3,431 shellac records · mostly British pressings, 1900s–1950s
3,431 records matching · page 43 of 72
A performer named Lewis recorded dance sides 'Everybody Step' and 'Dapper Dan' for Columbia, a major British label, in the late 1920s.AI summary
Columbia 3096 Dance
Lewis performing a novelty composition on Columbia 3235, a mid-1920s Columbia pressing. The second side credits the Columbians, a session group.AI summary
Columbia 3235 Music Hall
Lewis recorded 'Bam-Bam-Bamy Shore' and 'The Camel Walk' for Columbia, catalogue 3829, in the mid-1920s.AI summary
Columbia 3829 Dance
Lewis performing 'The new St. Louis Blues' and 'My Mamma's in Town' on Columbia 4088, likely from the 1920s-1930s.AI summary
Columbia 4088 Dance
Lewis performing 'King for a Day' on Columbia 5353, side A unrecorded.AI summary
Columbia 5353 Dance
Lewis on Columbia, performing light popular ballads from the late 1920s or early 1930s.AI summary
Columbia 5485 Voice
Lewis (artist unidentified) on Columbia 1957D, performing sentimental or novelty songs of the 1920s–30s.AI summary
Columbia 1957D Voice
Lewis on Columbia 5656, artist not further identified. The catalogue number and label suggest a 1930s popular or dance record of unknown personnel.AI summary
Columbia 5656 Dance
Lewis on Columbia CB5, performing 'In the Land of Jazz' and 'My little Dream Boat'. Columbia CB5 is an extremely early catalogue number.AI summary
Columbia CB5 Dance
Lewis (undocumented artist) on Columbia, recording 'Dinah' and 'Aunt Hagar's Blues'. These are jazz-standard titles, suggesting a jazz or dance context, but the artist remains unidentified.AI summary
Columbia CB64 Jazz
Lewis, first name unknown, recorded two popular songs for Columbia (CB74) in what appears to be the late 1920s or early 1930s. No further artist identification is available.AI summary
Columbia CB74 Voice
Lewis recorded for Columbia; 'Somebody stole my Gal' and 'Tiger Rag' are well-known standards of the 1920s, the latter a fast jazz instrumental. Columbia 36301 suggests a 1920s pressing.AI summary
Columbia 36301 Dance
A Columbia record by Lewis, catalogue 4099, with 'That certain Party' and a Ralton composition 'Always' on the B-side; artist identity and recording date are unclear from the label information alone.AI summary
Columbia 4099 Dance
An artist credited as Lewis on Columbia FB2820 with 'Dallas Blues' and 'Royal Garden Blues', both classic early jazz standards, on Columbia's budget series.AI summary
Columbia FB2820 Dance
Untitled
Columbia FB1699
Liberace on Columbia DB3834, performing 'I Don't Care' and 'As Time Goes By'. Liberace was an American pianist and entertainer of enormous popularity in the 1950s, known for virtuosic playing and flamboyant showmanship.AI summary
Columbia DB3834 Instrumental
Columbia DB3834 Misc.
Lilian Braithwaite was a celebrated British actress and mezzo-soprano; this Columbia side, pressing from catalogue 2514, documents her readings of patriotic recitations popular during the early 20th century, including 'King Albert's Reply to the Kaiser', with band accompaniment for 'It's a Long Way to Tipperary'.AI summary
Columbia 2514 Voice
Lilian Davies performing 'Thro' life we go dancing together' and 'Just for a Night' (with Stroud) for Columbia, 3625. Davies was an Australian soprano active in British recording during the 1920s–1930s; this appears to be a duet.AI summary
Columbia 3625 Voice
Lilian Davies, a female singer, on Columbia 5086, a vocal recording from the early Columbia catalogue.AI summary
Columbia 5086 Voice
Lillian Nordica was an American dramatic soprano of the late nineteenth century, one of the most celebrated Wagner singers of her era at the Metropolitan Opera. Columbia 74026 — 'Annie Laurie' — is an early acoustic cylinder-era pressing, and early Nordica records are among the most historically significant in the pre-electrical catalogue.AI summary
Columbia 74026 Opera
Lillian Nordica was one of the most celebrated American dramatic sopranos of the late nineteenth and early twentieth centuries, famous for her Wagner roles at the Metropolitan and Bayreuth. This Columbia disc, catalogue 74028, contains 'Io son Titania' — the brilliant coloratura aria from Thomas's Mignon. Nordica's recordings are seriously collected by enthusiasts of early American operatic singing.AI summary
Columbia 74028 Opera
Lily Elsie, a popular stage actress and recording artist of the Edwardian era, performing two light songs on Columbia. Elsie was a major star of British musical theatre and her early recordings are collectable.AI summary
Columbia 4438 Voice
Lily Elsie, the British musical-theatre star, and A. Margetson recorded duets from Edwardian operetta for Columbia in the early 1920s.AI summary
Columbia 4439 Opera
Lily Morris was a leading British music hall star of the Edwardian era; this Columbia side captures two of her characteristic comic monologues, 'Don't have any more Mrs Moore' and 'Truly Rural', from the catalogue number suggesting a 1920s or 1930s pressing.AI summary
