273 shellac records · mostly British pressings, 1900s–1950s
273 records matching · page 4 of 6
Jay Wilbur and his orchestra recorded these two sides for the Rex label, a British budget imprint of the early 1930s; Wilbur was a British bandleader and composer working steadily in that era.AI summary
Rex 9917 Dance
Joe Haymes recorded 'I'se a Muggin'' and '(J Johnson) Goody Goody' for Rex Records (8777), a British label. Haymes was a dance-band bandleader of the 1920s–30s.AI summary
Rex 8777 Dance
Joe Haymes, a dance-band leader, recorded 'I Wanna Woo' and 'Polly Wolly Doodle' for Rex 8815. Haymes was active in the 1920s–30s but is not a major collector name.AI summary
Rex 8815 Dance
Joe Haymes' dance band on Rex with "Truckin'" and "Lady in Red", swing-era standards.AI summary
Rex 8647 Dance
Joe Venuti, the jazz violinist, recorded 'Build a Little Home' and 'Little Dutch Mill' (credited to George Van Eps) for the Rex label; this UK pressing documents Venuti's prolific recording career of the late 1920s.AI summary
Rex 8169 Jazz
Kardos on Rex 8004, with 'Gold Diggers Song' and 'Shadow Waltz' — light popular vocal material on a mid-range British label, early 1930s.AI summary
Rex 8004 Voice
Kirchin performing 'Chestnut Tree' and 'How to Dance The Chestnut Tree' on Rex 9434.AI summary
Rex 9434 Dance
Kirchin on Rex (9501) with 'Park Parade' and 'How to dance', light instrumental or instructional material from the early 1930s.AI summary
Rex 9501 Dance
Kunz, performing the light orchestral selections 'St James Park' and 'Vienna in Springtime' on the Rex label, a mid-market British pressing.AI summary
Rex 8472 Orchestra
Kunz recorded 'Louisiana Fairy Tale' and 'Red Sails in the Sunset' for Rex, a British mid-market label.AI summary
Rex 8560 Orchestra
Credited to Kunz on Rex 8594, performing 'Moonspun Dreams' and 'If You Ever Need a Friend'.AI summary
Rex 8594 Voice
Kunz recorded 'Dream Shadows' and 'In the Middle of a Kiss' for Rex 8624. Without further identification, the artist and context are unknown.AI summary
Rex 8624 Voice
Rex 8639 Dance
Kunz recorded the popular standards 'A Pretty Girl Is Like a Melody' and 'Would You' for Rex, a budget label. Nothing is known of the artist from this information alone.AI summary
Rex 8824 Voice
Kunz recorded 'I Breathe on Windows' and 'I'm in a Dancing Mood' for Rex, catalogue 8917. The artist and the unusual title suggest novelty or comic material of the 1930s; Rex was a British budget label.AI summary
Rex 8917 Dance
Kunz on Rex, performing 'Swing Time Selection' (two sides), likely early 1930s light-music or dance material.AI summary
Rex 8943 Dance
Kunz performing 'March Winds and April Showers' and 'Cherokee' on Rex, a British budget label, catalogue 8458.AI summary
Rex 8458 Dance
Kunz recorded 'Dream Shadows' and 'In the Middle of a Kiss' for Rex Records, catalogue 8624. Rex was a cheap British marque.AI summary
Rex 8624 Voice
Larry Adler on Rex Records, pairing a medley of popular songs with the famous 'Hungarian Dance No. 5', a staple of his recital repertoire; another sought recording of the harmonica virtuoso.AI summary
Rex 8597 Instrumental
Larry Adler, the virtuoso harmonica player and entertainer, recorded these solos — 'Love Forever', 'South American Joe', and 'Rubinstein's Melody in F' — for the small British label Rex in the early 1930s.AI summary
Rex 8598 Instrumental
Larry Adler was the world's greatest harmonica virtuoso and a celebrated concert and recording artist; this Rex Records pressing captures two of his selections, a 'Broadway Melody of 1936' medley and 'Hungarian Dance No. 5', showcasing his virtuosity and broad repertoire.AI summary
Rex 8700 Instrumental
Larry Adler, the American harmonica virtuoso, performing 'Goody/Lost' and 'You Hit the Spot/Touch of Your Lips' on Rex 8805.AI summary
Rex 8805 Instrumental
Lawrence performing two popular songs—'You're looking for Romance I'm looking for Love' and 'Sunset in Vienna'—on Rex 9120, a budget British label.AI summary
Rex 9120 Voice
Leslie Holmes performing novelty material on Rex 8094. Rex was a budget British marque; Holmes is unrecognised.AI summary
Rex 8094 Comic
Leslie Holmes on Rex 8094 with the comic novelty 'I'm the monster of Loch Ness' and the popular song 'Annie doesn't live here any more'.AI summary
Rex 8094 Comic
Leslie Holmes was a British vocalist; this Rex disc carries two novelty numbers.AI summary
