3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 67 of 69
His Master's Voice JF26 Jazz
Waring, likely Fred Waring and his Pennsylvanians, performs 'Fit as a Fiddle' and '(Bestor) To the Rhythm of the River Rhine' on His Master's Voice B6304.AI summary
His Master's Voice B6304 Dance
Waring performing 'Looking at the World thru Rose coloured Glasses' and a Shilkret composition on His Master's Voice B5225, 1920s popular song material.AI summary
His Master's Voice B5225 Voice
Two popular ballads attributed to Waring on His Master's Voice B5000 series, from the late acoustic or early electric era of the late 1920s.AI summary
His Master's Voice B5262 Voice
Waring and Olsen recorded 'My Regular Girl' and 'Lucky Day' for His Master's Voice B5303, a vocal or dance record from the late 1920s.AI summary
His Master's Voice B5303 Dance
Waring recorded two popular dance numbers for His Master's Voice B5047. The artist is likely Fred Waring, the American bandleader, but the specific recording is not clearly identified.AI summary
His Master's Voice B5047 Dance
Warwick Evans, the distinguished cellist and long-serving principal cellist of the London Philharmonic Orchestra, plays the Eccles Sonata in two parts on HMV D343. Evans made relatively few recordings and is a recognised name in British cello collecting; HMV D-series pressings are acoustic-era standard format.AI summary
His Master's Voice D343 Classical
The Washboard R Kings performing 'My Pretty Girl' and 'Shoutin' at the Amen Corner' (credited to Tinsley) on HMV B8655, a mid-1930s jazz and jug-band side.AI summary
His Master's Voice B8655 Jazz
Washboard Rhythm Kings performing two novelty jazz and blues pieces on His Master's Voice. The Kings were a popular American rhythm novelty group of the 1930s, and their recordings are sought by jazz collectors.AI summary
His Master's Voice B6362 Jazz
Weems recorded two popular songs for HMV in the late 1920s (B5145 series). The artist's full identity and recording career are not known from this label alone.AI summary
His Master's Voice B5145 Voice
Ted Weems' orchestra on 'At the Baby Parade', recorded for His Master's Voice B6327. Weems was a prominent American bandleader active in the 1920s–30s; HMV pressed many of his sides for the British market.AI summary
His Master's Voice B6327 Orchestra
His Master's Voice B5412 Dance
Phil Weems and his orchestra recording 'Piccolo Pete' and two other popular titles on His Master's Voice from the late 1920s or early 1930s.AI summary
His Master's Voice B5712 Dance
Weems on His Master's Voice B5862, performing 'Washing Dishes with My Sweetie' and 'Dancing with Tears in My Eyes', sentimental popular songs of the 1920s–1930s. Weems is likely Ted Weems, a bandleader, or a session vocalist; HMV B-series sides are moderately common.AI summary
His Master's Voice B5862 Voice
Ted Weems and his orchestra on His Master's Voice B6005, performing 'Walkin' My Baby Back Home' and 'By My Side', likely early 1930s.AI summary
His Master's Voice B6005 Orchestra
Weems (likely Ted Weems and his orchestra, a popular American dance band) on His Master's Voice. The catalogue number B5618 indicates a mid-1930s British pressing of standard dance material.AI summary
His Master's Voice B5618 Dance
The Westminster Choir conducted by Frederick Bridge performs a 'Homage Anthem' with a solo by E Lloyd on HMV 04792. Frederick Bridge was organist of Westminster Abbey for many years, and this is a large-format early acoustic pressing on HMV's 04xxx series, which was used for choral and ecclesiastical records. A historically interesting piece of early choral recording.AI summary
His Master's Voice 04792 Classical
W.H. Berry was a British actor and light comedian; this His Master's Voice side features him in sentimental ballad material of the early 1930s.AI summary
His Master's Voice C1241 Voice
WH Berry recorded 'I Want to Go to Bye Bye' for His Master's Voice; likely a British vocalist of the early 1920s.AI summary
His Master's Voice 02776 Voice
W.H. Berry, a British music-hall comedian and singer, recorded this sentimental Victorian parlour song for HMV. The early catalogue number (02865) places it in the 1910s or earlier acoustic era.AI summary
His Master's Voice 02865 Music Hall
W.H. Berry was a British performer active in the late 19th and early 20th centuries. 'It Must Be Very Trying to Be Mad' is recorded on His Master's Voice 02866, a very early catalogue number suggesting a pressing from before 1920.AI summary
His Master's Voice 02866 Music Hall
W.H. Berry was a British stage and film actor and singer popular in the 1920s and 1930s; this His Master's Voice side pairs two novelty and character numbers, likely from the Music Hall repertoire.AI summary
His Master's Voice D442 Music Hall
W.H. Berry, a British comedian and character actor, recorded 'I Want to Go to Bye-Bye' and 'What Is It Without Love' for His Master's Voice. Berry was active in British theatre and music hall in the early 20th century.AI summary
