Condition is not recorded for this one — ask and we will describe the disc honestly before either side commits. Nothing in this collection has a fixed price; an enquiry starts a conversation.
Billy Williams, a British music-hall and comic singer, recorded 'A Lover Up in Scotland' and 'Postcards' for Cinch, a budget British label of the late 1920s.AI summary
Cinch 5108 Music Hall
Billy Williams recorded 'A Lover Up in Scotland' and 'Post Cards' for Twin Records—popular ballads by an untraced vocalist on a minor British label.AI summary
Twin 2131 Voice
Billy Williams, an early African-American vaudeville and recording artist, on Zonophone with 'All Coons Look Alike to Me' from 1909 — a historically important and commercially successful piece. The title reflects the racial terminology of its era; the song was one of Williams's signature pieces and a hit of the period.AI summary
Zonophone 562 Music Hall
Billy Williams, an early African-American vaudeville and recording artist, on Columbia with 'All the Ladies Fall in Love with Sandy' and 'Jean Loves All the Jockeys'; part of his substantial 1900s-1920s catalogue.AI summary
Columbia is571 Music Hall
Billy Williams, the Australian-born music hall singer, with Are We All Here and Wait Till I'm as Old as Father on Ariel 927.AI summary
Ariel 927 Music Hall
Billy Williams performing "Are We All Here?" and "Squeeze Her Ebenezer" on Zonophone, a budget British label active through the 1920s-30s.AI summary
Zonophone 1012 Music Hall
Billy Williams, the Scottish music hall singer, performs 'Are we all Here?' and 'Squeeze her Ebenezer' on Zonophone, a small British label active from the 1920s onward.AI summary
Zonophone 1012 Music Hall
Billy Williams performing 'Are We All Here?' and 'Squeeze Her Ebenezer' on Zonophone 1012. Zonophone was an early British label subsidiary to The Gramophone Company, and this record represents popular comedy or novelty song of the 1900s–1910s era.AI summary
Zonophone 1012 Music Hall
Billy Williams on Columbia Is558: 'Blame It On to Poor Old Father' and 'Giving a Donkey a Strawberry'. Williams was a prolific British music-hall performer and comedian of the early 1900s–1920s.AI summary
Columbia is558 Music Hall
Billy Williams performing two songs on Pathé Records, a major British electrical recording label of the late 1920s and early 1930s. Billy Williams was a light vocalist, and his recordings on Pathé are not widely documented as major collectibles.AI summary
Pathé 93015 Voice
Billy Williams, the prolific British music hall comedian, on Scala Records with two comic novelty songs; another of his many recordings on minor British labels.AI summary
Scala 506 Music Hall
Billy Williams on the Homophone label with music-hall comedy novelties—'Bobbing About in the Briny' and 'When Father Papered the Parlour'. The Homophone imprint was a cheap British marque of the 1920s–30s.AI summary
Hom 6998 Music Hall
Billy Williams, the British music-hall performer, on Zonophone 240, performing 'Bobbing About in the Briny' and H. Fay's 'In the Days That Are Coming Bye-and-Bye'. Williams was a prolific entertainer of the early 20th century.AI summary
Zonophone 240 Music Hall
Billy Williams, a Scottish music hall singer of the early 20th century, performs 'Boys and Girls' and 'Tickle me Timothy' on Scala, a minor British label of the 1920s–30s.AI summary
Scala 326 Music Hall
Billy Williams recorded 'Boys and Girls (07)' and 'Tickle me Timothy (07)' for Columbia, catalogue is1326. The suffix '(07)' and catalogue notation suggest acoustic or very early electric recording, possibly from the 1920s.AI summary
Columbia is1326 Voice
Billy Williams performing 'Boys and Girls' (part 07) and 'Bungalow parody' on Homochord, catalogue 319. An unidentified or minor artist on a small British label.AI summary
Hom 319 Music Hall
Billy Williams, a British performer, in two novelty numbers on Regal, a major British label: "Call me early in the Morning" and "Oh for another day at Margate".AI summary
Regal 6645 Music Hall
Billy Williams singing two comedy novelty numbers, 'Call me early in the Morning' and 'On her pic-pic-piccolo', for Zonophone Records catalogue 1030.AI summary
Zonophone 1030 Music Hall
Billy Williams, recorded 'Chanticleer' and 'You're the One' for Zonophone 584, likely in the late 1920s or early 1930s.AI summary
Zonophone 584 Voice
Billy Williams recorded 'Chanticler' and 'You're the One' for Cinch, a small British label. Little is known of this artist or the label's history.AI summary
Cinch 5112 Music Hall
Billy Williams performing two comic novelty songs, 'Cock-a-Doodle-Doo' and 'Poodle Dog', on Scala, catalogue 1336. Scala was a budget British label.AI summary
Scala 1336 Music Hall
Billy Williams, a popular British music-hall and variety entertainer of the 1920s–1930s, performs two novelty comic songs on Zonophone 783: "Cohen" and "All the Silver from the Silvery Moon." Zonophone was a Gramophone Company label much used for British variety artists.AI summary
Zonophone 783 Music Hall
Billy Williams, a Scottish music-hall comedian, performing 'Cohen' and 'She's my Lassie from Glasgie Toon' on the Lyr label, a small British imprint.AI summary
Lyceum 273 Music Hall
Billy Williams, a British music-hall performer, on 'Colliers' and 'Hobnailed Boots that Father wore', Home (Hom) 4111. Home was a small British label of the 1920s-30s.AI summary
Hom 4111 Music Hall