on Columbia CB150, with 'It Must Be You' and 'Two of Everything' — a vocalist or instrumentalist on a major British label's mid-range series, mid-1930s.AI summary
Columbia CB150 Voice
Van Phillips recorded two popular songs for Columbia (CB160) in the early 1930s. Phillips was a known British dance-band pianist of the era, though this entry provides little identifying detail.AI summary
Columbia CB160 Voice
van Phillips on Columbia CB172, performing 'Dancing on the Ceiling' and 'No Place but Home'.AI summary
Columbia CB172 Voice
Van Steeden performing 'Leonora' and 'No Wonder I'm Happy' on Act 11512, a ballad recording on an obscure British label.AI summary
Actuelle 11512 Voice
Van Straten on DuoUB, a small British label of the 1920s, performing two sentimental songs: 'Save a Little Sunshine' and 'In a Little Garden'.AI summary
Duophone UB2061 Voice
van Straten, credited on Winner 4592, performing 'Talking to the Moon' and 'In a Little Spanish Town' — popular sentimental songs of the 1920s–early 1930s.AI summary
Winner 4592 Voice
Vassily Sharonov was a Russian bass who recorded for several early labels including Beka, a Berlin-based company with extensive operations recording Eastern European and Russian singers around 1905–1910. This disc, Beka 6750, contains a Koorgan ballad and 'Across the Water'. Beka pressings of Russian singers from this period are uncommon outside specialist collections.AI summary
Beka 6750 Voice
Vaughan de Leath, one of the first woman jazz singers in American recording, performed in the 1920s and 1930s; this Parlophone R-series side couples two jazz standards from the popular repertoire.AI summary
Parlophone R3324 Voice
Vaughn De Leath (1896-1943), an American singer called the first lady of radio, sings I'll Never Ask for More and, with Frank Braidwood, Sweetheart of All My Dreams on Ariel 4402.AI summary
Ariel 4402 Voice
Vaughn de Leath, a pioneering American radio singer and recording artist, on Columbia 4443 performing two popular ballads. De Leath was one of the first female singers to achieve fame through radio in the 1920s and had a long recording career.AI summary
Columbia 4443 Voice
Vaughn de Leath on Columbia 4443, performing 'I wonder how I look when I'm asleep' and 'Oh baby don't we get along'. De Leath was an early American recording artist known for intimate vocal delivery; this is a duet with Harris from the 1920s.AI summary
Columbia 4443 Voice
Vaughn de Leath on Columbia 4443, an early American dance or sentimental vocal from the 1920s; de Leath was an early female recording artist, and this early Columbia issue may be quite old and obscure.AI summary
Columbia 4443 Voice
Vee Lawnhurst on Columbia, mid-1930s pressing.AI summary
Columbia DB1173 Voice
Venie Temple on Winner 2426 with 'Georgie took me walking in the Park' and 'Mother had a Row with Father', a British vocal recording from the 1920s–1930s.AI summary
Winner 2426 Voice
Vera Lynn, 'The Forces' Sweetheart', recorded 'Yours' and 'We Both Told a Lie' on Decca; Lynn was the most celebrated British female singer of the Second World War era and remains an icon of that period.AI summary
Decca caF7996 Voice
Vera Lynn, the British vocalist and wartime entertainer, recorded "When the poppies bloom again" and "Life without you" for Crown, a budget label.AI summary
Crown 301 Voice
Vera Lynn, the British singer and national sweetheart, recorded 'With All My Heart' and 'You'll Never Know' for Decca (F8350) in the 1940s-50s. Lynn was one of Britain's most celebrated wartime and post-war vocalists.AI summary
Decca F8350 Voice
Vera Lynn, the Forces' Sweetheart, recorded 'The Wind Cannot Read' and 'Every Hour Every Day of My Life' for Decca, popular ballads from the 1950s.AI summary
Decca F11038 Voice
Vera Lynn, the "Forces' Sweetheart" and one of Britain's best-loved wartime and post-war vocalists, recorded "The Wind Cannot Read" and "Every Hour Every Day of My Life" for Decca; both are romantic ballads from the 1950s.AI summary
Decca F11038 Voice
Vera Lynn, the British singer and forces' sweetheart, recorded 'Popular Medley No 4' for Decca, catalogue F10561; Lynn was one of the most famous British vocalists of the 1940s–50s.AI summary
Decca F10561 Voice
Vera Lynn, the British forces' sweetheart, recorded 'Only Forever' and 'Ferryboat Serenade' for Decca F7693. Lynn was one of the most popular British singers of the 1940s and her Decca recordings remain widely available.AI summary
Decca F7693 Voice
Vera Lynn with It's a Sin to Tell a Lie and Heart to Heart on Crown 242.AI summary
Crown 242 Voice
A Decca duet featuring Vera-Ellen, the dancer and actress who appeared in major Hollywood musicals of the 1950s, with Charles Stratton.AI summary
Decca 23315 Voice
Vernon Dalhart, the American folk and pop singer, on Columbia 1000D: commemorative songs about Charles Lindbergh and the 1927 transatlantic flight, recorded shortly after the event.AI summary
