1,219 shellac records · mostly British pressings, 1900s–1950s
1,219 records matching · page 23 of 26
Red Nichols and his ensemble recorded 'Allah's Holiday' and 'Roses of Picardy' for Brunswick (3960) in the late 1920s. Nichols was a prominent jazz cornet player and bandleader of the hot-jazz era, and his Brunswick sides are collected by serious jazz enthusiasts.AI summary
Brunswick 3960 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded Vincent Youmans's 'Tea for two' and 'I want to be happy' for Brunswick 1032 in the late 1920s.AI summary
Brunswick 1032 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s–30s, recorded 'I'm Marching Home to You' and 'I Used to Love Her in the Moonlight' for Brunswick 3991. Nichols was an influential figure in early jazz and dance music.AI summary
Brunswick 3991 Jazz
Red Nichols, the influential American jazz cornetist and bandleader, recorded these hot jazz standards for Brunswick. Both titles are jazz classics of the 1920s. UK copies of early Brunswick jazz are uncommon.AI summary
Brunswick 01104 Jazz
Red Nichols on Brunswick 01591, 'Dinah' / 'Indiana'. Red Nichols was a leading hot-jazz cornetist of the 1920s–1930s, famous for his 'Five Pennies' and recordings with leading jazz and swing musicians.AI summary
Brunswick 01591 Jazz
Red Nichols, a prominent American hot-dance and jazz bandleader, recorded 'Nobody's Sweetheart' and 'Avalon' for Brunswick 01569. Red Nichols' Five Pennies and related ensembles were highly popular in the 1920s-30s.AI summary
Brunswick 01569 Jazz
Red Nichols, the American jazz cornetist, performing 'I Have to Have You' and 'Oh Lady Be Good' on Brunswick 02676, from the late 1920s.AI summary
Brunswick 02676 Jazz
Red Nichols on Brunswick 01300, two jazz standards 'I got Rhythm' and 'Sweet and hot', from the bandleader's extensive catalogue in the 1930s–40s.AI summary
Brunswick 01300 Jazz
Red Nichols, a pioneering jazz cornet player and bandleader of the 1920s, performing two jazz standards on Brunswick 03499. The catalogue number indicates a very early Brunswick pressing, circa 1927–1928.AI summary
Brunswick 03499 Jazz
Red Nichols, the American jazz cornetist and bandleader, recorded 'Ida Sweet as Apple Cider' and 'Feelin' No Pain' for Brunswick 80069 in 1927. Nichols was a prolific hot-jazz recording artist of the 1920s and early 1930s.AI summary
Brunswick 80069 Jazz
Brunswick 3477
Red Nichols and his Five Pennies, the cornettist's recording band of the late 1920s and early 1930s, whose shifting line-ups drew on many of the leading New York jazz players of the day, play 'Corrine Corrina' and 'Bug-a-boo' on British Brunswick.AI summary
Brunswick 1120 Jazz
Red Nichols and his band recorded 'Short survey of modern rhythm' for Brunswick, catalogue 02000, an early Brunswick release, likely from the late 1920s.AI summary
Brunswick 02000 Jazz
Red Norvo performing 'Says my Heart' and 'You Leave Me Breathless' on Brunswick 8135. Norvo was a major American vibraphone player and bandleader, a key figure in swing jazz.AI summary
Brunswick 8135 Jazz
Regent Dance Orchestra on Brunswick Records, catalogue 3306, with 'Tonight You Belong to Me' and 'Blame It on the Waltz'. Brunswick was a major label, and this is a routine dance side from the swing era.AI summary
Brunswick 3306 Dance
Alfred Reisman's orchestral recording of these popular standards for Brunswick in the late 1920s-30s.AI summary
Brunswick 500.433 Orchestra
Reisman on Brunswick 01763, a novelty vocal with animal-themed titles from the 1930s or early 1940s American label, likely a mass-pressed dance or novelty release.AI summary
Brunswick 01763 Dance
Leo Reisman and his orchestra, a prominent American dance orchestra, performing two songs from George Gershwin's 'Porgy and Bess'—'There's a Boat Dat's Leavin' Soon for New York' and 'Summertime'—on Brunswick 03364.AI summary
Brunswick 03364 Orchestra
Reisman performing 'Spellbound' and 'Amado Mio' on Brunswick, the major American label's British pressing, catalogue 03738.AI summary
Brunswick 03738 Dance
Reisman, likely Harry Reisman and his orchestra, recorded 'I'm in the Mood for Love' and 'Take it Easy' for Brunswick catalogue RL290, from the mid-1930s.AI summary
Brunswick RL290 Dance
Rex Allen on Brunswick, performing 'I Thank the Lord' and 'Crying in the Chapel' — the American country and Western film and recording star.AI summary
Brunswick 05162 Country
Rex Allen on Brunswick 04871, with 'Ragtime Melody' and 'Tuck Me to Sleep in My Old Tucky Home'. Allen was a Western swing singer and actor of the 1940s–1950s.AI summary
Brunswick 04871 Country
