3,282 shellac records · mostly British pressings, 1900s–1950s
3,282 records matching · page 23 of 69
His Master's Voice B1861
Frank Crumit (1894–1943) was an American singer and ukulele player, a recording star of the 1920s–early 1930s. This His Master's Voice B-series pressing of novelty material captures his light, comedic style.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American popular singer and guitarist of the 1920s-30s, recording "Little Brown Jug" and "Granny's Old Armchair" for His Master's Voice.AI summary
His Master's Voice B10327 Voice
Frank Crumit on His Master's Voice B8032. Crumit was an American singer and ukulele performer known for novelty and humorous songs; both titles reflect his speciality material from the 1920s–30s.AI summary
His Master's Voice B8032 Voice
Frank Crumit was a popular American singer-songwriter of the 1920s and early 1930s, known for novelty and sentimental vocal numbers. This His Master's Voice pressing, from catalogue B4102, dates from the late 1920s.AI summary
His Master's Voice B4102 Voice
Frank Crumit, an American vocalist of the 1920s, on His Master's Voice: 'They're always together' and 'Vegetable blues', light entertainment material from the early acoustic era.AI summary
His Master's Voice B4356 Voice
Frank Crumit was a popular American singer and ukulele player of the 1920s–1930s, best known for comic novelty songs. This HMV pressing (B10327) of 'Little Brown Jug' and 'Granny's Old Armchair' dates from the early 1930s and shows his repertoire of sentimental and humorous material.AI summary
His Master's Voice B10327 Voice
Frank Crumit, an American folk-song and novelty-song specialist of the 1920s, performs 'Riding down from Bangor' and 'King of Zulu' on His Master's Voice B8075.AI summary
His Master's Voice B8075 Personalities (Prs)
Frank Crumit, the American singer and ukulele player, with J. Sanderson on His Master's Voice B3833. Crumit was a popular recording artist of the 1920s–30s, known for novelty songs and vocal duets.AI summary
His Master's Voice B3833 Voice
Frank Crumit, an American vaudeville and radio performer, recorded 'Foolish Facts' and 'What Kind of Noise Annoys an Oyster' for His Master's Voice, catalogue B3883, in the early 1930s. Crumit was known for comic novelty songs.AI summary
His Master's Voice B3883 Comic
Frank Crumit, an American radio and recording star of the 1920s-30s, singing two comic novelty songs on HMV.AI summary
His Master's Voice B3208 Comic
Frank Crumit was an American singer and ukulele player popular in the 1920s and 1930s. 'Little Brown Jug' was a traditional song frequently recorded; this His Master's Voice pressing represents his version.AI summary
His Master's Voice B10327 Voice
Frank Crumit was an American singer and ukulele player popular in the 1920s–1930s; this His Master's Voice side pairs two folk-song standards.AI summary
His Master's Voice B4059 Voice
Frank Gallup on His Master's Voice POP509, a novelty or comic side from the post-war period. The POP series was HMV's popular label from the 1950s.AI summary
His Master's Voice POP509 Comic
Frank Trumbauer performing 'Blue Moon' and 'Down t'Uncle Bill's' on His Master's Voice BD119, capturing the saxophonist's influential jazz style in the mid-1920s.AI summary
His Master's Voice BD119 Jazz
Frank Trumbauer, the pioneering C-melody saxophonist and key figure in 1920s hot jazz, on His Master's Voice BD158 performing 'Plantation Moods' and 'Troubled'.AI summary
His Master's Voice BD158 Jazz
Frankel performing 'So many memories' and 'Foolin' myself' for His Master's Voice, BD5308. Frankel is unidentified; the catalogue number and title suggest 1920s popular song material.AI summary
His Master's Voice BD5308 Voice
Frankie Avalon, the American teen idol of the late 1950s, on His Master's Voice POP453. Avalon's 'Dede Dinah' and 'Ooh La La' were early recordings for the pop market.AI summary
His Master's Voice POP453 Rock
Frankie Vaughan was a British popular singer and entertainer of the 1950s, known for his smoothly-sung dance numbers and stage appeal; this His Master's Voice record of 'From the Vine Came the Grape' and 'She Took' is from his commercial recording period.AI summary
