815 shellac records · mostly British pressings, 1900s–1950s
815 records matching · page 9 of 17
George Lashwood, a Victorian and Edwardian baritone, performing 'The Serpentine' on Zonophone; Lashwood was a popular concert and drawing-room singer of the acoustic era.AI summary
Zonophone 42670 Voice
George Lashwood, a leading British music-hall comedian and singer of the late Victorian and Edwardian era, performing 'Shall I Meet You on the Bois de Boulogne?' on Zonophone 42816.AI summary
Zonophone 42816 Music Hall
George Lashwood on Zonophone 543 — 'Twilight' and 'A Rainy Afternoon.' Catalogue number 543 is a companion to Zonophone 544 also in this collection and is equally low in the Zonophone series, placing this among the label's earliest pressings. Two consecutive very early Zonophone numbers by the same artist in one collection is a notable concentration.AI summary
Zonophone 543 Music Hall
George Lashwood was a popular Edwardian music-hall singer known for his smart, well-dressed stage persona and topical songs. Zonophone 544 — 'The Moonlight Promenade' and 'O Blow the Scenery on the Railway' — is a very low Zonophone catalogue number, placing this among the earliest pressings on that label. Lashwood on early Zonophone is a collected music-hall item.AI summary
Zonophone 544 Music Hall
George Lashwood, a British baritone and one of the most prolific recording artists of the early 20th century, performing 'Twilight' on Zonophone. Lashwood recorded continuously from the acoustic era into the 1930s, amassing an enormous discography.AI summary
Zonophone X42616 Voice
George Lashwood, a prominent British music hall singer and entertainer of the late nineteenth and early twentieth centuries, recorded 'Send for a Policeman' for Zonophone. Lashwood was one of the most celebrated performers of the music hall era.AI summary
Zonophone 162 Music Hall
George Lashwood, a leading male vocalist and drawing-room singer of the Edwardian era, on Zonophone 170 with 'I've Been Out with Charlie Brown' and 'Sea Sea Sea'. Early catalogue number suggests an acoustic or very early electrical recording from the 1920s.AI summary
Zonophone 170 Voice
George Lashwood, a Victorian and Edwardian music hall star, performing 'One of the Girls' and 'Ship Ahoy' on Zonophone 214 — an early recording by a celebrated comedian and singer of the turn of the century.AI summary
Zonophone 214 Music Hall
George Lashwood, the popular Edwardian music-hall singer, records 'Saturday-aturday' and 'Hang Out the Front Door Key' on Zonophone 39 — a duplicate of the Zonophone 39 catalogued elsewhere in this collection. The same disc appears twice; Zonophone 39 is among the earliest British Zonophone pressings ever made and is a genuinely rare early acoustic document.AI summary
Zonophone 39 Music Hall
George Lashwood was an Edwardian music-hall performer celebrated for his elegant style and 'Champagne Charlie'-type material. Zonophone 58 is an exceptionally low catalogue number — among the earliest Zonophone pressings made in Britain, dating from around 1900–1902. Single-sided Zonophones at this number range are among the earliest surviving British disc records and are genuinely scarce; Lashwood is a recognised name and this is an early document of his recording career.AI summary
Zonophone 58 Music Hall
George Robey, the celebrated British comedian and music-hall star, recorded 'Lion Tamer' for Zonophone 042000. Robey was one of the biggest variety entertainers of the early 20th century, known for his characterisations and monologues.AI summary
Zonophone 042000 Personalities (Prs)
Gertie Gitana, a leading British music-hall star and recording artist of the early 1900s, performing two sentimental songs on Zonophone.AI summary
Zonophone 1198 Music Hall
Gertie Gitana, a prominent British music-hall star of the Edwardian and inter-war years, recorded for Zonophone; these are sentimental song numbers in the style that made her famous.AI summary
Zonophone 1198 Music Hall
