3,289 shellac records · mostly British pressings, 1900s–1950s
3,289 records matching · page 29 of 69
The Hallé Orchestra under Sir John Barbirolli recorded Bax's Symphony No. 3 (parts 10+) for His Master's Voice, catalogue C7593. This is a significant classical recording by a major British orchestra and conductor, likely from the late 1930s or early 1940s.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under conductor John Barbirolli, performing Arnold Bax's Third Symphony, parts 1 and 2, on HMV C7593. A significant classical recording of a major British symphony by one of Britain's most important orchestras.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra conducted by John Barbirolli performing Arnold Bax's Symphony No. 3, part 12, His Master's Voice C7593. Barbirolli was one of Britain's leading conductors; Bax is a major British symphonist. This is a significant classical recording from the mid-20th century.AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under Sir John Barbirolli, performing Arnold Bax's third symphony on His Master's Voice C7593 (part 7), recorded in the electrical era (post-1925).AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under Sir John Barbirolli, recorded in the electrical era (post-1925), performing the third symphony by Sir Arnold Bax on His Master's Voice C7593 (part 8).AI summary
His Master's Voice C7593 Classical
The Hallé Orchestra under John Barbirolli recorded the premiere of Arnold Bax's Third Symphony on His Master's Voice. This is a landmark British orchestral recording documenting the first recording of a major twentieth-century symphony.AI summary
His Master's Voice C7593 Classical
Hamilton Allen performing 'Wake Up' on HMV catalogue Ho4462 — an unusual catalogue prefix not corresponding to a standard HMV commercial series. The artist is not widely documented; the HMV 'Ho' prefix warrants identification before sale.AI summary
His Master's Voice Ho4462 Voice
Jazz ensemble credited as Hamm, performing 'Sugar Foot Stomp' and 'Black Bottom' on His Master's Voice B5173. Identity of the ensemble is unclear.AI summary
His Master's Voice B5173 Jazz
An artist credited as 'Hamm' recorded 'Sugar Foot Stomp' and 'Black Bottom' for His Master's Voice, probably in the mid-1920s. The repertoire suggests a jazz or hot dance side.AI summary
His Master's Voice B5173 Jazz
Hamp on His Master's Voice B5328. The artist is likely a pseudonym or house name. The titles suggest popular light material of the 1920s-1930s era, but without identification, this is a routine HMV dance or vocal side.AI summary
His Master's Voice B5328 Voice
Hamp recorded 'Dawning' and Shilkret's 'Dainty Miss' for His Master's Voice in the 1920s dance idiom.AI summary
His Master's Voice B5434 Dance
His Master's Voice B8800 Jazz
His Master's Voice B9395 Jazz
Hampton's instrumental jazz ensemble performs two 'stomp' numbers on His Master's Voice B8800, likely early 1930s.AI summary
His Master's Voice B8800 Jazz
Hank Snow, a major country music star, recorded for His Master's Voice early in his career with 'Bluebird Island' and 'Down the Trail of Achin' Hearts'. This is a scarce early Canadian HMV pressing from Snow's formative years before his Nashville fame.AI summary
His Master's Voice MH161 Country
Hank Snow, a Canadian country singer who became a major figure in Nashville from the 1950s onward, in two country songs on His Master's Voice—representing the post-war expansion of country music into mainstream British and international markets.AI summary
His Master's Voice JO395 Country
Hank Snow, the Canadian country and rockabilly pioneer, early recording of boogie-woogie material on His Master's Voice—scarce British country music from the pre-rock era.AI summary
His Master's Voice JO356 Country
Hans Duhan, a German tenor specialising in German vocal repertoire, recorded these two German songs for His Master's Voice's E-series, which carried classical and light classical material.AI summary
His Master's Voice E513 Voice
Hans Duhan recorded lieder and German art songs for His Master's Voice in the 1920s, captured here in pieces by Schubert. HMV E-series pressings of German vocal music are a small but specific collector interest. Duhan himself is not widely known outside German-music circles.AI summary
His Master's Voice E514 Classical
Hans Duhan performing two German art-song pieces on His Master's Voice; Duhan was a baritone specializing in German romantic repertoire, recorded in the early acoustic era.AI summary
His Master's Voice E515 Classical
Harold Samuel was a distinguished British pianist and Bach specialist; these recordings of Bach's Chromatic Fantasia on HMV preserve his thoughtful, intellectual approach to keyboard repertoire.AI summary
His Master's Voice D782 Classical
Harold Samuel, a celebrated British pianist specializing in Bach and keyboard music, performing "Chromatic Fantasia and Fugue" in two parts on His Master's Voice, likely from a 1920s-30s electrical recording.AI summary
His Master's Voice D782 Classical
Harris was a singer recorded for His Master's Voice. The catalogue number and titles suggest an acoustic or very early electrical recording from the 1920s.AI summary
His Master's Voice BD5289 Voice
Harris recorded 'Snake Charmer' and 'Gypsy in My Soul' for His Master's Voice, catalogue BD5345. Nothing is known of this artist; the catalogue suggests 1930s material with a novelty theme.AI summary
His Master's Voice BD5345 Dance
Sidonie Goossens, the celebrated British harp soloist, recorded this coupling of art-song arrangements on HMV in the acoustic or early electrical era; Harrold Farrar appears as accompanist.AI summary
His Master's Voice B1759 Classical
Harry Belafonte on His Master's Voice B10293, with 'A-Roving' and 'Chimney Smoke'. Belafonte was a hugely popular folk and calypso recording artist from the 1950s onwards, known for his bass-baritone and charismatic presence.AI summary
