1,216 shellac records · mostly British pressings, 1900s–1950s
1,216 records matching · page 9 of 26
Duke Ellington, the legendary jazz composer and bandleader, recorded 'Twelfth Street Rag' and 'Bundle of Blues' for Brunswick 01573. Both are important jazz pieces; Ellington was prolific on Brunswick in the late 1920s and early 1930s.AI summary
Brunswick 01573 Jazz
Duke Ellington and his orchestra recorded 'East St Louis' and 'Baby When You Ain't There' for Brunswick 01681 in the late 1920s. These are foundational early Ellington sides.AI summary
Brunswick 01681 Jazz
Duke Ellington recorded 'Margie' and 'Accent on Youth' for Brunswick in the early 1930s; these are dance-band sides from his prolific commercial recording period.AI summary
Brunswick 02096 Jazz
Duke Ellington's early Jungle Band, a Brunswick recording from 1928 featuring 'The Mooche', one of Ellington's first compositions and a jazz standard. This is a hot-dance side from the formative period of his orchestra.AI summary
Brunswick 1235 Jazz
Ethel Waters and Duke Ellington recorded "I Can't Give You Anything But Love" and "Porgy" for Brunswick — a historic duet pairing two of jazz's greatest voices.AI summary
Brunswick 01731 Jazz
Earl Burtnett with 'The Little Things in Life' and Bernie's 'It's a Lonesome Old Town' on Brunswick 1079 — popular songs from a 1920s bandleader.AI summary
Brunswick 1079 Orchestra
Earl Hines, the pioneering jazz pianist and bandleader, recorded "I Love You Because I Love You" and "Blue Drag" for Brunswick. These are early jazz piano recordings from one of the most influential pianists in jazz history.AI summary
Brunswick 1388 Jazz
Earl Hines, known as "Fatha", was a pioneering jazz pianist and bandleader central to hot jazz and swing in the 1920s–1930s. This Brunswick 1464 of "Oh You Sweet Thing" and "Deep Forest" represents his early jazz style in a period when he was among the most recorded jazz artists.AI summary
Brunswick 1464 Jazz
Earl Hines, the American pianist and bandleader, recorded 'Sweet Georgia Brown' and 'Maple Leaf Rag' for Brunswick (1995). Hines was one of the most influential pianists in jazz, a pioneer of swing-style playing.AI summary
Brunswick 1995 Jazz
Ed Smalle and Dick Robertson recorded 'Stay out of the South' and 'Wobaly Walk' for Brunswick. Robertson was a American vocalist; Smalle is less well identified.AI summary
Brunswick 3758 Voice
Eddie Cantor, the American vaudeville star, singing 'Makin' Whoopee' and 'Yes Sir That's My Baby' on Brunswick 03216, from the late 1920s or early 1930s.AI summary
Brunswick 03216 Personalities (Prs)
Eddie Condon, the pioneering American jazz guitarist and bandleader, recorded these jazz standards for Brunswick in the mid-1930s. Condon's Chicagoland hot-jazz sides are actively collected.AI summary
Brunswick 03055 Jazz
Brunswick 03747
Eddie Peabody was a virtuoso banjo player and recording artist of the 1920s–30s; this Brunswick disc pairs 'Lambeth Walk' with an organ arrangement of a sentimental ballad.AI summary
Brunswick 81880 Instrumental
Eddy and Reilly perform 'Lookin' for Love' and 'The Music Goes 'Round and 'Round' on Brunswick RL325. 'The Music Goes 'Round and 'Round' was a popular novelty hit of 1935.AI summary
Brunswick RL325 Dance
Eddy Duchin, the American pianist and bandleader known for his elegant dance-band style, performs 'Ol Man Mose' and 'Between the Devil and the Deep Blue Sea' on Brunswick 8155.AI summary
Brunswick 8155 Dance
Eddy Reilly's Onyx Club Boys on Brunswick RL pressing from the 1920s or early 1930s.AI summary
Brunswick RL325 Jazz
Eddy South, a renowned violinist and bandleader, performing 'Honeysuckle Rose' and 'Black Gypsy' on Brunswick, likely from the 1930s.AI summary
Brunswick 81504 Jazz
Eddy and Reilly performing 'Lookin' for Love' and 'The Music Goes Round and Round' on Brunswick. The latter is a novelty number from the 1930s swing era; this appears to be a mid-1930s dance-band recording.AI summary
Brunswick RL325 Dance
Edith Evans—an actress best known for Shakespearean and theatrical roles—recorded comic novelty vocals for Brunswick in the early 1930s.AI summary
Brunswick 3849 Music Hall
Edith Evans singing 'Kansas City Kitty' and 'My kinda love' on Brunswick 4291. Evans is an unidentified vocalist from the early 1930s.AI summary
Brunswick 4291 Voice
Brunswick 10263 Voice
Edna Hicks performing classic blues material, 'Down Hearted Blues' and 'Gulf Coast Blues', on Brunswick 2463. The catalogue number and recording style suggest a 1920s origin.AI summary
Brunswick 2463 Jazz
Edwin Lehn was an American jazz pianist and composer. 'Mess is Here' and 'Stormy Weather' are early jazz and popular songs. This Brunswick recording, with a very low catalogue number, suggests an early or test pressing.AI summary
Brunswick 78 Jazz
Elisabeth Rethberg, a celebrated German-American soprano of the operatic repertoire, recorded 'Thou'rt Like a Flower' and 'Murmuring Zephyr' for Brunswick. These are art-song recordings from the 1920s–30s.AI summary
Brunswick 15148 Classical
