1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 14 of 26
Hoagy Carmichael, the American composer and entertainer, on Brunswick 02504: two jazz-influenced instrumental numbers recorded in the late 1920s–early 1930s, featuring Hoagy's composition 'Walking the Dog' and Wingy Manone's 'Shake that Thing'.AI summary
Brunswick 02504 Jazz
Honeyboy and Sassafras, a novelty duo, recorded 'Lighthouse song' and 'Shut the door' for Brunswick 1184 in the late 1920s or early 1930s.AI summary
Brunswick 1184 Music Hall
The Hoosier Hot Shots were an American novelty country-swing group known for humorous material. This Brunswick side pairs 'Don't change horses' and 'She broke my heart in three places', typical of their comedic approach to country and western repertoire.AI summary
Brunswick 03549 Country
Horace Heidt was a popular American bandleader and accordionist who recorded extensively for Brunswick in the 1930s-40s; this pressing of 'Bells of St Mary's' and 'Hot Lips' represents his mainstream commercial output.AI summary
Brunswick 7916 Dance
A comic song performance credited to Howard on Brunswick's RL series, featuring two novelty numbers about domestic embarrassment.AI summary
Brunswick RL264 Comic
Hudson DeLange performing 'Organ Grinder's Swing' and 'You're Not the Kind' on Brunswick 7656, a dance side from the 1930s.AI summary
Brunswick 7656 Dance
Huntley performing 'Lonely' and 'Gee But I'd Like to Make You Happy' for Brunswick, 01035. Huntley is unidentified; the catalogue number format suggests an early Brunswick pressing.AI summary
Brunswick 01035 Voice
I. Jones recorded 'Dreamy Paradise' and 'Sweet Woman' for Brunswick, catalogue 5028. The artist is identified by initials only and is not known from major recording careers.AI summary
Brunswick 5028 Voice
I. Jones recorded 'Virginia Blues' and 'You're Only a Baby' for Brunswick, catalogue 2195, in the late 1920s.AI summary
Brunswick 2195 Voice
I Jones recorded for Brunswick in what appears to be the 1920s or early 1930s; 'Those longing for you blues' and 'After the Rain' suggest light popular ballad or blues-inflected material.AI summary
Brunswick 2243 Voice
I Jones credited on Brunswick 2244, apparently a blues or spiritual artist; the titles suggest blues or folk material from the 1920s–1930s.AI summary
Brunswick 2244 Dance
I Jones recorded 'Sun God' and 'High Brown Blues' for Brunswick (2271), an American label, likely dating to the 1920s. The titles suggest blues or jazz repertoire, but the artist is not identified.AI summary
Brunswick 2271 Dance
I Jones performing 'Don't Bring Me Posies' and 'Some Sunny Day' on Brunswick 2274 — a mid-period Brunswick pressing.AI summary
Brunswick 2274 Voice
I Jones performing 'My Honey's Loving Arms' and 'Nobody Lied' on Brunswick 2301.AI summary
Brunswick 2301 Voice
I Jones recorded these two blues-influenced pieces for Brunswick 2358 in the 1920s, a prolific session musician with numerous minor labels.AI summary
Brunswick 2358 Jazz
I Jones performed these two blues and jazz-influenced popular songs for Brunswick, a major American and British label; Brunswick 2374 places it in the mid-to-late 1920s.AI summary
Brunswick 2374 Jazz
I. Jones recorded these blues and vocal jazz numbers for Brunswick. The titles and style suggest American jazz-blues material of the late 1920s, though the artist is not widely documented in jazz reference works.AI summary
Brunswick 2400 Jazz
I Jones on Brunswick 2412 with 'That Red Head Gal' and 'Sweet One', a dance-band recording from the late 1920s.AI summary
Brunswick 2412 Dance
I Jones playing 'Foolin around' and 'By the Shalimar' on Brunswick 2420. A blues or jazz item on a Brunswick catalogue number from the mid-1920s.AI summary
Brunswick 2420 Jazz
I. Jones recorded 'Swingin down the Lane' for Brunswick. The artist is unidentified; the title suggests a 1920s–30s dance or novelty recording.AI summary
Brunswick 2438 Dance
I Jones recorded 'Someone else walked right in' and 'Blue Hoosier Blues' for Brunswick, catalogue 2456. The title 'Blue Hoosier Blues' suggests American blues or race-record material reissued in the UK, but artist identity is unknown.AI summary
Brunswick 2456 Dance
I Jones recorded 'Somebody's Wrong' and 'Easy Melody' for Brunswick 2500 in the 1920s, part of the prolific Brunswick catalogue from this period.AI summary
Brunswick 2500 Dance
I Jones playing 'Wabash blues' and 'Ma' on Brunswick 5065. A blues title on a Brunswick catalogue number from the mid-1920s acoustic era.AI summary
Brunswick 5065 Jazz