Columbia 9597 Music Hall
Lily Morris was a celebrated British music hall singer of the Edwardian and 1920s era, known for sentimental and comic songs. 'That's Where the Soldiers Go' and 'Because He Loves Me' are from her popular repertoire, recorded for Columbia DX22 in the electrical recording era.AI summary
Columbia DX22 Music Hall
Lily St John on Columbia F1067, a popular singer with two contemporary ballads. The artist and titles are little-known; context and dating are unclear.AI summary
Columbia F1067 Voice
Lionel Hampton, the virtuoso vibraphone player, on Columbia; 'Airmail Special' is one of his celebrated swing compositions, and 'Midnight Sun' is a ballad showcase.AI summary
Columbia LB10021 Jazz
Lionel Tertis, the British viola virtuoso who virtually created the modern viola repertoire, recorded two keyboard pieces arranged or transcribed for viola, "Melody in F" and "Chant sans Paroles", for Columbia.AI summary
Columbia 5230 Classical
Lionel Tertis (viola) with George Reeves (piano), performing Hassan's Serenade and the third movement of a Delius sonata, on Columbia L2343; Tertis was one of the first great viola virtuosi to make concert recordings, and his interpretations of English music are historically important.AI summary
Columbia L2343 Classical
Both arias here are from Puccini — 'L'altra notte in fondo al mare' from Mefistofele (actually Boito) and 'Mi chiamano Mimì' from La Bohème — suggesting a soprano of Italian repertoire. Lisa Cavalieri is not a widely documented name in standard vocal discographies, and the Columbia A5172 number places this in the acoustic period, around 1906–1910. Early Columbia opera pressings by documented but not famous sopranos attract modest specialist interest.AI summary
Columbia A5172 Opera
Little performing two popular songs on Columbia FB1061, a British pressing. The FB series indicates special or longer material on Columbia.AI summary
Columbia FB1061 Voice
Little Jimmy Dickens on Columbia MC3399, performing 'Hillbilly Fever' and 'Country Boy'. Dickens was an American country-music star; the MC prefix is unusual for Columbia and may indicate a special series or reissue.AI summary
Columbia MC3399 Country
Columbia 3783 Jazz
The Little Ramblers performing 'Swamp Blues' and the California Ramblers' recording of 'Pardon the Glove' on Columbia 4708. The Little Ramblers were part of the wider Ramblers recording organization of the 1920s, a prolific studio ensemble.AI summary
Columbia 4708 Jazz
Little Tich, the celebrated music-hall comedian, on Columbia catalogue 678 — a low catalogue number suggesting an early pressing — with 'Best Man' and 'Tally Ho'. A Columbia catalogue number as low as 678 is characteristic of an early pressing; Little Tich recordings on Columbia are less common than some of his other label appearances.AI summary
Columbia 678 Music Hall
Lizabeth Webb singing sentimental ballads on Columbia, late 1930s.AI summary
Columbia DB2807 Voice
Guy Lombardo's Royal Canadians, one of the most famous and prolific dance bands of the 1920s–1950s, recorded for Columbia CB-series. Lombardo's sweet, smooth orchestra was hugely popular and defined ballroom dancing of the era.AI summary
Columbia CB15 Dance
Guy Lombardo and His Royal Canadians performing 'My Love for You' and 'Under the Roofs of Paris' on Columbia CB218, from the late 1920s.AI summary
Columbia CB218 Dance
Guy Lombardo's orchestra, a commercially successful Canadian dance band of the 1930s, performing two popular songs of the period on Columbia's British label.AI summary
Columbia CB45 Dance
Lombardo (likely Guy Lombardo's Royal Canadians) recorded 'Unchained Melody' and 'Danger Heartbreak Ahead' for Columbia, likely in the mid-1950s.AI summary
Columbia POPD5029 Dance
Guy Lombardo's Royal Canadians, one of the most commercially successful orchestras of the 1920s and 1930s, performing 'That's how I feel about you' and 'Someday Somewhere' on Columbia 5284.AI summary
Columbia 5284 Dance
The Lombardo Band, likely Guy Lombardo or a related ensemble, recording dance material for Columbia 5329 with the Columbians. Probably mid-to-late 1920s.AI summary
Columbia 5329 Dance
The London Dance Orchestra, performing two dance numbers on a Columbia 700-series disc, likely from the late 1920s or early 1930s.AI summary
Columbia 763 Dance
Columbia 734 Jazz
The London Hippodrome Company performing 'Bairnsfatherland' parts 1 and 2 on Columbia L1129, a theatrical recording from the early 1920s.AI summary
Columbia L1129 Music Hall
London Radio performing 'Who Taught You This, Who Taught You That' and 'The Road to Loch Lomond' on Columbia, likely from the 1920s.AI summary
Columbia 4171 Orchestra
London Radio on Columbia 4556, performing two instrumental dance pieces from the mid-1920s.AI summary
Columbia 4556 Instrumental