1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 20 of 26
Melsa recorded 'Zapateado' and 'Caprice Vienois' for Brunswick. The repertoire and artist name suggest a European classical or salon music recording, likely from the 1920s–30s.AI summary
Brunswick 5110 Instrumental
Melville Gideon recorded 'Roses of Yesterday' and 'For Old Times Sake' for Brunswick catalogue 205, from the early 1920s.AI summary
Brunswick 205 Voice
Meyers on Brunswick, catalogue 2685: 'Burmalone' and 'Heartbroken', likely vocal material from the late 1920s to early 1930s.AI summary
Brunswick 2685 Dance
Michael Bohnen, a German baritone, recorded German operatic and dramatic repertoire on Brunswick, likely from the 1920s.AI summary
Brunswick 15074 Opera
Michael Bohnen, a celebrated German baritone of the 1920s–1930s, recorded 'Blick ich umher' and 'Beiden Grenadiere'—German lieder—for Brunswick. Bohnen was a major concert and operatic artist whose records are sought by classical collectors.AI summary
Brunswick 50033 Classical
Michael Bohnen, a German-American baritone of the early 20th century, recorded operatic arias 'O Isis & Osiris' and 'Within this hallowed Dwelling' (from Die Zauberflöte and Die Meistersinger) for Brunswick 50056.AI summary
Brunswick 50056 Opera
Michael Bohnen, a German baritone of the early twentieth century, recorded operatic selections for Brunswick: the 'Freischutz Drinking Song' and an aria from Weber's operas. Bohnen was a celebrated Wagnerian and Lieder singer of the acoustic era.AI summary
Brunswick 15074 Opera
Mickey Rooney on Brunswick 03504, the child star of Hollywood recording novelty numbers with Judy Garland; this is a film-related novelty from the late 1930s or 1940s on a mass-market commercial label.AI summary
Brunswick 03504 Personalities (Prs)
Mildred Bailey, the Rockin' Chair Lady and a pioneering American jazz and swing vocalist, recorded for Brunswick in the 1930s. Bailey was a major white jazz singer of the swing era and remains highly collected.AI summary
Brunswick 02106 Jazz
Mildred Bailey, the 'Rockin' Chair Lady' of swing, on Brunswick; these ballad interpretations showcase her intimate vocal style and sophisticated taste.AI summary
Brunswick 01564 Jazz
Dance side by an artist surnamed Miller on Brunswick, a major British label of the late 1920s–1930s. Titles suggest popular ballad material of the period.AI summary
Brunswick 2547 Dance
Miller performing novelty dance songs on Brunswick.AI summary
Brunswick 2606 Dance
Brunswick 2666 Dance
Miller performing novelty dance songs on Brunswick.AI summary
Brunswick 2847 Dance
Miller recorded two vocal numbers for Brunswick.AI summary
Brunswick 2753 Voice
Miller on Brunswick 2830, performing 'Tessie' and 'Will you remember me', from the 1920s or early 1930s dance-band era.AI summary
Brunswick 2830 Dance
An artist credited as 'Miller' on Brunswick 3676, performing 'Yep I long about June' and 'Blue baby'. Without fuller identification, this cannot be placed precisely.AI summary
Brunswick 3676 Voice
A dance band recording on Brunswick of the jazz standard 'I wish I could shimmy like my Sister Kate', from the early 1920s.AI summary
Brunswick 3731 Dance
An artist credited as 'Miller' recorded two sentimental ballads for Brunswick: 'My Beautiful Rose' and 'I'm Sorry Sally'.AI summary
Brunswick 4108 Voice
A popular song recorded by Miller on Brunswick 4194, from the dance-band era of the early 1930s.AI summary
Brunswick 4194 Dance
A recording artist credited only as Miller performing popular standards on Brunswick. The catalogue number and era suggest 1930s dance-band material.AI summary
Brunswick 3892 Dance
Miller on Brunswick, catalogue 3975, a popular vocal ballad from the late 1920s or early 1930s. Mass-market Brunswick pressing.AI summary
Brunswick 3975 Voice
The Mills Brothers, an American vocal quartet, recorded these songs for Brunswick; the Mills Brothers were one of the most popular and enduring vocal groups of the 20th century.AI summary
Brunswick 6490 Voice
Mills Brothers performing 'Tiger Rag' and 'Nobody's Sweetheart' on Brunswick 1229. The Mills Brothers were one of the most popular and recorded American vocal groups of the 1930s–40s, celebrated for their tight harmonies and innovative whistling effects. This appears to be an early Brunswick recording from the late 1920s or early 1930s.AI summary
Brunswick 1229 Jazz
The Mills Brothers, an enormously successful American vocal quartet, recorded prolifically for Brunswick from the early 1930s; this pressing of 'Baby won't you please come Home' and 'You Rascal you' dates from their peak years.AI summary
Brunswick 01255 Voice
The Mills Brothers, the American vocal quartet famous for their close harmonies and instrumental imitations, recorded 'Shoe Shine Boy' and 'Rhythm Saved the World' for Brunswick; both were popular numbers of the late 1930s and early 1940s.AI summary