Rex 8253 Voice
Leslie Holmes performing popular song material on Rex 8490, a British budget label active from the 1930s onwards.AI summary
Rex 8490 Voice
Leslie Holmes on Rex 8094, singing novelty sides including 'I'm the Monster of Loch Ness', a comic record capitalising on the contemporary Loch Ness Monster craze of the early 1930s.AI summary
Rex 8094 Music Hall
Leslie Holmes with Charles Coborn, a famous Victorian music-hall star, on Rex 8213, performing '50 Years Ago' and a comic novelty 'How're You Getting On?'. The collaboration of these two performers suggests 1920s or early 1930s recording.AI summary
Rex 8213 Music Hall
Leslie Holmes on Rex 8253. Rex was a cheap British label of the 1930s; the artist does not appear in standard reference works, and the titles suggest novelty or popular song material of that period.AI summary
Rex 8253 Voice
Leslie Holmes on Rex Records, a budget British label of the early 1930s, with two light novelty songs.AI summary
Rex 8359 Voice
Leslie Holmes recorded 'Silly Girl' and 'Happy Is the Day' for Rex, a budget British label of the 1930s. Holmes is not documented in standard sources.AI summary
Rex 8176 Voice
Leslie Sarony, a music-hall comedian and singer, performing comic novelty songs on the Rex label. Sarony was a prolific recording artist in the late 1920s and early 1930s, known for his speaking-singing delivery and topical humour.AI summary
Rex 8069 Music Hall
Leslie Sarony, a British comedian and entertainer of the 1920s–30s, recorded 'Bashful Tom' and 'I'm Courtin' Sairey Green' on Rex Records. These comic songs were his stock-in-trade.AI summary
Rex 8309 Music Hall
Leslie Sarony was a British comedian and songwriter of the 1920s–30s, known for his novelty songs and comic recordings. This Rex 78 pairs two of his pieces: 'Laughing Waltz' and 'Old White's Whiskers', capturing his whimsical variety style.AI summary
Rex 8039 Music Hall
Leslie Sarony, a British comedian and novelty performer, recording 'Why build a Wall round a Graveyard' and 'I took my Harp to a Party' on Rex Records. Sarony was active in the 1920s-30s.AI summary
Rex 8063 Music Hall
Leslie Sarony, a British comic singer and entertainer, performing 'Waitin' at the Gate for Katy' and 'Coom Pretty One' on Rex 8183, a budget-label pressing.AI summary
Rex 8183 Music Hall
Leslie Sarony, a British comedy singer and entertainer, on Rex 8236.AI summary
Rex 8236 Music Hall
Leslie Sarony, a British comedy singer and entertainer, recorded "Why Build a Wall Round a Graveyard" and "I Took My Harp to a Party" for Rex Records 8063.AI summary
Rex 8063 Music Hall
Leslie Sarony was a British comedian and singer, much recorded in the 1920s–30s. This Rex label side pairs 'Old sow' and the Yorkshire dialect piece 'Ilkla moor bart 'at'—comic material typical of British music-hall and variety records.AI summary
Rex 8145 Music Hall
Leslie Sarony, a British music-hall entertainer and songwriter, recorded 'Why build a Wall round a Graveyard' and 'I took my Harp to a Party' for Rex. Sarony was a minor but active comic performer and recording artist of the 1920s–30s.AI summary
Rex 8063 Music Hall
Rex 8145 Variety
Lloyd recorded 'Good Morning Glory' and 'Did You Ever See a Dream Walking' for Rex, a British budget label.AI summary
Rex 8087 Dance
Lloyd on Rex, catalogue 8088: 'Shanghai Lil' and 'Honeymoon Hotel', light vocal numbers from the early-to-mid 1930s, likely novelty or music-hall material.AI summary
Rex 8088 Voice
Lopez recorded 'Talking through my Heart' and 'You came to my Rescue' for Rex, a British imprint of the early 1930s. The artist and exact identity of Lopez remain unclear from the label alone.AI summary
Rex 8955 Voice
Mae Marion performing 'Come up and see me some Time' and 'When you were the Girl on the Scooter' on Rex 8092. An unidentified female vocalist on Rex, a British budget label.AI summary
Rex 8092 Voice
Maurice Elwin on Rex, singing two popular ballad standards of the interwar era — an unknown artist to standard reference sources.AI summary
Rex 8773 Voice
Max Miller was one of the biggest stars of British music-hall in the 1930s–40s, famous for his outrageous blue comedy and gaudy dress. This Rex label recording captures him in "Confessions of a Cheeky Chappy", one of his signature routines.AI summary
Rex 8604 Personalities (Prs)