Gertie Gitana, one of the most beloved figures of Edwardian music hall, sings 'You Made Me Love You' and 'My Little Persian Rose' (the latter by Payne) on Zonophone 1198. Gitana, famous for 'Nellie Dean', was a major star, and her Zonophone recordings are actively collected by music-hall enthusiasts.AI summary
Zonophone 1198 Music Hall
Gertie Gitana, the British music-hall and pantomime star of the Edwardian era, performs two songs for Zonophone: 'There's a Cottage in Ballymahone' and 'Violette'.AI summary
Zonophone 1432 Music Hall
Gertie Gitana, one of the most beloved Edwardian music-hall stars and the singer most associated with 'Nellie Dean', records 'Nobody Else But You' and 'My Dusky Princess' on Zonophone 1549. The 1549 Zonophone catalogue number places this in the early-to-mid acoustic period; Gitana's Zonophone recordings are actively collected by music-hall enthusiasts.AI summary
Zonophone 1549 Music Hall
Gertie Gitana on Zonophone 1432, performing 'There's a Cottage in Ballymahone' and 'My little Persian Rose'. Gitana was a popular British music-hall singer and actress of the early 20th century, specialising in sentimental ballads and comic songs.AI summary
Zonophone 1432 Music Hall
Gertie Gitana, one of Britain's best-known music-hall stars, recorded for Zonophone in the early 1900s; this disc preserves two of her sentimental numbers.AI summary
Zonophone 1549 Music Hall
Gertie Gitana was a British music hall singer and performer known for sentimental and patriotic songs; this Zonophone disc features two songs, "Nobody Else But You" and "My Dusky Princess".AI summary
Zonophone 1549 Music Hall
G. H. Elliott, the 'Chocolate-Coloured Coon', was a famous Edwardian music-hall performer; 'Ragtime Soldier Man' and 'Dixie Dan' on Zonophone, catalogue 984, represent his early recording catalogue.AI summary
Zonophone 984 Music Hall
G. H. Snazelle, a British music-hall artist, recorded two novelty comic pieces for Zonophone: 'A Whistling Yarn' and 'German on the Telephone', catalogue 1114.AI summary
Zonophone 1114 Music Hall
The Green Brothers band was a minor American dance orchestra; this Zonophone side captures two light dance pieces from the 1920s or early 1930s.AI summary
Zonophone 5754 Dance
H Fay and S Kirkby performing 'You've Got to Sing in Ragtime' and 'All Change for Llanfairfechan' on Zonophone 767, from the early 1910s or 1920s.AI summary
Zonophone 767 Music Hall
H Forman performing two sentimental popular songs, 'Have you got another Girl at Home like Mary' and 'My Girl's a Yorkshire girl', on Zonophone 91, a very early catalogue number from the label's first decade.AI summary
Zonophone 91 Voice
H. Payne on Zonophone 947, performing Christmas novelty material on an early British acoustic label. The artist is unidentified and these titles are evidently seasonal recordings with limited appeal beyond their original 1920s market.AI summary
Zonophone 947
Hal Ford performs two patriotic or topical songs for Zonophone, one of Britain's earliest record labels — Zonophone issued from the 1900s-1920s and the very low catalogue number suggests an extremely early recording.AI summary
Zonophone 144 Voice
Hamilton Hill recorded 'Dick my Soldier Boy' for Zonophone, a British marque with a long history from the 1890s onward; the artist and exact period are not immediately identifiable from the title alone.AI summary
Zonophone 42257 Music Hall
Hamilton Hill recorded 'My Irish Daisy' for Zonophone 42396, a mid-range catalogue number suggesting a 1920s-1930s pressing; the artist remains unidentified in standard sources.AI summary
Zonophone 42396 Music Hall
Hamilton Hill recorded 'In Sweet Loveland' and 'Eyes of Blue' for Zonophone, catalogue 21, dating to the early 1900s. Hill was a minor British or American singer of the era.AI summary
Zonophone 21 Voice
Hamilton Hill on Zonophone 42306 — 'Stowaway.' Hamilton Hill is not a widely traced artist in standard references. Zonophone catalogue number 42306 is a high number, placing this in a later phase of the Zonophone catalogue, likely post-1910; later Zonophone pressings are more common than the early low-number series.AI summary