His Master's Voice D415 Music Hall
W.H. Berry and E. Pike were early-20th-century British performers. 'Come Landlord fill the Flowing Bowl' is a traditional or comic song, recorded on His Master's Voice 04269, a catalogue number consistent with very early pressing (likely pre-1920).AI summary
His Master's Voice 04269 Music Hall
W.H. Berry and Violet Loraine singing the duet Wonderful Love on His Master's Voice 04267.AI summary
His Master's Voice 04267 Voice
W. H. Squire, an accomplished cellist and composer, recorded 'Ave Verum' for HMV. Squire was a respected Victorian and Edwardian musician and chamber performer.AI summary
His Master's Voice 07870 Classical
W.H. Squire, a British cellist and composer, performs "Le Cygne" ("The Swan" from Saint-Saëns's *Carnival of the Animals*) on His Master's Voice — a solo cello recording from the acoustic or early electric era.AI summary
His Master's Voice 07872 Classical
Paul Whiteman, the most commercially successful conductor of the jazz and dance-band era, leading his orchestra through a Cole Porter medley and 'Night & Day' on this His Master's Voice C-series pressing, a deluxe format.AI summary
His Master's Voice C2606 Dance
His Master's Voice B1160
His Master's Voice B1333
Untitled
His Master's Voice B1424
Untitled
His Master's Voice B2117
His Master's Voice B2185
Paul Whiteman on His Master's Voice B6107 with 'When It's Sleepy Time Down South' and 'Old Playmates'. Whiteman was the most famous and commercially successful bandleader of the 1920s and 1930s, leading his orchestra to become the era's dominant popular dance ensemble.AI summary
His Master's Voice B6107 Orchestra
Paul Whiteman conducting an orchestra on His Master's Voice with two popular standards from the early 1930s; Whiteman was the leading dance band conductor of the 1920s-1930s and a prolific and commercially successful recording artist.AI summary
His Master's Voice B6513 Dance
Paul Whiteman and his orchestra on 'Smoke gets in your Eyes' and a Duchin number, from HMV B6540. Whiteman was the most famous American bandleader of the 1920s-1930s, billed as 'King of Jazz'; this is a mid-1930s recording. HMV pressings of Whiteman's popular hits are generally common.AI summary
His Master's Voice B6540 Dance
His Master's Voice B5270 Dance
Whiteman was recorded for His Master's Voice. The catalogue number and style suggest a recording from the late 1920s or early 1930s. Without further identification, the artist cannot be placed.AI summary
His Master's Voice B5283 Voice
Paul Whiteman's orchestra, the "King of Jazz," recorded prolifically for HMV in the late 1920s and early 1930s. This B5000-series side documents the sophisticated dance-band sound that defined the era.AI summary
His Master's Voice B5284 Dance
Paul Whiteman, the 'King of Jazz' and America's most famous orchestra leader of the 1920s–30s, performing Magnolia and a Jerome Kern standard for HMV's B-series—a major label prestige release.AI summary
His Master's Voice B5317 Dance
Paul Whiteman and his orchestra recorded 'Shanghai Dream Man' and 'Fallen leaf' for His Master's Voice catalogue B5351, from the late 1920s.AI summary
His Master's Voice B5351 Dance
Paul Whiteman on His Master's Voice B5492, performing dance-band material. Whiteman was the leading American dance-band leader of the 1920s and recorded extensively for major labels.AI summary
His Master's Voice B5492 Orchestra
Paul Whiteman, the American 'King of Jazz', recorded these two numbers for HMV's British catalogue. 'My Pet' and Nat Shilkret's 'Get Out and Get Under the Moon' are typical of Whiteman's sophisticated dance and novelty material from the late 1920s.AI summary
His Master's Voice B5504 Dance
Paul Whiteman's orchestra on 'Lonely Melody', recorded for His Master's Voice B5516. Whiteman was the dominant American bandleader of the 1920s–30s, and HMV pressed many of his Columbia and Victor sides for the British market.AI summary
His Master's Voice B5516 Orchestra
Paul Whiteman, the 'King of Jazz', performs 'Sensation Stomp' and 'Whiteman Stomp' on His Master's Voice B5577. Whiteman was the most commercially successful bandleader of the 1920s–1930s.AI summary
His Master's Voice B5577 Jazz
Paul Whiteman, the 'King of Jazz', recorded this side for His Master's Voice; the B-side 'Ol' Man River' is a major standard.AI summary
His Master's Voice B8929 Jazz
Paul Whiteman's orchestra on His Master's Voice B8931 performing 'Sugar' (1928) and 'Dardanella', from the late 1920s.AI summary
His Master's Voice B8931 Jazz
Whiteman (likely Paul Whiteman's orchestra) recorded 'Down round the Sippy Shore' and 'Scandinavia' (credited to Benson Chicago) for His Master's Voice, B1254; if this is Whiteman, it represents a recording by the prominent dance-band leader.AI summary
His Master's Voice B1254 Orchestra