3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 61 of 69
The Savoy Orpheans and Norman Long together recorded 'It Ain't Gonna Rain No Mo'' for His Master's Voice, catalogue B1994, in the mid-1920s. A collaboration between a major British dance band and a comedy performer.AI summary
His Master's Voice B1994 Dance
Savoy Quartet recorded 'Beware of Chu Chin Chow' and 'What do you want to make those Eyes at me for' for His Master's Voice. Both are popular songs of the 1910s-1920s era.AI summary
His Master's Voice B867 Voice
The Savoy Quartet recorded two novelty vocal numbers for HMV, an early B-series issue, likely from the late 1920s.AI summary
His Master's Voice B1000 Dance
The Savoy Quartet recorded 'Helen of Troy' and 'Smiles' for His Master's Voice (B1016). The Savoy Quartet were a British vocal ensemble active in the 1920s–30s, and this record is a typical dance-era vocal side.AI summary
His Master's Voice B1016 Voice
Savoy Quartet performing two novelty comic songs on His Master's Voice, catalogue B1036. The Savoy Quartet were a popular vocal ensemble recording for HMV in the late 1920s–early 1930s.AI summary
His Master's Voice B1036 Music Hall
The Savoy Quartet, credited on His Master's Voice B1069, performing 'When You See Another Sweetie Hanging Around' and 'Oh Helen' — popular songs of the early 1920s. The group was a consistent performer on the HMV label.AI summary
His Master's Voice B1069 Voice
The Savoy Quartet recorded 'Swanee' and 'I'm Getting Tired of Playing Second Fiddle' for His Master's Voice B1116, a vocal ensemble number likely from the early 1920s.AI summary
His Master's Voice B1116 Voice
The Savoy Quartet on His Master's Voice, performing 'At the Moving Picture Ball' and 'Blue Nights'; a British vocal group from the acoustic era.AI summary
His Master's Voice B1154 Voice
The Savoy Quartet performing 'Kipling Walk' and 'Down Home in Tennessee' on His Master's Voice B702. A vocal quartet from the acoustic era.AI summary
His Master's Voice B702 Voice
The Savoy Quartet, a British close-harmony vocal group popular in the early 1920s, recorded 'Hello Hawaii how are you' and 'Fancy you fancying me' for His Master's Voice. Typical light dance novelty material of the period.AI summary
His Master's Voice B813 Dance
The Savoy Quartet were a vocal group of the 1920s, and this His Master's Voice recording captures them performing two jazz-era novelty numbers with popular appeal.AI summary
His Master's Voice B991 Voice
The Seidler Orchestra on HMV 2-40878/9, performing the overtures to Verdi's *La Traviata* and Flotow's *Martha*. This is a double-sided or double-catalogue classical orchestral recording from HMV's 40000-series.AI summary
His Master's Voice 2-40878/9 Classical
Selma Kurz was an Austrian operatic soprano of the late 19th and early 20th centuries, noted for her brilliant coloratura technique; this His Master's Voice 78 is a solo performance of 'Ave Maria', recorded in her later years.AI summary
His Master's Voice 43898 Opera
Selma Kurz, an Austrian soprano renowned for her coloratura roles, recorded 'Una Voce poco fa' (from Rossini's *The Barber of Seville*) and 'Vogel im Walde' for His Master's Voice, catalogue DA408.AI summary
His Master's Voice DA408 Opera
Selma Kurz (1874–1933), an Austrian soprano renowned for her Mozart and coloratura roles, recorded in Vienna for His Master's Voice performing the Glocken Aria (bells aria) from Lakmé.AI summary
His Master's Voice 575m Opera
Selma Kurz, an Austrian soprano renowned for her coloratura technique, performing *Infelices consolata* from Verdi on His Master's Voice, recorded in the acoustic era. Kurz was one of the most celebrated voices of the early 20th century.AI summary
His Master's Voice Cc4768 Opera
Selma Kurz was an Austrian soprano and operetta singer of international standing in the early twentieth century; this His Master's Voice acoustic recording preserves two Romantic songs in her intimate German art-song style.AI summary
His Master's Voice DA632 Opera
