316 shellac records · mostly British pressings, 1900s–1950s
316 records matching · page 7 of 7
Vernon Watson on Victor, a small US label; artist and repertoire unknown.AI summary
Victor C39 Voice
Vernon Watson, an American singer, recorded 'I'd like to go on a Honeymoon' and 'Paree' for Victor, the American label, issued as a British import. Watson was a minor popular singer of the 1910s-1920s.AI summary
Victor C34 Voice
Vernon Watson was an obscure British singer of the 1920s–30s. 'Nobody loves me' and 'I wonder who's kissing her now' are sentimental popular songs of the period. This Victor pressing carries catalogue number C42, suggesting an early British Victor issue.AI summary
Victor C42 Voice
Vess Ossman was a leading American ragtime banjo soloist of the 1900s–1910s; 'Persian Lamb Rag' showcases his fast technique on Victor, a pioneering recording that helped define the ragtime sound.AI summary
Victor 16127 Instrumental
Vess Ossman, a celebrated early ragtime banjo soloist, performing two sides on Victor (catalogue 16667), from the early 1900s acoustic era.AI summary
Victor 16667 Instrumental
Vess Ossman, an American banjoist and one of the earliest recording artists, performing 'Yankee Land' and Uncle Josh Weatherby's comic monologue 'Uncle Josh and the Fire Department' on Victor 16781. Ossman was a major figure in early 1900s recording and banjo artistry.AI summary
Victor 16781 Instrumental
Vess Ossman on Victor 4589, performing 'A Gay Gossoon', a banjo or ragtime piece. Ossman was an American banjo virtuoso of the 1890s–1920s; Victor 4589 dates to the acoustic era.AI summary
Victor 4589 Instrumental
Victor Military Band on Victor 17487 with 'Bobbin' Up and Down' and 'International Rag', American military-band recordings from around 1910–1920.AI summary
Victor 17487 Orchestra
Victor Mil Band performing 'Listen to This' and 'Brown Skin' on Victor 18203 — likely a commercial British or American pressing of the 1920s–1930s.AI summary
Victor 18203 Dance
Victor Military Band was a studio group assembled by the Victor Company; this pressing pairs two novelty and traditional songs in the military-band style typical of the 1910s–1920s.AI summary
Victor 35402 Orchestra
The Victor Military Band recorded popular songs and vaudeville novelties for the Victor label in the 1910s. 'I can dance with Everybody but my Wife' and 'Yaaka hula hickey dula' (a Hawaiian novelty hit) are typical of American dance music from this period, though this is a US Victor pressing rather than a British issue.AI summary
Victor 35546 Dance
Victor Orchestra performing descriptive pieces 'A Hunt in the Black Forest' and 'In a Clock Store' on Victor Records, likely from the 1920s or earlier.AI summary
Victor 35792 Orchestra
The Victor Orchestra with Rhythms for Children in two sides on Victor 20153.AI summary
Victor 20153 Orchestra
Vladimir de Pachmann was a legendary Russian pianist of the late 19th and early 20th centuries, celebrated as one of the finest interpreters of Chopin and a virtuoso of remarkable technical skill. This Victor recording of 'Prelude in D-flat Major' (Op. 28 No. 15, 'Raindrop', or another work) represents a major pianist's interpretation. Victor pressings of Pachmann's recordings are historically important and collectable.AI summary
Victor 6480 Classical
A record credited to 'Waring' on Victor, likely Fred Waring's Pennsylvanians, a major American vocal group of the 1920s.AI summary
Victor 19648 Orchestra
Waring on Victor Records with 'Syncopatin Sal' and 'Way down in my Heart', likely an American vocalist recorded for the Victor label.AI summary
Victor 19768 Voice
Waring's Pennsylvanians, a popular American dance orchestra of the 1920s–30s, recorded a medley of 'Flying Colors' for Victor Records.AI summary
Victor 24239 Dance
Weems recorded 'Blue Eyed Sally' and 'Oh How I Love My Darling' for Victor 19547, likely from the 1920s. This appears to be either a British pressing or an American release.AI summary
Victor 19547 Dance
Weems — likely Ted Weems, an American dance-band leader of the 1920s–30s — recorded 'Miss Annabelle Lee' and 'Barbara' for Victor, the major American label. Victor pressings of Weems were widely distributed. These are light popular ballads or dance-novelty titles typical of his era.AI summary
Victor 20846 Dance
Wendell Hall, the 'Red-Headed Music Maker', was a popular American entertainer and composer of the 1920s; 'It Ain't Gonna Rain No Mo' was one of his signature pieces, recorded on Victor.AI summary
Victor 19501 Voice
Whidden, an unidentified artist, on Victor catalogue number 1, an exceptionally early pressing, with "Ramona" and Brahms' Hungarian Dance No. 1.AI summary
Victor 1 Instrumental
A Victor record credited only to 'Whiteman' with two popular standards; likely either Paul Whiteman's orchestra or a house band using his name.AI summary
Victor 21240 Dance
Wilton Crawley was an early African-American blues and jazz guitarist; this Victor side captures the novelty-dance idiom of the late 1920s and carries the historical weight of pre-Depression blues.AI summary
Victor 38094 Jazz
Zelie de Lussan, an American opera singer of the late 19th and early 20th centuries, recorded 'Lili' and 'Rosy Morn' for Victor, catalogue RCC69. De Lussan was a noted mezzo-soprano of the 1890s–1920s era, and this is an early acoustic Victor recording, likely from the 1900s–10s.AI summary
Victor RCC69 Opera
Zelie de Lussan was an American mezzo-soprano of the late 19th and early 20th centuries; this Victor pressing of 'Paloma' is a classical vocal recording.AI summary
Victor 64003 Classical
Zelie de Lussan, a celebrated American contralto, performing 'Paloma' on Victor (catalogue 64003), from the acoustic era.AI summary
Victor 64003 Voice
Zélie de Lussan, an American mezzo-soprano of French descent, recorded this aria on Victor during the acoustic era. De Lussan was an opera singer of some international standing in the early twentieth century.AI summary
Victor 64002 Opera
Zélie de Lussan, the American-born mezzo famous as Carmen, sings 'La Paloma' on a single-sided Victor.AI summary
Victor 64003 Voice