Rex Allen performing two country or Western numbers on Brunswick 04955. Allen (1924–1999) was an American country and Western singer and actor with a long recording career from the 1940s.AI summary
Brunswick 04955 Country
Richard Bonelli, an American baritone, recorded 'Bird Songs at Eventide' and 'Love Was with Me Yesterday' on Brunswick 15138. Bonelli was a celebrated concert and recording artist of the 1920s-30s.AI summary
Brunswick 15138 Voice
Robert Mitchum, the Hollywood film star, performing 'Just Like Me' and 'O-he-o-hi-o-ho' on Brunswick 04059.AI summary
Brunswick 04059 Personalities (Prs)
Robert Mitchum was an American film actor and occasional recording artist. 'Just Like Me' and 'O-he-o-hi-o-ho' on Brunswick are pop or novelty numbers from the 1950s, likely capitalising on his film fame.AI summary
Brunswick 04059 Voice
Robert Mitchum, the Hollywood actor and occasional singer, on Brunswick records; Mitchum recorded sporadically and his vocal records are less sought than his film work.AI summary
Brunswick 04059 Personalities (Prs)
Rodemich performing 'Hot roasted Peanuts' and 'Dream Daddy' on Brunswick, the American label widely distributed in Britain during the 1920s-1930s.AI summary
Brunswick 2525 Jazz
Rosa Raisa, an acclaimed Italian operatic soprano, and Giacomo Rimini, a baritone, recorded these two duets from Mozart and Mozart opera for Brunswick; Magic Flute and Don Giovanni are cornerstone operatic works.AI summary
Brunswick 15135 Opera
Sister Rosetta Tharpe, the pioneering gospel and rock and roll guitarist, recorded 'Lonesome Road' and 'Rock Me' for Brunswick 02737. Tharpe was a major influence on early rock and roll and her recordings are of high interest to gospel and rock historians.AI summary
Brunswick 02737 Rock
Sister Rosetta Tharpe, the pioneering gospel singer and guitarist, performing two gospel sides on Brunswick (catalogue 04989).AI summary
Brunswick 04989 Voice
Sister Rosetta Tharpe with Marie Knight performing 'Up above my head I hear Music in the Air' and 'My Journey to the Sky' on Brunswick catalogue 04554, likely a late 1940s pressing. Rosetta Tharpe was a pioneering gospel and rhythm-and-blues artist.AI summary
Brunswick 04554 Voice
Sister Rosetta Tharpe with M Knight, performing gospel songs on Brunswick (catalogue 04632).AI summary
Brunswick 04632 Voice
Sister Rosetta Tharpe, the pioneering gospel and electric guitar innovator, with M Knight on Brunswick 04851, performing two spiritual songs. Tharpe was a hugely influential artist and one of the first electric guitarists in popular music; her recordings are highly collected.AI summary
Brunswick 04851 Voice
Roy Barbour on Brunswick 3244, with two comic songs featuring rural dialect humour. Barbour was a minor British comic vocalist.AI summary
Brunswick 3244 Comic
Rudy Wiedoeft, a jazz saxophonist of the 1920s, recorded 'Saxarella' and 'Danse hongroise' for Brunswick 2825, jazzy novelty and dance material from the early acoustic era.AI summary
Brunswick 2825 Jazz
Rudy Wiedoeft, an American saxophonist, recorded 'Velma' and 'Saxophone Fantasie' for Brunswick—instrumental novelty and jazz sides from the 1920s acoustic era, when Wiedoeft was a popular recording artist.AI summary
Brunswick 2071 Jazz
Rudy Wiedoeft was an American saxophone virtuoso prominent in the 1920s–30s, famous for his showy soprano saxophone playing. This Brunswick recording is typical of his technical showcase material, and Brunswick 2019 is an early 1920s pressing.AI summary
Brunswick 2019 Instrumental
Russ Morgan, an American bandleader, recorded 'Joseph' and 'Drop a nickel in the slot' for Brunswick 8097 in the 1940s—novelty and light swing material from the swing era.AI summary
Brunswick 8097 Dance
Russ Morgan, a popular American bandleader and accordionist, on Brunswick. Morgan led a successful dance orchestra and had numerous recordings across the 1940s–50s.AI summary
Brunswick 04086 Dance
Brunswick 03921 Dance
Brunswick 04011 Dance
Brunswick 04064 Dance
Brunswick 03892 Dance
Ruth Etting, an American torch singer of the 1930s, recorded 'Tired of It All' and 'Keep Romance Alive' for Brunswick 6761. Etting was a popular entertainer known for sophisticated vocal delivery.AI summary
Brunswick 6761 Voice
Sammy Davis performing two sides for Brunswick in the 1950s. This is likely early work by the young tap dancer and entertainer before his major solo career took off; context and date require confirmation.AI summary
Brunswick 05611 Personalities (Prs)
Sammy Davis Jr. recorded 'Jacques d'Iraque' and 'Too Close for Comfort' for Brunswick, likely from the mid-1950s.AI summary
Brunswick 05668 Voice
Sammy Davis Jr. on Brunswick 05617, singing two romantic pop standards from the early 1950s.AI summary
Brunswick 05617 Voice