Selma Kurz and Leo Slezak, both major European opera singers, performing German opera duets 'O du Süßestes Mädchen' and 'Sind Wir Allein' for His Master's Voice. Kurz was a celebrated Austrian soprano; Slezak a prominent Czech tenor. This recording dates to the acoustic era (1900s–1920s).AI summary
His Master's Voice DA472 Opera
Selma Kurz, the celebrated Austrian coloratura soprano who was a prima donna at the Vienna Court Opera, performing 'Lockruf' with Ignacy Jan Paderewski at the piano, on HMV catalogue 043181. A Kurz recording accompanied by Paderewski — one of the most celebrated pianists of the age — is a primary document of Edwardian musical life and of exceptional collector interest.AI summary
His Master's Voice 043181 Opera
Ben Selvin's dance orchestra, recorded for His Master's Voice, coupling two popular standards of the early 1920s: 'Dardanella' and the J. Smith composition 'Yellow Dog Blues'. Selvin was one of the most prolific dance bandleaders of the acoustic era.AI summary
His Master's Voice B1089 Dance
Sergei Rachmaninoff, the Russian composer-pianist, recorded his own "Prelude in C Sharp Minor" (Op. 3 No. 2, 1892) for His Master's Voice catalogue 5672. This is one of his most famous and frequently recorded compositions, and Rachmaninoff's own recordings are historically and artistically significant.AI summary
His Master's Voice 5672 Classical
Sergei Rachmaninoff, the Russian composer and pianist, recorded his own 'Scherzo' and 'Serenade' for His Master's Voice DA1522, an acoustic pressing from the 1920s and a historic recording of major repertoire.AI summary
His Master's Voice DA1522 Classical
Sergei Rachmaninoff, the great Russian pianist and composer, recorded for His Master's Voice. This DB408 coupling of Rachmaninoff's own 'Liebesleid' and the Chopin Waltz in E Flat major represents a major classical artist, though many of his HMV recordings are known.AI summary
His Master's Voice DB408 Classical
Sergei Rachmaninoff, the Russian composer and pianist, performing his own famous Prelude in G Minor on His Master's Voice 05652. A significant historical recording by one of the greatest composers of the 20th century.AI summary
His Master's Voice 05652 Classical
Sergei Rachmaninoff performing two of his own compositions on His Master's Voice D368: 'Le Coucou' (not Rachmaninoff's title, possibly mislabeled) and the Prelude in G sharp minor, one of his most famous works. Rachmaninoff (1873–1943) was a Russian composer-pianist of international renown.AI summary
His Master's Voice D368 Classical
Shake Keane was a Trinidadian jazz trumpeter and bandleader, active from the 1950s onwards. His Highlifers recorded calypso and Caribbean jazz on His Master's Voice's GV (Gramophone Vocal) series. 'Baionga' suggests calypso or Caribbean dance material.AI summary
His Master's Voice GV236 Calypso
Shamshad, Lata, and Rafi, major singers of Indian film music, recorded together for His Master's Voice's Indian catalogue (JOD series). This is an early example of Indian film-music recording in the pre-independence era.AI summary
His Master's Voice JOD202 Voice
Shefter recorded two piano or instrumental novelty sides, 'S O S' and 'Chopin's Ghost', for His Master's Voice. The titles suggest light classical or novelty piano music.AI summary
His Master's Voice BD5273 Instrumental
Shep Fields on His Master's Voice NE851, 'Sweet Dreams Sweetheart' and 'Twilight Time'; Fields was an American bandleader and harmonica player active in the 1930s–40s.AI summary
His Master's Voice NE851 Dance
Shield credited on His Master's Voice, performing sentimental ballad material of the late 1920s.AI summary
His Master's Voice B5941 Voice
Shilkret recorded "I Want a Daddy to Cuddle Me" and "Huggable Kissable You" (attributed to Vallée) for His Master's Voice (B5673). The identity of Shilkret is unclear from the label alone; this may be Nat Shilkret, the prolific conductor and arranger, or a performer using the name.AI summary
His Master's Voice B5673 Dance