Columbia 1000D Voice
Vernon Watson on Victor, a small US label; artist and repertoire unknown.AI summary
Victor C39 Voice
Vernon Watson, an American singer, recorded 'I'd like to go on a Honeymoon' and 'Paree' for Victor, the American label, issued as a British import. Watson was a minor popular singer of the 1910s-1920s.AI summary
Victor C34 Voice
Vernon Watson was an obscure British singer of the 1920s–30s. 'Nobody loves me' and 'I wonder who's kissing her now' are sentimental popular songs of the period. This Victor pressing carries catalogue number C42, suggesting an early British Victor issue.AI summary
Victor C42 Voice
Vernon Watson recorded 'Laddies Who Fought and Won' and 'Hame' for Winner 3105. The titles suggest patriotic or sentimental material from the 1920s-30s.AI summary
Winner 3105 Voice
Versatile Three recorded 'Memories' and 'I'm sorry I made you cry' for Winner, a minor British label. The group name and sentimental titles suggest a small vocal ensemble of the 1920s–30s.AI summary
Winner 3290 Voice
Versatile Three performing 'The Dear little Garden I love' and 'Oogie Oogie Wa Wa' on Columbia, a vocal ensemble from the 1920s-1930s.AI summary
Columbia 3314 Voice
The Versatile Three performing 'Smiles' and 'I want a Doll' on Winner 3297, a small British label common in the 1920s-1930s.AI summary
Winner 3297 Voice
Victor Carne recorded 'To Mary' and 'Serenata' for VocX, catalogue 9726. The repertoire and artist name suggest light vocal or operetta material; the label is unidentified.AI summary
Vocalion X9726 Voice
Victor de Maunee recorded 'I pitch my lonely Caravan' and 'In the great unknown' for Columbia, catalogue WO1. The 'WO' prefix is unusual and may indicate a special series or early catalogue variant.AI summary
Columbia WO1 Voice
Sentimental ballad credited to Victor King on Syr, a small or short-lived British label of the early 1930s.AI summary
Sirena 293 Voice
Victoria de los Angeles, the celebrated Spanish soprano, recording 'Din Dan Boleran' and 'El Cant des Ogells' (Catalan folk songs) for HMV. De los Angeles is one of the greatest lyric sopranos of the 20th century.AI summary
His Master's Voice DA977 Voice
Victoria Hopper singing 'Love's Wisdom' and 'Lorna's Song' on His Master's Voice B8249. Hopper was a British actress and singer active in the 1920s–30s, and this represents a light popular song of the period.AI summary
His Master's Voice B8249 Voice
Victoria Hopper was a British singer; this His Master's Voice recording from the early era of electrical recording documents a minor artist from the classical or art-song tradition.AI summary
His Master's Voice 8249 Voice
Victoria Monks recorded 'Open the door' and 'Pompeii' for TwinT 3003/4, a minor British or European label, likely popular vocal songs from the 1930s–40s.AI summary
Twin T3003/4 Voice
Vincent Hards, recorded on GramD 122 (Gramophone Company), performed 'Doreen' and 'E'en bravest heart,' sentimental vocal pieces. The artist and label details are obscure.AI summary
Grammavox 2182/2199 (D122) Voice
Violet Essex was a singer of the 1920s. This very early HMV B-series acoustic recording, numbered B1391, captures 'Somewhere in fairyland' and the traditional Irish number 'Peggy O'Neill'.AI summary
His Master's Voice B1391 Voice
Violet Essex recorded 'How Do I Know I Love You' and a duet with Dawson ('I Want the Sun and Moon') for His Master's Voice in the 1920s–30s.AI summary
His Master's Voice B1114 Voice
Violet Essex, a British entertainer, performing "Follow Yvette" and "Just to Hold You in My Arms" (accompanied by H. Williams) on Columbia 3507, part of Columbia's early acoustic catalogue.AI summary
Columbia 3507 Voice
Violet Essex recorded for Ar, an unidentified small British label, singing 'The Letter Song' and 'My Hero', likely from the 1920s or early 1930s.AI summary
Ariel 596 Voice
Violet Essex recorded 'Little Princess Look Up' and 'No' for Pop, catalogue 338, likely 1920s.AI summary
Popular 338 Voice
Violet Essex on Pil (Pilar) 5629, performing sacred vocal material ('Sweet Spirit Hear My Prayer') from an unidentified British label of the 1920s–30s.AI summary
Pilgrim 5629 Voice
Violet Essex, a British vocalist, recorded two romantic ballads 'I Hear You Calling Me' and 'I Hid My Love' on Regal 6255, a popular British label of the 1920s-1930s.AI summary
Regal 6255 Voice
Violet Essex on Champ Records, a British small label, performing light vocal material from the 1920s–30s era.AI summary
Champion 162 Voice
Violet Essex, a vocalist of the 1920s, with 'Just for a While' and 'In Romany', the latter arranged by Jack Hylton and P. Baselow. The HMV label and C-series catalogue number place this in the mid-to-late 1920s; Essex and Hylton were both active in British dance music of that period.AI summary
His Master's Voice C1085 Voice