3,289 shellac records · mostly British pressings, 1900s–1950s
3,289 records matching · page 30 of 69
Harry Shalson performs two popular sentimental songs for His Master's Voice in the 1920s.AI summary
His Master's Voice B3088 Voice
Harry Shalson, a singer, recorded these two popular songs for HMV's B-series in the early 1930s, capturing the dance-band and light popular repertoire of the period.AI summary
His Master's Voice B3427 Voice
Harry Shalson, a British dance-band musician and prolific sessionman of the 1920s–30s, recorded 'The One I love can't be bothered with me' for HMV. Shalson was a working bandleader known for his prolific output.AI summary
His Master's Voice B3427 Dance
Harry Welchman, a British light-opera and musical theatre baritone, performing 'Take Life as It Comes' and 'Just to Hold You in My Arms' (with Phyllis Dare) on His Master's Voice.AI summary
His Master's Voice C1163 Personalities (Prs)
Harry Weldon was a popular British music-hall comedian and singer of the Edwardian era, known for his comic monologues and character songs; 'So long Sally' and the Laurier piece appear on His Master's Voice B1066.AI summary
His Master's Voice B1066 Music Hall
Harry Weldon, a Victorian-era British music-hall and comic singer, recording 'Pastoral Song' for His Master's Voice. The C-series catalogue number indicates a very early acoustic recording, likely from the 1900s or 1910s.AI summary
His Master's Voice C777 Music Hall
Harry Weldon on His Master's Voice with the comic sketch 'Sleuthy the Dread of the Heads' and 'S no Use', representative of British music hall humour from the early 1920s.AI summary
His Master's Voice B901 Music Hall
Harry Weldon recorded 'I can't get away from my Ancestors' and 'S'too old sickening s'too old' for His Master's Voice, catalogue B999. Weldon was a music hall comedian active in the early 20th century, known for his comic monologues.AI summary
His Master's Voice B999 Music Hall
Harry Weldon, a British music-hall comedian, recorded 'Back to Alabam' and 'Bull Fighters' for His Master's Voice, catalogue C910, dating to the 1910s. Weldon was known for comedy songs in the British variety tradition.AI summary
His Master's Voice C910 Music Hall
Harry Weldon, a British music-hall comedian, recorded 'White Hope' parts 1 and 2 for His Master's Voice, probably in the early 1920s. Weldon was known for comedy monologues and songs in the British music-hall tradition.AI summary
His Master's Voice C764 Music Hall
Harry Weldon in 'Pastoral Song' on His Master's Voice C777, a two-part release. Weldon was a British stage and recording artist of the early acoustic era.AI summary
His Master's Voice C777 Voice
Harry Weldon, a British music-hall performer, on His Master's Voice. The early C series catalogue number places this in the acoustic era, roughly 1910s-1920s.AI summary
His Master's Voice C805 Music Hall
Harry Weldon was a British Music Hall performer and comedian of the Edwardian era; this His Master's Voice side pairs a cowboy novelty with a Tyrolean song.AI summary
His Master's Voice C827 Music Hall
Harry Weldon, a British music-hall comedian, performing a comedic travesty of 'What Do You Want to Make Those Eyes at Me For' on His Master's Voice. Weldon was a popular Edwardian and inter-war entertainer, and his recordings are collected by music-hall enthusiasts.AI summary
His Master's Voice C864 Music Hall
Harry Weldon, a British music-hall comedian and singer, recorded 'Policeman' in two parts for His Master's Voice C981. Weldon was a theatrical performer with a small recording catalogue. His records are now uncommon.AI summary
His Master's Voice C981 Music Hall
Harry Weldon on His Master's Voice C991, a British music-hall performer and character comedian, recorded in the electrical era (post-1925).AI summary
His Master's Voice C991 Music Hall
Untitled