His Master's Voice B10293 Calypso
Harry Brandelius performing Swedish traditional material ('Petter Speleman', 'Ungmon pa Karringon') on HMV's Swedish series (AL catalogue). Brandelius was a Swedish folk and popular artist.AI summary
His Master's Voice AL3135
Harry Dearth, a British singer, recorded 'My Old Shako' on His Master's Voice, catalogue D211, an early acoustic recording.AI summary
His Master's Voice D211 Voice
Harry Dearth, a British character vocalist, performing comic monologues in character for His Master's Voice. Dearth was a music hall entertainer, though he is now obscure.AI summary
His Master's Voice D214 Music Hall
Harry Dearth on His Master's Voice, recording what appear to be folk or sentimental songs. The artist and titles are not recognised; HMV E series suggests an early acoustic or acoustic-electric recording.AI summary
His Master's Voice E288 Voice
Harry Dearth was a British music-hall and concert vocalist of the early 20th century. These folk or character songs reflect the ballad tradition of Edwardian variety entertainment.AI summary
His Master's Voice E42 Music Hall
Harry Fay recorded 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for HMV (B3973). Harry Fay was a light comedian and vocalist of the 1920s–30s; both titles are well-known songs from the earlier variety tradition.AI summary
His Master's Voice B3973 Music Hall
Harry Fay was a British entertainer who recorded comic and novelty material. This His Master's Voice pressing from the acoustic era represents his work for the major label.AI summary
His Master's Voice B4011 Music Hall
Harry Fay performs 'We Really Had a Most Delightful Evening' on His Master's Voice 4-2118. The catalogue number suggests a recording from the 1920s–1930s.AI summary
His Master's Voice 4-2118 Music Hall
Harry Fay recorded the Victorian standards 'The Man Who Broke the Bank at Monte Carlo' and 'Two Lovely Black Eyes' for His Master's Voice, catalogue B3973. Fay was a music-hall performer.AI summary
His Master's Voice B3973 Music Hall
Harry Fragson, a popular British entertainer and songwriter of the early 20th century, performing the comic sketch 'Other Department please' on His Master's Voice.AI summary
His Master's Voice 02380 Music Hall
Harry Fragson, the Franco-British music-hall and cabaret star who was shot dead by his father in 1913 at the height of his fame, performs 'Other Department Please' on HMV 02380, a single-sided 12-inch pressing. Fragson is a significant and collected music-hall name, and his death gave his recordings an additional historical poignancy; 12-inch single-sided HMV pressings of his work are uncommon.AI summary
His Master's Voice 02380 Music Hall
Harry Fragson, the Franco-British music-hall and cabaret star shot dead by his father in 1913, performs 'Other Department Please' on HMV 02380 — a duplicate of id 7993 in this collection. One copy is the one to sell; the disc is the same pressing.AI summary
His Master's Voice 02380 Music Hall
Harry Lauder, the Scottish comedian and music-hall star, performing one of his characteristic comic character songs on His Master's Voice. Lauder was one of the most recorded entertainers of the acoustic and early electric era.AI summary
His Master's Voice 02484 Music Hall
Harry Lauder, the celebrated Scottish entertainer, recorded 'Wedding of Lauchie McGraw' for His Master's Voice, catalogue 3-2187. Lauder's records remain keenly collected by enthusiasts of Scottish music-hall tradition.AI summary
His Master's Voice 3-2187 Music Hall
Harry Lauder, the legendary Scottish comic singer and entertainer, performs 'Every Lassie Loves a Laddie' on His Master's Voice — a major artist's recording from the acoustic era or transition period.AI summary
His Master's Voice GC4-2097 Music Hall
Harry Lauder, the legendary Scottish music-hall comedian and singer, performs 'A wee Deoch an' Doris' on His Master's Voice 02371. Lauder was one of the first international recording stars, active from the 1900s through the 1950s.AI summary
His Master's Voice 02371 Personalities (Prs)
Sir Harry Lauder performing 'Lads Who Fought and Won' on His Master's Voice, a patriotic song likely from the First World War era.AI summary
His Master's Voice 02688 Music Hall
Harry Lauder was one of the most famous British music-hall and recording stars of the early twentieth century. This His Master's Voice side (catalogue D544) records Scottish songs. Lauder's sides are widely collected, though many pressings survive.AI summary
His Master's Voice D544 Personalities (Prs)
Harry Lauder, the legendary Scottish entertainer and music-hall star, on His Master's Voice C4091. 'Roaming in the Gloaming' is one of Lauder's signature songs, and 'Stop Yer Tickling Jock' is another of his comedic Scottish numbers. This pressing predates the electrical era.AI summary
His Master's Voice C4091 Personalities (Prs)
Harry Lauder, the legendary Scottish music-hall star and recording pioneer, recorded two sentimental numbers, 'Somebody's Waiting for Me' (matrix 30) and 'We Parted on the Shore' (matrix 32), for His Master's Voice, catalogue C4092. Lauder was one of the first international recording stars and recorded prolifically from 1904 onwards; these later recordings date from the 1920s electrical era.AI summary
His Master's Voice C4092 Voice
Harry Secombe, the Welsh baritone, comedian, and star of the Goon Show, recorded two sentimental love songs, "One Love, One Lifetime" and "I'll Make You Mine", for His Master's Voice; this reflects his recording career alongside his comedy fame.AI summary
His Master's Voice B10512 Personalities (Prs)
Harry Shalson recorded 'Just Imagine' and 'Same as We Used to Do' on His Master's Voice, catalogue B3647. Shalson was a British light comedian and singer of the 1920s–30s era.AI summary
His Master's Voice B3647 Music Hall