3,288 shellac records · mostly British pressings, 1900s–1950s
3,288 records matching · page 68 of 69
Paul Whiteman, the American bandleader and "King of Jazz", on His Master's Voice, performing 'Say It with Music' and 'Sweet Lady', from his prolific recording career of the 1920s.AI summary
His Master's Voice B1306 Dance
Paul Whiteman's orchestra performing 'Ah But Is It Love' and 'My Moonlight Madonna' on His Master's Voice.AI summary
His Master's Voice B6399 Dance
Paul Whiteman's orchestra recorded "Bagdad" and "Maybe" for His Master's Voice K-series catalogue 2741. Whiteman was the most commercially successful dance bandleader of the 1920s and early 1930s, and his records are widely collected.AI summary
His Master's Voice K2741 Dance
Paul Whiteman, the 'King of Jazz', performing 'Georgia' and 'Stumbling' on His Master's Voice. This is an early recording from the HMV B1000 series, circa 1924–25, capturing Whiteman's influential dance-band sound.AI summary
His Master's Voice B1382 Jazz
Paul Whiteman's orchestra performing 'Hot Lips' and 'My Rambler Rose' for His Master's Voice, B1396. Whiteman was the pre-eminent American dance-band leader of the 1920s and early 1930s, and his HMV recordings remain highly sought after by jazz and dance collectors.AI summary
His Master's Voice B1396 Jazz
Paul Whiteman on His Master's Voice B1397, the 'King of Jazz' performing 'K-Lu-A Blue Danube Blues' and a Club Royal side. Whiteman was the most famous American bandleader of the 1920s–30s, and his records remain among the most collected in dance music.AI summary
His Master's Voice B1397 Dance
His Master's Voice B1407 Dance
Paul Whiteman, the 'King of Jazz,' on His Master's Voice B1985—a mid-1920s dance record from the most commercially successful orchestra of the jazz age.AI summary
His Master's Voice B1985 Jazz
His Master's Voice B6275 Dance
Paul Whiteman's orchestra performing 'Hot Lips' and 'My Rambler Rose' for His Master's Voice, B1396. Whiteman was the pre-eminent American dance-band leader of the 1920s and early 1930s, and his HMV recordings remain highly sought after by jazz and dance collectors.AI summary
His Master's Voice B1396 Jazz
Paul Whiteman, the legendary American bandleader and 'King of Jazz', recorded for His Master's Voice in the late 1920s. Whiteman was one of the biggest recording artists of the early phonograph era.AI summary
His Master's Voice B1847 Dance
Paul Whiteman and his orchestra recorded 'I Can't Get the One I Want' and 'Somebody Loves Me' for His Master's Voice, catalogue B1889; Whiteman was the most famous orchestra leader of the 1920s and early 1930s.AI summary
His Master's Voice B1889 Dance
Whiteman performing 'Smoke gets in your Eyes' and 'Learning' (credited to Duchin) on His Master's Voice B6540, likely from the early 1930s.AI summary
His Master's Voice B6540 Dance
Paul Whiteman—the "King of Jazz"—recording two popular songs for His Master's Voice, likely from the later phase of his recording career when his commercial dominance had waned from its 1920s peak.AI summary
His Master's Voice B5516 Orchestra
Whitey Kaufman, a pianist and bandleader active in the 1920s, on His Master's Voice B1854. This is early material from the mid-1920s, part of HMV's output during the transition from acoustic to electrical recording.AI summary
His Master's Voice B1854 Dance
Wilhelm Backhaus, the renowned German pianist, performing two concert pieces for His Master's Voice. This is a prestigious early electrical recording by one of the 20th century's greatest keyboard interpreters, from the D-series which featured major classical artists.AI summary
His Master's Voice D995 Classical
Wilhelm Strienz, 'Vor Dir Liegt Das Glück' and 'Sag Beim Abschied Leise Servus', on His Master's Voice EG3783; Strienz was an Austrian or German vocalist, recorded for a major label with German-language popular songs of the 1920s or 1930s.AI summary