His Master's Voice B10655 Voice
Frankie Vaughan, the British singer and entertainer who rose to fame in the 1950s, on His Master's Voice B10655 with 'From the vine came the Grape' and 'She took'.AI summary
His Master's Voice B10655 Voice
Franz Drdla, the Czech violinist-composer best known for his 'Souvenir' and 'Serenade', plays 'Märchen' and 'Serenade' on HMV 20197. Drdla recorded extensively and his HMV light violin sides were popular sellers in their day; they remain modestly collectible but were pressed in large numbers and are not scarce.AI summary
His Master's Voice 20197 Instrumental
Fred Elizalde, a pioneering Spanish jazz bandleader who recorded in London, recorded 'Clarinet Marmalade' — a hot-dance and early jazz recording for His Master's Voice; Elizalde's Savoy sides are eagerly collected.AI summary
His Master's Voice B5315 Jazz
Fred Hamm performed 'Sugar Foot Stomp' and the 'Black Bottom', hot dance numbers typical of late 1920s British dance recordings. This His Master's Voice pressing documents the brief fashion for these American jazz dances.AI summary
His Master's Voice B5173 Dance
Fred Terry and Julia Neilson perform a scene from The Scarlet Pimpernel on HMV E160, with Canon Fleming reciting the Charge of the Light Brigade on the reverse. Terry and Neilson were the foremost stage partnership of the Edwardian era, and their Scarlet Pimpernel was the defining theatrical hit of the decade; a spoken-word pressing of this scene is a genuine theatrical document.AI summary
His Master's Voice E160 Personalities (Prs)
Freddie Jenkins, a jazz trumpeter with Duke Ellington's orchestra, recorded 'Swingin' Em Down' and 'Stardust' on His Master's Voice B8420. Jenkins was a featured soloist with Ellington and his records are sought by jazz collectors.AI summary
His Master's Voice B8420 Jazz
Frederic Lamond, the Scottish pianist and composer (1868–1948), recorded Schubert's Erlkönig and a Scharrer piece for His Master's Voice; an early electrical acoustic issue on the prestigious D series.AI summary
His Master's Voice D81 Classical
Frederick Fuller, accompanied by composer, on His Master's Voice B9700, performing 'Cantilena No. 3' and a viola work by Villa-Lobos. The recording appears to be a classical chamber or solo piece, possibly from the 1930s.AI summary
His Master's Voice B9700 Classical
Freida Hempel was an American operatic soprano of the early 20th century, known for her work in light opera and Lieder; this His Master's Voice recording from the early 1920s captures one of the leading voices of the acoustic era.AI summary
His Master's Voice DB184 Opera
A Latin choir, credited as 'French Choir (Latin)', singing two liturgical items on His Master's Voice D832: the Easter Introit and the Introitus of the Mass.AI summary
His Master's Voice D832 Classical
Frieda Hempel, the celebrated German soprano, on His Master's Voice DA675 with operatic selections—'Hark, the Vesper Hymn is Stealing' and 'Voi Che Sapete' (from Mozart's Marriage of Figaro). Hempel was a world-renowned coloratura soprano of the early recording era.AI summary
His Master's Voice DA675 Opera
Frieda Hempel, the German coloratura soprano, sings 'Qui la voce' from Bellini's 'I puritani' and Oscar's 'Volta la terrea' from 'Un ballo in maschera' on His Master's Voice.AI summary
His Master's Voice DA248 Opera
Frieda Hempel was a celebrated German soprano of the 1910s–20s, renowned for her coloratura technique and recordings of German art song and opera. This HMV pressing of 'Wohin ich hort ein Bachlein rauschen' (Schubert) demonstrates her skill in German Lied repertoire.AI summary
His Master's Voice DA634 Opera
Frieda Hempel on His Master's Voice DA676, two classical songs. Hempel was a celebrated German soprano of the early 20th century, known for her lieder and operatic work.AI summary
His Master's Voice DA676 Opera