I Jones on Brunswick 2738, a dance side from the late 1920s with 'Land o' Lingo blues' and 'Tell me dreamy Eyes'.AI summary
Brunswick 2738 Dance
I Jones recorded two popular songs for Brunswick in the electrical era. The artist is not identified in standard references.AI summary
Brunswick 2767 Voice
I. Jones recorded 'Alabamy Bound' and 'Indian Love Call' for Brunswick, catalogue 2789, in the late 1920s.AI summary
Brunswick 2789 Voice
I. Jones performing 'Poplar Street blues' and 'Pango maid' on Brunswick, a major British label. The first side suggests blues repertoire.AI summary
Brunswick 2877 Jazz
A Brunswick dance record by I Jones from the 1920s, a prolific but little-known session musician of the era.AI summary
Brunswick 2894 Dance
I Jones performing 'That certain Party' and 'Why Aren't Yez Eatin' More Oranges' on Brunswick, a dance or novelty side from the late 1920s.AI summary
Brunswick 3025 Dance
I Jones is credited with 'Monte Carlo' and 'One of Those Things' on Brunswick 3112. Without further identifying information this artist cannot be placed or valued with confidence.AI summary
Brunswick 3112 Voice
I. Jones on Brunswick 3199: 'At Peace With the World' and 'Tonight's My Night With Baby'. The artist is unidentified; the catalogue number places this in the late 1920s or early 1930s Brunswick catalogue.AI summary
Brunswick 3199 Dance
I. Jones recorded 'The Cat' and 'I'm Back to Love Again' for Brunswick in the late 1920s–early 1930s.AI summary
Brunswick 3461 Voice
I. Jones on Brunswick 3685, performing 'What'll You Do' and 'Together We Two', likely early 1930s.AI summary
Brunswick 3685 Voice
I Jones recorded 'La Veeda' and 'So long oolong' for Brunswick, catalogue 5011. Nothing is known of this artist.AI summary
Brunswick 5011 Dance
I Jones on Brunswick 5025, performing 'Fair One' and 'Sultan'. Brunswick 5000 series was used for popular and dance sides, and this is likely a 1920s-1930s pressing.AI summary
Brunswick 5025 Dance
I Jones performing 'Koolemoff' and 'Japanese Sandman' on Brunswick, catalogue 5026. 'Japanese Sandman' is a popular song of the 1920s; the artist and the identity of 'Koolemoff' are unclear.AI summary
Brunswick 5026 Voice
I. Jones performing two sentimental popular songs on Brunswick, catalogue 5066. The artist is unidentified beyond the initial.AI summary
Brunswick 5066 Voice
I Jones recorded 'Sweet Jennie Lee' and 'Just a Little Dance' (credited to Burtnett) for Brunswick, catalogue 01074; an early Brunswick side from the acoustic era.AI summary
Brunswick 01074 Dance
I Jones performs two popular standards for Brunswick, a major American label's British pressing.AI summary
Brunswick 01083 Voice
I. Jones on Brunswick 02163, 'Life Begins When You're in Love' / 'Saddle Your Blues to a Wild Mustang'.AI summary
Brunswick 02163 Voice
I Jones was a British vocalist; this Brunswick recording pairs two sentimental popular songs, likely from the early 1930s based on the Brunswick 01000-series catalogue number.AI summary
Brunswick 01239 Voice
Ignace Hilsberg is credited on this Brunswick classical instrumental side, pairing Scriabin's 'Étude' with 'Prelude' and 'Rush Hour in Hong Kong'.AI summary
Brunswick 5004 Classical
The Ink Spots, one of the most commercially successful vocal groups of the 1930s–1940s, recorded two numbers for Brunswick: "My Greatest Mistake" and "I'll Never Smile Again Until I Smile at You". The Ink Spots were prolific and hugely popular.AI summary
Brunswick 3081 Voice
Irene Dunne recorded 'When I Grow Too Old to Dream' and 'Lovely to Look At' for Brunswick 02048 in the mid-1930s; Dunne was a major American film actress and popular singer known for her light soprano voice and sophisticated comedic timing.AI summary
Brunswick 02048 Voice
Irene Dunne was an American film star and sophisticated vocalist, celebrated for her roles in musical films of the 1930s–40s. 'When I Grow Too Old To Dream' and 'Lovely to Look At' are from her film work, recorded for Brunswick during her Hollywood years.AI summary
Brunswick 02048 Voice
Irving Berlin, the legendary American composer, sings his own compositions from the First World War era on Brunswick. 'Oh How I Hate to Get up in the Morning' was one of Berlin's hits from Yip, Yip, Yaphank (1918).AI summary
Brunswick 03492 Voice
Irving Mills, songwriter and bandleader, performing 'Strut Miss Lizzie' and 'Deep Harlem' on Brunswick 02821, a Harlem jazz or novelty recording from the 1920s–30s.AI summary
Brunswick 02821 Jazz
Irving Mills' Hotsy Totsy Gang with 'Crazy Bout My Gal' and 'Railroad Man' on Brunswick 03297, a hot-jazz recording from the mid-1920s.AI summary
Brunswick 03297 Jazz