Zonophone 42306 Voice
Harold Wilde recorded the Irish songs 'Mary of Argyle' and 'Killarney' for Zonophone, the British budget label, in the 1920s–30s.AI summary
Zonophone 100 Voice
Harold Wilde on Zonophone 88, performing "Tom Bowling" and "Minstrel Boy", traditional vocal selections.AI summary
Zonophone 88 Voice
Harold Wilde, a British tenor, recorded these sentimental ballads for Zonophone, a label established in the 1890s and one of the earliest recording companies.AI summary
Zonophone 69 Voice
Harry Bluff and B. Whitlock in two comic sketches, 'Schmidt and the Special Constable' and 'Shipwrecked', on Zonophone 1619. British music-hall comedy of the early 1900s.AI summary
Zonophone 1619 Music Hall
Harry Bluff and B. Whitlock recorded two Billy sketches—'Billy at the Pictures' and 'Billy at the Play'—for Zonophone 1633. British music-hall comedy of the early 1900s, likely part of a named-character series.AI summary
Zonophone 1633 Music Hall
Harry Champion, Britain's greatest Edwardian music-hall comedian, recorded two more of his famous cockney comic songs for Zonophone: "Ginger You're Balmy" and "Never Let Your Braces Dangle". Zonophone was a major British label of the early 1910s, and Champion recordings survive across multiple labels.AI summary
Zonophone 317 Music Hall
Harry Champion, the prolific Edwardian music-hall star, performs two novelty songs for Zonophone: 'Robin Redbreast' and 'A natty little Patch behind'.AI summary
Zonophone 334 Music Hall
Harry Champion, the great Edwardian cockney comic, recorded prolifically for Zonophone in the 1900s–1910s; 'Henry VIII' and 'Let's have a Basin of Soup' are among his most famous numbers. This early Zonophone pressing (catalogue 413, likely 1904–1910) captures the vigour of the London halls at their peak.AI summary
Zonophone 413 Music Hall
Harry Champion performing 'Cover it over quick Jemima' and 'The old high Hat that I was married in' on Zonophone, catalogue 579. Another Zonophone pressing of the prolific cockney comic.AI summary
Zonophone 579 Music Hall
Harry Champion performing two more of his famous Edwardian comic songs on Zonophone, including the suggestive 'You ought to see the Missus in a Harem Skirt'.AI summary
Zonophone 595 Music Hall
Harry Champion, the most popular British music-hall comedian of the Edwardian era, records two of his signature songs—'Any Old Iron' and 'I'm Getting Ready for My Mother-in-Law'—on Zonophone.AI summary
Zonophone 728 Music Hall
Harry Champion, the cockney comic and music-hall star, performing 'Timothy let's have a Look' and 'Proud of my old bald Head' on Zonophone, catalogue 750. Champion was one of the most prolific and popular British music-hall comedians and singers of the Edwardian era.AI summary
Zonophone 750 Music Hall
Harry Champion, one of the greatest British music hall comedians, recorded two more of his signature comic songs on Zonophone.AI summary
Zonophone 765 Music Hall
Harry Champion, the Edwardian music-hall comedian, performs two novelty songs for Zonophone: 'Daisy's Daisy Roots' and 'Carroty'.AI summary
Zonophone 901 Music Hall
Harry Champion, the great cockney comedian, records 'I Was Holding My Coconut' and 'Have a Drop of Gin Joe' on Zonophone 924, an early Zonophone pressing in the 900-series. The 900-series Zonophone numbers are early British acoustic pressings, and Champion on an early Zonophone is a more desirable item than his later Columbia or Regal pressings.AI summary
Zonophone 924 Music Hall
Harry Champion, a music-hall star of the Edwardian era, performing two comic songs on Zonophone from the 1900s–1910s.AI summary
Zonophone 334 Music Hall
Harry Champion, the prolific Edwardian music-hall comedian, performs two novelty songs for Zonophone: 'PC Green' and 'Don't do it again Matilda'.AI summary
Zonophone 379 Music Hall
Harry Fay on Zonophone 1215, 'Pullman Porter's Parade'; a music-hall novelty side from the late 1920s or early 1930s on a secondary label.AI summary
Zonophone 1215 Music Hall