His Master's Voice EG3783 Voice
Wilkie Bard, a British music-hall performer and recording artist active in the 1900s–10s, performing a medley on His Master's Voice B4132.AI summary
His Master's Voice B4132 Music Hall
Wilkie Bard was a leading Edwardian music-hall comedian, particularly celebrated for his dame roles in pantomime. HMV 02438 is a single-sided ten-inch pressing, placing this in the early HMV acoustic period, around 1907–1912. The 02 prefix on HMV identifies comic and variety material. Bard is a significant name and single-sided HMV pressings of his comic songs are sought by music-hall collectors.AI summary
His Master's Voice 02438 Music Hall
Wilkie Bard, the Edwardian music-hall comedian famous for his catchphrase 'I want to sing in opera,' on HMV 02434 — 'Night Watchman.' The HMV 02xxx series is a single-sided 12-inch acoustic pressing on one of HMV's larger-format early series, making this a more unusual format than his standard 10-inch output.AI summary
His Master's Voice 02434 Music Hall
Wilkie Bard, the major Edwardian music-hall comedian, performing 'Wriggly Rag' (dated 1913) and 'You've Got to Sing in Ragtime' on HMV C533. The HMV C-series is a standard acoustic-era pressing; Bard recordings on HMV are more sought than his Jumbo budget sides.AI summary
His Master's Voice C533 Music Hall
Will Evans, credited in parts 1 and 2, performing the humorous monologue "Building a Chicken House" on His Master's Voice B3317. Evans was a noted British comedian and music-hall performer popular in the early sound era.AI summary
His Master's Voice B3317 Music Hall
Will Strong, credited here and elsewhere as Peter Dawson, performing popular ballads on His Master's Voice in the early 1920s.AI summary
His Master's Voice B1109 Voice
Wilhelm Backhaus, the renowned German pianist (1884–1969), recorded for His Master's Voice throughout his long career; this early HMV electrical recording (05533 series) couples Chopin's Waltz in A flat, a staple of the recital repertoire.AI summary
His Master's Voice 05533 Classical
Willi Domgraf-Fassbaender, a German baritone, recorded Schubert lieder—"Ach Öffnet Eure Augen" and "Dort vergiss Leises Fleh'n"—for His Master's Voice in the 1920s or early 1930s. Domgraf-Fassbaender was an important Lieder interpreter of the era.AI summary
His Master's Voice EG2323 Opera
Wilhelm Backhaus, the great German pianist celebrated for his Beethoven and Brahms interpretations, plays a Prelude and Étude and a 'Forgeron Mélomane' on HMV 035515, a single-sided 12-inch pressing from the early Gramophone Company series. Backhaus made some of his earliest recordings for the Gramophone Company, and single-sided 12-inch HMV pressings from the 035000 series are early acoustic items of collector interest.AI summary
His Master's Voice 035515 Classical
William Backhaus was a celebrated pianist and Beethoven specialist. This His Master's Voice recording features two Chopin studies, representing mid-20th-century classical piano repertoire from a major artist.AI summary
His Master's Voice 05513 Classical
William Backhaus, the distinguished German pianist, performing Glazunov's 'Reverie' and Mozart's Concerto No. 2, part 3, on His Master's Voice 05534. Backhaus was one of the greatest pianists of the twentieth century.AI summary
His Master's Voice 05534 Classical
William Backhaus, one of the greatest pianists of the 20th century, performing Schubert's *Moment Musical* and *Hark the Lark* on His Master's Voice. Backhaus was a celebrated virtuoso and prolific recording artist.AI summary
His Master's Voice 05550 Classical
Wilhelm Furtwängler, the legendary German conductor, recorded 'Die Meistersinger' for His Master's Voice; acoustic or early electric recording of one of the greatest conductors of the 20th century.AI summary
His Master's Voice 95427 Classical