Shilkret conducting popular songs including 'There's Everything Nice About You' and a Paul Whiteman arrangement on His Master's Voice, circa mid-1920s.AI summary
His Master's Voice B5319 Orchestra
His Master's Voice B5523
Nat Shilkret recorded the sentimental ballads 'There is a happy land' and 'Sleepy Valley' for His Master's Voice B5670, a late 1920s–early 1930s pressing.AI summary
His Master's Voice B5670 Voice
Nat Shilkret, the celebrated conductor and composer, led recordings of two sentimental popular songs for His Master's Voice, including '(Noble) Dreams That Don't Grow Old'.AI summary
His Master's Voice B6192 Orchestra
Nathaniel Shilkret was a prominent conductor and composer; this His Master's Voice recording pairs two popular instrumental novelties from the late 1920s, the Whiteman arrangement of 'Side by Side' marking it as a prestigious HMV dance orchestration.AI summary
His Master's Voice B5318 Orchestra
Nate Shilkret and his orchestra recorded 'There's Everything Nice About You' and Paul Whiteman's 'So Blue' for His Master's Voice B5319 in the late 1920s or early 1930s.AI summary
His Master's Voice B5319 Dance
Shilkret, an American conductor and composer, recorded 'There's a Trick in Pickin' a Chick-Chicken' and 'Gorgeous' (credited to Hamp) for His Master's Voice, catalogue B5352. Shilkret was a prolific and important orchestral and popular-music arranger and conductor in the 1920s and 1930s.AI summary
His Master's Voice B5352 Orchestra
Nat Shilkret, the American orchestral conductor and arranger, recorded this jazz-influenced instrumental for His Master's Voice. Shilkret was a prolific recording director and composer in the 1920s and 1930s, known for his work with jazz and popular ensembles.AI summary
His Master's Voice B5437 Instrumental
Nat Shilkret's orchestra on 'Where Have You Been All My Life' and 'Crazy Rhythm', pressed by His Master's Voice B5535. Shilkret was a prominent American conductor and composer; his HMV sides date from the late 1920s.AI summary
His Master's Voice B5535 Orchestra
Nathaniel Shilkret, the celebrated conductor and composer, on His Master's Voice: 'I was blue' and 'It must be love', instrumental or orchestral material from the late 1920s.AI summary
His Master's Voice B5582 Instrumental
Nat Shilkret was an American conductor and bandleader who recorded extensively in the 1920s and 1930s. This His Master's Voice recording of two songs from the 1929 film *The Broadway Melody*, 'You Were Meant for Me' and 'Broadway Melody', captures the height of American musical theatre on record.AI summary
His Master's Voice B5635 Orchestra
Shilkret recorded 'Susianna' and a companion side for His Master's Voice; likely Nat Shilkret, a prolific conductor and musician who recorded extensively in the 1920s–1930s, though the catalogue number is early (B5680).AI summary
His Master's Voice B5680 Voice
Shilkret conducting popular songs 'Your Mother and Mine' and 'Nobody but You' on His Master's Voice, mid-1920s.AI summary
His Master's Voice B5691 Orchestra
Nat Shilkret, the American conductor and arranger, recorded 'Wouldn't it be wonderful' and 'I'm the Medicine Man for the Blues' for His Master's Voice B5750, a late 1920s–early 1930s pressing.AI summary
His Master's Voice B5750 Instrumental
Nat Shilkret was an American conductor and composer active in the 1920s–1930s, known for pop and light classical recordings. This HMV pressing (B5775) of two ballads shows his work as an accompanist or bandleader. Shilkret discs are moderately common.AI summary
His Master's Voice B5775 Orchestra
Shilkret, credited on His Master's Voice B5822, performing 'My Man is on the Make' and 'Why Do You Suppose' — popular songs of the 1920s–early 1930s.AI summary
His Master's Voice B5822 Voice
Nat Shilkret was an American conductor, composer and recording artist who led orchestras for Victor. 'When Kentucky bids the World Good Morning' and 'Ukulele Moon' were recorded for His Master's Voice, capturing Shilkret's light orchestral and novelty recordings of the 1920s or early 1930s.AI summary
His Master's Voice B5969 Orchestra