Frieda Hempel was a celebrated German soprano and lieder singer of the early 20th century, with an international recording career. This His Master's Voice DB-series recording showcases two operatic and classical vocal pieces.AI summary
His Master's Voice DB293 Opera
Frieda Hempel, the celebrated German soprano, singing operatic arias on His Master's Voice DB295. Hempel had a distinguished career in opera and concert and was well-recorded; her HMV discs are collected by singers and opera enthusiasts.AI summary
His Master's Voice DB295 Opera
Frieda Hempel was a celebrated German soprano of the 1910s and 1920s, famous for her roles in opera and operetta. This His Master's Voice DB294 pressing of two arias—Verdi's "Ah! fors'è lui" from La Traviata and "Ernani! Ernani! involami" from Ernani—documents her artistry as a classical and operatic voice on the eve of the electrical-recording era.AI summary
His Master's Voice DB294 Opera
Frieda Hempel, a German soprano and a leading lyric-dramatic voice of the 1910s–1930s, on His Master's Voice performing two operatic arias: 'Ah! fors' è lui' from La Traviata and 'Ernani! Ernani! involami' from *Ernani*.AI summary
His Master's Voice DB294 Opera
Frieda Hempel on His Master's Voice DA250, with 'The Bird Song' and 'Melody in F'. Hempel was a German soprano and one of the most recorded voices of the early acoustic era, celebrated for her clear, brilliant tone and precision.AI summary
His Master's Voice DA250 Opera
Frieda Hempel, the German soprano of the early twentieth century, recorded two German art songs—"Schlafe, mein Prinzchen" and "Du meine Seele"—for His Master's Voice.AI summary
His Master's Voice DA557 Opera
Friedrich Schorr was one of the greatest Wagnerian baritones of the 20th century; these German art songs ('Blick ich umber' and 'Schusterlied') were recorded for His Master's Voice.AI summary
His Master's Voice EJ566 Opera
Fritz Kreisler performing 'Liebesfreud' (his own composition) and the 'Chanson Louis XIII' on His Master's Voice DB479. Kreisler was one of the most celebrated violinists and composers of the early 20th century, and these are among his signature pieces.AI summary
His Master's Voice DB479 Classical
Fritz Kreisler, the Austrian-born violin virtuoso and composer, performing his famous virtuoso pieces 'Caprice Viennois' and 'Tambourin Chinois' on His Master's Voice DB3050, a prestigious electrical recording from the 1930s.AI summary
His Master's Voice DB3050 Classical
Fritz Kreisler, an Austrian violinist and one of the most recorded concert musicians, on His Master's Voice DB-series. 'Caprice Viennois' and 'Humoresque' are among his most famous works and frequently recorded.AI summary
His Master's Voice DB314 Classical
Fritz Kreisler was an Austrian-American violinist and composer (1875–1962) of international renown; this His Master's Voice pressing of 'The Old Refrain' and 'Midnight Bells' captures the romantic violin style for which he was famous.AI summary
His Master's Voice DA1138 Classical
Fritz Kreisler was one of the greatest violinists of the early 20th century, renowned for both his virtuosity and his own compositions. This His Master's Voice multi-disc set (DB990/991/992/9935) presents Beethoven's Violin Concerto in D Major Op. 61 with the State Opera Orchestra conducted by Leo Blech, representing a major classical recording of international significance. Such complete concerto recordings by major soloists are highly collectable.AI summary
His Master's Voice DB990/991/992/9935 Classical
Fry, recorded 'Happy Days and Lonely Nights' and '(Blue Steele) Girl of my Dreams I Love You' for His Master's Voice B5585 in the late 1920s.AI summary
His Master's Voice B5585 Voice
G Baker performing 'In a Persian Garden' part 3 on His Master's Voice, catalogue 4-2767, an early HMV catalogue number from the acoustic era (circa 1910s). 'In a Persian Garden' was a popular song and recital piece of the period.AI summary
His Master's Voice 4-2767 Voice
G Elliott recorded 'Love Made the Song' and 'Music in May' for His Master's Voice, catalogue BD5121; the artist may be a singer or performer from the pre-war British variety scene.AI summary
His Master's Voice BD5121 Voice