William Herold performing two Danish songs — a Knud Lavard ballad and a Lange-Müller serenade — on HMV catalogue M47, from the Scandinavian M-series. Herold was a celebrated Danish tenor of the early recording era; his HMV M-series recordings are uncommon in British collections and of interest to collectors of Scandinavian vocal discs.AI summary
His Master's Voice M47 Voice
William Primrose, the celebrated British viola virtuoso, performs Saint-Saëns' 'Introduction and Rondo' on His Master's Voice D796 — a chamber music recording from a musician of international stature.AI summary
His Master's Voice D796 Classical
William Samuel on His Master's Voice D 274, recorded in the 1920s; an operatic or concert soprano or mezzo performing classical vocal repertoire.AI summary
His Master's Voice D274 Voice
Willy Richards recorded a German song medley, "Wo Die Lerche Singt," in two parts for His Master's Voice EH1084. A solo vocalist recording German repertoire in the mid-20th century.AI summary
His Master's Voice EH1084 Voice
His Master's Voice AN728
Wingie Manone, a New Orleans jazz trumpet player and vocalist, recorded 'Casey Jones(39)' and 'In the Barrel' for His Master's Voice. The catalogue number JB9360 dates to 1939 and represents Manone's swing-era work.AI summary
His Master's Voice B9360 Jazz
Winnick on HMV BD-series with 'I Can't Help It' and 'You're the Cream in My Coffee', two popular songs of the late 1920s.AI summary
His Master's Voice BD6124 Voice
Winnick performs 'Sweetest Memories No. 3' and 'No. 4' (parts of a series) on His Master's Voice — light instrumental or salon recordings from mid-period.AI summary
His Master's Voice BD1138 Instrumental
Winnick performing 'It's the bluest kind of Blues my Baby sings' and 'Too many Irons in the Fire' on HMV (BD1152), early 1930s popular dance material.AI summary
His Master's Voice BD1152 Dance
Winnie Melville was a British popular singer of the 1920s–1930s; this His Master's Voice pressing presents two sentimental ballads typical of her output.AI summary
His Master's Voice B4179 Voice
Sir Winston Churchill recorded these wartime speeches for His Master's Voice, addressing the British people during the Second World War. 'One Man & One Man Only' is a significant historical document capturing Churchill's voice and rhetoric during a defining moment in British history.AI summary
His Master's Voice GS35 Personalities (Prs)
The Winter Garden Orchestra, conducted by Ansell, recorded 'Cabaret Girl' selection in two parts for His Master's Voice C1086. This is a 12-inch orchestral medley, likely from a stage show, and represents theatre-related dance-band recording of the inter-war period.AI summary
His Master's Voice C1086 Orchestra
Wish Wynne on HMV, with titles suggesting novelty songs of the 1920s–30s.AI summary
His Master's Voice B3039 Music Hall
Wish Wynne on His Master's Voice B3127 performing a two-part recording of 'Cinderella', likely a comic or musical-theatre number. Wynne is not a well-documented recording artist; the catalogue number suggests a 1920s–early 1930s release.AI summary
His Master's Voice B3127 Music Hall
Wish Wynne on HMV B-series with a musical story or novelty piece, 'Sleeping Beauty', in two parts.AI summary
His Master's Voice B4010 Personalities (Prs)
A music box playing 'Dinah' and 'Oh Lady be good', released on His Master's Voice JH34. A novelty instrumental recording of the jazz standards.AI summary
His Master's Voice JH34 Instrumental
Witley Court Music Box, the mechanical instrument, performing 'Japanese Sandman' and 'Truckin'' on His Master's Voice JH35.AI summary
His Master's Voice JH35 Instrumental
A novelty recording of the Witely Court Music Box playing 'You're in Kentucky' and 'Patty Cake' on HMV's JH (Jubilee) series, a special wartime or commemorative label.AI summary
His Master's Voice JH36 Instrumental