3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 58 of 69
The Revellers were an American vocal ensemble known for their close-harmony renditions of popular songs and show tunes in the late 1920s and early 1930s. This His Master's Voice B2735 pressing of the Kern-Hammerstein standard "Old Man River" and "Can't Help Lovin' Dat Man" from Show Boat captures their accessible style during the height of the musical-comedy craze.AI summary
His Master's Voice B2735 Voice
Revnell and West on 'A Trip to the Zoo' (two parts), from HMV BD566. Revnell and West (also known as 'Flotsam and Jetsam') were a British comedy vocal duo popular in the 1920s-1930s; their novelty and comedy recordings are modestly collected.AI summary
His Master's Voice BD566 Comic
Rex Allan performing songs from the 1933 film 42nd Street — 'Young and Healthy' and 'Look What You've Done' — on His Master's Voice.AI summary
His Master's Voice B4432 Voice
R. H. Naylor, the newspaper astrologer, with What the Stars Foretell on HMV B4292, a month-by-month forecast.AI summary
His Master's Voice B4292
RH Naylor's astrological forecast recording 'What the Stars foretell: March/April' on His Master's Voice (B4295); one of Naylor's series of monthly horoscope records made for HMV in the interwar period.AI summary
His Master's Voice B4295
R. H. Naylor, the newspaper astrologer, with What the Stars Foretell for April and May on HMV B4296.AI summary
His Master's Voice B4296
R H Naylor performs astrological readings set to music on His Master's Voice—'What the Stars Foretell' (May/June)—an unusual example of a novelty or spoken-word record from the early 1930s.AI summary
His Master's Voice B4297
RH Naylor's astrological forecast recording 'What the Stars foretell: June/July' on His Master's Voice (B4298); one of Naylor's monthly horoscope series.AI summary
His Master's Voice B4298
R.H. Naylor performing 'What the Stars Foretell' and a chart reading for 'July/August' on His Master's Voice B4299, a 1930s novelty or spoken-word recording.AI summary
His Master's Voice B4299 Personalities (Prs)
R. H. Naylor on His Master's Voice B4302, performing astrological readings or forecasts for 1931–1932. This appears to be a novelty or spoken-word recording rather than music, one of several such issues by Naylor on HMV during the early 1930s.AI summary
His Master's Voice B4302
RH Naylor on His Master's Voice B4303, with a title suggesting astrological or fortune-telling content: "What the Stars foretell".AI summary
His Master's Voice B4303
Richard Crooks was an American tenor of the 1920s–40s, prominent in both opera and popular song; this His Master's Voice pressing of 'I'm Falling in Love with Someone' and 'Moonbeams' is from the mid-1930s.AI summary
His Master's Voice DA1041 Voice
Richard Crooks, a celebrated American tenor, recorded 'Beautiful Dreamer' and 'Jeanie with the Light Brown Hair' for HMV—Stephen Foster's nineteenth-century ballads performed by one of the major tenors of the radio era.AI summary
His Master's Voice DA1599 Voice
Rico's Creole Band on His Master's Voice K6664 performing Latin dance numbers.AI summary
His Master's Voice K6664 Dance
The Rio Granda Band recorded 'Santiago' and 'Jimmy Valentine' for His Master's Voice, likely from the 1920s–30s.AI summary
His Master's Voice B5780 Dance
Rio Grande Band on 'Jimmy Valentine', recorded for His Master's Voice B5780. Rio Grande was a prolific house band name used by HMV and Columbia for dance-band fillers in the late 1920s–early 1930s.AI summary
His Master's Voice B5780 Dance
The Rio Grande Tango Band recorded 'Zulu Wail' and 'Blue Serenade' for His Master's Voice, likely in the 1930s. This appears to be a Latin-influenced dance band of modest fame.AI summary
His Master's Voice B5355 Dance
His Master's Voice B5238
RKO/Steiner recorded the popular dance number 'Carioca' and 'Sleepy Head' for His Master's Voice B6506, a late 1930s pressing likely connected to film music.AI summary
His Master's Voice B6506 Dance
Robert Irwin on His Master's Voice performing 'The Oyster Girl' and 'The One-Eyed Riley'. The titles suggest music-hall or novelty comedy material from the early acoustic era, likely 1910s-20s.AI summary
His Master's Voice B9523 Music Hall
Robert Radford, a British baritone popular in Edwardian Britain and the 1920s, recorded in the early acoustic era for His Master's Voice. The E-series catalogue indicates a very early pressing, circa 1910–1912.AI summary
His Master's Voice E303 Voice
Robert Radford, a British baritone of the late 19th and early 20th centuries, recorded for His Master's Voice; "Why Do The Nations" is from *The Messiah*.AI summary
His Master's Voice D1213 Voice
Robert Radford was a British bass-baritone singer and light opera performer active in the early 20th century; this HMV D series pressing offers two songs.AI summary
His Master's Voice D272 Voice
Robert Radford on His Master's Voice E 77, with two ballads. Radford was a respected British bass-baritone and concert vocalist of the Edwardian and early acoustic era.AI summary
His Master's Voice E77 Voice
Robert Speaight speaks from T. S. Eliot's Murder in the Cathedral in two sides on HMV B8499. Speaight created the role of Becket in the original productions.AI summary