Hayward and Bourne on His Master's Voice C980; no titles recorded.AI summary
His Master's Voice C980
Helen Clark, a singer of the 1920s–30s, recorded 'Smiling Irish Eyes' and 'A Wee Bit o' Love' for His Master's Voice, catalogue B3165. A minor vocalist on a major label.AI summary
His Master's Voice B3165 Voice
Helen Kane, the 'Boop-Boop-a-Doop' girl, was a 1920s singing sensation famous for her baby-talk vocals and flapper appeal; this HMV pressing captures two of her comedy-song specialities from the height of her fame.AI summary
His Master's Voice B2977 Voice
Helen Kane, the 'Boop-a-Doop Girl' of vaudeville, was a star entertainer of the late 1920s and early 1930s; this His Master's Voice pressing captures her novelty vocal style at the height of her fame.AI summary
His Master's Voice B3050 Personalities (Prs)
Helen Morgan performing 'Mean to me' and 'Who cares what you have been' on His Master's Voice B3058. Morgan was an American torch singer and actress, famous for her recordings and Broadway performances in the 1920s–1930s.AI summary
His Master's Voice B3058 Voice
Helen Morgan, the American torch singer of the 1920s–30s, on His Master's Voice B3058 performing 'Mean to Me'.AI summary
His Master's Voice B3058 Voice
Helge Roswaenge, a renowned Danish tenor, on His Master's Voice performing two operatic numbers: 'Ach das Lied hab ich getragen' and an aria of the Singer ('Arie des Sangers'). Roswaenge was a major Wagnerian and lyric tenor of the 1930s-1950s, recorded extensively in Germany and Britain.AI summary
His Master's Voice DA4465 Opera
Helge Rosvaenge, a celebrated Danish tenor of the 1920s–50s, sings Schubert's 'Ach, das Lied hab ich getragen' and a song aria for His Master's Voice. Rosvaenge was one of Northern Europe's leading lyric tenors and a prolific recording artist.AI summary
His Master's Voice DA4465 Opera
The Helsinki Orchestra under Robert Kajanus performs Sibelius's 'Karjalan Jääkärien Marssi' on HMV X2825. Kajanus was a close friend and advocate of Sibelius, and his recordings of Finnish repertoire — particularly Sibelius — are of real historical importance. The HMV X-series indicates a non-UK pressing, likely Finnish or Scandinavian. Kajanus–Sibelius recordings are actively collected.AI summary
His Master's Voice X2825 Classical
The Helsinki Balalaika Orchestra recorded Russian dance music—the 'Russian Dance' by Budashkin and the 'Gopak'—for His Master's Voice, likely in the 1930s or 1940s.AI summary
His Master's Voice JO345 Instrumental
Emilio de Gogorza and Enrico Caruso, two legendary early-20th-century tenors, recorded this operatic duet for His Master's Voice—a historic acoustic pairing.AI summary
His Master's Voice DM103 Opera
Henri Leoni performing comic music-hall duets on His Master's Voice; a performer of the early 20th-century variety stage.AI summary
His Master's Voice B753 Music Hall
Untitled
Henri Leoni is unrecorded in standard jazz and popular music references. This HMV B-series 78 from the early 1920s is the only documented evidence of his recording; the catalogue number and era suggest a singer or light classical performer, but nothing further is known.AI summary
His Master's Voice B753
Henri Leoni on His Master's Voice B 753, with two comic songs. Leoni was a minor British music-hall comedian and singer.AI summary
His Master's Voice B753 Music Hall
Henry Ainley was a celebrated British stage actor who recorded Shakespeare recitations for His Master's Voice in the 1920s. These are sides from 'Hamlet', showing the theatrical repertoire that occupied much of Ainley's recording career. Ainley recordings have modest collector interest.AI summary
His Master's Voice B3493 Voice
Henry Ainley (1879-1945), the English stage actor, speaks Hamlet's soliloquies To Be or Not to Be and O That This Too Solid Flesh on HMV B3492.AI summary
