816 shellac records · mostly British pressings, 1900s–1950s
816 records matching · page 17 of 17
Vivien Lambelet recorded 'When You and I Were Seventeen' and 'All Alone' for Zonophone (2599). Vivien Lambelet is not identified in standard discographies; Zonophone catalogue numbering suggests mid-1920s–30s era.AI summary
Zonophone 2599 Voice
Vivien Lambelet was a singer recording on Zonophone in the 1910s–20s; these sentimental ballads represent the popular vocal repertoire of the early electrical era.AI summary
Zonophone 2599 Voice
W Strong on Zonophone, performing sentimental ballads typical of the 1910s-1920s acoustic era.AI summary
Zonophone 1797 Voice
Walter Miller was a British music-hall and novelty singer active in the early 1920s; this Zonophone recording of a comic song is characteristic of postwar British popular entertainment on a secondary label.AI summary
Zonophone 42281 Music Hall
Walter Miller performing 'In Barcelona' on Zonophone 42292. Zonophone was a British label active from the 1900s through the 1920s; Miller cannot be placed with confidence, though this high catalogue number suggests a later Zonophone release, possibly from the 1920s.AI summary
Zonophone 42292
Walter Miller recorded a comic or novelty piece, 'Mandy's Christening', for Zonophone, a major British label; the catalogue number suggests a pre-war pressing, though the artist is not widely documented.AI summary
Zonophone X2-42011 Comic
Walter Miller performing 'Tiny Seed of Love' for Zonophone X-series (X42864), an early acoustic catalogue from the 1900s–1910s.AI summary
Zonophone X42864 Voice
Walter Miller recorded "Isn't It Lovely to Be in Love" for Zonophone X42867, a British budget label of the 1920s–1930s.AI summary
Zonophone X42867 Voice
Zonophone X42990 Jazz
Whit Cunliffe performing 'He's All Right' on Zonophone catalogue 2-42022 — an early Zonophone acoustic-era single-sided pressing. Cunliffe on early Zonophone is a more uncommon pressing than his commoner Jumbo or Regal sides; single-sided acoustic Zonophone pressings are earlier than most of his surviving recordings.AI summary
Zonophone 2-42022 Music Hall
Whit Cunliffe performing 'You Can't Do Without Each Other' on Zonophone catalogue 2-42040 — an early acoustic-era single-sided Zonophone pressing. Cunliffe on early single-sided Zonophone is more uncommon than his commoner budget-label double-sided pressings.AI summary
Zonophone 2-42040 Music Hall
Whit Cunliffe, the popular Edwardian music-hall comedian known for his coster songs and comic sketches, performs 'Follow Me Girls' and — with Fay — 'Put Me Upon an Island' on Zonophone 539, an early Zonophone pressing. The 539 number places this in the very early British Zonophone series, almost certainly pre-1905; Cunliffe is a collected music-hall name.AI summary
Zonophone 539 Music Hall
Wild West Jazz Band on Zonophone performing early jazz novelty material. Zonophone was a significant British label of the 1920s–30s.AI summary
Zonophone 1992 Jazz
Will Deller singing I've made up my Mind to sail away on Zonophone 42005.AI summary
Zonophone 42005 Voice
Will Evans performs the music-hall comedy numbers 'The Girl who lost her —' and 'Wedding in the Farmyard' on Zonophone 1099, an early recording from the acoustic era.AI summary
Zonophone 1099 Music Hall
Will Evans performs two music-hall comedy monologues on Zonophone 1167: "Ragtime Rosie" and "The Wrong Flat," likely from around 1912–1915. Evans was a known British music-hall comedian of that era; Zonophone was a widely distributed British label.AI summary
Zonophone 1167 Music Hall
Will Evans and Jim in two comic sketches recorded for Zonophone, a British label established in the early 1900s. Evans was a music-hall comedian of the Edwardian era, and these pieces capture the spoken-word comic routines typical of the period.AI summary
Zonophone 1362 Music Hall
Will Evans performing 'Invasion of 1910' on Zonophone 42512. Zonophone was a British label active from the early 1900s onward; the title suggests a topical or novelty recording from around 1910, the period of invasion scares in Britain.AI summary
Zonophone 42512 Music Hall
Will Evans, a British music-hall comedian, performs comic sketches on Zonophone 1434 — likely an early pressing (Zonophone active 1901–1924), making this a scarce acoustic-era recording.AI summary
Zonophone 1434 Music Hall
Will Evans, a British music-hall performer, performing 'General Advice' and 'Will Evans on Jim's Voice' on Zonophone, a British label active from the early 1900s onwards.AI summary
Zonophone 1521 Music Hall
Will Evans on Zonophone performing 'All About Jim', a novelty or comic song by an unidentified artist on a British budget label.AI summary