His Master's Voice B8499 Personalities (Prs)
Robert Wilson, a Scottish vocalist, recorded these two Highland character songs for His Master's Voice. Both are traditional or traditional-style Scottish songs.AI summary
His Master's Voice B10083 Voice
Robert Wilson recorded Scottish and Irish traditional material, 'Scotland the Brave' and 'The Pride of Donaghadee', for His Master's Voice. A British vocalist in the popular ballad tradition of the 1930s-40s.AI summary
His Master's Voice B10401 Voice
Robert Wilson recorded two Scottish songs, 'Hame o' Mine' and 'Green Grew the Rushes O', on His Master's Voice; a singer specialising in traditional Scottish repertoire.AI summary
His Master's Voice B9968 Voice
Roger Wolfe Kahn was a prominent American bandleader and society orchestra leader of the late 1920s and early 1930s; this HMV recording on the B-series represents a UK pressing of his dance music.AI summary
His Master's Voice B5734 Dance
The Roland House Players recorded "Jack and Jill" for His Master's Voice B-series catalogue 39. This low catalogue number suggests a very early HMV B-series issue, possibly around 1923-1924, and the Players appear to have been a novelty or children's act.AI summary
His Master's Voice B39 Comic
Adrian Rollini, an American jazz musician and composer, recorded two standards for His Master's Voice in the early 1930s.AI summary
His Master's Voice B8382 Jazz
Romanelli, credited on this His Master's Voice dance side with swing-era novelties, is otherwise untraced in standard discographies.AI summary
His Master's Voice 216360 Dance
Ronald Frankau, a British comedian and satirist of the 1920s-30s, on His Master's Voice. Frankau was a prolific recording artist and is modestly collected by enthusiasts of vintage British comedy.AI summary
His Master's Voice B9127 Comic
Comedy spoken-word sides by Ronald Frankau on His Master's Voice, a leading British label. Frankau was a significant British comedian of the 1930s.AI summary
His Master's Voice B9150 Comic
Ronald Frankau, a British comedian and satirist of the 1920s–1930s, recorded 'Man in the Street' and 'Postscript' for HMV B9246. Frankau was known for topical comedy and musical sketches.AI summary
His Master's Voice B9246 Music Hall
Ronnie Hilton on His Master's Voice POP198, a chart-based British pop single release of the 1950s. Hilton was a popular British vocalist who had numerous hit records during this period; 'No Other Love' was one of his known songs.AI summary
His Master's Voice POP198 Voice
Ronnie Hilton with 'I've Grown Accustomed to Her Face' and 'On the Street Where You Live' from My Fair Lady on His Master's Voice POP479 — popular songs from the 1950s musical.AI summary
His Master's Voice POP479 Voice
Ronnie Hilton, a popular British crooner of the 1950s, recorded 'Two different worlds' and 'Constant and true' for His Master's Voice. Hilton had a significant chart presence in that decade.AI summary
His Master's Voice POP274 Voice
Ronnie Hilton, a British pop singer of the 1950s, recorded 'Magic Moments', one of his chart hits, for HMV's POP-series.AI summary
His Master's Voice POP446 Voice
Rosa Ponselle was an American operatic soprano of outstanding reputation, the leading soprano at the Metropolitan Opera in the 1920s–30s; this His Master's Voice disc from the acoustic period preserves her in two art songs.AI summary
His Master's Voice DA1023 Opera
Rosa Ponselle on His Master's Voice DA 1023, performing two art-song ballads. Ponselle was one of the greatest American opera sopranos of the early 20th century, renowned for both operatic and song repertoire.AI summary
His Master's Voice DA1023 Voice
Rosa Ponselle and Giovanni Martinelli, two of the greatest opera singers of their generation, recorded 'La Fatal Pietra' and 'Morir! Si Pura e bella' from Verdi's *La Forza del Destino* for His Master's Voice. This is a historic pairing of major Metropolitan Opera stars.AI summary
His Master's Voice DA810 Opera
Rosina Buckman on His Master's Voice, performing 'Waiata Po', a Māori love song.AI summary
His Master's Voice 2-3308 Voice
Rosita Serrano was a Chilean folk and popular vocalist who recorded internationally in the 1930s and 1940s; this HMV pressing captures her singing in Spanish, with repertoire and style typical of her Latin American heritage.AI summary
His Master's Voice EG7696 Voice
His Master's Voice EG7701
Rosita Serrano, the Chilean-German singer who became famous in 1930s-40s Europe, recorded two Latin American standards—'Babalu' and 'Cielito Lindo'—for His Master's Voice. Serrano was an international recording artist and her HMV sides document her popularity in the British market.AI summary
His Master's Voice JO221 Voice
Roy Bargy, a stride pianist and composer of the 1920s, recorded 'Pianoflage' and 'K'nice and K'nifty' for His Master's Voice. These are novelty piano pieces typical of the hot-piano vogue of the late 1920s.AI summary
His Master's Voice B1640 Instrumental
Roy Fox and his orchestra for His Master's Voice, in two highly danceable standards. Fox was one of Britain's leading orchestral arrangers and bandleaders; his HMV sides remain actively collected.AI summary
His Master's Voice BD5059 Dance