Elisabeth Rethberg, one of the greatest sopranos of the 20th century, performing Handel's 'Largo' from Xerxes and a Donizetti aria on Brunswick 30119. Rethberg (1894–1976) was a dominant figure at the Metropolitan Opera and a prolific recording artist from the 1910s through the 1940s.AI summary
Brunswick 30119 Opera
Elisabeth Rethberg was a world-renowned soprano of the Metropolitan Opera; 'Elsa's Dream' and 'Elisabeth's Prayer' are arias from Wagner's *Lohengrin* and Tannhäuser, recorded for Brunswick in the electrical era.AI summary
Brunswick 50109 Opera
Elizabeth Lennox sings two arias from Handel's Messiah, 'He Shall Feed His Flock' and 'O Rest in the Lord', on Brunswick 5165. A classical soprano on a major label, likely from the 1930s-40s.AI summary
Brunswick 5165 Opera
Elizabeth Lennox and J Young, with choir, performing two religious and sentimental ballads on Brunswick: 'One sweetly solemn Thought' and 'Beautiful Isle of Somewhere'.AI summary
Brunswick 5006 Voice
Elizabeth Rethberg, the German soprano, recorded operatic art songs including Schubert's 'Nur Wer Die Sehnsucht Kennt' and a French ariette for Brunswick. Rethberg was a celebrated lyric soprano of the Metropolitan Opera in the 1920s-40s.AI summary
Brunswick 10166 Opera
Elisabeth Rethberg was a celebrated American opera soprano of the early 20th century, noted for Verdi roles. This Brunswick pressing pairs two romantic vocal pieces from her concert repertoire.AI summary
Brunswick 10253 Opera
Elisabeth Rethberg, a renowned German soprano, recorded 'Murmuring Zephyrs' and 'Thou'rt like a Flower' for Brunswick, catalogue 10260.AI summary
Brunswick 10260 Voice
Elizabeth Rethberg performing two art-song or classical vocal pieces on Brunswick 10166. Rethberg (1894–1976) was a German-American soprano of major international renown, particularly celebrated for Wagner and operatic roles; she had an enormous recording career.AI summary
Brunswick 10166 Opera
Ella Fitzgerald, one of the greatest jazz vocalists, on Brunswick — two sides from her prolific recording career in the 1930s–50s.AI summary
Brunswick 05477 Jazz
Ella Fitzgerald was one of the greatest jazz vocalists of the twentieth century; this Brunswick record of 'Don't You Think I Ought to Know' and 'My Happiness' is an early recording from her vast and much-collected discography.AI summary
Brunswick 03934 Jazz
Ella Fitzgerald on Brunswick 05473, performing 'Hard Hearted Hannah' and 'Pete Kelly's Blues'. Fitzgerald was one of the greatest American jazz singers; this Brunswick issue dates from the swing era when she was recording for Decca subsidiaries.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald performing two jazz standards on Brunswick 05473: 'Hard Hearted Hannah' and 'Pete Kelly's Blues'. Fitzgerald (1917–1996) was one of the greatest jazz singers in history.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald on Brunswick 03934, performing 'Don't You Think I Ought to Know' and 'My Happiness' in the early years of her recording career.AI summary
Brunswick 03934 Voice
Ella Fitzgerald, the renowned American jazz singer, recorded 'Hard Hearted Hannah' and 'Pete Kell's Blues' for Brunswick in the late 1930s or early 1940s. An important early recording by one of the greatest voices in jazz.AI summary
Brunswick 05473 Jazz
Ella Fitzgerald recorded 'It's Only a Paper Moon' and 'I'm Gonna Cry You Out of My Heart' for Brunswick during her early career. Fitzgerald is one of the most important and collected jazz singers in history, and her recordings remain highly valued.AI summary
Brunswick 03619 Jazz
Ella Fitzgerald's early Brunswick recording from 1938, "'Taint What You Do (It's the Way That You Do It)" and "I Can't Stop Loving You", representing her work with the Chick Webb orchestra.AI summary
Brunswick 02777 Jazz
Ella Fitzgerald recorded 'Don't You Think I Ought to Know' and 'My Happiness' for Brunswick, likely from the late 1940s. A major jazz and popular vocalist on a major label.AI summary
Brunswick 03934 Voice
Ella Fitzgerald, one of the greatest jazz vocalists, recorded 'Lullaby of Birdland' (a jazz standard with a melody by George Shearing) and 'Later' for Brunswick, likely in the early 1950s.AI summary
Brunswick 05392 Jazz
Ella Fitzgerald performing 'Lonesome Gal' and 'Two Little Men in a Flying Saucer' on Brunswick. Fitzgerald was already a major star; this later-era Brunswick pressing captures her mature recording work.AI summary
Brunswick 04717 Voice
Ella Fitzgerald and Louis Armstrong, two of the greatest jazz vocalists, recorded together on Brunswick with 'You Won't Be Satisfied' and 'Frim Fram Sauce'.AI summary
Brunswick 03644 Jazz
Ella Logan, a Scottish-American mezzo-soprano and musical-theatre star, on Brunswick performing two traditional Scottish songs. Logan was known for her rich contralto and her stage work on Broadway and in London's West End during the 1930s–40s.AI summary
Brunswick 8196 Voice
Ella Logan performing 'Bluebells of Scotland' and 'My Bonnie lies over the Ocean' on Brunswick, a Scottish folk and traditional song recording from the 1930s-1940s.AI summary
Brunswick 8196 Voice
Duke Ellington on Brunswick 80000, the classic early Ellington sides 'East St Louis Toodle-oo' and 'Birmingham Breakdown', from his 1927–28 recordings for Brunswick.AI summary
Brunswick 80000 Jazz