3,430 shellac records · mostly British pressings, 1900s–1950s
3,430 records matching · page 71 of 72
Will Fyffe performing comedy character songs 'Engineer' and 'Dr McGregor' on Columbia 9108. Fyffe was a Scottish comedian and entertainer popular in music hall and early radio; his recordings captured his distinctive comic patter and character work.AI summary
Columbia 9108 Music Hall
Will Fyffe, the Scottish comedian and singer, performing 'The Train That's Taking You Home' and 'Sheila McKay' on Columbia 9775, recorded in his prime in the 1930s.AI summary
Columbia 9775 Music Hall
Will Fyffe, the Scottish comedian and singer, recorded comic songs including 'I'm the Landlord of the Inn in Aberfoyle' and 'He's Been On The Bottle Since A Baby' for Columbia (DX381). Fyffe was one of Scotland's most beloved comic entertainers.AI summary
Columbia DX381 Music Hall
Will Fyffe, a Scots comedian and music-hall performer, recorded 'The Skipper of the Mercantile Marine' and 'Corporal McDougall' for Columbia FB2353, typical of his character monologues and comic songs.AI summary
Columbia FB2353 Music Hall
Will Fyffe, the Scots comedian and singer, performs two comic monologues on Columbia. Fyffe was a music-hall star and recording artist whose work has endured; these sides are from the 1930s.AI summary
Columbia 9108 Music Hall
Will Fyffe, the Scottish comedian and actor, performing 'I'm 94 Today' and 'I Belong to Glasgow' on Columbia 9928.AI summary
Columbia 9928 Music Hall
Will Fyffe singing 'Railway Guard' and 'MacPherson's Wedding Breakfast', recorded for Columbia DX138. Fyffe was a celebrated Scottish comedian and music-hall performer; the DX series indicates a special or deluxe pressing, likely from the 1930s.AI summary
Columbia DX138 Music Hall
Will Fyffe, the Scottish comedian and character performer, recorded a two-part travelogue 'Round Scotland with Will Fyffe' for Columbia DX series. Fyffe was a celebrated music-hall and film entertainer known for comic monologues and character songs.AI summary
Columbia DX369 Personalities (Prs)
Will Hay, the British comedian and actor, recorded 'Fourth Form at St. Michael's' part 4 for Columbia, catalogue 5695, during the early 1930s; Hay was famous for his schoolmaster comedies on stage, radio and film.AI summary
Columbia 5695 Comic
Will Hay, the celebrated British comedian and character actor, on Columbia performing one of his famous monologues from his radio and stage repertoire. Hay was a major star of British entertainment from the 1920s to the 1940s.AI summary
Columbia 5695 Personalities (Prs)
Will Hay performing 'Fourth Form at St Michaels' on Columbia 9689, a British pressing. Hay was a prominent comedy actor and sketch performer of the 1930s, known for radio and film work as well as recordings of comic monologues and sketches.AI summary
Columbia 9689 Personalities (Prs)
Will Hay, the British comedian and character actor, recorded 'Fourth Form at St. Mary's' (Parts 1 and 2) for Columbia FB1540; Hay was famous for his bespectacled schoolmaster character and his comedy routines about education and incompetence, and his recordings capture the music-hall tradition adapted for the 1930s.AI summary
Columbia FB1540 Comic
Will Hay was a famous British comedian and actor of the 1930s–1940s, beloved for his bumbling schoolmaster character; this Columbia disc preserves extracts from his film *Convict 99*.AI summary
Columbia FB2040 Personalities (Prs)
Will Hay and Co. recorded 'Convict 99' for Columbia, a major British label, in the 1930s, based on Hay's popular comedy films.AI summary
Columbia FB2040 Comic
Will Osborne's orchestra performing dance standards on Columbia; Osborne was a bandleader active in the 1920s–1930s.AI summary
Columbia 1988D Dance
Will Terry, a British vocalist of the 1920s–30s, recorded 'Put Me Amongst the Girls' and 'Oh the Merry Widow' for Columbia in the early acoustic era.AI summary
Columbia D125 Voice
Will Terry sang 'It's the Only Bit of England That We've Got' and 'Oh the Steamer, Oh the Sea' on Columbia D126. These are patriotic or sentimental songs of the 1920s-30s on a major label.AI summary
Columbia D126 Voice
Will Terry, a British vocalist of the 1920s–30s, recorded 'Where Oh Where' and 'Jolly Jarge' for Columbia in the early acoustic era.AI summary
Columbia D96 Voice
Will Terry is not identified in standard discographies. 'Oh the Merry Widow' was recorded on Columbia 26184, a catalogue number consistent with early-to-mid 1920s release.AI summary
Columbia 26184 Voice
Will Thompson, a male vocalist, performs two popular songs on Columbia, catalogue IS1089; the catalogue series and numbering suggest a recording from the 1920s.AI summary
Columbia IS1089 Voice
Willem Mengelberg, one of the greatest orchestral conductors of the early 20th century, recorded Cherubini's 'Anacréon Overture' and Beethoven's 'Symphony No. 8' for Columbia. Mengelberg conducted the Amsterdam Concertgebouw Orchestra and was a major figure in the concert music of the 1920s–40s.AI summary
Columbia L1973 Orchestra