Zonophone X42287 Comic
Will Evans performs All About Jim on Zonophone 42287, a single-sided issue.AI summary
Zonophone 42287 Comic
Will Evans on Zonophone 778, a music-hall or variety performer recording two comic or sentimental numbers; Evans was a known performer of the early 1900s–1920s era, and Zonophone was a major British label, though this particular record is likely to have been well-pressed.AI summary
Zonophone 778 Music Hall
Will Evans performing comedy sketches 'Building a Chicken House' (parts 1 and 2) on Zonophone 859, a British recording of the early 1900s–1920s era.AI summary
Zonophone 859 Comic
Will Evans recorded 'Knight in Armour' and 'Yachting' for Zonophone, a British label active mainly from the 1900s–1920s; likely light entertainment or novelty songs from that era.AI summary
Zonophone 921 Music Hall
Will Evans on Zonophone 84, performing two British music-hall comic monologues from the early 20th century. Evans was a popular British character comedian and music-hall performer.AI summary
Zonophone 84 Music Hall
Will Evans, a British comedian and music-hall performer, recorded 'The Suffragette' and 'All About Jim' for Zonophone 540. Evans was famous for monologue and comic-song recordings in the early 1900s; Zonophone was a significant label in that era.AI summary
Zonophone 540 Music Hall
Will Evans recorded 'Hamlet' and 'Who am I' for Zonophone, catalogue 71; Evans is untraced and the very low catalogue number suggests an extremely early Zonophone pressing from the acoustic era.AI summary
Zonophone 71 Voice
Will Evans on Zonophone 778, performing music hall comedy material. Evans was a British music hall comedian; Zonophone was an early British label and this catalogue number suggests acoustic or very early electrical recording.AI summary
Zonophone 778 Music Hall
Will Kuming on Zonophone 1286, a Gramophone Company budget label; popular sentimental material from the 1910s–1920s.AI summary
Zonophone 1286 Voice
William Lynd performing 'Mark Twain on Women' on Zonophone catalogue 618 — a low catalogue number suggesting an early pressing. Lynd is not widely documented in standard music-hall references; an unrecognised artist on an early Zonophone number warrants investigation.AI summary
Zonophone 618 Music Hall
Wilson Hallett performing a song titled "The Nigger and the Bee" on Zonophone, an early British label.AI summary
Zonophone 42027
Winter recorded 'Love is Just a Flower' and 'Romany Rose' for Zonophone 2383. Zonophone was a major British label active from the acoustic era through the 1930s.AI summary
Zonophone 2383 Voice
Winter recorded 'I Love Me' and 'Chansonette' for Zonophone, catalogue 2397, likely 1920s.AI summary
Zonophone 2397 Voice
Woodville & Fay, a performer or duo, on Zonophone, performing novelty material from the 1920s-1930s.AI summary
Zonophone 2080 Music Hall
A xylophone player recorded 'Sleigh Ride' and 'Students' Revels' for Zonophone, a well-established British label, in what appears to be the early 1900s based on the catalogue number.AI summary
Zonophone 43 Instrumental
Zona Vevey (artist unidentified) on Zonophone 1482. The titles suggest classical or art-song material; the artist does not appear in standard discographies.AI summary
Zonophone 1482 Classical
Zona Vevey performing 'My Shepherd Boy' and 'Mary' on Zonophone 617, a British vocal recording from the early electrical era.AI summary
Zonophone 617 Voice
Zona Vevey recorded comedy or novelty vocal sides for Zonophone in the late 1920s; 'Sun Brown Sue' and 'One Man Band' appear to be music-hall or novelty material.AI summary
Zonophone 1972 Music Hall
Zonophone 412 Music Hall
Zona Vevey recorded 'My Shepherd Boy' and 'Mary' for Zonophone, catalogue 617, in the early 1920s. An obscure vocalist on a minor label.AI summary
Zonophone 617 Voice
Zona Vevey performing 'Song Birds in the Dell' and 'The Piper & the Drummer' on Zonophone 687, popular vocal numbers on an early acoustic label.AI summary
Zonophone 687 Voice
Zona Vevey performing 'My Pansy' and 'My Shepherdess' on Zonophone 820, early popular vocal pieces on an acoustic label.AI summary
Zonophone 820 Voice
Zona Vevey, a vocalist, on Zonophone 881, performing sentimental ballads of the 1920s.AI summary
Zonophone 881 Voice
Zona Vevey recorded 'One Man Band' and 'Sun brown Sue' for Zonophone, catalogue 1972, an early electrical pressing of the late 1920s.AI summary
Zonophone 1972 Music Hall
The Zonophone Light Opera Company recorded vocal gems from Gilbert and Sullivan's 'HMS Pinafore' for Zonophone—a typical light opera compilation from the early 20th century.AI summary
Zonophone A317 Opera
Zonophone 5733
Untitled
Zonophone 2088