His Master's Voice B3492 Personalities (Prs)
Henry Ainley, a celebrated British classical actor and Shakespearean performer, recorded dramatic recitations including 'The Bells' and 'Charge of the Light Brigade' for His Master's Voice. These are theatrical pieces rather than songs.AI summary
His Master's Voice C2089 Personalities (Prs)
Henry Ainley was a distinguished British actor and Shakespearean voice of the early twentieth century; this HMV recording captures him performing 'To Be or Not to Be' and the soliloquy 'O That This Too Solid Flesh', likely from the acoustic era.AI summary
His Master's Voice B3492 Voice
Henry Allen, the American jazz trumpeter, in two blues-inflected sides on His Master's Voice: "Crawl" and "Get the Mop", from the early 1930s.AI summary
His Master's Voice B9537 Jazz
Henry Allen on His Master's Voice B9537, performing 'Crawl' and 'Get the Mop'. Henry Allen was a respected New Orleans jazz cornetist and trumpeter, active from the 1920s.AI summary
His Master's Voice B9537 Jazz
Henry Allen Jr. recorded 'Feeling Drowsy' (29) and 'Swing Out' for His Master's Voice B4970; note this appears to be a duplicate catalogue entry with id 19508.AI summary
His Master's Voice B4970 Jazz
Henry Allen Jr., the New Orleans jazz trumpeter, recorded 'Feeling Drowsy' and 'Swing Out' for His Master's Voice; Allen was an important figure in jazz history and a contemporary of Armstrong.AI summary
His Master's Voice B4970 Jazz
Henry Lytton, the distinguished British Gilbert & Sullivan baritone, performing the 'Laughing Song' on His Master's Voice, a prestige recording by one of the definitive interpreters of the Savoy operas.AI summary
His Master's Voice 4-2153 Opera
Henry Lytton, the definitive Gilbert & Sullivan baritone, performing the 'Laughing Song' and 'I like you in velvet' on His Master's Voice, from his extensive Savoy opera recordings.AI summary
His Master's Voice B453 Opera
Henry Lytton, the most celebrated performer of Gilbert and Sullivan comic opera in Britain, recorded these two songs for HMV. Lytton was the definitive Jack Point in the D'Oyly Carte Opera Company's 'The Yeomen of the Guard' and an important figure in British musical theatre.AI summary
His Master's Voice B453 Opera
Herbert Beerbohm Tree, the legendary British stage actor, reciting 'Antony's Lament over Caesar' and 'Falstaff's Speech on Honour' for HMV's early electrical series.AI summary
His Master's Voice E161 Personalities (Prs)
Herbert Beerbohm Tree, the great Shakespearean actor, recorded in dramatic soliloquies for His Master's Voice: Hamlet's reflection on death and a scene from 'Svengali' (from *Trilby*).AI summary
His Master's Voice E162 Personalities (Prs)
Herbie Fields, an American jazz musician and bandleader, performing two pieces on His Master's Voice: the novelty 'Huggin' and Chalkin'' and his own composition 'Blue Fields'.AI summary
His Master's Voice B9558 Jazz
Herman Jadlowker, a celebrated tenor from the Vienna State Opera, recorded an extract from Wagner's Lohengrin for His Master's Voice. The catalogue number 042375 places this in HMV's very early electrical catalogue, circa 1925–1928.AI summary
His Master's Voice 042375 Opera
Hermine Bosetti, an early operatic soprano, performing 'Arie der Rosine' (an aria) on His Master's Voice. The early catalogue number (HMV 2-43489) dates this to the acoustic era of the late 1920s.AI summary
His Master's Voice 2-43489 Opera
Hickman (likely the famous Richard Hickman or another orchestra leader of that name) on His Master's Voice B1200 from the mid-1920s. The titles suggest light dance material.AI summary
His Master's Voice B1200 Dance
Hickman's dance band recorded "Sudan" and "Mon Homme" for His Master's Voice catalogue B1208 in the early 1920s. This is a hot dance side from a band active in the post-war period.AI summary
His Master's Voice B1208 Dance