William McCulloch performing 'Grandfather Tells the Children About David & Goliath' (Parts 1 & 2) on Columbia 4058, a British pressing from the early 1920s. The title suggests religious or narrative recitation material.AI summary
Columbia 4058 Voice
William McCulloch, an unidentified performer, on Columbia; the title suggests a ceremonial or spoken-word piece, likely educational or regional.AI summary
Columbia 9575 Dance
William McCulloch is credited to Columbia with 'When Agnes Got Married', a Scottish comic song. McCulloch was a minor Scottish entertainer of the early 1900s. Columbia 4000-series copies survive in reasonable numbers.AI summary
Columbia 4529 Music Hall
William McCulloch performing 'The Pensioner' and its continuation on Columbia DB1463, a double-sided classical or recitation piece from the mid-1930s.AI summary
Columbia DB1463 Personalities (Prs)
William McCulloch performs a comic recitation, 'At the Pantomime', on Columbia DB657, from the early 1930s.AI summary
Columbia DB657 Comic
Columbia 9614
William McCulloch recorded 'When Agnes Got Married' for Columbia, a Scottish vocal recording from the early 1900s. McCulloch was a minor Scottish recording artist of the acoustic era.AI summary
Columbia 4529 Voice
William McCulloch with Grandfather Tells the Children About David and Goliath in two parts on Columbia 4058.AI summary
Columbia 4058
William Murdoch performing Grade A test pieces from the Daily Express National Piano Playing Contest, accompanied by explanatory talk. A rare instructional or pedagogical recording, likely from the 1930s or 1940s, documenting competitive piano standards of the era.AI summary
Columbia 4945 Classical
Williams and Stevens performing two novelty or musical-comedy numbers, On the Shore at Le-Lei-Wi and Some sort of Somebody (Marsh/Grey), on Columbia 2692.AI summary
Columbia 2692 Voice
Willie Dunn, an early blues musician, on Columbia DB3440, performing 'Jet Black Blues' and 'Blue Blood Blues', likely late 1920s–early 1930s.AI summary
Columbia DB3440 Jazz
Willie Lewis, an American jazz musician, recorded 'Just a Mood' and 'Minor Mania' on Columbia DB5019. Lewis played saxophone and was active in European jazz circles in the 1930s-40s.AI summary
Columbia DB5019 Jazz
Columbia FB1955 Jazz
Windeatt on Columbia 777 with 'Sand Dunes' and 'Vamp'. Columbia 777 suggests an early 1920s pressing of dance or novelty material; the artist is not identified.AI summary
Columbia 777 Dance
A recording by Windeatt of 'Mammy o' Mine' and 'Everybody wants a Key to my Cellar' on Columbia catalogue 796, dating from the early acoustic era (likely 1910s–early 1920s).AI summary
Columbia 796 Voice
Two popular ballad songs credited to Windeatt on Columbia, from the 1920s or early 1930s.AI summary
Columbia 826 Voice
Credited to Windeatt on Columbia 827, performing 'Cairo' and 'I Never Realised'. The artist is not identified in standard record references; Columbia 827 suggests a very early catalogue number from the acoustic or very early electrical era.AI summary
Columbia 827 Voice
Windeatt, an obscure British recording artist, recorded two light instrumental or dance pieces for Columbia's early catalogue, numbered 828.AI summary
Columbia 828 Dance
Windeatt on Columbia 837, performing 'Somebody' and 'Blue Palace waltz', popular songs from the 1920s.AI summary
Columbia 837 Voice
Wingy Manone, the American jazz cornet player and vocalist, recorded 'Three Coins in the Fountain' and 'Oh Capri' for Columbia—popular songs from the 1950s in the light swing style Manone favoured.AI summary
Columbia 40301 Jazz
Winifred Barnes was a British vocalist popular in the 1920s; this Columbia pressing pairs two sentimental ballads of the period.AI summary
Columbia L1047 Voice
Wisdom & Grenfell were a celebrated British comedy duo active in the mid-20th century, best known for radio and stage revue. This Columbia recording captures their signature patter and character pieces from the 1940s–50s.AI summary
Columbia DB3161 Comic
Woody Herman's famous orchestra, the Herd, recorded 'Apple Honey' and 'Out of This World' for Columbia in the swing era. The band was known for its harmonic sophistication and hard-swinging style.AI summary
Columbia 36803 Jazz
Woody Herman, the jazz bandleader and clarinet virtuoso, recorded 'If it's love you want' and 'Wrap your troubles in dreams' for Columbia 37160, swing and popular songs from the 1930s–40s.AI summary
Columbia 37160 Jazz
Woody Herman, the clarinetist and big-band leader, recorded 'Blue Flame' and 'Blues Are Brewin'' for Columbia. 'Blue Flame' was his theme and a signature piece; this Columbia DB2370 is a standard swing-era dance-band recording from a major label.AI summary
Columbia DB2370 Jazz
W. V. Robinson recorded 'Little Bateese' and 'Wreck of the Julie Plante' for Columbia, narrative ballads of Canadian life; Robinson is obscure but the pieces suggest he was a singer of character or topical songs in the 1920s–1930s.AI summary
Columbia 3385 Voice
Wylie recorded 'My Best Girl' and 'Morning' for Columbia is1710, a British pressing likely from the 1920s or early 1930s. Artist and recording details are unidentified.AI summary
Columbia is1710 Dance