Brunswick 02245 Voice
The Mills Brothers, one of the most successful and influential American vocal groups of the 1930s–40s, on Brunswick 1296 with 'Rockin' Chair' and 'Goodbye Blues'.AI summary
Brunswick 1296 Voice
Mishel Piastro was a Russian-born violinist and bandleader who recorded for Brunswick in the 1930s; this Brunswick side showcases two romantic orchestral showpieces, 'Hymn to the Sun' (from Rimsky-Korsakov's *The Golden Cockerel*) and 'Heart of Harlequin'.AI summary
Brunswick 10269 Orchestra
Brunswick 3644 Dance
Morton Downey, the American crooner popular in the late 1920s and 1930s, recorded these two sentimental ballads for Brunswick.AI summary
Brunswick CB143 Voice
Mound City Blowers performing two early jazz numbers on Brunswick 2648: 'You Ain't Got Nothin' I Want' and 'Barb Wire Blues'. The Mound City Blowers were an important American jazz ensemble of the 1920s–early 1930s.AI summary
Brunswick 2648 Jazz
The Mound City Blowers, an American jazz and novelty band of the 1920s, recorded 'Arkansaw blues' and 'Blue blues' for Brunswick. The group was known for hot dance and novelty jazz sides in the New Orleans and early jazz idiom.AI summary
Brunswick 2581 Jazz
The Mound City Blowers, a hot-jazz group of the late 1920s, recorded 'Red hot' and 'San' for Brunswick, catalogue 2602.AI summary
Brunswick 2602 Jazz
The Mound City Blowers were an early hot-dance and jazz novelty ensemble; this Brunswick coupling captures their energetic style on two blues-tinged dance numbers from the late 1920s, part of the label's important catalogue of early American jazz.AI summary
Brunswick 2648 Jazz
The Mound City Blowers, a small jazz ensemble, recorded 'What Do I Care What Somebody Said' and 'Nervous Puppies' for Brunswick in the late 1920s or early 1930s. The ensemble was a minor jazz group of the early swing era.AI summary
Brunswick 3484 Jazz
Murray and Scanlan on Brunswick 1184, performing 'Shut The Door' and 'Lighthouse Song'.AI summary
Brunswick 1184 Personalities (Prs)
Nelson singing 'In the Dim Dim Dawning', recorded for Brunswick 01429. The Brunswick early American-catalogue numbering suggests a 1920s pressing, though Nelson's identity is unclear without further research.AI summary
Brunswick 01429 Voice
Nelson recorded 'What a perfect Combination' and 'Look what you've done' for Brunswick, catalogue 01448. Nelson is a common surname and this artist is not identified in standard reference.AI summary
Brunswick 01448 Voice
New Orleans Rhythm Kings, a legendary early jazz ensemble, on Brunswick 01988 performing 'Ostrich Walk' and 'Original Dixieland One-Step'.AI summary
Brunswick 01988 Jazz
The New Orleans Rhythm Kings, a pioneering early jazz ensemble, performing 'Dust off That old Piano' and 'Since We Fell out of Love' on Brunswick 02008 — a UK pressing of an important 1920s jazz band.AI summary
Brunswick 02008 Jazz
The New Orleans Rhythm Kings, pioneers of early white jazz from New Orleans, recorded 'Clarinet Marmalade' and 'Maple Leaf Rag' for Brunswick in the mid-1920s. Both are foundational jazz pieces; the NORK were hugely influential in spreading New Orleans style to Northern cities and recording audiences.AI summary
Brunswick 02209 Jazz
The New Orleans Rhythm Kings, a pioneering jazz ensemble, performing 'London Blues' and 'Sweet Lovin' Man' on Brunswick — early hot jazz from a group that recorded from the 1920s onward.AI summary
Brunswick 02210 Jazz
New Orleans Rhythm Kings, one of the earliest white jazz bands, recorded 'Bluin' the Blues' and 'Sensation' for Brunswick 02337 in the mid-1920s. The band was highly influential in the development of hot jazz.AI summary
Brunswick 02337 Jazz
The New Orleans Rhythm Kings were one of the earliest white jazz ensembles, recording in the early 1920s and influential in bringing New Orleans jazz to a wider audience. This Brunswick pressing of 'London Blues' and 'Sweet Lovin' Man' captures their early jazz style. British Brunswick pressings of important early jazz sides are scarcer than American issues and are highly sought by jazz historians and collectors.AI summary
Brunswick 02210 Jazz
Brunswick 25018
Nick Lucas, an American vocalist and early recording star, performing 'Walkin' my Baby back Home' and 'Mama Inez' on Brunswick 01119.AI summary
Brunswick 01119 Voice
Nick Lucas, a popular American crooner, recorded 'Sleepy Time Gal' and 'I Found Somebody to Love' on Brunswick 2990. Lucas was a well-known recording artist of the 1920s-30s and his records are readily available.AI summary
Brunswick 2990 Voice
Nick Lucas recorded 'Isn't She the Sweetest Thing' and 'By the Light of the Stars' for Brunswick (2906) in the late 1920s. Lucas was an early American popular singer and guitarist, and a recording pioneer of the acoustic era.AI summary
Brunswick 2906 Voice